~The World In 1950~
1950, or The Last Man on Earth, was a Meiji era I-Novel in 1908 by the Hokkaido native author and Christian Socialist, Toida Masao, written in the aftermath of the Russo-Japanese War. In his novel, Toida envisioned a authoritarian society dominated by perpetual war, a seemingly omnipotent and oppressive Government that manipulates it's populous into mindlessly worshiping and following the central authority, and the repression of sexuality and free will.
The novel follows Kenzo Laurier, a painter living on the United Federal States prefecture of Island-Port One (formally known as Japan), working for the propaganda department in Tokyo. Painting western style art to help encourage the war against Island-Port One's feared and hated opponents, the Entante Republic, a massive superstate that is situated from the British Isle to the Bering strait (the other nation, Indo-Afurika, is depicted as the former coonies of the Entante having rebelled to form their own super state). Dissatisfied with his work, Kenzo secretly keeps a sketchpad full of traditional art and Haiku's, which he uses as an expression of rebellion. Falling madly in love with Takako, a young cook. The two begin an affair, illegal under the Eugenics laws of the UFS, and are entrapped by their trusted college Akira Smith, who tortures Kenzo for his misdeeds and forces him back in line with the UFS's doctrine.
The novel was hugely controversial upon it's initial publication, dividing Japanese society. Many saw the book as a celebration of Japanese culture, whilst others saw it as a blatant insult to their way of life. The depiction of Japan as subjugated by the United States in a cold war against Europe would prove the most controversial point, and is generally pointed to as one of the reasons the novel was eventually banned, as was it's perceived insults towards the Emperor. Following the Great Pacific War, the novel was translated and widely popular in america and the Anglo-Sphere, with Toida (who went missing in 1914 during a visit to Korea) heralded as one of the greatest Japanese authors. In Japan today, the book still divides, with those who enjoy it championing the novel as an expression of what it truly means to be Japanese, whilst those who despise it see it as nothing more than a meaningless exercise in misery.