Pop Culture: The David Burton 'Doctor Who'

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Part Two

[Trade Ship]


(The Auton pirates are now all on their feet, audibly-buzzing as they advance and circle the crew. The Doctor and Heart cross to Diamond and help her to her feet.)

DIAMOND: That's him. It's Club.

HEART: It can't be.

DOCTOR: It's an Auton with your brother's face and somehow he's ended up running with eighteenth century pirates...

DIAMOND: And I think we know why if not how.

DOCTOR: This isn't the time for recriminations!

(Club's hand snaps shut and he picks up a cutlass.)

CLUB: Surrender, allow us your cargo and you will be spared. You've already seen we can't be stopped by blade or pistol shot.

CAPTAIN: And if we surrender, you'll leave us be?

CLUB: Oh no, Captain. Every man must prove worthy or be fed to the sharks. You’ll will all come with us aboard our vessel, the Festering Buccaneer - either to provide us with ransom for your lives or more crew to aide our cause.

CAPTAIN: Never!

(Club extends the cutlass towards his throat.)

CLUB: Then your only worth will be the entertainment of us disposing of you one by one.

(Worried looks from the crew.)

HEART: Doctor...

DOCTOR: Don't worry. I've gotten out of tighter spots.

HEART: Such as?

DOCTOR: Remember when we first met?


[Penance Corridor]

(The Doctor finds himself cornered between Heart and Diamond, both with hand-guns open and faces now plastic masks. They buzz loudly. The Doctor turns left, then right, realizing he's trapped. He raises his hands, but the twins aim their guns at his head. The Doctor sights, closing his eyes and resigned to his fate... then ducks as the Autons shoot each other. The blasts slam the twins in either direction, and the Doctor sprints to safety down the corridor. The twins struggle to their feet, unharmed and unstoppable.)


[Penance Flight Deck]

(Spade and Club are now mannequin-faced, aiming their hands at Avon, Vila, Telon, Korell and Serge as they back away. The twins' hands drop away from the knuckles and extend their guns.)

VILA: Killer robots set off by a locked box. This isn't even the first time this has happened to me!

KORELL: Did you learn anything from the last time?

AVON: Yes, he needs me to get out of this alive.

TELON: I think I'll take my chance with these things then.

SERGE: What? Why?

AVON: (feral grin) Only that I have never guaranteed you your safety.

VILA: And for very good reason. (calls) Look, what is it you want? I'm sure we can discuss this.

(Spade fires. Vila dives and there is an explosion against the wall. Telon raises his rifle and fires, staining Spade's uniform with the blast but doing no damage. Club fires and Telon is hit. He spins and falls, orange smoke pouring from his chest.)


[Penance Airlock]

(The Doctor runs up to the open airlock and inside as the twins run into view. The hatch irises shut as they fire. Smoke blossoms from the hull.)


[Shuttle Airlock]

(The Doctor sags in relief by the closed hatch, then realizes a gun is pressed to his head. He turns around to see Soolin using her good arm.)

DOCTOR: Oh come on, this is just getting contrived!

SOOLIN: Plasma bullets don't care about credibility. Tell me what's going on or I'll kill you.

DOCTOR: You'll hardly find out the truth then, will you?

SOOLIN: Then I'll live ignorant while you die informed. Is that what you want?

DOCTOR: It seems Mr. Serge's security force are Autons and they've decided to go on a killing spree.

SOOLIN: Autons? What are they? Androids?

DOCTOR: Well, near enough. They're lumps of animated plastic. Designed to slaughter every living thing they can find.

(More shots are heard from the other side of the hatch.)

SOOLIN: And they've found us.

DOCTOR: That's about the size of it.


[Penance Airlock]

(The twins fire their guns at the hatch, causing more explosions and smoke.)


[Penance Flight Deck]

(Vila and Avon dive behind a console as Spade fires at them. Korell and Serge scatter as Club fires at them.)

SERGE: Stop this! I order you! You must recognize my authority and...

(Korell pulls him down as Club fires again. The blast scorches his shoulder and he screams.)

KORELL: Shut up! (calls) You two! Do something, we'll buy you some time and...

(She ducks from another shot and fires at Club's gun-hand, knocking it back and spoiling the aim. Spade turns to face them and Vila jump up above the console and whistles. Spade spins around and the shot explodes against his plastic head, knocking him back. Vila fires again.)

VILA: Yes, denying me a weapon is proving a brilliant tactical move!

(Vila ducks down beside him, furious.)

AVON: Save your breath to say something useful!

VILA: As I've been tell you for the last decade!

(Korell drags Serge out the door and Club lumbers after them. Spade moves to follow, then stops and turns back to the console and fires at it, blowing out a chunk in a big explosion.)


[Penance Corridor]

(Korell hauls Serge around the corner.)

SERGE: "Do something?" That was your plan?! You must be quite the psychostrategist with ideas like that!

KORELL: As a matter of fact, I am.

SERGE: Really? No wonder you're on the run from the empire with a bunch of convicted criminals. You think I didn't know those two back there were?

KORELL: Shut up, let's look at your injury.

(She checks his shoulder.)

KORELL: Looks worse than it is.

SERGE: Feels worse than it looks, though!

(Club approaches and they start running. Club fires again and Korell howls, clutching her side.)

SERGE: Don't worry, it looks worse than it is!

(They flee as Club runs after them.)


[Penance Flight Deck]

(Smoke is pouring from the gutted console. Avon and Vila are still alive but huddled behind the ruin. Buzzing, Spade approaches, gun extended.)

VILA: So. Any cunning plans not involve shooting your own side and going catatonic?

AVON: Do you want the truth or reassurance?

VILA: I want to survive.

AVON: All right. Give me the gun. I'll distract that thing, you re-seal that sphere. It might deactivate these things.

VILA: It might? So it might not?

AVON: You have eight seconds to come up with a better idea. Either that or choose some proper last words instead of apologizing to your attackers.

(Vila scowls, then gives Avon the gun. Avon dives out, rolls and kicks at Spade's leg. While the Auton is distracted, Vila runs over to the crate and closes it up. Nothing happens, so he works to re-seal it. Avon fires again and again, finally severing Spade's gun-arm which drops to the floor.)


[Penance Airlock]

(Heart and Diamond have blackened and scorched the airlock hatch. They open fire again and explosions rip into the panels.)


[Shuttle Cockpit]

(The Doctor darts around, adjusting controls. Soolin watches on, gun raised, but not stopping him.)

SOOLIN: What about the others on that ship?

DOCTOR: I haven't the faintest idea. There are two other Autons on the loose, maybe they're in danger, maybe they're already dead.

SOOLIN: We can't abandon them until we know.

DOCTOR: We can hardly help them if we're dead. The best plan is to undock and put some distance between us and those two girls.

SOOLIN: If they blow the hatch, the Penance will depressurize.

DOCTOR: Autons don't need air.

SOOLIN: Human beings do.

DOCTOR: This isn't my preferred solution, Miss... What's your name again?

SOOLIN: What's yours?

DOCTOR: I'm the Doctor.

SOOLIN: Well, I'm the gunfighter and I say...

(A loud explosion outside.)

SOOLIN: ...that it's probably academic now.


[Penance Airlock]

(Heart and Diamond move through the smoking hole in the airlock and into the ship.)


[Penance Flight Deck]

(Vila is using his tools on the crate with increasing desperation. Avon backs away from the one-armed Spade. He fires again, but Spade doesn't fall.)

AVON: I'm running out of ammunition!

VILA: Oh, it was bound to happen eventually!

AVON: Haven't you closed that box yet?

VILA: Yes, but it's obviously not working!

(Avon pulls the trigger, but the gun doesn't fire. Spade steps closer, and Avon smashes the gun against his face, then runs to Vila.)

AVON: There must be some kind of containment field.

VILA: Obviously, but I can't reactivate it.

AVON: Yes, it must be obvious if a halfwit like you can spot it.

(Avon takes a tool and readjusts it. Vila looks up at Spade, who stares at them.)

VILA: Has he calmed down? He looks like he's calmed down.

(The severed arm twists around and fires at them. Vila yelps as a patch of wall explodes in flames.)


[Penance Corridor]

(Korell and Serge, both injured now, hobble around a corner as fast as they can. Club steps around the far end, gun-hand already raised and aimed at them.)


[Shuttle Cockpit]

(An Auton blast and suddenly the cockpit door jolts open. The twins advance, gun-arms at the ready.)

SOOLIN: I take it this gun won't make any difference?

DOCTOR: None whatsoever.

SOOLIN: So what's your plan?

(The twins advance.)

DOCTOR: All right you two. I'm giving you till the count of three to close up those hands of yours. One. Two.

(Beat.)

DOCTOR: Two and a half.


[Penance Flight Deck]

(Spade's severed hand fires again. Avon twists a tool and a light blinks on the crate. Immediately the shrill warble of the energy sphere is muffled. The buzzing of Spade dies away and he stumbles back with a confused grunt.)


[Penance Corridor]

(Club lowers his weapon, stagger around a bit then falls over before the astonished Serge and Korell.)


[Shuttle Cockpit]

(The twins stagger drunkenly, nearly falling over.)

SOOLIN: You had no idea that was going to happen, did you?

(The Doctor waggles a hand in a "more or less" gesture.)


[Penance Flight Deck]

(Spade almost falls into a chair, looking dazed.)

AVON: Whatever is in that box generated a control signal these creatures respond to. The box is designed to insulate and contain that signal.

VILA: I can see that. Like the indoctrination the Federation uses, remote-controlling sleeper agents.

AVON: That's not Federation technology.

VILA: Oh thanks, I'd never have guessed. But what do we do now? Chuck that box overboard?

AVON: No, the risk of it being opened again is too high. Presumably why it was left with Serge in the first place. The interesting question is how these things were tamed in the first place...

(Spade blinks and peers up at them and his missing arm.)

SPADE: I am Spade. Status at sixty-two per cent capacity and capable of following command protocols. Verification of authority required.

(Avon and Vila exchange glances.)

VILA: Well. There's your answer.


[Shuttle Cockpit]

(The twins look dazedly at the pair.)

SOOLIN: What's stopped them?

DOCTOR: Obviously a reversal of whatever started them.

SOOLIN: Oh very insightful.

DOCTOR: A Nestene control signal must have been switched on, and then off again. It's like they've been reset.

(The twins seem to snap out of it.)

BOTH: Identify.

DOCTOR: Oh! Hello again. I'm the Doctor, how do you do?

HEART: I am Heart.

DIAMOND: I am Diamond

BOTH: Status at one hundred percent capacity and capable of following command protocols. Verification of authority required.

DOCTOR: Emergency override. Imprint on my brain pattern and disarm.

BOTH: Emergency override accepted. Your authority takes precedence. You are the Doctor. Acknowledged.

(Their hands snap shut and they stand to attention.)

SOOLIN: You've programmed them like a few mutoids.

DOCTOR: No, I think that's what someone else did a long time ago. They aren't just Autons, they're clearly capable of independent thought. They're alive, sentient...

SOOLIN: ...and you just took away their free will.

DOCTOR: (uncomfortably) Temporarily. Just to make sure they don't kill us.

SOOLIN: You think you can make them real girls again?

DOCTOR: I don't see why not.

SOOLIN: Well, I'll believe it when I see it.


[Trade Ship]

(The Doctor and the twins are crossing a gangplank onto the pirate ship with the crew.)

HEART: This is so embarrassing.

DIAMOND: Stupid and embarrassing.

BOTH: Stupid, embarrassing and all your fault.

DOCTOR: I'm glad you're focusing on what's important during a crisis.

(As they cross over, Club turns to the Captain.)

CLUB: What are you transporting in your cargo hold?

CAPTAIN: Does it matter? You wanted to steal it without knowing - and I'll get no sympathy for being raided by pirates. Why does it matter what it is?

CLUB: A good point. But why do you matter if you can't answer a question a superior asks?

(He aims his hand-gun at the Captain's jaw.)

CLUB: Now, I want to know what's in your hold. I can find out myself or you can tell me. Hazard a guess as to which leaves you to see another day.

CAPTAIN: (licks dry lips) Pepper, rum, some silks and spices. Oh, and the biscuits.

CLUB: No gold? No jewels?

CAPTAIN: No! You think gold and jewels are just lying about all these years of warfare? I can't count higher than my fingers and toes and even I know the economy won't be what it was for many a year!

CLUB: And if I change the number of fingers and toes you possess, will your mental arithmetic suffer?

CAPTAIN: (shouts) I'm telling the truth!

CLUB: I know you are, you lily-livered dog. I can hear your heart hammering away in your chest. Too scared to lie.

CAPTAIN: Oh is that a fact?

CLUB: (puzzled) What?

CAPTAIN: You can tell a liar by his heartbeat.

CLUB: Or if they're just unconvincing in their falsehoods. So you're saying your ship is, in truth, not worth our raiding?

