Reds fanfic

Hey guys, I'm unsure what to pursue as my next project here and I figure I'd leave it up to a vote. I can...

1) Shift towards the other superheroes and superheroines from the All-Negro Comics Collective/Solaris universe in a round up post, talking about some of their major arcs, and fleshing out the general rogues and heroes gallery.
2) Go back to the Killing Crow in a two-part series. The first will discuss her character arc from the Second Civil War up until sometime around 1941 (in their universe); it will cover a bit of her service history, her connection with other heroes and heroines, and the foundation of the Suicide Squad - the team book series she is a part of throughout the first half of World War II. The second post will deal with the introduction of one of her largest enemies and the end of the war.

It will segue into the segment where she earns her superpowers in Iran in the '50s and we will briefly touch on her in-universe participation in the war in eastern Africa.
3) A series overview of Tokyo S.O.S., one of Kowashi's favorite shows, and a glimpse of what primetime TV looks like in Japan roughly around the present (c. 2017).
4) Biography of the love child between Charles Manson and Shoko Asahara who sets up an anarchist commune in the heart of the Florida Everglades. I'm unsure how far I'd go with it but it might be interesting to explore how communes interact with the rest of UASR society even if this is an extremely toxic example.

Apologies if this violates the new rules of the thread, though, as I can see how it would toe the line.
 
I have a idea for a superheroine I can probably adapt for this TL, now that I think about it.

And I'd be interested to see 3, or perhaps 2.
 
) Shift towards the other superheroes and superheroines from the All-Negro Comics Collective/Solaris universe in a round up post, talking about some of their major arcs, and fleshing out the general rogues and heroes gallery.
2) Go back to the Killing Crow in a two-part series. The first will discuss her character arc from the Second Civil War up until sometime around 1941 (in their universe); it will cover a bit of her service history, her connection with other heroes and heroines, and the foundation of the Suicide Squad - the team book series she is a part of throughout the first half of World War II. The second post will deal with the introduction of one of her largest enemies and the end of the war.

It will segue into the segment where she earns her superpowers in Iran in the '50s and we will briefly touch on her in-universe participation in the war in eastern Africa
I think these two could be merged into one
single piece. If I had to choose one, it would be 1.
 
Yeah, I'd like to see more of Miss Columbia @The_Red_Star_Rising .

So have any of you guys seen any of the people who do "That guy with Glasses" like the Nostalgia critic or Linkara? Because I wonder how they'd be different ITTL compare to OTL since most of them are comedic internet reviewers of pop culture stuff that's crap.

Though I am especially curious of Kyle and his "Brows Held High" and "Between the Lines" series as they are often far more into the more abstract parts of culture and stories than the others. Especially Between the Lines.

I have an example to show you of the kind of stuff Between the Lines and this guy in general offers as an example here for you to dissect if he'd still do his stuff in the Redsverse if you do not already know of him.

 
Yeah, I'd like to see more of Miss Columbia @The_Red_Star_Rising .
/
So have any of you guys seen any of the people who do "That guy with Glasses" like the Nostalgia critic or Linkara? Because I wonder how they'd be different ITTL compare to OTL since most of them are comedic internet reviewers of pop culture stuff that's crap.

Though I am especially curious of Kyle and his "Brows Held High" and "Between the Lines" series as they are often far more into the more abstract parts of culture and stories than the others. Especially Between the Lines.

I have an example to show you of the kind of stuff Between the Lines and this guy in general offers as an example here for you to dissect if he'd still do his stuff in the Redsverse if you do not already know of him.


I think there be a lot more material for Doug Walker ITTL. In this earlier post, someone imagined that there would be a whole night dedicated to watching ridiculously awful reactionary movies. I also imagine that overtly communist filmmakers could produce some truly dumb, cliche-ridden tripe.
 
There is something I've always wondered: what was Herbert Hoover's life like after he ended up in England?

ITTL, the life of the last Herbert Hoover would be a very interesting historical topic. I bet an American Socialist author would write a best-selling book called The Last President, painting a complex picture of the last Constitutional President.
It's funny, because a while back I started brainstorming a Western European biopic on Hoover called The Last President that would be TTL's equivalent to The Last Emperor but didn't get very far with it.

By the way did you know that the Alien "by Ridley Scott - Free variation (no plagiarism) Italian film Mario Bava" Planet of the Vampires ", and Mario Bava read" Andromeda Nebula ", he tells about it in an interview the way, not just Mario Bava read Ephraim. but Antonio Margeritti. and when the Soviet Union decided to film the novel Ephraim, the design was borrowed from Margenitti.
Bava is a filmmaker who's incredibly influential but isn't exactly a household name (at least not in my experience). I'm guessing that he's working in capitalist Italy's film industry ITTL.
 
It's funny, because a while back I started brainstorming a Western European biopic on Hoover called The Last President that would be TTL's equivalent to The Last Emperor but didn't get very far with it.

I don't think you can really compare the two. I mean, Hoover never really was a MacArthurite, and ITTL, I don't believe he tried to beg the Nazis to put him in power of an American puppet state.

