He's doing all of the 2D animated Disney films until sometime in the 2000s. So... a lot.What else is Bluth doing after the Secret of Nimh?
Any films identical to those of otl?He's doing all of the 2D animated Disney films until sometime in the 2000s. So... a lot.
Pretty sure he'll be keeping that a secret for nowAny films identical to those of otl?
Activision is still formed (all the reasons Warner was a bad boss for Atari are present in Universal, so the same employees get disgruntled), but Electronic Arts is not--Trip Hawkins essentially founds EA inside of Apple, instead of leaving the company.I myself have a question, specifically on if Activision is still founded or not. They were founded in October of '79 so I'm wondering if they still take down the path of "first third-party company" considering Atari is owned by Universal ITTL.
Hawkins staying at Apple and making software there is sure to cause a variety of butterflies (No EA games, no 3DO, countless franchises altered or butterflied). Here's to hoping Activision doesn't fall down the shitter.Activision is still formed (all the reasons Warner was a bad boss for Atari are present in Universal, so the same employees get disgruntled), but Electronic Arts is not--Trip Hawkins essentially founds EA inside of Apple, instead of leaving the company.
Hopefully this coming week I'll be able to return to some semblance of a normal schedule. I just took the AP test, among other things, so I have more free time again.
Does this mean EA won't be a heartless corporation who exploits gambling addicts for profit and buys and destroys other AAA studios to gain a monopoly?
Activision is still formed (all the reasons Warner was a bad boss for Atari are present in Universal, so the same employees get disgruntled), but Electronic Arts is not--Trip Hawkins essentially founds EA inside of Apple, instead of leaving the company.
Hopefully this coming week I'll be able to return to some semblance of a normal schedule. I just took the AP test, among other things, so I have more free time again.
Hawkins staying at Apple and making software there is sure to cause a variety of butterflies (No EA games, no 3DO, countless franchises altered or butterflied). Here's to hoping Activision doesn't fall down the shitter.
The film sounds excellent! I'm excited for Tex Avery's return to creating theatrical cartoons and I'm sure the 1980s will be a great time for entertainment.On November 22, 1979, Universal's first true fully-animated feature film, Woody Woodpecker, released around the United States and then the world. This movie was Universal's answer to 1978's Disney film Mickey Mousecapade. Despite all of their differences, it was clear in Woody that Universal was not only pushing their red-white-and-blue woodpecker as their rival for Mickey Mouse, but that they had been extensively influenced by the aesthetic of the Golden Age of Animation, especially the style of the Warner cartoons. In a shocking twist of events, Woody's creator the legendary Walter Lantz was brought in as an advisor on the project, to ensure his creation would get his best face forward.
--------------------------------
The movie opens on a tranquil shot of a forest, with endless towering trees and lush foliage. A serene tune plays in the background, and the opening credits roll as viewers are treated to cute scenes of woodland creatures snoozing and playing around.
The peacefulness is broken by an incessant buzzing sound, waking up a number of the slumbering animals and getting everyone all in a fuss. The camera quickly jumps over to find Woody Woodpecker putting the finishing touches on the wooden logo of the film, reading "Woody Woodpecker: The Greatest of 'Em All!".
Out of nowhere, a shotgun fires, clipping the tail feathers of Woody. He looks down below to find an angry man brandishing a shotgun, shaking his fist, and grumbling about how loud the darn wildlife was, before ducking back into his cabin.
Indignant, Woody turns up his nose returns to his house, a cozy little red and blue birdhouse. The camera zooms in on his calendar, which is open and has September 23 circled on it, the first day of autumn. Just as the bird falls asleep on his bed, a bell rings out and startles him awake. Woody zips out of his home and starts yelling about how noisy everyone is, until he realizes what day it is: moving day. The cold season is coming, and right about now is when everyone heads south for the winter. No one, however, wants Woody and his annoying laugh with them the entire trip from Oregon to Florida, so he is shut out and forced to travel on his own.