CAPTAIN: There's biscuits and water. On the seas, those can be worth more than gold to thirty throats and empty bellows.

CLUB: Not to us. Your food and water is worthless.

CAPTAIN: Worthless? Don't you eat and drink?

CLUB: No. Eat, drink, sleep, dream. Those are the weaknesses of baser flesh. While other pirates fall to the authorities, we sail on, unstoppable.

(Club wanders over and sees the TARDIS amongst the crate.)

CLUB: What's this?

CAPTAIN: That crate? The sawbones and his twins brought it aboard. Somehow. Don't me how. I should have chucked it over the side, instead of letting it weigh us down. We might have been able to outrun you...

(Club examines the TARDIS, curious.)

CLUB: What's inside it?

CAPTAIN: No idea. I think it's empty.

CLUB: It says "telephone" above the door.

CAPTAIN: What's that mean?

CLUB: It means to send noise over distance.

CAPTAIN: Like shouting?

CLUB: (thoughtful) Communication...

(Club tries the door. It's locked. He tries again, using all his strength. He bashes the hilt of his sword against the glass but nothing happens. The Captain, and the pirates and crew aboard start to drift closer, watching as Club jams his cutlass into the gap in the doorframe and tries to prize the door open. The metal of the cutlass bends. Club stands back and fires several shots from his wrist-gun at the door. Orange smoke but no damage.)

CAPTAIN: By the holy father, it's indestructible.

CLUB: (closes hand) And why make a box indestructible unless it contains the ultimate treasure?

CAPTAIN: A treasure chest, maybe, but it could be empty.

CLUB: Even so, we're taking it onto our ship as booty.

CAPTAIN: What? Why?

CLUB: I can't break it. Would you rather I focus on things I can break - like your bones?

(Beat.)

CAPTAIN: (smiles) Please, take it with my compliments.


[Pirate Ship]

(The Doctor and the twins stand with a few crewmen aboard the Festering Buccaneer, under guard. The pirates are hauling the TARDIS aboard.)

DOCTOR: Well, at least they're bringing it with us.

HEART: Club can't know what it was. He never even saw it on the Penance.

DIAMOND: He doesn't recognize us, either. And how could he have ended up here, on Earth, hundreds of thousand years in the past?

DOCTOR: There any number of explanations. Maybe he's a different Nestene duplicate with the same face mould, maybe he was already a very old Auton when Dealer found him, maybe some passing time traveler dropped him off in 17th Century Spain.

DIAMOND: Like who? Vise?

(The Doctor looks troubled.)

DOCTOR: No. Not him. Definitely not him.

(The Doctor looks away, flinching slightly as he sees someone hanging from a noose.)

DOCTOR: Oh dear.

(The pirate hanging from the noose lifts his head, clearly alive and in no distress.)

PIRATE: (calls) Welcome aboard the Festering Buccaneer. You're joining the crew, are you?

HEART: Um. Yes.

DIAMOND: Or possibly hostages.

PIRATE: That makes good sense, me harties.

DOCTOR: Er, are you all right up there?

PIRATE: Oh, there's no point complaining. They'll let me down if they needs help with the cargo.

(The Doctor turns to the First Mate.)

DOCTOR: Excuse me, did you hang that chap up there?

(The Auton First Mate speaks in a monotone, not robotic but just very bored.)

FIRST MATE: Arr. We hung him from the highest yardarm.

DOCTOR: But he's one of you, isn't he?

FIRST MATE: There is brutal discipline upon the Festering Buccaneer, matey.

DIAMOND: But he's still alive? You can't hang an Auton, they don't need air or have a spinal cord to break!

FIRST MATE: Yes. We'll let him down tomorrow.

DOCTOR: So he's paid his debt to pirate society then?

FIRST MATE: Yes. We've already keelhauled him and made him walk the plank.

HEART: What did he do?

FIRST MATE: Cut off my legs.

(Beat. Everyone looks at the mate's intact legs.)

DOCTOR: Really?

FIRST MATE: Yes. Both of them.

DOCTOR: You seem better. Reattached them, I suppose.

FIRST MATE: Of course.

DOCTOR: I suppose a ship full of indestructible immortals must find it hard to be frightened of anything.

DIAMOND: It's amazing you bother to stay on the one ship.

FIRST MATE: We are pirates. This is a pirate ship.

DOCTOR: But what drove you to piracy? You don't need any of the comforts that treasure will buy you. You can't be killed, you'll outlive the great-great-grand-children of your enemies. Why do this?

FIRST MATE: (impatient) We are pirates. This is the Golden Age of Piracy. Are you simple in the head or something, matey? They said you was a sawbones?

DOCTOR: I'm the Doctor.

FIRST MATE: Aye, a sawbones. And not a good one.

(The pirates have placed the TARDIS in the middle of the deck. Club turns to address them.)

CLUB: Prepare the burning brands. Torch the ship.

CAPTAIN: What? Why!

CLUB: We are pirates. It is traditional to torch enemy ships and ensure we leave no witnesses.

CAPTAIN: You're not leaving witnesses, we're coming with you!

CLUB: Yes. But it is still traditional. Pirates must maintain their reputation.

CAPTAIN: But if no one knows you raided us, then how can that help your reputation?

DOCTOR: Yes, the Captain's right. Besides, burning brands aren't cheap. You might need them to torch a proper enemy ship after all.

(Beat.)

CLUB: Very well. Prepare to set sail,

(The pirates move out, losing interest.)

CAPTAIN: (sotto) They were very easy to persuade.

DOCTOR: (sotto) Well, these aren't like most pirates. They're not drunk, they don't suffer from hunger, thirst, heatstroke or bloodlust. And it seems they're not interested in wealth, glory, infamy or foreign lands either.

CAPTAIN: If they don't need to steal cargoes, if they're not after excitement on the high seas... why be pirates?

DOCTOR: I haven't the faintest idea.

CAPTAIN: Let's just be glad they didn't slit our throats before we could plead for mercy.

CLUB [OC]: Yes. But the day isn't over yet.

(They whirl around to see Club is watching them from the stairs.)

CAPTAIN: Yes, you mentioned your good hearing.

CLUB: All the better to listen to the screams of the damned and the cries of the innocent.

DOCTOR: Yes, speaking of brutal and sadistic slaughter, I'm not sure we're interested in being your crew.

(He nods to the pirate hanging from a noose.)

PIRATE: (puzzled) You're not? Why?

DOCTOR: Anyone care to take a guess?

CLUB: Yes. Some have joined our crew, scoundrels and brigands and ne'er-do-wells, yet they break so easily. It was a while before we realized you can't reconnect your limbs like us.

(The Doctor nods to an old desiccated corpse in the corner.)

DOCTOR: How long did it take for you to realize he wasn't just sulking?

CLUB: A while. It was a relief he stopped demanding food and water. He didn't talk about anything else.

DOCTOR: Well, not everyone is as chatty as an Auton.

CLUB: A what?

DOCTOR: Auton? Nestene duplicate? Plastic facsimile?

(Club looks between them and the other pirates.)

CLUB: What are you talking about, sawbones?

DOCTOR: Obviously your sisters aren't the only thing you've forgotten about.

CLUB: Sisters? I have no sisters, sawbones.

(He advances on the Doctor.)

CLUB: What I do have is your red box marked "telephone", a container the like of which we've not seen in many a year of misdeeds. We can't open it, but you, apparently can.

(Club raises a flintlock. Other pirates raise knives and swords, moving to circle the Doctor.)

DOCTOR: You're making assumptions. Wild and unproven assumptions!

CAPTAIN: He can tell when you're lying, sawbones!

DOCTOR: Can you? Is my heart beating fast? Or slow? Or both? I've got two to choose from.

CAPTAIN: You do? By the saints, I'm learning a lot about hearts today.

CLUB: Two hearts... a strange rhythm. (calls) Set sail for the west by north by north west! Once we're on the horizon away from that trade ship, we can discuss this at our leisure. (grins) With the Midget Saw.


[Pirate Ship]

(The Festering Buccaneer is sailing away, the trade ship almost lost in the distance. The Doctor and the Captain are with the twins and the other prisoners as the pirates sail the ship.)

DOCTOR: So, just to summarize, either we let him into the TARDIS or he does something very piratical with something called a Midget Saw.

CAPTAIN: That's what he said.

HEART: The Midget Saw? What's that?

CAPTAIN: Well, er, it's a saw that reduces your height.

DIAMOND: Oh. You mean like what he did to the First Mate?

(She indicates the hanged pirate, who waves back. The First Mate wanders over.)

FIRST MATE: Yes. It's quite inconveniencing, especially when he threw my legs overboard for the sharks. Fortunately, they aren't interested in chewing plastic and since our limbs float I was able to reclaim them and reattach them.

HEART: Good. Dumping plastic in the ocean is environmentally-irresponsible.

FIRST MATE: I suppose so. That's why our glorious pirate king decided that from now on, only humans should have their legs cut off. It's eco-friendly.

DIAMOND: (shrugs) Well, there's no arguing with that.

DOCTOR: I might argue with that! I'm one of the minority groups on this boat who isn't made of plastic!

CAPTAIN: Maybe you should just let him into your precious red box. Is it worth more than our legs?

DOCTOR: Possibly. Remember, there's no food or water on this ship, so our odds of survival are low already.

FIRST MATE: Oh don't you start. He's just as bad.

(The First Mate nods to the desiccated corpse.)

FIRST MATE: (pointedly) Mind you, at least he eventually stopped whining!

CAPTAIN: He's dead. You let him starve to death.

FIRST MATE: (confused) We did? Well, if he was so upset, why'd he stop complaining then?

CAPTAIN: Because he was dead!

DOCTOR: Oh don't waste your breath. These pirates aren't human, they're animated slabs of plastic with delusion of sentience. Understand?

(Beat.)

CAPTAIN: I'm going to lie and say "yes".


[Penance Flight Deck]

(Club, wearing goggles, is welding some burnt-out circuits in the wall. Spade, now with his right sleeve pinned up, is working with Heart and Diamond to repair some damage. Vila is bandaging Korell's hip. Serge's shoulder is in a cast. Avon watches the Doctor as he makes adjustment to the crate.)

AVON: And you say these Nestenes are a form of sentient energy?

DOCTOR: Yes. They have no individual identity, they're a collective intelligence. The Nestene Consciousness. They create physical forms for themselves out of any time of plastic, individually tailored for survival and conquest.

AVON: These Autons?

DOCTOR: The same principle, but no. The Autons are foot-soldiers, functionaries with single offensive functionaries. Some are more sophisticated, perfect duplicates of individuals down to the reproduction of brain cells.

(Heart, Diamond and Spade exchange looks at that.)

KORELL: To impersonate and infiltrate enemy territory. Like the aliens in the Intergalactic War?

DOCTOR: Like them, yes. The Chameleons copied the idea like they copy so many things. Still, if it's a good plan, why not use it? But even superior duplicates like this are supposed to subordinate to the Nestenes, not thinking for themselves.

AVON: So what happened?

DOCTOR: No idea. That man, Dealer, might know. I can only think at some point the Nestenes were trying an invasion that was repelled leaving the quartet of Autons here and the energy unit. They sealed off the unit, blocking out almost all the Nestene energy, just enough to keep them animate.

DIAMOND: And we forgot who we were?

DOCTOR: Yes. But with this energy unit constantly screaming at the box, you heard enough of the call that you felt you needed to take orders and do something.

HEART: And Dealer decided to take use of it.

DOCTOR: Yes, or maybe someone before him. There's no telling how long you four have been slaves.

VILA: Isn't there anything you can do, Doctor?

DOCTOR: Yes. This container is still allowing the sphere generating the "obey me" signal. I've just given it something else to broadcast instead, some history discs I had to hand.

VILA: How will that help?

DOCTOR: They're no longer under orders to obey. They're free. Though I'd recommend taking this sphere and dumping it somewhere.

SERGE: Like the heart of a sun.

DOCTOR: That'd be murder. Hasn't there been enough death today, with your friend the captain?

AVON: He wasn't a friend.

VILA: And he wasn't the first to die.

(Club finishes with the circuits and steps over to the crate. The rest of the Quartet exchange looks.)

DIAMOND: Club will take the sphere, get it as far away from us as he can. There's no point him staying with us, he can never pass as a convincing human.

AVON: And you have already set the bar so low.


[Pirate Ship]

(Club approaches the Doctor, flexing a bow-saw.)

CLUB: Well, sawbones, I have the saw. You have the bones.

DOCTOR: Oh put that away, Club. You look ridiculous. You're all utterly absurd - an Auton taskforce pretending to be the cast of Treasure Island...

FIRST MATE: (interested) You know of treasure?

(The hanged pirate looks excited.)

PIRATE: (calls) Did he say treasure?

FIRST MATE: (calls) Aye, me harty, he did!

PIRATE: (calls) Thought so! (to Club) Me and the crew do like where this conversation is heading.

