Hello fellow pop culture fanatics. I've started working on my late 60's Batman film series again. Here is the original post but I'm going to repost it here as well.
the-best-movies-never-made.11413/page-71 Look out for The Batman Returns tomorrow. Let me know if you want me to repost that here as well.
The Batman(1968)
Directed by Arthur Penn
Written by David Newman and Robert Benton
Cinematography by Burnett Guffey
Music Composed by Charles Strouse
A Warner Brothers Production
Starring:
Steve McQueen as Bruce Wayne/The Batman
David Niven as Alfred Pennyworth
Warren Beatty as Assistant District Attorney Harvey Dent
Faye Dunaway as Vicky Vale
Gene Hackman as Detective James Gordon
Sidney Poitier as Lou "Fox" Finger
Anthony Hopkins as Oswald "The Penguin" Cobblepot
Al Pacino as Salvatore "The Boss" Maroni
Walter Slezak as District Attorney Rodger Caine
Chad McQueen as Child Bruce
Kent Smith as Dr. Thomas Wayne
Mary Wickes as Martha Wayne
Adam West as Joe Chill
Kurt Russel as Young Bruce
The film opens with the mythical origin story of Batman. Young Bruce Wayne's parents are murdered at the hands of a small-time crook(Adam West) as he attempts to mug them while leaving a movie theater. Bruce is traumatized by the event being powerless to stop the criminal. He vows to avenge their deaths by dedicating his mind and body to stopping crime in Gotham City. His butler and now guardian/surrogate father Alfred Pennyworth(David Niven) promises to help him accomplish this vow. A short montage is shown detailing this transformation showing a young Bruce graduating with the highest honors, travelling the world learning various martial arts, and becoming an accomplished race car driver.
Flash forward as Bruce(Steve McQueen) returns to Gotham City to take control of his family's corporation Wayne Enterprises. Bruce learns from his old friend, Harvey Dent(Warren Beatty), who rose to Assistant District Attorney that he is losing out to rampant corruption within the Justice Department and the Police Department of Gotham. He reveals that Gotham has been embroiled in an intense gang war between the Italian mafia led by Sal Maroni(Al Pacino) and the Penguin mob led by the aristocratic Oswald "The Penguin" Cobblepot(Anthony Hopkins). The unpredictable and sadistic Sal has taken control of the family after his father was recently murdered by the Penguin. Bruce dressed in a simple disguise ventures into Gotham's criminal underbelly in order to gain some intelligence on the gangs. Bruce injects himself upon a confrontation of Maroni's and the Penguin's men intentionally bringing himself into the conflict. Bruce manages to take on several of the gangsters before he is overwhelmed and is badly beaten by members of both gangs.
Awoken later by a detective, James "Jim" Gordon(Gene Hackman). Jim not recognizing Bruce as anyone frequenting the area, he questions his motives of being in the area. Through this conversation Bruce learns that Det. Gordon is a good honest cop trying to make a difference in the corrupted police force. In the middle of the conversation Bruce disappears while Gordon is momentarily distracted. Sometime afterwards Bruce makes his way to Wayne Enterprises for his first day as CEO. Bruce is shown to be very withdrawn from the dullness of the work. Until he stumbles upon the Research and Development division headed by a young scientist named Lou "Fox" Finger(Sidney Poitier). Fox introduces Bruce to some prototypes for armor, portable radio technology, weapons, and an experimental race car(a custom built Ford GT40). Another montage is shown of Bruce, Alfred, and Fox converting the prototypes into his well known Batsuit, Batarangs, Grappling Hook, and Batmobile. Then converting a cave under his mansion into the Batcave. Fox is curious of Bruce's motives but promises to keep their project secret for Bruce. Bruce then sets out on his first night as the Batman.
