Kowloon Blues: A Hardboiled WI Vignette

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“Give a guy a gun he think he’s Superman. Give him two and he thinks he’s God.”
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In 1990 John Woo was pretty much finished with Hong Kong even if he didn’t know it. He was getting calls from Hollywood; the heroic bloodshed genre he had helped create was becoming stale, his relationship with Tsui Hark had been destroyed after the release of the Killer and the market was changing to comedies. However he wanted to make one last movie which he started developing whilst working another (Once a Thief released in 1991). This other film would be Hardboiled, Hong Kong’s own Dirty Harry with a violent nonsense cop trying to get a vicious serial killer.

The film was to be an edgy thriller not a stylish action film at the start according to John Woo. It didn’t really turn out like for a lot of reasons. Whilst they in pre-production the film was meant to have Tony Leung as psychopath who poisoned babies which unsurprisingly tested horribly with US investors. The script had to be changed and Barry Wong the screenwriter of films like Yes Madam, Island of Fire, Armour of God and Officer Tuba and who had an appearance in John Woo’s The Killer as Cheif Inspector Dou was brought in to help rewrite the script. He started rewriting the script changing it so Tony Leung was an undercover cop but would die before finishing the rewrite was finished so John Woo combined various elements from both scripts to create the film itself which as many critics can attest wasn’t a bad thing.
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The films plot follows Tequila (played by Chow Yun Fat) a jazz musician detective with the Hong Kong Police Force who is tracking down a serial killer called the Dragon who’s shooting people randomly around Hong Kong whilst he deals with death of partner. Meanwhile Teresa Chang (Michelle Yeoh) is investigating a triad bosses and arms dealer Johnny Wong (Antony Wong) with help from undercover cop Alan (Tony Leung) who may not exactly be sane. It turns out that Alan is the Dragon having snapped under the pressure of being an undercover cop and he dupes Johnny Wong into helping him gain hold of a hotel and cause a hostage situation which Tequila and Teresa must stop.

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Part crime thriller in the vein of films like Manhunter, Violent Cop and Dirty Harry, Part Heroic Bloodshed film like Better Tomorrow, Bullet in the Head and The Killer and part Girls with Guns movie like Yes Madam, In the Line of Duty and Righting Wrongs this movie is a weird hybrid of all of them which works mainly to John Woo’s frantic energy and the actors talents.

When the film came out in Hong Kong it was a moderate success. However the film would become a surprise success in the west much to the surprise of the filmmaker and the actors involved. Many critics have tried to pinpoint why and have come up with some answers. Mainly they point to the major actors (Chow Yun Fat, Michelle Yeoh, Tony Leung and Antony Wong) and the films mix of explosive action, grisly killings and beautiful cinematography. To quote Hong Kong film historian Bey Logan “Hong Kong is presented as city of pulp fiction come to life. With it neon lights, vicious gangsters, a villain beyond saving and hardboiled cops it presents Hong Kong as a city which needs to be saved, which the heroes certainly do.”
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The film relies heavily on the actors turning in good performance so the film’s less action heavy parts (it is very action heavy though, about a third of the movies has action set-pieces) can watchable which they do magnificently. Chow Yun Fat’s turn as Tequila the hardboiled detective with a heart of gold is fun to watch. One moment he’s blasting a mercenary away with a shotgun, the next he’s playing saxophone in a jazz club in a rather lovely scene where he awkwardly tries to chat up Teresa which is both heart warming and hilarious. Michelle Yeoh is on fire as Teresa the no nonsense cop who’s trying to do the case by the book which she slowly has to give up over the course of the film.
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However the people who carry the show are the two villains with Tony Leung’s performance as Alan/Dragon being rather creepy as he goes from smug asshole to emotionless killer within seconds bringing in a similar vibe to Brain Cox’s Hannibal Lecktor from Manhunter. To quote the Empire review “Tony Leung brings a snake oil salesman charm to his character as Alan. He just likable enough for you to be invested in him but his attitude and mannerism feel suitably off as it slowly comes apparent he’s the Dragon.” However one of the most surprising performances is the one by Antony Wong as Johnny Wong the morally wrong yet rather kind hearted arms dealer bouncing between a charmingly hammy businessman and a rather flustered family man with his wife Jessica (Teresa Mo) being his bedrock and confidant leading to one of the most heartbreaking scenes in the entire movie when Alan finds out about her.
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The films action is amazing as well. The opening shootout in the tea house is a classic of action cinema with the hotel takeover and shootouts being a close second including a 6 minute take following Tequila and Teresa as they clear a floor of bad guys leading to a shootout in the hotels pool which is awesome in its mixture of chorography and set up. A personal favourite is the foot chase between Alan and Tequila as they jump between the roofs and go between the alleyways of Hong Kong in a claustrophobic sequence.

With its success in the west the film would be a jumping off point for both the actors and director for successful careers in the West and Hong Kong. John Woo would make several films in the west including Goldeneye in 1995 and The Punisher in 2005 as well Max Payne in 2012 (Mostly due to lobbying from Sam Lake and Remedy Entertainment) as well as still making films in Hong Kong including the critically acclaimed Blackjack with Tony Leung in 1998 and Manhunt in 2016 which won him a Midnight Madness People’s Choice Award from Tiff. Michelle Yeoh would have a very successful career in the west thanks to the release of this, Police Story 3: Supercop and Heroic Trio with that year and the following year which catapulted her to cult stardom in the West. A humorous appearance in Jacky Brown (the scene where she and Pam Grier argue about Kung Fu movies is hilarious) and a role Tomorrow Never Dies launched her western career leading to her getting roles in such films like Dark Knight and Kill Bill 3 alongside Chow Yun Fat as well as TV.
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Chow Yun Fat wouldn’t have as dramatic a career but he would still have a sizable presence in Western pop culture thanks to his appearance in this film and others previously with John Woo. He has had a good career in the west appearing as John Lee in Replacement Killers 1& 2 (but not 3 which makes sense because it’s terrible), Bad Boys 3 has Mr Chang and in the Oscar nominated Pacific Rim as Commander Chang whilst in Hong Kong appearances in films like Hero, the God of Gamblers series and Johnnie To’s Shootout alongside Antony Wong. Tony Leung’s career as been less dramatic mainly sticking to Hong Kong and China with only occasional sorties into Western films with roles in Pirates of the Caribbean 3 and Transformers 4 being good indicates why he doesn’t do a lot of Western films. He is probably most famous in the west for appearing in Chunking Express and The Ballad of Fallen Angels (both by Wong Kar-Wai) and the Grandmaster as Ip Man.