CLUB: So, Doctor, where is the treasure?

DOCTOR: Look, there's clearly been a misunderstanding...

DIAMOND: (mutters) Oooh, I love your confidence.

DOCTOR: I was talking about a book! A book called Treasure Island, not an actually chest of gold and jewels...

CLUB: Like the red chest we can't break through?

DOCTOR: (firmly) There's nothing in there for you, Club. Or your plastic pirate pals.

CLUB: Then open it and show us.

DOCTOR: No.

CLUB: So you are useless as anything but entertainment. Let's see you dance on stumps to an old sea shanty, shall we?

(The Doctor addresses the other Autons.)

DOCTOR: And the rest of you are okay with this?

FIRST MATE: (shrugs) Nights on the high sea can be surprisingly long and dull. A bit of dismemberment and mutilation livens things up a bit.

DOCTOR: Until I die of blood loss and shock.

CLUB: Quite a novelty on the Festering Buccaneer.

DOCTOR: (to twins) Why aren't you two doing something?

DIAMOND: I thought we weren't your bodyguards?

DOCTOR: Are we going to argue about that now?

HEART: What are we supposed to? They're all Autons, like us. We're equally-matched.

DIAMOND: We might have been able to use our wrist-guns to cause a distraction but someone went and told us to remove all our armaments, didn't they?

DOCTOR: Again! Time and a place!

DIAMOND: You're the one who keeps saying you can look after yourself, aren't you?

DOCTOR: (sotto) So I am. Adrenaline, do your thing.

(He holds up his hands and shouts.)

DOCTOR: Wait! I surrender! I'll open the box!

CLUB: Very wise.

CAPTAIN: Does that mean you're not going to cut anyone's limbs off?

CLUB: Whatever gave you that impression?

FIRST MATE: (embarrassed) We have all sort of got our hopes up.

DOCTOR: You don't know what's inside the box, that might be far more entertaining!

PIRATE: (calls) He's got a point.

FIRST MATE: Oh, you're against the Midget Saw now, are you? You've changed your tune!

PIRATE: (calls) You get a sense of perspective up here, you know. You should try it.

FIRST MATE: (thoughtful) Arr. I might just do that.

DOCTOR: Look, before we go any further, can I just ask a question?

CLUB: What?

DOCTOR: Well, hypothetically, let's just say my box is full of treasure, what are you going to do with it?

CLUB: Whatever we want. We're pirates.

DOCTOR: But what good is it to you? What do you need it for?

CLUB: We are pirates.

DOCTOR: (rolls eyes) You like saying that. But where are you going to put it? You don't have any room in your hold.

(Club looks slightly unsettled.)

CLUB: (quietly) How do you know that?

DOCTOR: Because you put my phone box in the middle of the deck instead of stowing under the deck. Why do that unless you had no room? So either you're stocked to the gills with treasure already - which is unlikely because proper pirates would have buried it on a proper desert island by now - or it's something else. Which?

CLUB: There are insufficient words to describe what is there.

DOCTOR: Let me guess. Less cargo, more a passenger?

CLUB: It is a beast from the deep. Ancient. A monster from a time before the dawn of time. It glows with a crimson fire.

DOCTOR: Something sitting down there in a sort of pit of primordial ooze, perhaps?

CAPTAIN: How do you even know this?

DOCTOR: Last time I saw Club, he was off on his own with a Nestene energy unit. Now I see him with a pirate ship and a crew of Autons. He must have found somewhere with a rich supply of plastic, maybe another planet, maybe the oil fields of this one. Enough plastic for a crew. And enough left over that energy unit.

HEART: (eyes widen) You mean...?

DOCTOR: Yes. The Festering Buccaneer has a Nestene squatting below decks. Shall we pop down and say hello?



[Pirate Ship Hold]

(Below decks are lit by a slow pulse of blood-red light and the warble of an energy unit, so deep and loud it is like a giant heart beating. A door creaks open and the Doctor and Club stand, illuminated by the glow. Club is wary, the Doctor looks fascinated.)

DOCTOR: As I said. The energy unit used your raw plastic to grow your crew, then gathered up the rest for itself to create a body for itself. This body.

(Sitting in a vast coracle-like tub is a purple, bladder-shaped creature with long tentacles that twitch feebly. It has a single glowing eye and gurgles evilly.)

CLUB: We can hear it. My crew and I. Sometimes we can almost understand it. A leviathan that wants to slaughter the world.

DOCTOR: That's Nestenes for you. Very goal-oriented.

CLUB: But it's done nothing. It just sits here.

DOCTOR: Of course it does. Its created a body but its mind was incomplete. When you're missing ninety-nine per cent of your brain, you're not likely to much except sit on the couch and dribble.

CLUB: I can't understand this. I try, but...

DOCTOR: You know the story of the genie in the bottle?

CLUB: Yes.

DOCTOR: Well, you're looking at the genie once it's free. Or rather, the tiniest bit of the genie. The Nestene splits itself up into a hundred tiny splinters, puts them in bottles and sends them somewhere. Collect all the bottles, open them up and the splinters recombine into the Nestene.

CLUB: But not this time.

DOCTOR: No. You had one bottle with a hundredth of the genie. It was a spark of life enough to animate you and your crew, but not much else. It's not meant to exist solo.

CLUB: Yet it did. It does.

DOCTOR: Yes, and it's an unnatural state of agony. It grew this body out of instinct, but it lacks any of the mental control to do anything with it. It's too simple, too weak. Something older than mankind and it couldn't outwit yoghurt. The poor thing.

CLUB: (unconvinced) Poor thing? Do you really believe that?

DOCTOR: The Nestenes and I have never seen eye to eye. Even on the occasions they had eyes. They're unrepentant, hyper-aggressive imperialist mass-murderers with a superiority complex and a fetish for planetary genocide.

CLUB: So why feel sorry for one of their number?

DOCTOR: Because I want the Nestenes to be better than they are, not suffer in helpless pain.

CLUB: Because you feel you are better than they are?

DOCTOR: I think we all agree I'm better than this one. I can tie my shoelaces, for a start. I understand what shoelaces are.

CLUB: So you want to help it?

DOCTOR: Yes, but I'm not sure I can. This is a world without plastics, without electricity. No other Nestenes are coming any time soon, there's no way to relieve its agony except...

CLUB: Except killing it.

DOCTOR: Yes. (to Nestene) Of course, what does death mean to you? What does life mean to you? Just helplessness, confusion and pain. Killing you, unraveling you, won't hurt the rest of the Nestene Consciousness, any more than losing a few brain cells in a hangover hurts a human mind.

CLUB: It seems very simple, in terms of morality.

DOCTOR: And when morality becomes very simple, Club, I get very suspicious.


[Pirate Ship]

(Sunset. The Doctor and the twins are on the poop deck, talking.)

HEART: You said yourself, the thing's in pain. Wouldn't it be merciful to end its suffering?

DIAMOND: They do with animals. With people, even.

DOCTOR: Yes, I understand the concept of euthanasia.

DIAMOND: (rolls eyes) Yes, go on, you clearly know what you're talking about. You want to keep a barely-sentient creature alive in a permanent state of helpless agony, so you don't lose the moral high ground. You were happy enough to destroy the time parasite though, weren't you?

DOCTOR: Did I come across as happy to you, Diamond?

DIAMOND: All right, not happy. It was a question of survival. If you'd been so desperate to keep your hands clean, you'd have let it slaughter us.

HEART: Yes, and this Nestene isn't even an individual. It's a stray thought waiting to be shut down.

DIAMOND: Eager to be shut down.

DOCTOR: (bitterly) Oh yes, all the excuse I need to end a life.

HEART: Whereas I can't see you coming up with any excuses not to, Doctor.

DIAMOND: You've killed Nestenes before.

DOCTOR: In self-defense. To save others.

HEART: So it's all right to kill Nestenes if they want to live, but not if they want to die?

DOCTOR: You don't understand what you're talking about. Any of you. You girls won't grow old and die, you won't even look different unless your moulded bodies alter. You can't feel pain. You're like these pirates, killing without understanding what they're doing.

(They look down on the deck as the First Mate helps the pirate out of the noose and then starts to hang himself in return.)

DOCTOR: And there's also the question of what happens to this lot if the Nestene dies.

HEART: What? They'd die too?

DOCTOR: They'd cease to exist.

DIAMOND: But they're separate, aren't they? I mean, we're Autons, killing that thing won't kill us.

DOCTOR: You're independent of that energy sphere, you've lived away long enough to detach completely. These Autons have never been away from that Nestene, the animation signal it generates has been recycled so often it's like a thread waiting to snap.

HEART: So if you kill the Nestene...

DOCTOR: I kill your brother and all his crew. Still, as long as I've got a good excuse.

(Beat.)

DIAMOND: There must be another way.

DOCTOR: Oh, if only that had occurred to me. Then I could have gone up onto the poop deck with my friends to discuss it and...

HEART: Wait a minute. What did you say? Poop deck?

DOCTOR: Yes. That's what this bit of the ship's called.

HEART: Why?

DIAMOND: And do we need to wash immediately?

DOCTOR: (rolls eyes) It's based on the Latin word, Puppis. It just means the deck on the stern. The toilet facilities are under the waterline, not that you Autons need to answer the call of nature that much.

(The Doctor rises and walks off. Club approaches. The twins call over to him.)

DIAMOND: Oi. Club.

CLUB: What did you call me?

HEART: Club. It's your name, remember?

CLUB: I have no name.

HEART: Well, it's what we called you. Come on, you know who we are, don't you?

(Club steps closer.)

CLUB: You... are like us. Like me. But no, I don't remember you.

HEART: It's us! Heart and Diamond! Your sisters? Remember? That headcase Dealer named us after playing cards, you, me, Diamond and Spade? The Quartet?

(Club stares at her.)

DIAMOND: And after we wasted a surprise farewell part on you?

HEART: (sotto) Uh, we didn't actually do that.

DIAMOND: (sotto) He doesn't know that. (louder) We agreed to keep in touch?

CLUB: No.

DIAMOND: What do you remember then?

(Club stares at them, troubled, then moves onwards.)

HEART: (sighs) Maybe we should have had a surprised farewell party instead of wandering off like that.


[Penance Flight Deck]

HEART: So what happens to the rest of us?

DOCTOR: Well, you've got the Penance and its cargo hold full of gold bullion. The Federation seemed to have settled down so you can make a run for it now. Club can take that shuttle of yours and run interference.

SPADE: They won't register him as life aboard the ship. He'll have a better chance than we will.

DIAMOND: That depends on where we're going.

VILA: Well, I spoke to the lady gunfighter. She's agreed we can't risk going back for the others. Either they've survived or they haven't, and they all made a big deal about wanting to go down fighting.

SERGE: Unlike you?

VILA: I don't want to go down at all.

KORELL: And thanks to a certain misunderstanding back on Gauda Prime, the resistance movement has lost its figurehead to lead any uprising in the inner worlds.

SERGE: So we run.

VILA: What about the motorized door-wedge we left hidden in the silo?

AVON: With no weapons or teleport, I can't see a feasible way of retrieving it. Or salvaging any of the technology of Scorpio. On the other hand, we might have found a replacement.

(Spade realizes he's been looked at.)

SPADE: Me?

AVON: Your Nestene powers allow you to interface with the plastic that forms the Tarial Cell, the core component of all Federation computer technology. You can, in principle, dig into any database in the known universe.

SPADE: In principle, yes, but in practice...

AVON: It's something we have means, motive and opportunity to explore and build on. Eventually, we might be able to reclaim our original computer and find out if there are any other survivors.

HEART: Eventually, but what happens in the meantime?

AVON: Indestructible plastic androids on their own have more obvious uses.

DIAMOND: We were just freed, now you want us to be your slaves?

AVON: Merely that we stand a better chance as a group, and utilizing all our skills increases a chance of survival.

VILA: I thought survival wasn't enough anymore. You said winning was the only safety. Before you killed the one man you risked all our lives to find.

AVON: Yes, and no we have no allies, no ships, no chance of winning or even fighting the Federation.

KORELL: Not alone. But the what about all the rest of rebels meeting up on Goma?

VILA: That was another thing our pretty friend was insistent upon. There's still a Federation that needs destroying, figurehead or no figurehead.

AVON: More rebels without a care. Am I supposed to be grateful for another chance to join the fight?

VILA: Oh, I'd never dream of asking you to fight. But you know who would have. And if we don't salvage what's left of his work, who will?

KORELL: And we do have these Autons to help the cause of freedom, and that Doctor.

(She turns and looks. No sign of him.)

KORELL: Where's he gone?

(Heart and Diamond step forward.)

BOTH: We'll find him.

(They leave.)

AVON: You don't even know who if anyone is now in charge.

VILA: Better the devil I don't know. Look, I don't owe you anything. You tried to kill me once, in case you've forgotten - and you've threatened it more than once. A man can only take so much and whoever's leading the resistance, they can't be worse than you!

