Alice in Wonderland
Concept painting by David Hall
Released by Warner Bros on June 5, 1943
Based on
Alice's Adventures in Wonderland and
Through the Looking Glass by Lewis Carroll
Voice Talents
Shirley Temple as
Alice
Bea Benaderet as
The Queen of Hearts
Danny Webb as
The White Rabbit
Bill the Lizard
Mel Blanc as
The Mad Hatter
The March Hare
The Dodo
Tweedledee and Tweedledum
The Cheshire Cat
Billy Bletcher as
The Walrus
Pinto Colvig as
The Carpenter
The Mock Turtle
Walter Catlett as
The Gryphon
Supervising Director
Bob Clampett
Sequence Directors
Friz Freleng
Norm McCabe
Charles M. Jones
Frank Tashlin
Produced by
Leon Schlesinger
Film Editing
Treg Brown
Musical Score by
Carl W. Stalling
Max Steiner (Warner Bros Signature)
Story
Warren Foster
Michael Maltese
Tedd Pierce
Marvin Millar
Concept Art by
David Hall
Animation
Bob McKimson
Phil Monroe
Art Davis
Art Babbitt
Basil Davidovich
Bill Melendez
Ken Harris
Robert Cannon
Ben Washam
Virgil Ross
Dick Bickenbach
Ken Champin
Gerry Chiniquy
Manuel Perez
Rudy Larriva
Phil DeLara
Rod Scribner
Sid Sutherland
Izzy Ellis
A.C. Gamer
Cal Dalton
Manny Gould
Upon its release, Alice in Wonderland was a smash success at the box office. Critics felt no need to ration the amount of superlatives they could use to praise Bob Clampett's grasp of the source material.
Charles Solomon; Animation Historian
(From the bonus features of the 2003 60th Anniversary DVD)
"Clampett's version of Alice still ranks as the zaniest and wildest of them all. Even though the movie bears little to no resemblance to the original Lewis Carroll books, it still remains a favorite among generations of animation buffs."
Jerry Beck; Animation Historian
(From the bonus features of the 2003 60th Anniversary DVD)
"In many ways,
Alice in Wonderland proved to be the comeback role for Shirley Temple after she was released from her exclusive contract with Fox. Shirley only became available when Clampett's first choice, Judy Garland, had already signed an extension to her then existing deal with MGM."
Two men's opinions. Here's another.
Chuck Jones; Animation Legend
(Excerpt from a panel at the 1983 San Diego Comic Con)
"When I first heard Leon Schlesinger gave the green light for
Alice in Wonderland, I thought he was out of his mind. And when he gave Bob his blessing to direct the film, I found myself questioning my own sanity. Even though Disney's stuff wasn't really my cup of tea, I honestly felt Walt could've made a better
Alice than us, even when we were working on the damn thing.
Bob went completely overboard with a lot of the transformations that Alice goes through when she eats those cookies or drinks those potions that fluctuate her size and shape throughout the film. Once scene, I remember her neck stretched pretty long like a giraffe. Another scene she gets stuck in the White Rabbit's house. There were some scenes of Alice inflating like a Macy's Thanksgiving balloon. Another scene, she is aged up from ten to twenty with exaggerated...uh...features...I guess.
Another thing that made me cringe I first saw the movie at the Grauman's Chinese Theatre was the exposure of Alice's bloomers in some scenes. I figured the one scene where Alice's dress turns into a pseudo-parachute when she falls down the rabbit hole would be enough. Even though the bloomer scenes are easily brushed off by a lot of viewers as a non-issue, I really thought Bob got too carried away with that. There was one shot, which I thought was completely out of left field, where Alice is doused by the March Hare with a bucket of water and the skirt shortened and the bloomers turned into a gigantic diaper."
Leonard Maltin; Animation Historian
(From the bonus features of the 2003 60th Anniversary DVD)
Despite the bubbling feud between Jones and Clampett, Schlesinger was reported to have shared a few bottles of champagne with the Termite Terrace crew after the rave reviews and positive box office numbers came pouring in.