I call this 'what if Colin Baker got an actually good story (or at least better than the absolute disastrous mess that was The Twin Dilemma) as his debut?'
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Snakeskin was the seventh and final story of the twenty-first season of the British science fiction television series
Doctor Who. Broadcast in four parts between the 22nd and 30th March 1984, it was the debut story of Colin Baker as the Sixth Doctor. It was also the final story broadcast in the twice-weekly format and the last until Season Twenty-four in 1987 to be four parts long.
The story sees the newly-regenerated Doctor’s mind taken over by the Mara, a creature with the power to possess other beings, and summoned to the planet Kalpa, where it plans to use him to control the planet’s people by presenting the Doctor as the hero who conquered the Mara.
Part One
The story opens with archaeologists on Kalpa breaking a stone from which the Mara springs, possessing one of them, Sutt, who murders his colleague. On the TARDIS, the Doctor initially seems happy to the point of arrogance with his new form and picks out an extravagant and absurdly tasteless costume, much to Peri’s confusion and discomfort, but soon faces a bout of madness. The Mara draws the TARDIS off course and to Kalpa, which the Doctor blames Peri for; on exiting the TARDIS, Sutt attacks the Doctor and the Mara possesses him. The Doctor then tries to strangle Peri, who escapes him and tries to warn the inhabitants of Kalpa of the Doctor’s madness. They hail him as a hero, and when he reaches the town, they prepare to hand Peri over to him.
Part Two
It becomes apparent the Doctor has returned to normal; his pomposity about being the conqueror of the Mara was simply part of his new personality, which he admonishes Peri for. He starts to investigate affairs on Kalpa, while the Mara resumes control of Sutt to undermine the Doctor’s efforts by trying to burn down the library of books on the Mara’s history and murder the town’s mayor, Arhat. The Mara appears before Peri several times, but no one else sees it, including the Doctor. Ultimately, after a fight between Sutt and Arhat, Arhat sees the Mara and announces a ceremony where the Doctor must prove his identity or be killed for heresy.
Part Three
When the Doctor and Peri learn of Arhat’s plan, to Peri’s surprise the Doctor eagerly agrees to it. While he is helping with the preparations, the Mara finally appears before the Doctor and uses Arhat to challenge him for his existence; if he fails, the Mara will take over his body and conquer time and space. Sutt, now free of the Mara’s control, frees the Doctor and Peri, and the three escape, with Peri and Sutt trying to work out a plan to destroy the Mara, something the Doctor insists is impossible. After the three are tracked down again, with Arhat warning them that they will be arrested or killed, the Doctor gives in and allows them all to be arrested, to Peri and Sutt’s dismay.
Part Four
Imprisoned in the palace with no way to get out of the Doctor partaking in the ceremony, Peri admits to the Doctor she feels like he isn’t someone she has any respect for, and Sutt questions if the Doctor is the hero he’s claimed to be. Others on Kapla express the same doubts to Arhat, who (under the Mara’s power) asserts his certainty of the Doctor’s identity. When the Doctor is brought out for the ceremony and the Mara is summoned, the Doctor admits that he feels his previous self’s sacrifice to save Peri was a foolish decision as he could have saved so many others instead, but realizing the Mara will feed on his and Peri’s resentment, they forgive each other, allowing the Doctor to find the justice which allowed him to conquer the Mara in the past again, destroying it. After returning to the TARDIS, Peri questions whether the Doctor behaved the way he did because of the Mara’s influence or because that’s really who he is, which the Doctor answers noncommittally, before telling her, ‘Whatever else happens, I am the Doctor, whether you like it or not,’ a claim she returns with a smile.
Initially script editor Eric Saward had hired Anthony Steven, who had written many adaptations of classic novels for the BBC, to write the Sixth Doctor’s debut, but Steven proved very slow and his script, ‘The Twin Dilemma’, was considered unsuitable for use. As a result, Saward reluctantly commissioned Christopher Bailey, who had written two fairly well-received serials in the prior two series (Kinda and Snakedance), to write a third story for the programme. Saward later revealed he did this on the advice of producer John Nathan-Turner, who noted that Bailey would be likely to want to reuse the Mara from his two previous serials, and that reusing this prop would make the serial easier and cheaper to produce than one requiring a whole new monster.
Initially Bailey had wanted to have one of the two stories he had tried to submit as his third story (Man-watch and The Children of Seth) produced, but was given a strict brief on ideas of how to build up the Doctor’s regeneration balanced out by an opportunity to develop the Mara further. Interviews suggest it was mostly a mix of Saward, Nathan-Turner and Colin Baker who decided to make the Doctor’s personality more unlikeable, abrasive and bombastic, but that most of the key plot points about how this was used (besides the Doctor’s rudeness to and strangling of Peri) were Bailey’s ideas.
Snakeskin was largely quite positively received by Doctor Who fans at the time, though it was criticized for reusing the Mara; in a review of the story in
Doctor Who Magazine (DWM) #90, Gary Russell remarked that ‘at the end of the day, the Mara is just a snake with mind control powers’ and was sceptical of the show’s attempts to turn it into a recurring villain with so many return appearances. Due to the symbolism of the Mara’s use in its stories, Russell’s remark has been joked about multiple times by other Doctor Who fans.
The story has had more positive reviews from later critics; in
The Discontinuity Guide (1994), Keith Topping, Martin Day and Paul Cornell concluded that ‘Snakeskin features a very compelling portrayal of the new Doctor that likens back to the First and Third Doctors by making him hard, but necessary, to sympathise with and contrasts him nicely with the amiable Fifth Doctor. It’s also very refreshing to see the drama of the Doctor’s sacrifice in The Caves of Androzani acknowledged and tied in with making us accept this new incarnation.’ In
About Time 5, Lawrence Miles calls Snakeskin ‘a lost blueprint for a better Colin Baker era than we got’ and suggests that ‘if Season 22 had followed in this story’s footsteps instead of being a sea of continuity references, maybe
Doctor Who would never have left our screens’. In polls of Doctor Who episode rankings by fans, it was ranked 73rd in the 1998 DWM poll, 78th in 2009 and 81st in 2014.
(The cast and director are the same as The Twin Dilemma (minus the titular twins from that story, of course) but playing different roles, since those would’ve been to do with the production team’s whims and not the writer’s.)