(Avon avoid Vila's gaze with a very rare expression of shame.)


[Pirate Ship]

(The Doctor is brooding. The Captain is beside him, trying to keep up with events.)

CAPTAIN: So, there is some giant terror-squid in the hold and it wants you to kill it.

DOCTOR: Mmm-hmm. But it will kill all the pirates too.

CAPTAIN: Put them out of their misery. They're all out of their minds. You know, one of them said he was going to keelhaul me and when I said no, he just asked to sing a sea shanty! And, you know, I told them to control themselves around your girls, but they just wanted to play cards with them! Pirates who kidnap women but have no desire for them? This life is nothing to them.

DOCTOR: And so I should take it away from them?

CAPTAIN: They're not losing anything. They don't want riches or freedom or excitement. They're like a ship of the damned, doomed to do this for no reason. You know this Club, why would he ever want to be a pirate?

DOCTOR: I don't know. Of course, the last time I met him...

(The Doctor stops. His expression brightens.)

DOCTOR: Of course. That's what happened.


[TARDIS Control Room]

(The doors open and the Doctor, Heart and Diamond enter. The Doctor runs over to the console and starts flipping switches.)

DOCTOR: Remember when I reinforced that security case the Nestene energy unit was in?

HEART: Yes. You used some history discs to create a filter, corrupting the command signal so we'd all have free will.

DOCTOR: And this was the disc.

(He throws it at Diamond who catches it.)

DIAMOND: (reads) "The Golden Age of Piracy: Post-Spanish Succession Period".

DOCTOR: Hence Auton Pirates.

HEART: What do you mean? I've never had a single thought about piracy.

DOCTOR: Because you came with me, remember? You didn't take that case with you on a lone pilgrimage with that filter blasting at you every second of every hour of every day. Eventually, Club would have forgotten all about you and the Quartet, but with the history of piracy filling his thoughts...

DIAMOND: He ended up thinking this was where he belonged. And when he made the other Autons...

HEART: ...they all thought they were pirates too. Even though they don't want to be.

DOCTOR: That was the problem which means it's part of the solution.

DIAMOND: Oh, very good. I give it a B, maybe a B-plus. Oh, why give it a grade?

HEART: So what is the solution?


[Pirate Ship]

(The TARDIS crew, the Auton pirates and the trade ship crew are gathered by the TARDIS. The Doctor holds a tray-like machine gizmo like the one from 'Spearhead from Space' with various add-ons.)

DOCTOR: You see, Club, you and your crew have freedom because I created a barrier between you Autons and the Nestene, that imprint that's made you pirates. With this, I can reinforce that barrier, make the imprint deeper and stronger.

CLUB: Until the beast in the hold dies?

(The Doctor's enthusiasm ebbs.)

DOCTOR: Yes. But it means that you and your crew will all live. And I mean live, not just exist.

CAPTAIN: You mean they'll become men?

DOCTOR: In their minds and hearts, yes. My ship's picked up enough echoes of its passengers over the years I can add them to the imprints. Pirates who want to be pirates, who care about life and death, who actually have a reason to dredge the ocean blue.

CAPTAIN: Wait, you mean they'll be real pirates but they'll also be deathless and unstoppable?

(Beat.)

DOCTOR: Well, it's better than killing them all, won't it?

CAPTAIN: What about all the people they'll kill?

DOCTOR: The imprints won't make them forget what's happened here.

CAPTAIN: I say you should return us all to our ship before you do this. That way we won't all be made to walk the plank when they all are made 'real'!

DOCTOR: Well, that's not unreasonable, is it?

CLUB: You're worried about trusting us, but why should we trust you? How do we know this machine of yours won't harm us?

DOCTOR: Your sisters will vouch for me.

PIRATE: But who will vouch for them?

(The First Mate calls down from his noose.)

FIRST MATE: (calls) Yes! This all sounds very risky to me!

DOCTOR: The whole point is you don't care if you live or die. You've literally nothing to lose and everything to gain.

(Club turns to the twins.)

CLUB: Why do you trust him?

DIAMOND: We took a chance.

HEART: He's not let us down yet.


[Penance Corridor]

(The Doctor reaches an air vent and opens it. He grins as the hum of the TARDIS emerges.)

DOCTOR: Of course. It's always in the last place you look. Mind you, it would. Who keeps looking after you find it, anyway?

(He tries to climb up into the shaft but can't get a purchase. Heart stands beside him, making a stirrup with her hands.)

DOCTOR: Ah, thank you.

(He realizes the twins are beside him.)

HEART: Just why are you trying to climb into the ventilation system?

DOCTOR: Well, believe it or not, this particular air duct is actually my ship. How I got on board.

DIAMOND: Your ship appeared inside the wall of this freighter with no physical disturbance?

DOCTOR: Clever, isn't it? It's able to pass through solid matter while in flight, materializing at the end of it. You won't even notice when I leave.

HEART: Leave for where, exactly?

DOCTOR: (shrugs) Anywhere.

DIAMOND: Isn't it rather small?

DOCTOR: (grins) You'd be surprised.


[TARDIS Control Room]

(The doors open and the Doctor climbs up onto the doorway then straightens up. He helps Heart and then Diamond enter and they look around in awe.)

DOCTOR: Don't worry, that's the usual reaction. As you can see, the inside is bigger than the outside. Quite the selling point. (to himself) Not that I actually paid for it, but still...

DIAMOND: There's only one control panel.

HEART: Yes, this is very Spartan given you have all this space to work with.

DOCTOR: Well, the technology is advanced enough I don't need any computer banks or warp cores. One central control desk is all that's needed.

(He pats the console affectionately.)

DOCTOR: With this I can go anywhere and anywhen. No flight plans, passports, custom or duty free.

DIAMOND: What weapons does it have?

DOCTOR: (insulted) None! The best vessels don't need them. Why do you want to know, anyway?

DIAMOND: We need to know what armaments are available to defend you.

DOCTOR: ...beg your pardon?

BOTH: We are your bodyguards.

DOCTOR: (firmly) No. No, you're not. That was just a brief distraction to prevent you from slaughtering everyone. I'm no longer in charge of either of you, you have your own free will.

HEART: Then, with our free, we want to come with you.

DIAMOND: As your bodyguards.

DOCTOR: I don't need bodyguards, I'm quite capable of looking after myself.

HEART: You would have been dead if they hadn't resealed the Nestene sphere. It was pure luck you weren't killed. And luck doesn't last forever. We can keep you safe.

DOCTOR: My dear girls, I have lived a millennia and change without needing your assistance.

DIAMOND: Then that means we'll have plenty of spare time to work out what else we can do with our lives.

HEART: And if you do need protecting, we'll be able to do what we do best.

DOCTOR: But why do you want to travel with me?

HEART: Why would we want to stay in a war-torn galaxy ruled by a decaying fascist dictatorship?

DIAMOND: With a bunch of killers, thieves, smugglers and psychopaths who want to use us for their rebellion?

HEART: Would you use us like that?

DOCTOR: No! Of course not. But, well, it can be dangerous, though. Monsters in history, aliens in the future...

HEART: All the more reason you need someone to look after you.

DIAMOND: And when you prove you can cope on your own, we'll reconsider.

DOCTOR: All right. But if you want to travel, then you're not to hurt anyone. Not with your guns or your psychokinetic powers.

BOTH: What if it's to save your life?

DOCTOR: Then I'll be alive to send the both of you back here, and you'll never get a chance to see the marvelous wonders of the universe again.

(The twins exchange looks.)

BOTH: We won't.

DOCTOR: Is that just because you're programmed to obey my orders or are you genuinely making a promise?

BOTH: There's only one way to find out.

DOCTOR: I suppose so.

(The Doctor closes the doors and sets controls.)

DOCTOR: I suppose there's no point going on adventures without someone to have them with. Welcome aboard, Heart and Diamond.

HEART: Where are we going now?

DOCTOR: Well, as space-time machines go, this is a rather temperamental one. I really need to recalibrate these systems. Invariably the last place we end up is where I ask it go. Shall I demonstrate?

(They nod. The Doctor reaches for the main lever, then stops and frowns.)

DOCTOR: Oh yes. I forgot about the chameleon circuit. It's what allows the ship to pick a form that blends in with its surroundings.

HEART: Like an air duct?

DOCTOR: Yes. It's been stuck for centuries but now it's working again I wish it was broken again.

DIAMOND: Oh I can fix that.

DOCTOR: (surprised) Can you?

(Diamond nods brightly and then swings her fist down on the console and there is an explosion.)


[Penance Corridor]

(There is a loud grind whirring from the air duct which changes into a bright red British telephone box with tinted windows. The front door opens and the Doctor steps out, followed by the twins and a cloud of smoke.)

DOCTOR: (cough) I've heard of percussive maintenance...

DIAMOND: Isn't this a better shape?

HEART: Yes, it's more distinctive and practical.

DOCTOR: (annoyed) Yes, it's also old-fashioned, eccentric and utterly incongruous! (smiles) Yes, it's very me. Not a police box, but it was time for something new. Come on.

DIAMOND: You know, you still haven't told us who you are.

DOCTOR: Haven't I? Well, I'm the Doctor.

(Beat. The Doctor looks thoughtful, then shrugs.)

DOCTOR: That's all there is to it.

(They re-enter the TARDIS and it dematerializes.)


[Pirate Ship]

(It's dusk. The trade ship is visible in the distance. Club and the First Mate, who wears a noose around his neck, are on the poop deck with the Captain.)

CLUB: There she is. Move intercept, Mr. Mate.

FIRST MATE: Aye-aye, Captain.

CAPTAIN: Thank goodness you didn't torch it.

CLUB: I make no promises for tomorrow, sir. And neither should you. Your crew won't get any special treatment should be meet again.

CAPTAIN: It's not fair. You lot have all the advantages.

CLUB: You're forewarned, if not forearmed. Maybe you should take up a less-dangerous profession.

(Club walks down to the main deck to the TARDIS crew.)

CLUB: Get started, Doctor.

DIAMOND: You're in a hurry.

CLUB: I'm sick of that thing's screams. You're lucky you can't hear them.

HEART: Luck of the cards.

DOCTOR: Was that meant to be funny?

HEART: (guiltily) Maybe.

DOCTOR: You two really have grown a lot. Stay here.

(He heads below the deck.)


[Pirate Ship Hold]

(The Doctor approaches the pulsing Nestene, lowers the device to the floor and winds out the microphone-device.)

DOCTOR: You know, I don't normally do this sort of thing. But how long have you been stuck on this planet, barely able to survive without any polymers or complex hydrocarbons? Twenty years? Fifty?

(The creature stares blindly at him with its single brown-purple eyeball.)

DOCTOR: It must be like being stuck in the middle of an empty, endless desert. An expanse of awful, horrifying nothing for all eternity. Are you even aware of your Autons? Even if you can feel them, there's no control over them. You have no say at what your eyes look at, what card games your hands play, whether or not you roll around in the mud to keep cool... Maybe this is cruel to be kind. Or kind to be cruel. (wistful) I always thought that we'd all be friends or at least we'd try to make amends, it seemed so easy to comprehend, but something just gets in the way. Hold on, what can it be? Is it more the naivete? Can't we live past yesterday? Something just gets in the way.

(He activates the machine and aims it at the Nestene. It begins to twitch and thrash, the Nestene pulse becoming a constant, continual drone.)


[Pirate Ship]

(Club and his crew all look around, as if hearing the noise. Their faces are suddenly Auton masks.)


[Pirate Ship Hold]

(The Nestene's tentacles thrash and writhe in clear agony. The Doctor remains aiming the microphone at the creature, expression blank.)


[Pirate Ship]

(The twins and the trade ship crew watch as the Auton pirates twitch and stagger.)


[Pirate Ship Hold]

(The tentacles go limp, its eye goes dark and closes. The creatures turns a dead grey colour and deflates, the glow dying away and leaving the hold in darkness. The warbling slows down, slurring into final silence.)

DOCTOR: (bitterly) Well, Doctor, another productive day's work. You destroyed a single percentage of the Nestene Consciousness, a helpless and harmless one hundredth of a larger creature. Maybe tomorrow you can kill people. Maybe people who deserve it. Maybe people who don't want it. Start small with a plastic blob, work your way up to innocent children. There must be some appeal to this slippery slope given so many people choose to slide down it.

(He turns off the machine, picks it up and leaves.)


[Pirate Ship]

(The Doctor emerges onto deck and stops to see all the Auton pirates lying dead, mannequins sprawled across the ship. The Captain and the humans are coughing at a stench. The twins are unaffected.)

CAPTAIN: (retches) That smell...

DIAMOND: Burnt rubber.

DOCTOR: (shocked) What happened?

CAPTAIN: The Festering Buccaneer lost its crew. They just all collapsed dead.