But what do you think the UASRs perspective would be in the modern day? Would he be hated as a bourgeois man, or would he be forgiven as a victim of reaction?
 
I don't think you can really compare the two. I mean, Hoover never really was a MacArthurite, and ITTL, I don't believe he tried to beg the Nazis to put him in power of an American puppet state.

But what do you think the UASRs perspective would be in the modern day? Would he be hated as a bourgeois man, or would he be forgiven as a victim of reaction?
I agree that two men are not comparable. The main similarity was the film's makers gaining permission to make use of locations in the UASR (probably during a period of detente) for a film about the life of the last President of the United States that gets a lot of awards attention.

Not sure on the second point. Part of the reason I stopped brainstorming was lack of knowledge about the first couple decades of TTL's Cold War politics and how he might be viewed.
 
I agree that two men are not comparable. The main similarity was the film's makers gaining permission to make use of locations in the UASR (probably during a period of detente) for a film about the life of the last President of the United States that gets a lot of awards attention.

Not sure on the second point. Part of the reason I stopped brainstorming was lack of knowledge about the first couple decades of TTL's Cold War politics and how he might be viewed.

Yeah, a film about the last President would be quite interesting. But you're right that we don't no much about the immediate post-war period to guess what Hoover would be doing. If relations between the UASR and the FBU are atrocious, than Hoover would be hated for choosing exile in the UK, the capitalist enemy.
 
Since I've been doing jack shit on this thread save Polchats, I think it's time for me to write some shit. Bookmark, you've inspired me. (I wrote all this on a tablet too, so it was fucking hard.)


Alcoholics of the World, Unite! A history of American Microbrewing (Part One)

No matter where you travel throughout the world, you will find people who enjoy beer. The world's oldest fermented drink, beer has refreshed people's palates and invigorated their taste buds for over 5000 years. But even though beer is almost universally enjoyed as a drink, there is one nation that takes it's worship of beer to a whole new level: America. Yes, the Red juggernaut of the Western Hemisphere is, in the words of an anonymous French journalist, "anamored with the alcoholic drink in a way not seen since Napoleon and Josephine themselves." With a record Eight Thousand breweries stretching across the Union, the Americans have managed to turn beer into an art form, from crisp, refreshing lagers, to chocolatey, fruity porters, to heavy and dark stouts, to hoppy, bitter ales, all considered world class in quality and taste. From larger collectives in the vast metropolitan cities to "family managed" microbreweries found in the beautiful agricultural communities in the rural south, the Americans have truly maintained such a high level of quality on a quantity not seen anywhere else in the world.

Through this outstanding level of expectations, several breweries manage to rise above all else, such as Rocky Mountain Brewing Co. in Colorado, Stryker Brewing Collective in Manhattan, Scarlet Hammer Brewery in Chicago, Blue River Ale Cooperative in Savannah, and the up and coming Waimea Bay Brewery in Oahu, Hawaii. Yet, despite the high praise these top breweries are given, none of them are as deeply ingrained within American culture as The Spirit of Liberation Brewing Cooperative in Milwaukee, Wisconsin. Born the love child of two Wisconsin natives, The Spirit of Liberation is considered "the original" craft brewery, serving delicious Lagers, Stouts, and Porters since 1947. Truly, the history of "America's Drink" is incredible, going back to the days of the old republic.

Though it seems that this explosion of creative brewing began with the American transition to socialism, in truth, America had been full of delicious oddities since the Gilded Age. In 1873, America had some Four Thousand breweries, working in dozens of regional and ethnic styles. Brooklyn alone had nearly fifty. Beer was not only refreshing but nutritious, it was said—a “valuable substitute for vegetables,” as a member of the United States Sanitary Commission put it during the Civil War. The lagers brewed by Adolphus Busch and Frederick Pabst were among the best. In 1878, Busch’s St. Louis Lager took on more than a hundred European beers at a competition in Paris. The lager came home with the gold, causing an “immense sensation,” in the words of a reporter from the Times.

Yet despite the success of American beer and the microbrewing culture, bad times were to fall on American beer. With the growth of big business in America, monopolies started to form amongst the beer industry, with smaller microbreweries being swallowed up by the Titans of big business. Of these so called "Beer Barons" none was more egregious and malevolent than August Busch Sr. Nicknamed "Gus the Junker" by his workers, Busch was known for his excessive brutality, both in business ventures and in dealing with his striking employees. The son of Adolphus Busch, creator of Anheuser-Busch brewing, Gus Busch had shown an affinity for doing business at an early age, becoming company chairman by age 25. Following his fathers death in 1913, Busch lead his fathers brewery, Anheuser-Busch brewing, to become the largest brewing trust in America, the Pan-National Brewing Company, swallowing up large amounts of microbreweries through promises of "self management" and "improved living conditions". Neither of these promises came to fruition, as the artisans of various microbreweries were turned into mere wage-laborers, working 17-18 hours a day in terrible conditions, their delicious recipes stretching back generations turned to dust, replaced by mass produced swill with poor ingredients. Many would not stand to see their livelihoods destroyed by Busch, and numerous strikes occurred between 1916-1932, the most brutal being the Großman Brewery strike of 1921, where Pinkerton Union busters hired by Gus Busch opened fire on striking workers of the Großman Microbrewery, leaving eight dead. The workers were forced to work longer hours and take massive pay cuts at the cost of keeping their jobs.

