I can't see where you outlined your nine points, but I agree with most of what you said. Honestly, the discourse on Japan often resembles conspiracy theories, where Japan is regarded as a monolithic entity, a hivemind with a singular will, with no room for heterogeneity, where claims are made without any data. Claims about other developed countries that would be seen as "fake news" or "conspiracy theories" are received uncritically when it pertains to Japan. Again, the more outrageous a claim about Japan, the more believable people find it, the opposite of how things work with most other countries.
It seems that even though Japan is an ally of the West at the geopolitical level, its society is regarded as an enemy, probably to a larger extent than actual geopolitical enemies of the West like Russia, whose society and people are not othered to the same extent. There is something about Japanese society that many find utterly alien, bizarre, extreme, and threatening. It's a quite sad reality for Japan honestly, being stuck between a China that regards it as a political enemy, and a West that regards it as a societal enemy.
Sorry. I forgot that I had been having this conversation with Pipcard and others over the course of several similar Pipcard threads, so some of these points were elaborated on in more detail. Pipcard may remember or understand what I said, but now that you've pointed it out, I recognize that it may seem very confusing to someone who has only read one of the threads (this one, for example).
It's an interesting way to describe it, "Japan as a social enemy", but I think it describes it very well.
Personally, my theory is that this situation is the product of the cognitive dissonance suffered by the population and the Government of the United States in trying to reconcile "Japan is our friend and ally against China at a strategic level" and "We hate Japan as a society because they are not a country that has embraced our cultural worldview as their own and they have a poor relationship with our trading partner China."
So, as a result of this, the United States, and by extension the West that embraces America's views as its own, finds itself loving, hating, and needing Japan at the same time. So they have to criticize them for something at the same time, but that something cannot be an issue that justifies a military response.
Which brings us to the current situation in which the United States repeatedly describes Japan in the same way that they usually use with fascist regimes: being at the same time a severe existential threat that can put America (and by extension the West) in grave danger. )... and too stupid and weak to be able to take advantage of this hypothetical advantage, that is if it is not falling apart in itself as a result of the aforementioned stupidity.
This is how we get absurd descriptions like at the same time the Japanese technology of the 1980s threatened to completely destroy the US economy and colonize the country to make it an economic vassal of Japan... at the same time the Japanese are depicted as too stupid and narrow-minded to give up faxing in favor of new technologies.
Now, since it doesn't make much sense to keep shouting that there is a risk that Japan will destroy the US economy (because it is China that is doing that)... the cultural issue is resorted to. An issue that is particularly strong in the United States due to the excessive weight of religiosity and moral guardians in their society. Let us remember that they are the only country where the reaction to denunciations of cases of Satanism ... was to open an official FBI investigation into it, as well as to proceed with arrests and convictions, instead of dismissing the entire matter as a case of mass religious hysteria .
That's where we get things like the whole "All anime is a far-right conspiracy to attack our culture and promote the values of Japanese imperialism" stuff.
Oh yes, the "Anime and other Japanese pop culture are a deliberate conspiracy to 'rebrand' the country and make people forget about its atrocious war crimes" theory. As if you can't like the former and acknowledge the latter at the same time.
The funny thing is that at the same time we see people defending that there are entire anime dedicated to extolling the Japanese Empire and presenting their acts as good and justified. Which doesn't make much sense if you're supposed to be trying to whitewash the country's image as a good, pure and honest nation.
I've also come to hear that many Japanese artists are actually left-wing activists who would use the medium as a way to get around government censorship.
Actually, it's funny because, based on what I've been reading and understanding on various sites, this "anime conspiracy theory" can be summed up like this:
-The post-war anime and until some indeterminate moment of the 60-70s (let's put specifically between 1968 and 1974 to name dates) was a strongly left-wing anime. The artists were all leftist activists committed to putting leftist political ideas into anime to escape government censorship.
-Somehow, for unspecified reasons, and making this escape the public eye, between 1968 (reference to May 68 and the activism of the time) and 1974, what could be called a Great Purge would take place. Supposedly, all the left-wing anime and manga artists suddenly disappear and are replaced by rabid right-wingers nostalgic for the Empire of Japan.
-I cited 1974 as the specific date of the transformation because in 1974 Uchuu Senkan Yamato was released, which is the oldest Japanese series that I know of that has been accused of being propaganda of the Empire of Japan. Supposedly, one of the reasons the series was SEVERELY edited into Star Blazers was precisely to edit out all of that propaganda. (I personally think this is a case of "backward projection" in which a noble justification - to eliminate fascist propaganda - was invented after the fact for an exercise in cultural suppression with far less noble motivations - ahem, racism, ahem).
-So we have that, between 1974 and at least until 2022 and beyond, this hypothetical clique of producers (let's call them LOGOS) would have been controlling and manipulating anime and manga production in Japan from the shadows.
-The objectives of LOGOS would be the ones I described above: to promote the idea that Japanese imperialism was good and justified, to denigrate the West in general and the United States of America in particular, and to paint Japan as a good, virtuous nation. and innocent.
-Somehow, despite the fact that LOGOS has been active since at least 1974, nobody, ever, leaks anything. Nobody, ever, tries to denounce the conspiracy. No one ever decides "Fuck this, I'm out of here." Apparently everyone is silent, obeys, and participates.
-Let's remember that we are talking about a conspiracy that has been active for at least 50 years, which would involve tens of thousands, perhaps hundreds of thousands of people, including artists, producers, managers, publicists, etc, etc. Nobody talks? Does anyone doubt? Nobody regrets? Nobody decides "I'm sick of this, I'd like to quit and do something else"?
-Well, I'm lying. Someone notices. Young Americans who use the Internet from the 2000s. Only them. In the event that someone from another country "finds out", by trawling, it will usually be found that their primary source...was a random American on the Internet.
-Let's also add that, apparently, as of the 2010s, LOGOS has split into two factions: the traditional one that believes in using subtle propaganda, and the one that is more open and vocal about how Axis imperialism is okay. . To put it in anime terms, LOGOS 1 is Gundam and LOGOS 2 is Shingeki no Kyojin.
-Even though LOGOS has fragmented into two groups, maybe more (The Shield Hero and Redo of Healer have been cited as "evidence" that incel ideology is strong in Japan, which would make them representatives of LOGOS 3), we never see LOGOS 1, LOGOS 2 or LOGOS 3 fighting each other to establish themselves as the dominant faction. This is ridiculous and would require that the three factions were in fact controlled by the same people and were just three different approaches to achieving the same goal.
Or the option that is simpler and more probable: None of this that I have just described is real, and it is only the compendium of the contradictory and unsubstantiated speculations of a bunch of "Americans" who see non-existent phantom threats.
Personally, I'm more inclined to believe the latter: "the conspiracy isn't real." Even if the explanation above could give to write an extremely dark TL. I think using the name of the final villain group from Gundam SEED Destiny as the name for the cabal should serve as warning enough of how ridiculous I find the whole concept, but just in case I add that the whole "theory of conspiracy of the anime" seems idiotic to me.
What's funny is that "Japan" is also accused of making it impossible for people to access anime by constantly shutting down all anime hosting sites and enforcing absurdly strict piracy laws. Truly a Schrödinger's country.
This has an easy explanation: the people who say one thing are not the same as those who say the other. It's like the magic of getting people to stand up for you at the same time that anime is pure Goebbels distilled, or actually a lot of anime artists were leftists who were slipping leftist political agenda into the subtext in an attempt to escape political censorship. of the Japanese Government.