DOCTOR: But the imprint should have taken hold!

HEART: It didn't. When the Nestene died, they died too. Their energy must have been spread much thinner than we thought.

CAPTAIN: You may not have meant to, sawbones, but it looks like you killed them after all.

DOCTOR: 'Killed' is a strong word. But fair.

(They cross over to the fallen Auton that used to be Club. Beat.)

DOCTOR: I was sure the telepathic relays would hold.

DIAMOND: You were wrong.

DOCTOR: Oh thank you, that's incredibly helpful.

DIAMOND: You wanted to state the obvious. You wanted to help them, you failed. Now what happens next?

(Beat.)

DOCTOR: We leave. (to Captain) I assume you can reclaim your own ship easily enough?

CAPTAIN: Aye, sawbones. We can. I suppose we owe you our lives. And we might get some prize money for this pirate ship.

DOCTOR: (sourly) Oh well, as long as someone profits.

CAPTAIN: You want us to be poor and miserable? Why begrudge us happiness?

DOCTOR: Why indeed?

(He turns and crosses to the TARDIS, opens the door and enters. The twins look at the Captain and shrug. An awkward wave and they cross to the TARDIS. Heart looks back at Club's body.)

HEART: Funny. He's more like the Club we knew now.

DIAMOND: Strong silent type. Just more horizontal. Come on, we've got the Doctor to look after.

HEART: (quiet) He says he can cope without us.

DIAMOND: It wouldn't be the first thing he's wrong about today. Come on.

(They enter the TARDIS.)


[TARDIS Control Room]

(The Doctor is brooding over the console. The twins enter. Heart closes the doors. A beat.)

HEART: Are you all right?

DOCTOR: I was just thinking. People keep assuming I'm a doctor of medicine. And I'm not, am I? They take an oath to do no harm. Maybe that's why I never became a doctor of medicine.

HEART: Recriminations won't get you anywhere, Doctor.

DOCTOR: So I should just write off this loss? Forget it all and move on, let time the great healer, wash all the wounds clean?

DIAMOND: What else are you going to do? Write out "I must win every single victory with absolutely no casualties" five thousand times?

HEART: You saved the crew of the trade ship, ended the suffering of the Nestene and also prevented a bunch of indestructible Auton pirates raiding and pillaging the seven seas. That must count for something.

DOCTOR: A rather hollow victory.

HEART: That's still a victory. Even if it wasn't, moping around isn't going to help. Now, can we get away from here, please?

(The Doctor activates the console.)


[Pirate Ship]

(The Festering Buccaneer is now alongside the trade ship and the crew are climbing across. They look back as the TARDIS dematerializes.)

CAPTAIN: Huh. Not the strangest sight we've laid eyes on today. (shouts) Come on, you lot get back to work. We've got our cargo to get to Florida and we're already a day behind...


[Pirate Ship]

(Not long after, the trade ship is sailing off into the night. The Autons lie scattered around the deck. The dead Club lies there for a moment, before his mask face sharpens and becomes a human face again. There is a splutter of the Auton buzz as his eyes open and he looks around. The other pirates are struggling upright, alive again.)

CLUB: What are you scurvy swabs doing asleep on deck! Get to your duties before I flog every man-jack of you!

(He shoves the First Mate.)

FIRST MATE: Ow! Hang on. That felt bad.

CLUB: Bad?

FIRST MATE: Yeah. I'm not sure, I've never felt anything before.

CLUB: Then the Doctor was right. The beast is dead and we're free of this half-life. We can feel.

PIRATE: I guess keelhauling each other won't be so much fun anymore. We might be mortal now.

CLUB: Aye, lad, perhaps. Perhaps not.

FIRST MATE: Well, Captain, what do we do now?

CLUB: We're pirates are we not, Mr. Mate? We can do whatever we want! We heed no laws of the land! We can explore the seven seas with the wind at our backs! Adventure awaits on every shore we can sail to do!

ALL: Hurray!

CLUB: Let's strike fear into the hearts of men and regret into the hearts of women! Fly the Jolly Roger as we narrow the gap with our quarry! Life has so many pleasures, me harties, and so many wonders, and we will all have our fill of them all!

(Grinning and cheering, they start to prepare the boat to set sail. The hanged pirate grabs a piano accordion and plays a Drunken-Sailor-type shanty with more gusto than actual talent.)

PIRATE: Yar-har-fiddly-dee! Being a pirate is to be free! We choose what to do and choose where to go! With a bottle of rum and a yo-ho-ho!

(The Festering Buccaneer sails off into the night.)


[Time Vortex]

(The TARDIS flies away.)


[TARDIS Control Room]

HEART: Maybe it's better this way. Who knows what chaos they'd have got up to if they'd survived?

DOCTOR: Who knows? All I know is that your brother is dead because of me.

DIAMOND: I'd forgive you, but I think you need to forgive yourself. Can you do that?

DOCTOR: No. Not yet anyway.

HEART: We do have another brother, though.

DIAMOND: Yeah. Spade.

DOCTOR: Do you want to see him?

HEART: Not just yet. I'm not sure I want to meet those crazed rebels he signed up with. They were unpleasant enough the first time, before they found out we had a time machine.

DIAMOND: Assuming they haven't all got themselves killed trying to take the Empire.

HEART: They've got Spade on their side.

DIAMOND: Unfortunately, they've got themselves on their side as well. That's a big liability.

HEART: (frowns) Doctor. Do you know if they succeed?

DOCTOR: Oh I know how it turns out, but I wouldn't want to spoil the surprise.

(Beat.)

BOTH: They definitely fail, then.


[Space]

(The shuttle detaches from Penance and heads off.)


[Penance Airlock]

(Soolin, Korell, Spade and Serge are looking out a window at the shuttle as it travels off into space.)

SERGE: Well, there he goes.

SPADE: I hope he's all right.

SOOLIN: He's indestructible. Literally. He's got a better chance of survival than the rest of us.

KORELL: You could've gone with him.

SOOLIN: I prefer to stay with homicidal maniacs who aren't bullet proof.

SPADE: I thought the others were your friends?

SOOLIN: They are. I don't seem to be able to get on with anyone well-adjusted. Hopefully one day I'll be able to find the ones we left behind, if they're still alive.

SERGE: And if they're not?

SOOLIN: Then they're just another reason to keep fighting. Give up now and it's all for nothing.


[Penance Flight Deck]

(Avon sits at the repaired controls.)

AVON: Course for Goma set and computed. Do you need to check the displays?

VILA: Yes. It's not that I don't trust you, old friend. Oh wait, yes it is. I don't trust you. No one does, not any more. Because for all your huge problems with treachery, you're the least trustworthy person in the galaxy. The only person betraying people around here is you.

(Beat.)

AVON: Do you honestly think I'm glad I killed him?

VILA: Oh it matters what anyone else thinks all of sudden? Well this is what I think. You shouldn't have killed him. It didn't matter if you didn't like him, if you didn't trust him. You knew we couldn't afford to lose him but you blew three holes in him anyway, and left the rest of in a death trap while you admired your own handiwork.

AVON: If it's any consolation.

VILA: It's not. I don't care if you feel guilty or if you can rationalize it. He didn't betray us, you did.

AVON: Don't be stupid...

VILA: I'm not being stupid. Being stupid would to be ignoring what you did, what you've been doing ever since Terminal, and leaving you in charge. You're reckless, dangerous, paranoid, more trouble than you're worth but worst of all you're not even good company to be around. Is there anything -anything at all you could possibly say or do - to make up for what you've done?

AVON: Well now. That remains to be seen.

(An awkward pause. He sets controls.)

AVON: Penance now en route for Goma, estimated time to arrival nineteen hours.

VILA: Steady as she goes.

(Vila walks out, shaking his head. Avon remains where he is. For a moment, a haunted expression crosses his face, then he resumes his work.)


[Space]

(The Penance heads away from the Darlon System, as the strains of Dudley Simpson ring out.)


(Roll end credits.)
 
DBURT7.bmp


[Forest Clearing]

(In a forest clearing of silver birch, the TARDIS materializes without disturbing the birdsong by a clump of purple loose-strife and some saplings. The Doctor steps out into the greenery, followed by Heart and Diamond. Heart shuts the TARDIS door.)

DOCTOR: Taste that air. Like wine. I wonder where we are? Anyone know?

DIAMOND: You mean you don't?

DOCTOR: It was a blind landing. Totally random.

DIAMOND: And how's that different from your usual piloting?

HEART: Doctor, you really don't know where we are?

DOCTOR: Oh, stop fussing you two. It's a beautiful sunny day and we're in the middle of a forest. If we want to narrow it down we'll have to explore.

DIAMOND: (looks around) There doesn't seem much to explore.

HEART: Well, we've only seen this patch of woodlands. For all we know, we're just outside a town or a city.

DOCTOR: Precisely! What's the point of exploring time and space if you're not interested in what's around the next corner?

DIAMOND: (mild surprise) There's a point?

HEART: Come on. That looks like a path down there. Let's see where it goes.

DIAMOND: I doubt it'll be worth the trip.

DOCTOR: Oh Diamond, lighten up a bit! It's a lovely day, the exercise will do us good. Why can't you be a bit more like your sister?

DIAMOND: Wouldn't that make it even harder to tell us apart?

(Nonetheless she follows them through the trees.)


[Outside the Temple]

(At the edge of the forest is a clearing with mountains in the distance. A Greco-Roman temple with Corinthian pillars supporting a pyramidal roof rises out of the grass. Some other broken pillars stick out of the ground. A tour group is approaching, lead by the female tour guide in her one-piece blue jumpsuit.)

GUIDE: Ladies and gentlemen, welcome to the fifth wonder of this unspoiled world. This temple has been a site of unparalleled interest ever since it's discovery...

(The group consists of a young couple clearly more interested in each other than the tour, a Draconian eating a sandwich, a stern-looking woman with a hat made of moss and her husband with a video camera, and at the end a tall man in a trenchcoat, floppy wide-brimmed hat and a scarf. He is the only member of the tour group with a GameBoy-like handheld device.)

VORU: Well, it would hardly have been that before it was discovered would it?

GUIDE: Uh, quite true, sir. After the temple's discovery, a team of specialists carried out a complete survey, meticulously preserving its passageways and chambers and the many extraordinary relics found within. There is no risk of anyone or anything desecrating this site as the whole complex before us is actually coated in a micro-thin layer of polymer.

VORU: You've shrink-wrapped it!

DRACONIAN: Yes, how is that not desecrating this site?

GUIDE: As part of the preservation effort, Mr. S. The polymer layer protects this temple from any erosion, decay or weathering from the planet's atmosphere. Similar expense has been made across this whole world.

VORU: What, coating it in sticky-backed plastic?

GUIDE: Not quite, Mr. V. But from the moment this world was placed on the Galactic Heritage List, every effort has been taken to ensure that none of the new arrivals like ourselves can in any way taint, pollute or destroy the remnants of this mysterious and ancient civilization.

VORU: Very mysterious. Excuse me. May I ask a question?

MRS. BROWN: (haughtily) If you had a monitoring unit you wouldn't need to, sir.

GUIDE: Now, now, Mrs. B. It's my job to answer questions. Mr. V?

VORU: What's this planet called?

MRS. BROWN: Oh goodness gracious. You went on an interplanetary tour and didn't know what the planet is called.

VORU: I did consider only visiting places I knew absolutely everything about, but that didn't seem very educational.

GUIDE: Mr. V, this planet has no name as far as it known.

MR. BROWN: I thought this planet was called Epsilon-Gamma.

VORU: That's the code in the star charts. But what do people call this?

GUIDE: Uh, "Epsilon-Gamma". You see, Mr. V, (slight giggle) that as this planet's civilization seemingly vanished without making any contact with any of the local space-faring races, their culture is unknown. What they called this planet is a mystery.

VORU: And has anyone tried to solve it?

DRACONIAN: Yes. This temple is covered in hieroglyphics, there must be some clue there.

GUIDE: (awkwardly) Yes, probably but as such the answer eludes us.

DRACONIAN: Can the markings not be deciphered?

GUIDE: That's a good question. The problem is...

VORU: ...that no one's bothered trying to decipher them, is that it?

GUIDE: (shrugs) The heritage trust prioritized preserving the site instead of investigating it.

VORU: In short, everyone's been so desperate not to damage this world they haven't actually learned anything about it? We don't know the planet's name, what happened to the locals, if the wines are duty-free...

MR. BROWN: (looks up) There are local wines?

MRS. BROWN: Oh hush, darling. (to Voru) If you'd just let the poor woman do her job instead of flaunting your abysmal ignorance...

VORU: Yes, you're right, I should hide it under a bushel like you do.

MRS. BROWN: Quite.

(She twigs she's been insulted and glares at her husband before he can smirk.)


[Forest Track]

HEART: It's very pleasant, wherever it is.

DIAMOND: Yes, given we could be anywhere in the cosmos at any time.

