While a “skunk stripe” of white hair would be possible, I think it’d be for the best to not do the full beehive hairdo of the original Bride. What was good in the 30’s looks absurd today. Otherwise, the only makeup she’d need would be to give her pale skin and subtle stitches on places like her wrists.
Besides the haircut, does the story need any major overhauling?
Ok. I wanted to leave this off for a while, but now, I feel I need to share my idea. ITTL, Next year in 97, two animators will pitch cartoon ideas to Nickelodeon. Their names are Steven Hillenburg and Danny Antonucci. IOTL, Antonucci was put off from giving his idea to nick, given that they would have full creative control over his idea, while Hillenberg successfully pitched his to Nick executives and impressed them so much with the Hawaiian theme he put on that his pitch was referred to in interviews as ''amazing''. Two years later, both Antonucci and Hillenberg would see their ideas come to life, but on separate networks.
My idea to lessen the impact of the John K scandal is this. What if Nick decided NOT to interfere with Antonucci's work and gave him the vast majority of control over his project, with Nick simply sending in a few of their writers to pitch in and help out when wanted or needed. It Occurs to me that, aside from the bet that he couldn't make a cartoon for kids that gave birth to Ed, Edd n' Eddy, that Danny would want to show the world that edgy and groundbreaking animation still had a place in the world without K, especially for younger viewers. Something as unique and unusual as The Eds and their show could showcase that. And of course, it makes perfect sense to do it on Nick. In a way, it's sort of a ''Healing Process'' for the network, as Nick would want people to forget about this and be able to move forward. In the meantime, let's say Steven's little pitch gets him laughed out of the room, he quits and heads over to CN, taking Spongebob with him. Wanting to move away from the edge of the 90s following the John K Incident, they bring the guy onboard and give him his own production crew. With animation now being scrutinised by ''Moral Guardians'' as it were, it makes perfect sense that Cartoon Network would want to protect their image, as it were. And something as lighthearted and marketable as Spongebob would do great for their corporate image.
For both men, it means gainful employment and the possibility of gaining influence in their respective companies.
In the end, this idea all hinges on one question. How much differently would these two networks treat these two swapped shows and how would they fare under their control?
I'll figure out a way with those shows. The next question is what to do with the projects being pitched by Chris Savino and Obie Scott Wade. Since both men worked w/ John K at Trump Manhattan and bailed before the chase, would Savino and Wade be kept under a tighter leash?