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The person who has probably had the most exciting and bizarre career is Antony Wong who bounces around effortlessly between villain and hero roles in both Hong Kong and Western films. In the west he’s probably known best known as Mr Po in the Sleeping Dogs game series, the cult film Domu as Mr Leung and the recent Rogue One film as smuggler Sep Chipasa whose also set to appear in the upcoming Han Solo film. In Hong Kong he’s famous for appearing in Infernal Affairs Trilogy, the horror comedies Happy Campers and Bio Zombie (by Wilson Yip) and Shootout alongside Chow Yun Fat.
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The film itself would become a cult classic in the west influencing many film directors from Quentin Tarantino, Rian Johnson, Rachel Talalay, Guillermo del Toro, Kathryn Bigelow and Robert Rodriguez been known fans of the film and inserting references to it in their films. It also has a massive fan base in Japan with many anime creators referencing it ranging from Shinichirō Watanabe, all the way to Satoshi Kon oddly and manga creators like Naoki Urasawa and Sho Fumimura been known fans as well. It also lead to the popularity of the Heroic Bloodshed genre in the west which still continues to this day with franchises like Max Payne, The Raid and The Couriers being good examples of its continuing growth.
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I'm wondering about some different things that could occur due to this movie existing:
*The release leads to a cult fascination in 80s style Jazz which is later revived in the later 2000s alongside the Synthwave community.
*Action cinema has it up and downs. It does lead to John Woo's style being hated earlier due to it's popularity but it does eventually get critically appraised Max Payne film.
* The Max Payne film being actually good leads to video game movies that weren't made being made for better or worse.
*John Woo actually get's to have a truly successful Hollywood career.
* There is a huge surge in popularity in all things Asian. This leads to several Hong Kong actors getting big western breaks earlier (Donnie Yen etc.) and also a variety of movies based on Asian properties being made (Like Del Toro's Domu).
Any others that people can think off. I would find it interesting.
 
Does Hong Kong remain British in this world?
Still goes back to China although it isn't as blatant in its attempts to make fall under Chinese rule due to it's cultural influence causing the rest of world to notice and reprermand the Chinese government when it tries to crackdown much to it's annoyance.
 
Still goes back to China although it isn't as blatant in its attempts to make fall under Chinese rule due to it's cultural influence causing the rest of world to notice and reprermand the Chinese government when it tries to crackdown much to it's annoyance.
:(
HK remains British TLs are tried too infrequently here. I guess it's better than OTL regardless.
 
:(
HK remains British TLs are tried too infrequently here. I guess it's better than OTL regardless.
I understand, the film was made at a point when Britain had pretty much guaranteed handover to China thanks to Thatcher. I did once have an idea for a detective story set in a joint owned British-PRC Hong Kong which I could do a vignette for.
 
I understand, the film was made at a point when Britain had pretty much guaranteed handover to China thanks to Thatcher. I did once have an idea for a detective story set in a joint owned British-PRC Hong Kong which I could do a vignette for.
Perhaps they refuse to hand it over post-Tianenamen Square? By insisting on holding a referendum on the issue in Hong Kong? Straight yes/no. Which of course gets voted down.
 
Perhaps they refuse to hand it over post-Tianenamen Square? By insisting on holding a referendum on the issue in Hong Kong? Straight yes/no. Which of course gets voted down.
That could be interesting although if there had been a referendum then films like Hardboiled wouldn't have been made because most of the crazy films from Hong Kong from the late 80s and Early 90s were made because Hong Kong producers were spending money like the world was going to end.
 
That could be interesting although if there had been a referendum then films like Hardboiled wouldn't have been made because most of the crazy films from Hong Kong from the late 80s and Early 90s were made because Hong Kong producers were spending money like the world was going to end.
Why not both?
 
Maybe that could work but the generally atmosphere of the post Tianenamen square and Hong Kong's added to a lot of the films of that era's tone (e.g. The Killer and Bullet in the Head's pessimistic tone was due to Tianenamen Square and Hong Kong's attitude afterwards). Also Britain wasn't really fond with the idea of holding Hong Kong as long as they needed to.
 
Maybe that could work but the generally atmosphere of the post Tianenamen square and Hong Kong's added to a lot of the films of that era's tone (e.g. The Killer and Bullet in the Head's pessimistic tone was due to Tianenamen Square and Hong Kong's attitude afterwards). Also Britain wasn't really fond with the idea of holding Hong Kong as long as they needed to.
Perhaps they could give it independence a la Singapore, the only exception being that a Royal Navy Base is present per the wishes of the population.
 
Perhaps a chapter from the perspective of a financial trader, another from the perspective of a domestic helper, etc.

Well I was kind of intending this to be a one shot exploring an alternate Hardboiled film and how it would affect Hong Kong and Western Cinema.
If you want to added a chapter or two I would be fine with that. You seem to have some good ideas.
 
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