DOCTOR: Diamond, if you want a strict, linear form of travel you should stick to a number 88 bus, not a space-time travel capsule!

DIAMOND: At least a bus driver would know where they are.

DOCTOR: As a matter of fact, I do have a theory as to where we are... but I tell you later.

HEART: You'll just say that whatever happens proves you're right.

DOCTOR: (shocked) Me? As if I would do that?

DIAMOND: (slowly) Yes. You would.

HEART: And have.

DIAMOND: So many times.

DOCTOR: Fine. By my calculations...

DIAMOND: The ones you calculate using your fingers?

DOCTOR: We've traveled some distance into the future and we're on a planet on the furthermost edge of the galaxy.

HEART: Which galaxy?

DOCTOR: This one!

HEART: But how do you know?

DOCTOR: I don't know, I'm guessing! That's why it's called a theory...

(A twig snaps loudly.)

DIAMOND: What was that?

DOCTOR: Oh, probably a rabbit or something similar. You two are getting very jumpy. Young people like you shouldn't suffer from nerves.

HEART: I think there's something there...

DIAMOND: Nothing now.

DOCTOR: Probably a trick of the light. It can take a little time to get used to different sunshine after spending so long on Earth.

(Something moves behind the foliage, growling softly. A hairy green claw pushes aside a branch and the wood immediately starts to smolder.)

HEART: I can smell burning.

DOCTOR: (still talking) On the other hand, maybe there is something out there. A different life form, something none of us have ever seen before or will again...

HEART: What if it's a wild animal?

DOCTOR: Then it'd probably be more scared of us than we are of it.

DIAMOND: And scared animals are the most dangerous.

DOCTOR: Oh. True. I don't suppose you can sense anything useful can you, Heart?

HEART: Nothing intelligent. Just, something animal. And cold. It's looking for warmth.

DOCTOR: On a hot day like today? Must be something cold-blooded. A reptile? A fire-breathing dragon in the woods? (mock aghast) Dare I even to dream?

(The thing watches them through the trees. It growls again.)

DIAMOND: So much for a lovely walk through a pleasant forest.

DOCTOR: You know what they say, Diamond.

DIAMOND: No. What do they say?

DOCTOR: If you go down to the woods today, you'd better go in disguise for today is the day the teddy bears have their picnic...

HEART: How you disguise yourself from a teddy bear?

(The indistinct form moves off through the undergrowth and out of view.)

HEART: It's gone away.

DIAMOND: Must have got sick of your nonsense.

HEART: Let's see where it's gone.

DIAMOND: That's insane.

DOCTOR: (impatient) Oh, fine! Stay here then!

(The Doctor sets off down the track. Heart follows.)

DIAMOND: One of these days I'll take you up on that offer.


[Outside the Temple]

(Mr. Brown is taking photos, the couple are snogging and the Draconian and Mrs. Brown are looking at the temple. Voru speaks to the guide.)

VORU: Tell me, how often are these tours carried out?

GUIDE: Three times a week, two hundred days a year.

VORU: And how many have you done?

GUIDE: I admit, sir, I gave up counting after the fourteenth hundred.

VORU: Ah. I'm impressed. All the endless repetitions of uninspired prose would have reduced most tour guides to dead-voiced monotones.

GUIDE: Well, I am making an extra effort, Mr. V. For you.

VORU: (surprised) For me?

GUIDE: You're the only one not carrying a monitoring unit. They're programmed to give the official talk on the screen matching whatever the unit points at.

VORU: Must make a real-life tour guide rather redundant.

GUIDE: It does feel that way, Mr. V.

VORU: Yes, well, as grateful as I am for the extra inflection in your voice, could you not call me Mr. V?

GUIDE: Sorry, Mr. Voruflannigantay...

VORU: Oh, please, Voru will do nicely. (louder) So do you actually know anything about the people who built this temple?

(The other tourists start paying attention again. The guide is slightly uncomfortable being put on the spot.)


GUIDE: Um, well, a few things. Yes.

DRACONIAN: Such as?

GUIDE: Well, they were oxygen-breathing carbon-based humanoid mammalian life forms analogous to human beings in size and body structure.

VORU: Anyone could guess that. The doors would hardly be suited for a giant crab, would they?

GUIDE: And the natives of this planet abandoned it a minimum of two thousand four hundred years ago.

VORU: Based on the fact that was when explorers first came here and found it deserted?

MR. BROWN: So what do they think happened to them?

MRS. BROWN: Oh, don't pester her, darling, she's trying to tell us that!

GUIDE: All the evidence is the natives of Epsilon-Gamma achieved a level of pure enlightenment. There is no trace of warfare, conflict, offensive weaponry. They were a peaceful people, living in harmony with the environment and devoted themselves to spiritual fulfillment.

DRACONIAN: And you think they achieved it?

MRS. BROWN: Forgive me, just what does this have to do with the natives vanishing just because they went all happy-clappy and said they reached nirvana?

GUIDE: Their enlightenment wasn't just of the spiritual or emotional. The natives of Epsilon-Gamma have ascended to a higher plane of existence and in physical terms just disappeared into thin air.

(A pause.)

VORU: That's an interesting explanation. They didn't just go extinct for some reason?

GUIDE: There are no physical remains of any of the natives anywhere on the planet. No bodies, no bones.

MRS. BROWN: Even so, to assume they all were whisked off to the other side of rainbow...

GUIDE: (interrupts) Is exactly what the hieroglyphs in the temple state, Mrs. B. And in the last few millennia, no one has actually found an alternative explanation.

VORU: Has anyone bothered to look for one? Did they even double-check the carvings?

GUIDE: The translation of the glyphs was very straightforward, as your monitoring units will show when we go inside...

VORU: (to himself) You know if there's one thing I detest, it's guided tours... (louder) Come on, everyone, let's see what the hieroglyphs really say instead of relying on tenth-hand knowledge!

(Voru strides towards the temple and the others follow him without question.)

GUIDE: Oh, please, Mr. V...

VORU: (correcting her) Voru!

(The Browns linger.)

MRS. BROWN: Aren't you coming?

MR. BROWN: I thought I might just take a few more holo-shots, darling. It's so wonderful out here.

MRS. BROWN: It's an uncivilized wasteland covered in dirt and animal droppings. I can't believe you wanted to come here for your birthday, or that I'd let you. You're just so domineering.

MR. BROWN: Sorry, dear.

MRS. BROWN: Oh never mind. But don't spend too long out here, you might get sunstroke.

MR. BROWN: No, darling.

(Mrs. Brown enters the temple. Mr. Brown aims his camera at the treeline and sees the dark figure through the bushes. It moves away before Mr. Brown can get a good look. Frowning, he moves closer.)

MR. BROWN: Hello? Sorry, are you part of the tour group? Hello?

(He moves through the bushes after the figure, passing a tree with a hand-mark burnt into the bark.)


[Temple Interior]

(A cool, shadowy interior but with sunlight streaming in to provide illumination. Exotic murals and markings are on the marble-like walls.)

VORU: Fascinating!

GUIDE: Yes, these markings are laid out in numerous different formats throughout the complex forming a sort of Rosetta Stone allowing the language to be deciphered with relative ease...

VORU: No, fascinating that someone would build a temple here in the middle of nowhere. Where's the town or village where the worshippers live? The farms that provided the priests with food?

GUIDE: (taken aback) Well, that is unknown, yes.

DRACONIAN: Like so many things.

MRS. BROWN: Oh yes, yes. No one knows who they were or what they did or where they went and we can only surmise facts about them from what they left behind. You can say the same for a dozen planets in this sector alone, Mr. Voru. There's no need to belittle this poor girl...

GUIDE: Thank you, Mrs. B.

VORU: There's no shame in being ignorant, Mrs. Brown, but deliberately staying ignorant? (to guide) Wouldn't you be interesting in knowing what really happened here? It'd make these tours a bit more interesting, and you'd know something the monitoring units don't.

MRS. BROWN: And just how are you going to solve a mystery over two hundred and forty centuries old?

VORU: Well, we can surmise facts from what is around us.

DRACONIAN: Surely others have done that?

VORU: Ah, but they don't have what we have. Inquiring minds.

(He takes out a spoon and taps the wall.)

VORU: Inquiring minds - and a teaspoon.


[Outside the Temple]

(The trio emerge from the treeline.)

DOCTOR: Well, well, well! Look at that. Clearly there's some kind of civilization.

DIAMOND: Once, maybe.

HEART: She's right, it looks rather old and deserted.

DOCTOR: Let's take a closer look.

HEART: What about the animal in the woods?

DOCTOR: It seems to have gone its own way, minding its own business.

HEART: But that smell of smoke...

DOCTOR: Maybe it is a fire-breathing dragon? Still, it's not started any forest fires.

DIAMOND: Yet.

DOCTOR: Come on, let's see if we can find someone inside. They might know what it is. It might even be a lost pet, the owner could be worried...

(They approach the entrance of the temple.)


[Temple Interior]

GUIDE: But Mr. V, if this isn't a place of religious assembly, then what's it for?

VORU: A place covered in writing specifically designed for outsiders to understand, located in an easily-accessible part of the landscape. What does that sound like you to you?

DRACONIAN: An advertising opportunity.

(Some laughter.)

VORU: Yes, something along those lines. This temple is a billboard, covered in important notices for the public to read.

GUIDE: But all these markings are about the natives achieving enlightenment.

MRS. BROWN: And nothing else, I notice?

VORU: Quite correct, Mrs. Brown. This whole temple is a sign left on a door handle saying "Out To Lunch". Telling us where they've gone.

DRACONIAN: But if they have left temporarily, where are the carvings telling when they will return?

VORU: No idea. Somewhere in this temple, maybe behind a doorway (taps wall) before the heritage site slathered plastic over everything...

GUIDE: Ah well, then that's that, Mr. V. This site cannot be disturbed. If these extra carvings aren't already revealed, they're staying that way.

(Complaint noises from the tourists.)

GUIDE: I'm sorry, everyone, I'm sorry, Mr. S. But rules and rules. It won't matter to my boss if I solve the mystery of Epsilon-Gamma, I'll still be redundant and on a blacklist by lunchtime.

(The TARDIS crew enter.)

DOCTOR: Afternoon! I hope we're not interrupting?

(The tour group turn to the newcomers. Voru spares them a glance, then continues tapping the hieroglyphs with his teaspoon.)

GUIDE: Uh, no. Excuse me, who are you? There's not meant to be another tour session today.

DOCTOR: Oh, we're not tourists.

HEART: Well, we are.

DIAMOND: Yes, that's definitely what we are.

DOCTOR: All right, we are tourists, but we're not here with the tour group.

MRS. BROWN: You mean you snuck in without paying?

HEART: We didn't sneak in, we landed here.

GUIDE: Planet Epsilon-Gamma is listed on Galactic Heritage, and only official tourism shuttles are allowed down to the spaceport. How did they let you through the atmosphere?

DOCTOR: Well, they didn't see us, we didn't see them. We landed in the woods just over the hill. There weren't any notices.

VORU: Hah.

DOCTOR: (puzzled) Something wrong?

VORU: Oh, just that this entire structure is nothing but notices for trespassers.

DOCTOR: Is it? What do they say?

DRACONIAN: That's a matter for some debate.

DOCTOR: Do we know who wrote them?

MRS. BROWN: You really have no clue about this planet and its history, do you?

VORU: They wouldn't be the only ones.

HEART: We arrived here by accident. Actually, we came here trying to find out where we were.

DIAMOND: We didn't even know there was anyone here.

MRS. BROWN: What? Didn't you see my husband outside?

DOCTOR: No. There was no one outside.

MRS. BROWN: Don't be ridiculous he was just outside this temple.

DIAMOND: (folds arms) There was no one out there. Deal with it.

MRS. BROWN: How dare you...?

HEART: (reproachful) Diamond. (to Mrs. Brown) He must have wandered off, but we can look for him. I'm sure I can sense him.

MRS. BROWN: Sense him? Are you some sort of telepath?

HEART: (blunt) Yes.

MRS. BROWN: (relieved) Oh thank goodness for that. Come on, we have to find my husband.

(Mrs. Brown takes Heart's hand and heads for the exit. Diamond runs after her. The guide, the couple and the Draconian follow.)

GUIDE: Don't worry, Mrs. B, he can't have gone far...

(The Doctor stays behind.)

DOCTOR: You're not interested in looking for him?

VORU: No. You've met the poor man's wife, he's probably enjoying some peace and quiet. This is much more interesting, wouldn't you say?

(The Doctor regards the markings for a moment.)

DOCTOR: (thoughtful) Yes. Very interesting.


[Outside the Temple]

(Heart, Diamond and the tourists emerge.)

MRS. BROWN: Right, quickly, do your psychic scan or whatever.

HEART: All right, all right, give me a chance!

DIAMOND: This is why I don't constantly volunteer.

