To be fair, in defense of
@Skallagrim 's view I can see the argument that it focusing on having fun when the wolves are running amok is perhaps not the wisest choice of priorities.
However, I still think that Situationism is valuable in that it offers a counterpoint to the Societist madness.
I understand your sentiment and reasoning, but I cannot really share it.
To be fair, this is a matter of personal inclination, too: I utterly despise the mentality and aesthetics of this movement as it existed in OTL, since I view it as crude, escapist hedonism with very bad manners and an extremely superficial fake philosophy underpinning it. A bunch of loons with no respect for any hard work, who just want to mooch off society. ("Life is art, and as an artist, I deserve to be paid so I can
experiment!")
All that stuff that
@Herucalmo refers to only confirms precisely that issue. Rather than a virtue, I think that's the core of their sickening hypocrisy. We saw this with these "avant-garde" artists in OTL: to a man, they were a bunch of self-important bozos who wanted to live off other people's labour. We see it here, too: a system that embraces the "free stuff" mentality, which then allows for "an opportunity for experimental and avant-garde styles of architecture".
What that
means is actually: the "bourgeois" suckers have to work, so that the "artists" can be free to build impractical monstrosities, tear down beautiful traditional architecture with sneering disdain for the past, and generally live their lives as if it's performance art (which others then have to pay for).
Some readers here may imagine it in a more rose-tinted way (and evidently some do), but I have some personal experience with types like these, and I know how a society run by their sort will eventually turn out: a degenerate rat-infested dump, where the "new architecture" rots and crumbles because it was shoddily made by brainless fools, and also because the economy has collapsed and nobody is paying for anything to be maintained anymore. In other words: the early years of Situationism are a society-wide equivalent to a debauched drug high, where everything is
Wild! and
Awesome! and
Groovy! ...but inevitably, the high will fade, and a crash follows, and it ends with the society-wide equivalent of a pathetic drug addict sticking contaminated needles into his ruined veins under a bridge, while lying in a puddle of his own piss.
So that's why I'm negative about it.
In the ATL, of course, I think it has the potential to be even worse than that. Because rather than just being self-ruining for entire countries, it will also allow the truly horrible monsters of the world to exploit the inevitable degeneration of a situationist country. Plus, the crass hedonism of OTL situationism will presumably be changed for the worse, because here, it is born from societal nihilism. This isn't a society of
happy laughter (with people "allowed to live a good and happy life", as
@skarosianlifeform puts it); this is a society that reacts to the world's horrible state by collapsing in hysterical, insane giggling. The laughter that comes when your mind breaks and all sanity slips away.