Woody sighs, but strikes out on his own way, heading down to the highway to hitchhike his way across the country. There he's picked up by a large man in a purple shirt and black vest, introducing himself as 'Denver Dooley the Third'. The duo drive for a while as a musical number kicks in, showing a montage of their escapades on their long ride down the West Coast from The-Middle-of-Nowhere, Oregon to San Diego, California. Once there, Woody (who has been extremely annoying the whole trip) will not shut up about going to the world-famous San Diego Zoo. Simply to get him to quiet down, Dooley obliges.
Woody is horrified at the sights inside of the zoo. He simply cannot believe that so many innocent animals have been locked up behind bars for mere entertainment purposes, and so he sneaks off from Dooley and their tour group to cause some characteristic mischief.
Woody dashes all over the zoo, unlocking cages, tripping visitors, and even nabbing a triple-scoop ice cream cone from a kid. Satisfied, he flies into the lion pen, mounts one of them, and as the beast rears he exclaims "JAILBREAK!" with enough force to alert all his fellow animals now was the perfect time to bust out.
The animals cause stampede everything in their paths, running in every direction. Dooley runs around looking for Woody to beat him up in return for ruining his day, but he doesn't quite get the chance--an elephant accidentally sits on him instead. The woodpecker doesn't notice his frenemy's plight and elects to join in on the chaos.
Down below, he finds himself raiding a hot dog cart alongside a trio of other animals: a shivering penguin named Chilly Willy, a panda bear named Andy, and another woodpecker he immediately falls for named Winona. As Animal Control shows up and the zoo begins to calm down, Woody leads his three new friends out the back way and narrowly escape the jaws of a hungry crocodile into Dooley's pickup truck.
Another musical number road trip montage starts up, watching as Woody and company traverse the United States from west to east. They're shown sneaking into a film adaptation of Macbeth featuring cartoon animals (a not-so-subtle jab at Disney and Mickey Mouse, as Macbeth is played by a woodpecker and the king who gets murdered by a mouse) at Mann's Chinese Theatre in Los Angeles, living it big in Las Vegas with plenty of alcohol and gambling present, visiting the Grand Canyon, horseback riding in Texas, and hitting up a party-happy Mardi Gras. This segment is wildly inappropriate for people who understand its sheer volume of innuendos, giving parents watching with their children some much-needed adult humor. Yet, in every part of their journey, Dooley, seeking revenge on Woody, is shown following close behind but never getting the chance to corner the annoying bird.
Finally, the group arrives at a beach at sunset in Florida. Andy Panda says that there's only a day's drive until they reach Miami, Woody's vacation destination, as they all recline in their beach chairs and sip drinks through colorful curly straws. A little while later, all four of them wake up at the crack of dawn to get to the Magic City as soon as possible.
Out of nowhere, Dooley turns up with some pals driving alongside the animals. Woody and his former friend exchange words, ending with Woody blowing a raspberry at Dooley and rolling up the windshield. Angry, the battle begins as Dooley and the other bad guys ram their cars into Woody's, sending everyone into a panic.
Woody, enraged, zips over to Dooley and blows another raspberry right in his face. Dooley becomes even more angry and grabs a bat from the passenger seat. He begins to destroy his car as he tries to hit Woody, missing every time. Back in the car, Chilly Willy, Andy Panda, and Winona Woodpecker are all frantically trying to work together to drive the truck in a scene reminiscent of OTL's Toy Story 2. It's easily the best part of the movie, as everything that could go wrong does but the animals manage to beat their pursuers anyways, accidentally sending them over the edge of a cliff.
Meanwhile, Woody has gotten Dooley's bat and is rapidly beating it into his face until the villain grabs the bird by the neck and, the car still speeding down the highway, threatens him. Woody struggles to breath, but it's no use, and Dooley asks him for his last words.
"Yeah," says Woody. "Are you afraid of heights?"
Dooley looks out to see the same cliff his cronies went over is mere feet away. He screams in terror, loosening his grip on Woody and allowing the bird to break free and fly away as his enemy tumbles head-over-heels into the waters below, as Woody laughs hysterically.