Following the election of 1932 and the subsequent Putsch, August Busch Sr. Immediately supported the junta, calling MacArthur "the conquering hero of moral conservatism that will squash the foreign labor agitators". In his fortified brewery in St. Louis, Busch created a reactionary militia to comb the streets surrounding his brewery for Red Paramiltary Forces. This militia was extraordinarily effective, and killed around 100 ANTIFA militiamen by the end of the first month of the Revolution. However, luck would not remain in Busch's favor. After the Battlle of Chicago and the subsequent crippling of the Army of the Mississippi, Busch found himself on the run as his brewery turned fortress was besieged by Missouri Spartacists and Army mutineers. fleeing to the American South for Cuba, Busch and his family were intercepted by Marine mutineers led by soon to be Chief Commissar of the Marine Corps Smedley Butler, rampaging throughout the Southern U.S after their victory over the traitor Marines in Long Island. Busch, well known by the Revolutionaries to be an exceptionally cruel capitalist, was shot dead by the Marines, while his family was imprisoned. Though his family was eventually pardoned and sent to France, they never truly got over the shooting of Busch Sr, and became outspoken enemies of the UASR government.

Though the Totalitarian hold over the Artisan culture of American brewing was broken for good, the damage had been done. Hundreds of breweries around the nation were destroyed in the heated combat of the civil war, and many more were transformed into workshops and factories for the new goal of rebuilding a young socialist nation. It seemed, for a while, that the once vibrant American brewing scene was gone for good. However, the choices made by a young man from Milwaukee and a young woman from West Bend would change American beer culture for the better.

More to Come.....
 
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Right, here's my idea for a heroine:

Name (Civvie ID): Elizabeth Jo Miller

Name (Cape ID): Araneae

Bio: Elizabeth had a normal life, growing up in Harlem as the eldest daughter of a tailor, harboring hopes of becoming a teacher. When the Revolution came, she was caught in the crossfire, literally, winding up as a nurse in one of the many field hospitals in New York, tending to the wounded and dead. Plagued by the screams and groans of those who she felt she could not save, she left New York, moving out to avoid the memories, eventually finding work at a chemical plant in Maryland as a shift supervisor.

One night, while doing her rounds, she comes across some reactionary shitheels trying to burn down the plant, so she does the smart thing and runs for the phone.

Good news, she makes it there and calls the police, who respond rapidly and not in a good mood towards the arsonists.

Bad news, while being pursued after making the call, she trips and falls in a vat of some random chemical, and has to get fished out of it by the cops. Amazingly, she survived and without being so badly wounded a mercy kill would've been advisable.

While recovering in hospital, she discovers that while she's been horrifically burned and now can't see worth shit, she's gained the ability to control and use the senses of all insects and spiders, oddly enough in an couple blocks. This naturally, takes some getting used to, and she had to spend a bit of time trying to dodge being sent to a psych ward from sensory overload.

Once she's released from the hospital, she takes the reward money given to her for helping catch the band of Klan shitheels, and decides to open up her own tailor's shop. Using her newfound abilities to make silk dirt cheap while also using her childhood experience, she soon is able to keep a roof over her head and food on the table, though she does supplement her income with the occasional jar of honey or two sold on the market.

However, she soon discovers that a nearby restaurant is the base of operations for MacArthur sympathizers who plan to assassinate a visiting UASR politician. Seeking to do some good, and also work out some lingering anger over her injuries, she decides to reenact the 8th Plague on their asses, flooding the place with swarms of insects and spiders. But because life is not fair, one of the guys there was a police detective, dirty, admittedly, but in the confusion, (Amazing how dangerous a building with no lights, clouds of whirling insects, armed men, and gas stoves can be), the place soon becomes a inferno, and the only survivor is so mentally traumatized, getting information from him was like pulling teeth.

Anyway, decides to fight crime in her hometown, but not as the usual "Break in and beat up gangers" kind of heroine. She fights smart, gathers information, makes notes, and then moves on the gangsters, occasionally leaking the information to the police as she slowly grows to trust them.


In essence, in a standup fight, 1v1, she'd lose, because she's not trained to fight and she's blind. However, she knows this, so she ambushes, she fights dirty, and has no qualms about making sure they spend the next month in hospital.

What I'm going for is a mix of Batman with the detective side of things and her stealth orientation, and Daredevil with the blindness and getting great powers from it.

Man, rewriting that should not have taken this long.
 
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I could speculate that, aside from more diversity, and higher episode budgets, it is mostly the same, because Star Trek is mostly utopian, and some have argued that it is a utopian Marxist society.

I think Jello has some plans for it. If she wants to elaborate, (short of spoilers), that's fine.

That is, there still would be Klingons, whose civilization was supposed to self-destruct due to a high aggressiveness and low moral development of the species.
 
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