HEART: You're not helping.

DIAMOND: I'm not trying to.

HEART: Oh you're trying all right, Diamond, incredibly trying!

MRS. BROWN: Stop squabbling and find my husband!


[Forest]

(Mr. Brown is looking through the trees.)

MR. BROWN: Hello? Are you all right? (coughs) Goodness me, is someone trying to light a campfire?

(A strange low growl comes from nearby. Mr. Brown sees a crouched figure in blackened clothes hiding in a bush. Smoke wafts up.)

MR. BROWN: Is that you? Oh, I can't see a thing...

(He looks through his camera and switches to night vision which clearly illuminates a hairy haggard figure huddled by a tree. Suddenly it whirls around to reveal a bestial face and glowing white eyes. Mr. Brown drops the camera and screams as the primord charges at him.)


[Outside the Temple]

(Everyone hears his screen.)

MRS. BROWN: (aghast) Arthur!


[Temple Interior]

(The Doctor and Voru look up at the scream and together run for the exit.)


[Outside the Temple]

(The Doctor and Voru join the others.)

HEART: Doctor, that came from the woods!

DOCTOR: What are we doing standing around here? Come on!

MRS. BROWN: You, girl, you're the psychic find him!

HEART: I'm doing my best. This way. (less certain) I think...


[Forest]

(Mr. Brown is slumped against a tree, breathing raggedly. There are bruises on his face. His wrist-band gives off a quiet bleep.)

MRS. BROWN [OC]: Arthur? Arthur, where are you?

(Dazedly, he groans in response.)

DIAMOND [OC]: That way, to the left!

(The tour group arrive.)

MRS. BROWN: Oh good gracious, Arthur! Someone's attacked him! The poor man's in shock, get him water!

DOCTOR: Wait a second, wait, what's that noise?

(They listen to the bleeping.)

DRACONIAN: It is his wrist-computer.

GUIDE: That's the noise it makes to warn of biohazard.

MRS. BROWN: Then we've got to get him away from here.

DRACONIAN: No, don't touch him!

GUIDE: Mr. S is right, Mrs. B. Your husband's been infected with a category jay pathogen. No one's to go anywhere near him.

MRS. BROWN: Do you think I'm just going to leave him in an unmapped forest on this unexplored sanity-forsaken rock?

VORU: Only for a few minutes at most, Mrs. Brown. I assume our guide is going to get emergency services from the spaceport to treat him.

HEART: Why can't you contact them directly?

GUIDE: No comms-relays on heritage worlds. Look, I'll set off now. Mr. and Ms. X, could you come with me? Maybe you can help with the stretcher? All right, the rest of you stay here but don't touch Mr. B. He's look rather green.

(Indeed, Mr. Brown is a pale sickly green colour. The guide and the young couple leave. The TARDIS crew exchange looks.)

HEART: His skin, Doctor.

DOCTOR: I can see, Heart.

HEART: It wasn't like that when we got here, that's happened over the last few seconds.

DOCTOR: Yes, I know.

DIAMOND: And you know what it looks like, don't you?

(Voru crouches and peers at Mr. Brown.)

VORU: Interesting. It seems something has flooded his bloodstream, hence his new complexion.

MRS. BROWN: Mr. Voru, do you have any idea what it could be?

VORU: Some idea, yes. Of course, without a proper examination, I can't be sure...

DIAMOND: What is your theory, anyway?

VORU: The natives of this planet apparently transcended physical forms. Something transformed them. Perhaps that's what's happening to your husband?

MRS. BROWN: He's turned bright green, man, he's not achieving nirvana!

VORU: You're very certain for someone who was just begging me for an explanation.

DRACONIAN: But why would he be changing and the rest of us are not?

VORU: Maybe he's closer to enlightenment than we are? (laughs) But think about this. All the tour groups go to the temple and back to the spaceport. Maybe those areas are protected.

HEART: You mean, going off the beaten track like this might expose you to this transformation?

VORU: Yes, why not?

DRACONIAN: Then we should leave here before it affects us as well!

MRS. BROWN: We are not leaving my husband alone!

VORU: Is that the royal "we", Mrs. Brown?

MRS. BROWN: You're just going to abandon us?

VORU: More or less. If your husband is ascending the same way as the locals did, then those carvings in the temple might tell us the answer.

DOCTOR: You think so?

VORU: The hieroglyphs warned us the inhabitants vanished. There might be some that have first aide instructions. Either way, I need to go back to the temple to find out the truth.

DOCTOR: I'll help. I'm something of an amateur cryptographist myself.

VORU: You are?

DOCTOR: Absolutely.

VORU: Well, try and keep up. Physically and mentally.

(Voru heads down the hill.)

DOCTOR: (taken aback) Arrogant little so-and-so. Anyway, Heart, Diamond, you stay with these two and keep an eye on Mr. Brown. And be ready to run for your lives.

MRS. BROWN: Why?

DOCTOR: Well, it's always useful to be ready to run for lives, isn't it? And if, say, your husband starts growling and growing fur, perhaps consider running for your life yourself?

(The Doctor sets off.)

MRS. BROWN: What in heaven's name is he talking about?

DRACONIAN: Do you have any experience of this infection?

HEART: We might have seen something similar.

MRS. BROWN: Is it curable?

DIAMOND: Perhaps, if the mutation is stopped in time.

MRS. BROWN: Mutation?

HEART: It's probably not what we think it is. If that's any consolation.

(Mr. Brown is still dazed and panting, but there is a faint growl to his voice and his skin is turning a darker shade of green.)


[Temple Interior]

(Voru has a notepad and is scribbling down shapes from the hieroglyphs. The Doctor is looking around, more interested in the layout of the temple.)

DOCTOR: And there are multiple variations of hieroglyphs etched throughout the temple?

VORU: Yes, a variety of basic languages. Whoever built this temple wanted to make it as easy to translate as possible. Which means that the original explorers didn't bother to look any closer after it started to make sense.

DOCTOR: It's hard to believe there's been no serious archaeological exploration of this planet.

VORU: Well, archaeology isn't the most well-paying of careers. I doubt any expedition could pay the heritage trust's fees.

DOCTOR: Tch. What is the universe coming to?

VORU: (smiles) My thoughts exactly. No doubt the tourist trade prefers vague mysteries that are good for business rather than unprofitable truth.

DOCTOR: I'm surprised we're the first tourists to try and discover the truth, though.

VORU: The normal tourists are bored children, pensioners waiting to be shocked, retired professors who don't want to be challenged or students trying to impress their sweethearts with invariably erroneous academic knowledge.

DOCTOR: Which one are you then?

VORU: The exception that proves the rule. Now look at these runes here. The official translation is that is speaks of the natives leaving a life of peace. It doesn't say "peace" it says "not war".

DOCTOR: Ah. As in "the reason we left was not war". It was something else.

VORU: Yes. Not war, not pollution, not invasion. They left this world all right, but not as an ascension. It was an evacuation. A global evacuation.

DOCTOR: So what drove a whole species to run away?

VORU: And is it still here?


[Forest]

(Mr. Brown is dark green and starting to grow black fur. His breathing is now a growl.)

MRS. BROWN: My poor Arthur, look at him! This is why I never wanted him to grow a beard, he looks ridiculous!

DRACONIAN: You were right. He is mutating.

DIAMOND: If it's what we think it is, the change is fueled by heat. Luckily he's in the shade.

MRS. BROWN: Then we must find some way to cool him down.

DIAMOND: How? He's highly-contagious.

HEART: And it won't be long before he becomes violent.

MRS. BROWN: My husband is not and never has been violent!

DIAMOND: Maybe not, but it won't be long before that thing isn't your husband anymore. Then it will attack and try to kill us, and one touch will infect us too.

MRS. BROWN: Oh where is that wretched medical team? They should be back by now!

DRACONIAN: Even if they get here soon, it might not be fast enough to save him...

MRS. BROWN: How dare you say such a thing! They know he's a biohazard, they'll put him on ice and they will cure him and I, for one, will expect a full refund from the agency for this nightmare we've had to endure!

(The growling from Mr. Brown gets louder. He turns and looks at the others, baring sharper teeth.)


[Temple Interior]

DOCTOR: And that glyph there. The enlightenment, it's more a reference to physical purity.

VORU: Some sort of eugenics, perhaps? It seems to mean a purity inflicted upon everyone.

DOCTOR: The people of this world were forced to leave because they achieved purity? Or, to flip it round, they fled this world because it was no longer pure.

VORU: Some kind of environmental disaster. The enlightenment and purity refers to some kind of protective clothing or equipment - sensibly wearing masks and gloves.

DOCTOR: But only a short term solution. They couldn't stay, so they left and anyone who comes here in the meantime risks exposure to the same threat.

VORU: And poor Mr. Brown went off into the woods without any protection and now look at him...


[Forest]

(Mr. Brown is now obviously a primord, at the wolf-face-black-mane stage, and growling.)

HEART: We have to go now!

MRS. BROWN: He's not trying to harm us!

DRACONIAN: They have already explained, Mrs. Brown. What to us is a warm day is ice cold to the mutation, it is conserving its strength...

MRS. BROWN: Don't call him a mutation, he is my husband!

(The Brown-primord struggles upright, growling louder and more hostile. The Draconian grabs Mrs. Brown and pulls her away, despite her struggles. The twins follow. Heart hesitates and looks back at the snarling primord. It glares at her, then turns and stumbles off deeper into the trees.)

DIAMOND: Heart, come on!

HEART: He just ran away.

DIAMOND: Probably seeking somewhere warmer. Come on!

HEART: No, wait. If that really is a primord, he must have been infected - so there's another primord in these woods, maybe more!

DIAMOND: Yes, probably the one we saw when we first got here.

HEART: Maybe that's where Mr. Brown has gone?

DIAMOND: And you, what, want to chase him?

HEART: Yeah. (beat) Don't you?

DIAMOND: If not us, then who? If not now, when?

(Grinning, the twins set off after the primord.)


[Temple Interior]

DOCTOR: No, that doesn't make sense. People have been coming here for two and a half millennia. Any kind of toxic agent in the atmosphere would have been spotted by now.

VORU: Then presumably whatever catastrophe to hit Epsilon Gamma has resolved itself before the explorers found this world.

DOCTOR: But then why haven't the natives returned?

VORU: Perhaps they've been delayed by something. It wouldn't be the first time a race retreated from an apocalypse but didn't return on time. Look at the Silurians on Earth, for example.

DOCTOR: Silurians. You know about them, don't you?

VORU: Oh yes, the reptile people who ruled Earth during the age of the dinosaurs. A fascinating culture, but by escaping the ice age they accidentally overslept. By the time any of them awoke, the apes on the surface had evolved into mankind.

DOCTOR: Isn't that the truth? You know, just the other day I met a crashed alien who thought the Silurians were still in charge, so it disguised its slaves in unconvincing reptile man outfits...

VORU: (dry laugh) Oh how utterly quaint. But returning to the matter in hand, where are the rest of these inscriptions, hmm?

DOCTOR: Well, I've mapped out the complex and that junction of walls is large enough to contain a hidden room of some kind, probably with the missing hieroglyphs inside. The only question is how?

(Voru heads towards the wide pillar, spoon in hand.)

VORU: A teaspoon and an open mind...

(The Doctor laughs, following him.)


[Forest]

(The Primord stumbles through the woods, unsure of where it is going. Its tourist clothing is now blackened and scorched. Further back through the trees appear the twins, making their way after the monster. The twins stop as the hill drops away.)

DIAMOND: Where's it gone?

HEART: I think I can guess. (points) Look.

DIAMOND: (softly) Oh no...

(The hill overlooks a familiar stone mausoleum.)


[Temple Interior]

(Voru taps the spoon against the wall.)

VORU: Definitely a hollow space. Around six foot square, maybe seven. So that's, what, at least twenty-four square feet to cover with more hieroglyphs? Just need to trigger the door mechanism...

DOCTOR: And then we can get down to translating them.

VORU: Yes, paraphrastic transliterator and polyglottal decipherer, that we will do.

(Voru presses his palms against the wall in different places, looking for a hidden spring.)

DOCTOR: You know, Voru, I get the strangest feeling I've met you somewhere before.

VORU: A common lament. You'd be amazed how dull people's lives can before I enter them, they pretend they've known me for longer.

DOCTOR: I'm sure they do, but there's something very familiar about you.

VORU: I suppose I just have that sort of face. Or perhaps that sort of name. I do wish that tour guide wouldn't keep calling me Mr. V - though I must admit a certain Proustian rush when she calls me that. Brings back all sorts of memories.

DOCTOR: (wary) Memories?

VORU: Of course, I wasn't called "Mister", it was "Citizen."

(The Doctor freezes.)

DOCTOR: Citizen V.

(Slowly he turns to look at Voru.)

DOCTOR: You.

(Voru spares him a cheerful grin.)

VORU: Me.