The woodpecker reunites with his buddies and they all make it to Miami in once piece. There, they find Woody's neighbors from Oregon, who have realized they do miss him and welcome him in as family. The movie ends in an iris shot, with Woody, Winona, Chilly Willy, and Andy gazing out into the rising sun over the Gulf of Mexico. Then Woody throws a casual glance over his shoulder to the camera as it begins the iris. He winks and laughs at the audience as the screens goes dark and "The End!" appears.
--------------------------------"Like taking candy from a baby..."
--Woody Woodpecker
"Most people argue that the Golden Age of Animation ended when I left the business after Beauty and the Beast and Don Bluth took over for The Snow Queen and Mickey Mousecapade, but I don't think that's true. The Golden Age of Animation lasted right through the Seventies. The Silver Age, on the other hand, really kicked off with Universal's risqué (for the time) Woody Woodpecker."
-- Walt Disney, from the third volume of his autobiography, One Man's Dream: The Story of Walt Disney
"It's hard to catch lightning in a bottle. It's even harder to do it twice."
--Michael Eisner, commenting on the widespread appeal of both Woody Woodpecker and Mickey Mousecapade
"I won't lie... after how well Woody did, I pushed hard for Universal to make a film adaptation of Oswald the Lucky Rabbit, a character Walt Disney and Ub Iwerks had created while at the company in the 1920s and one that I'd worked on for years after them. But Michael Eisner took one look at me and said something I'll never forget. He said, 'Mister Lantz, we want to annoy the sleeping Disney giant. We don't want to anger it. Dangling Walt's first pride and joy in front of him like bait on a fishing line is sure to make him take that bait--though by then, he'll be reeling us in.' And so I stopped asking."
--Walter Lantz, from the 1994 Disney documentary short film The Rabbit Comes Home: Welcoming Back Our Oldest Pal
--------------------------------
Songs
Wake-Up Call
Roadtrippin' (Part 1)
Zoobreak
Roadtrippin' (Part 2)
Sundown Town
Magic City
Voices
Woody Woodpecker: Grace Stafford
Winona Woodpecker: Grace Stafford
Chilly Willy: Daws Butler
Andy Panda: Bernice Hansen
--------------------------------
Woody Woodpecker was everything Michael Eisner hoped it would be, and more. Though in retrospect another of Universal's films that didn't quite hold up to their Disney counterparts, it was impossible to deny that Woody, while at times cheesy and the whole thing a little short, was not a great animated movie. Generally, it's held as Universal's best animated movie, though that is very much up for debate amongst film fans.
Two major figures were brought back into Universal's fold in the wake of Woody Woodpecker's unbridled success: Walter Lantz, and Tex Avery, both brilliant creative minds from the Golden Age of Animation. It was through them that Universal would train their next generation of animators, and allow them to wage a war on even ground with the House of Mouse. Though the Entertainment Wars had started when Michael Eisner entered MCAUniversal, they began on Thanksgiving Day 1979. Universal didn't just have a fighting chance coming into the new decade: they had an opening.
And they wouldn't disappoint.
On November 22, 1979, Universal's first true fully-animated feature film, Woody Woodpecker, released around the United States and then the world. This movie was Universal's answer to 1978's Disney film Mickey Mousecapade. Despite all of their differences, it was clear in Woody that Universal was not only pushing their red-white-and-blue woodpecker as their rival for Mickey Mouse, but that they had been extensively influenced by the aesthetic of the Golden Age of Animation, especially the style of the Warner cartoons. In a shocking twist of events, Woody's creator the legendary Walter Lantz was brought in as an advisor on the project, to ensure his creation would get his best face forward.
--------------------------------
The movie opens on a tranquil shot of a forest, with endless towering trees and lush foliage. A serene tune plays in the background, and the opening credits roll as viewers are treated to cute scenes of woodland creatures snoozing and playing around.
The peacefulness is broken by an incessant buzzing sound, waking up a number of the slumbering animals and getting everyone all in a fuss. The camera quickly jumps over to find Woody Woodpecker putting the finishing touches on the wooden logo of the film, reading "Woody Woodpecker: The Greatest of 'Em All!".