He first stops a mugging eerily similar to the one that killed his parents. He soon manages to find himself in another conflict between the warring gangs. This time fully prepared as Batman he manages to take out both parties with utter ruthlessness. On the verge of killing one of the assailants Bruce has a flashback of a conversation with Alfred. In which Alfred assures him of his need to avenge his parents but that he must be careful that he may become the criminals he intends to stop. Bruce realizing his role releases the criminal as sirens begin to close in on the scene of the conflict. The next day, news media outlets surround the Gotham P.D. questioning the events of the conflict, included is star reporter Vicky Vale(Faye Dunaway). Everyone wants to know who is the mysterious "Batman" that all the gang-members insist captured them and left them for the police.
While Batman continues his war on both criminal organizations the police increasingly push against him. This culminates in an exciting car chase through Gotham's overpasses and dimly lit underpasses. We also see Vale investigating the criminals and the Batman. She bites off more than she can chew when she's abducted by some of Penguin's henchmen. Right before she's murdered though Batman rescues her. Batman reveals to her that with his deductive prowess he managed to find a link between both The Penguin and Sal Maroni, the District Attorney Rodger Caine(Walter Slezak). Batman tries to dissuade Vale from continuing pursuing the criminals or himself but Vale isn't interested. Batman then sets up a meeting between himself, Detective Gordon, and ADA Harvey Dent to discuss a proposal. Vale shows up uninvited to the meeting. Batman informs them that a meeting between the corrupt DA and both criminals will be taking place due to his interference in their organizations. The two rivals have decided on a truce to fight the common enemy of the Batman. Batman arrives at the meeting and an epic fight between him and the two gangs ensues. Detective Gordon and the GCPD arrive and apprehend the DA and Maroni for their crimes. While Batman pursues the Penguin who had escaped during the initial battle. Armed with his signature umbrella gun Penguin puts up a fight before Batman finally subdues him for the GCPD.
The next day Gordon and Dent take credit for the sting and deny the existence of the Batman. Vale breaks the story as well collaborating with Gordon and Dent's claims. Dent becomes DA and prepares for his first trial as DA, against Maroni. The Penguin is sentenced to Arkham Asylum. Batman finds there are still more and worse criminals to fight. Just before the credits roll Maroni is in his cell with a hidden package containing a mysterious bottle.
Some production notes...
Arthur Penn was heavily influenced by the French New Wave when making the Batman. Rapid camera movement and choppy editing accentuated the many action sequences. Despite the comic book source material Penn wanted a gritty realistic crime-drama tone. This was furthered by the cinematography of acclaimed noir specialist Burnett Guffey. He used an almost black and white lighting for most of the film. Charles Strouse's soundtrack was often times understated and quiet but bombastic and chaotic at others. Gotham City came to life by shooting on location in New York City, Boston, Chicago, and Los Angeles. A number of sets were also built on the Warner Bros. lot including the Bat Cave. Acclaimed stunt driver Carey Loftin supervised the special effects and coordinated the stunts. He, McQueen, and Bud Ekins created the most highly celebrated and awarded chase scenes ever seen in film. Loftin and McQueen worked with a team of Ford engineers led by who else than Carrol Shelby to customize a Mk. IV GT40 into the famous Batmobile. Special effects makeup artist Dick Smith's role in the first film was subtle but extraordinary, making McQueen young again and transforming Anthony Hopkins into the Penguin in particular. Another exciting crew member was McQueen's martial arts teacher and friend, Bruce Lee, who choreographed all the fight scenes and played several goons that McQueen beat up. The young cast stole the show from the veteran leads in particular the two actors who played the villains, Hopkins and Pacino. Hopkins managed to evoke both a comedic yet fearsome tone for his take on the character. Pacino controlled every scene his character was in displaying the unhinged psychosis of his character by extreme examples of both underacting and overacting, that worked surprisingly well. Arthur Penn set out to make the film as a kind of zeitgeist for the young generation of the counterculture, while he accomplished this. The film became a hit with the older generation as well with it's noir influence. Both critically and commercially acclaimed the film received several Academy nominations but the film didn't take any awards home. But there were more Batman film's to come. And Penn would head them up with the same cast and crew.