FUNNY YOU SHOULD MENTION THAT
Mariko Sanders
BUT HOW DEEP DOES THIS RABBIT HOLE REALLY GO
Alice Roberts was a popular authoress of the San Francisco school. She never quite seemed to fit in with the movements she took part in, however; her background didn't lend itself to the higher-society circles she often found herself in- and her books reflected her uneasiness, often featuring characters with dramatically-changing social contexts.
She got her start in the San Francisco pulp rags, and her consistent narrative voice and attention to detail made her quickly stand out, and she began getting regular features. Shortly thereafter, she transitioned to novel writing, and almost immediately branched out into new, more experimental works that often made the more conservative East Coast reviewers trepidatious.
San Francisco, on the other hand, ate it up. Her books were wildly popular amongst the West Coast set, and even achieved mild success around the rest of the Pacific Rim. While some critics derided her tendency to focus on exceptionally imbalanced relationships and her willingness to write for a more pedestrian audience, her books were very popular across a broad demographic spectrum.
(Ignore the dates on the following infoboxes and believe the dates in the text; there is a reason and a context, I assure you, but for now, you'll have to live with the slight continuity error between them. There are bigger things in play, and these boxes are presented for character-building, not strict continuity adherence.)
Mammon (2007) was widely regarded as one of Roberts's best works. It followed a young orphan girl, hired as a maid to a wealthy family, her struggles to adjust to a new life, and the relationships she developed there.
It was one of the only books in her career that received positive reviews on both coasts- while New York reviews were somewhat critical of her willingness to discuss openly sexual themes, they did respect the novel's exploration of young adulthood and societal gaps.
Asmodeus (2014) wasn't the first Roberts book to make decent sales overseas, but was the first to truly become a sensation outside North America. Brazilian actress Rita Farrar, popular in the United States for her recent television and film work, worked closely with Roberts during the novel's creation, and while Farrar insisted it was entirely Roberts's work, in Brazil the novel was sold as a joint work to capitalize on Farrar's fame. Additionally, Farrar leveraged her own resources to ensure swift production of a film version, with herself in the lead role.
Asmodeus told the story of a woman with a supernatural ability to manipulate certain desires, but only under very specific circumstances. While its plot was not complex, it was intentionally so; the main focus of both the book and movie was a character study- not just of the woman, but of the space she inhabited- the spectacular city of Rio de Janiero.
The film, which came out in January 2015, was an unexpected hit at the box office, though many chalked this up to outside factors including morbid curiosity, as the box office run was extended until late in the year due to unexpectedly large theater returns in July and August.