Out of nowhere, a shotgun fires, clipping the tail feathers of Woody. He looks down below to find an angry man brandishing a shotgun, shaking his fist, and grumbling about how loud the darn wildlife was, before ducking back into his cabin.
Indignant, Woody turns up his nose returns to his house, a cozy little red and blue birdhouse. The camera zooms in on his calendar, which is open and has September 23 circled on it, the first day of autumn. Just as the bird falls asleep on his bed, a bell rings out and startles him awake. Woody zips out of his home and starts yelling about how noisy everyone is, until he realizes what day it is: moving day. The cold season is coming, and right about now is when everyone heads south for the winter. No one, however, wants Woody and his annoying laugh with them the entire trip from Oregon to Florida, so he is shut out and forced to travel on his own.
Woody sighs, but strikes out on his own way, heading down to the highway to hitchhike his way across the country. There he's picked up by a large man in a purple shirt and black vest, introducing himself as 'Denver Dooley the Third'. The duo drive for a while as a musical number kicks in, showing a montage of their escapades on their long ride down the West Coast from The-Middle-of-Nowhere, Oregon to San Diego, California. Once there, Woody (who has been extremely annoying the whole trip) will not shut up about going to the world-famous San Diego Zoo. Simply to get him to quiet down, Dooley obliges.
Woody is horrified at the sights inside of the zoo. He simply cannot believe that so many innocent animals have been locked up behind bars for mere entertainment purposes, and so he sneaks off from Dooley and their tour group to cause some characteristic mischief.
Woody dashes all over the zoo, unlocking cages, tripping visitors, and even nabbing a triple-scoop ice cream cone from a kid. Satisfied, he flies into the lion pen, mounts one of them, and as the beast rears he exclaims "JAILBREAK!" with enough force to alert all his fellow animals now was the perfect time to bust out.
The animals cause stampede everything in their paths, running in every direction. Dooley runs around looking for Woody to beat him up in return for ruining his day, but he doesn't quite get the chance--an elephant accidentally sits on him instead. The woodpecker doesn't notice his frenemy's plight and elects to join in on the chaos.
Down below, he finds himself raiding a hot dog cart alongside a trio of other animals: a shivering penguin named Chilly Willy, a panda bear named Andy, and another woodpecker he immediately falls for named Winona. As Animal Control shows up and the zoo begins to calm down, Woody leads his three new friends out the back way and narrowly escape the jaws of a hungry crocodile into Dooley's pickup truck.
Another musical number road trip montage starts up, watching as Woody and company traverse the United States from west to east. They're shown sneaking into a film adaptation of Macbeth featuring cartoon animals (a not-so-subtle jab at Disney and Mickey Mouse, as Macbeth is played by a woodpecker and the king who gets murdered by a mouse) at Mann's Chinese Theatre in Los Angeles, living it big in Las Vegas with plenty of alcohol and gambling present, visiting the Grand Canyon, horseback riding in Texas, and hitting up a party-happy Mardi Gras. This segment is wildly inappropriate for people who understand its sheer volume of innuendos, giving parents watching with their children some much-needed adult humor. Yet, in every part of their journey, Dooley, seeking revenge on Woody, is shown following close behind but never getting the chance to corner the annoying bird.
Finally, the group arrives at a beach at sunset in Florida. Andy Panda says that there's only a day's drive until they reach Miami, Woody's vacation destination, as they all recline in their beach chairs and sip drinks through colorful curly straws. A little while later, all four of them wake up at the crack of dawn to get to the Magic City as soon as possible.
Out of nowhere, Dooley turns up with some pals driving alongside the animals. Woody and his former friend exchange words, ending with Woody blowing a raspberry at Dooley and rolling up the windshield. Angry, the battle begins as Dooley and the other bad guys ram their cars into Woody's, sending everyone into a panic.
Woody, enraged, zips over to Dooley and blows another raspberry right in his face. Dooley becomes even more angry and grabs a bat from the passenger seat. He begins to destroy his car as he tries to hit Woody, missing every time. Back in the car, Chilly Willy, Andy Panda, and Winona Woodpecker are all frantically trying to work together to drive the truck in a scene reminiscent of OTL's Toy Story 2. It's easily the best part of the movie, as everything that could go wrong does but the animals manage to beat their pursuers anyways, accidentally sending them over the edge of a cliff.
Meanwhile, Woody has gotten Dooley's bat and is rapidly beating it into his face until the villain grabs the bird by the neck and, the car still speeding down the highway, threatens him. Woody struggles to breath, but it's no use, and Dooley asks him for his last words.
"Yeah," says Woody. "Are you afraid of heights?"
Dooley looks out to see the same cliff his cronies went over is mere feet away. He screams in terror, loosening his grip on Woody and allowing the bird to break free and fly away as his enemy tumbles head-over-heels into the waters below, as Woody laughs hysterically.
The woodpecker reunites with his buddies and they all make it to Miami in once piece. There, they find Woody's neighbors from Oregon, who have realized they do miss him and welcome him in as family. The movie ends in an iris shot, with Woody, Winona, Chilly Willy, and Andy gazing out into the rising sun over the Gulf of Mexico. Then Woody throws a casual glance over his shoulder to the camera as it begins the iris. He winks and laughs at the audience as the screens goes dark and "The End!" appears.
--------------------------------"Like taking candy from a baby..."
--Woody Woodpecker
"Most people argue that the Golden Age of Animation ended when I left the business after Beauty and the Beast and Don Bluth took over for The Snow Queen and Mickey Mousecapade, but I don't think that's true. The Golden Age of Animation lasted right through the Seventies. The Silver Age, on the other hand, really kicked off with Universal's risqué (for the time) Woody Woodpecker."
-- Walt Disney, from the third volume of his autobiography, One Man's Dream: The Story of Walt Disney
"It's hard to catch lightning in a bottle. It's even harder to do it twice."
--Michael Eisner, commenting on the widespread appeal of both Woody Woodpecker and Mickey Mousecapade
"I won't lie... after how well Woody did, I pushed hard for Universal to make a film adaptation of Oswald the Lucky Rabbit, a character Walt Disney and Ub Iwerks had created while at the company in the 1920s and one that I'd worked on for years after them. But Michael Eisner took one look at me and said something I'll never forget. He said, 'Mister Lantz, we want to annoy the sleeping Disney giant. We don't want to anger it. Dangling Walt's first pride and joy in front of him like bait on a fishing line is sure to make him take that bait--though by then, he'll be reeling us in.' And so I stopped asking."
--Walter Lantz, from the 1994 Disney documentary short film The Rabbit Comes Home: Welcoming Back Our Oldest Pal
--------------------------------
Songs
Wake-Up Call
Roadtrippin' (Part 1)
Zoobreak
Roadtrippin' (Part 2)
Sundown Town
Magic City
Voices
Woody Woodpecker: Grace Stafford
Winona Woodpecker: Grace Stafford
Chilly Willy: Daws Butler
Andy Panda: Bernice Hansen
--------------------------------
Woody Woodpecker was everything Michael Eisner hoped it would be, and more. Though in retrospect another of Universal's films that didn't quite hold up to their Disney counterparts, it was impossible to deny that Woody, while at times cheesy and the whole thing a little short, was not a great animated movie. Generally, it's held as Universal's best animated movie, though that is very much up for debate amongst film fans.
Two major figures were brought back into Universal's fold in the wake of Woody Woodpecker's unbridled success: Walter Lantz, and Tex Avery, both brilliant creative minds from the Golden Age of Animation. It was through them that Universal would train their next generation of animators, and allow them to wage a war on even ground with the House of Mouse. Though the Entertainment Wars had started when Michael Eisner entered MCAUniversal, they began on Thanksgiving Day 1979. Universal didn't just have a fighting chance coming into the new decade: they had an opening.
And they wouldn't disappoint.