[Forest]

(The twins look down at Vise's TARDIS.)

DIAMOND: That's not possible.

HEART: Oh yes it is. Now we know where the Primord came from.

DIAMOND: The Doctor sent that thing hurtling into a black hole. There's no way any of those things could have steered their way out of it.

HEART: The Primords weren't the only ones aboard.

DIAMOND: They were the only live ones aboard.

HEART: Were they?


[Outside the Mausoleum]

(The Primord makes its way to the open entrance. it stops and looks around as if admiring the structure, before staggering inside.)


[Mausoleum]

(Everything is dark and still. Daylight streams through the open doorway, illuminating the partly-repaired control machinery. The Primord enters and looks around at the gloom. Other Primords are glimpsed kneeling in the shadows, heads bowed as if in prayer. Growling softly, it moves towards them.)


[Forest]

DIAMOND: How many more of them are in there?

HEART: More to the point, how many more of them are on the loose? Come on, we have to make sure Mrs. Brown and Mr. Salkrando are all right.

DIAMOND: And warn the Doctor.

(They return through the woods.)


[Temple Interior]

(Voru continues to look for the hidden door, not concerned about the Doctor at all.)

DOCTOR: Mister Voru nee Citizen Vise.

VORU: The very same.

DOCTOR: Why the name change?

VORU: Oh, this and that. The name Citizen Vise was feared and respected the world over. But now that world's gone and everyone who feared and respected died so horrifically and pointlessly...

DOCTOR: Because of you.

VORU: Anyway, there was little reason to keep calling myself Vise. I'm hardly the man I once was. Oh, what do you think of the new face by the way? Not sure about it myself, but the nose is a definitive improvement.

DOCTOR: I saw you die. You were slammed straight into the artron core of your blasted mausoleum and were fried right down to your DNA.

(Flashback to Citizen V being electrocuted.)

VORU: I know. Of all the agonizing and spectacular ways I've perished, that one really was the most anticlimactic. (huffs) I felt cheap!

DOCTOR: There's no way you could possibly have survived that.

VORU: And yet here I am.

(Voru temporarily gives up on the hidden door.)

VORU: Oh come now, Doctor. You can't really be that naive, can you? How do you think I survived. I did what you would do upon reaching the end of your mortal coil - twist myself a new one, return to life in a new body! Isn't that what you'd do?

DOCTOR: Yes, but the process wouldn't have worked, not after that intense a charge through your system.

VORU: Oh, flapdoodle. I just triggered a metabolic coma, slowed things down. Can't you do that?

DOCTOR: That might have bought you a few minutes of extra life, but not enough to save your life.

VORU: Ah, but that rather depends on how you spend those few extra minutes, doesn't it?

DOCTOR: And how did you?

(Beat.)

VORU: You don't know, do you?

DOCTOR: That's why I'm asking.

VORU: But you're not asking so I can confirm what you already know. You literally have no idea how I survived. If our positions had been reversed, you really would have died, wouldn't you?

DOCTOR: (starting to lose his temper) How did you do it?

VORU: (delighted) This is so intriguing! I never considered you wouldn't know the same secrets that I do! Aww, that is incredible. Now, do I kill you now an keep you ignorant as you perish? Or do I tell you the truth just to see the look on your face before you die? I'm honestly not sure which to go for.

DOCTOR: (unimpressed) How unfair life is.

VORU: (shrugs) Oh well, can't be helped. Consider this a truce, old chap.

(He returns to the door.)

DOCTOR: A truce?

VORU: Yes, I'm not going to try to kill you today. Well, I say "try". I'd obviously succeed. But I have no desire to end your life this time. I'm more interested in these hieroglyphs.

DOCTOR: Why?

VORU: The same reason you are, of course. Natural curiosity! There's a whole universe to explore, an entire dimension so similar yet so different to my own! You think I'd miss the chance to take a look round after all those years in exile?

DOCTOR: So you really are just a tourist?

VORU: This time, yes. I landed in the forest, saw the tour shuttle arrive and joined them. Easily-fooled tour guides, gullible tourists. But yes, I was just here to see a temple and learn about what is here.

DOCTOR: And destroying this planet? Did you get rid of that habit along with your frilled shirts and capes?

VORU: Oh, I dare say I'll be back one day to blow this tedious planet to smithereens, but not now. Not without knowing what it's really called, that would just be vulgar. I can't stand vulgarity, can you?

(The Doctor stares at him disbelievingly.)


[Outside the Temple]

(The Draconian and Mrs. Brown hurry past the treeline.)

MRS. BROWN: But what about the tour guide and the stretcher party? They'll be heading straight for Arthur!

DRACONIAN: We must hope for their sake they don't encounter him. Come, we must warn Voru and this Doctor of the danger. And tell him what happened to his friends.


[Temple Interior]

DOCTOR: So once you'd finished renewing yourself, you piloted your time craft out of the black hole.

VORU: (bored) Obviously. A nice gesture that, though. I was touched.

DOCTOR: A time craft full of those tame primords of yours.

VORU: Yes. I considered putting them all down, but they are so endearing psychotics. I just have a soft spot for killer dogs in this incarnation.

DOCTOR: You amaze me. And I imagine one of those is what attacked Mr. Brown and infected him?

(Voru stops checking the door.)

VORU: Yes. Sorry about that. My fault, I left the door open. My pets do get a little stir-crazy locked up in a mausoleum all day. One must have got loose.

DOCTOR: And is probably attacking everyone it encounters!

VORU: It shouldn't. I did give them all strict instructions to keep a low profile. Mr. Brown must have scared it.

DOCTOR: Oh yes, he looked utterly terrifying.

VORU: Probably his camera. The primord must have thought it was a weapon and he was attacking him. That's the thing about wild, aggressive types. Deep down, they're always the most frightened.

DOCTOR: I suppose you don't have any cure for the infection?

VORU: Not to hand, no. I'm not even sure if there is a cure. Still, if the medics save Mr. Brown, I won't be trying to stop them.

DOCTOR: You sound almost apologetic.

VORU: (firmly) Oh but I'm not. I don't give a pair of fetid dingo's kidneys what happens to these tourists or how many of them die. I just want to make my position clear. This really is my afternoon off.

DOCTOR: Then you won't be worried if I go help the tourists take down your rogue werewolf?

VORU: Oh, be my guest.

DOCTOR: It won't ruin any master plans?

VORU: No, I don't have any. Apart from getting in here and finding the rest of the carvings.

(The Doctor cautiously backs away and then runs off as Voru tries, again to open the door to no avail. In annoyance, he throws the teaspoon at the wall and it bounces off, hitting him in the face.)


[Outside the Temple]

(The Doctor runs out to meet the tourists.)

DRACONIAN: Doctor!

MRS. BROWN: You're a doctor, yes, listen, you must help my husband...

DOCTOR: I can't! I'm sorry, I can't. That infection is too aggressive, your husband can't be helped. (frowns) Where are Heart and Diamond?

DRACONIAN: The...

(He glances at Mrs. Brown and corrects himself)

DRACONIAN: Mr. Brown. He ran off into the forest and they followed.

DOCTOR: Oh, the idiots! They're a bad influence on each other! Listen, do you two know the path back to the spaceport?

DRACONIAN: Yes.

MRS. BROWN: Of course we do!

DOCTOR: Then get back there! Tell everyone this planet is dangerous and to evacuate - it's what the natives did, it's what you have to do now!

DRACONIAN: But what about the creature that infected Mr. Brown? And Mr. Brown himself?

MRS. BROWN: Surely we'd be safer inside the temple.

DOCTOR: You'd think so, yes, but you wouldn't be safer in there. Believe you me, that temple is the most dangerous place on the planet right now!


[Temple Interior]

(Voru has taken off his scarf and is using it as a measuring tape on the sides of the hidden room. He focusses on one section, then presses a symbol. There is a scraping of stone but nothing happens. Voru shoulder-charges the wall panel and eventually forces it open with a crackling noise. The door panel is being held shut by thin plastic.)

VORU: Wretched micro-polymer...

(With more effort, he manages to force it open to reveal a small featureless room. The walls, floor and ceiling are covered in hieroglyphs.)

VORU: Ah-ha. Ah-hah-ha-ha. Now, let's see how the history of Epsilon-Gamma really ends...

(He puts in a jeweler's eyeglass and peers at the markings on the walls.)


[Outside the Temple]

DOCTOR: You two, make for the spaceport. If you see the creatures, run for your lives. I'll go after the twins.

(The Draconian nods and starts to move off.)

MRS. BROWN: Doctor. My husband.

DOCTOR: Your husband doesn't exist anymore, I'm afraid. But he certainly wouldn't want you to be destroyed by the thing he's become.

MRS. BROWN: (almost tearful) But... Arthur...

DOCTOR: I'm sorry. But he'd want you to survive. And remember him how he was. You owe him that.

(Mrs. Brown sniffs, nods and then she and the Draconian run off. The Doctor watches them go.)

DOCTOR: (softly) How unfair life is.


[Forest]

(The twins are hurrying through the trees.)

HEART: Primords might think it's cold, but I'm shriveling up in this heat.

DIAMOND: You're just getting old.

HEART: I am the exact same age as you!

(The Doctor scrambles up the hill.)

DOCTOR: Ah, there you are. I can hear you two bickering from the other side of the planet.

BOTH: Doctor!

DOCTOR: You two were very foolish chasing a primord like that, you both know how dangerous they are! Time for recriminations later, though.

DIAMOND: Ooh, promise?

DOCTOR: Vise isn't dead. He survived that electrocution.

BOTH: We know.

DOCTOR: (surprised) You do?

HEART: His mausoleum's back there. Mr. Brown led us straight there, like he was homing in on it.

DIAMOND: Must be Vise's mental control.

DOCTOR: Probably. But he's not called Vise any more. He's calling himself Voru.

HEART: Voru? That weirdo in the hat and the scarf?

DOCTOR: There's nothing wrong with hats and scarves! I've worn plenty of hats and scarves in my time... (eyes widen) Which gives me an incredible idea.

DIAMOND: Oh, that always bodes well.

DOCTOR: Voru, Vise, whatever he's calling himself. He's me. An alternative dimensional parallel of me, but still me.

(The twins stare at him.)

DIAMOND: Yes, we established that already.

HEART: And you both like hats and scarves. That makes sense.

DOCTOR: No, I mean. The primords sense that Voru is the same as Vise even though he's a completely different person now. They recognize his aura, perhaps? And since we're the same...

HEART: You think they'll think you're him and leave you alone?

DOCTOR: Yes!

(Beat. Heart loses it.)

HEART: (shouts) That is the stupidest idea you have ever come up with! And, and you have come up with so many of them! We can't even agree on a top ten!

DOCTOR: (to Diamond) I thought you were the nasty one?

DIAMOND: (flatly) We swap clothes whenever you're not looking to confuse and disorientate you.

DOCTOR: Hah! I knew it!

HEART: Excuse me, this is serious! Doctor, you want to go into that deathtrap of a mausoleum which is packed to the rafters with primords!

DIAMOND: And it's bigger on the inside. That's a lot of rafters.

HEART: And your only chance of not being torn apart or turned into one of them is the hope - the hope - they might think you smell like Voru?

DOCTOR: Yes.

HEART: Well, no chance. We're not letting you do it.

DOCTOR: You have to. The primords might let me in, they definitely won't spare you.

DIAMOND: But why do you want to go in there anyway? Vise isn't in there.

DOCTOR: No. That's rather the point. I need to see his time ship without him there. I need to find out how he survived that electrocution!

HEART: He changed his face, the same as you would.

DOCTOR: No, there's more to it than that. He's got some sort of secret method to stay alive. There's no way we'll get rid of him.

HEART: So what are we supposed to do?

DOCTOR: Mrs. Brown and the Draconian are heading for the spaceport. Get after them, make sure they get there safely. Turn the medical team around. We need to evacuate this planet.

DIAMOND: And are we supposed to go with them?

DOCTOR: Well, now you mention it? Yes.

BOTH: We're not leaving you behind.

DOCTOR: I can catch you up by phone box.

HEART: Not if you're dead.

DOCTOR: Then I'll make sure not to die. Worse comes to the worse, I'll need to renew my body - a luxury neither of you two have. So go! Now!

(The twins ruefully head off through the trees. The Doctor watches them go, then hurries the way they came.)


[Temple Interior]

(Voru leaves the hidden room, studying a notepad.)

VORU: So, the falling star lead to the pestilence. A meteor perhaps? An asteroid covered in foreign toxins and diseases? Yes, that would fit. The population put on their gasmasks and hunkered down to try and weather it out. But the atmosphere was totally polluted, they'd die if they stayed. So then comes the enlightenment...


[Forest Track]

(The Draconian and Mrs. Brown are talking with the tour guide, who is accompanied by the couple and a stretcher party.)

GUIDE: Evacuate the whole planet?

DRACONIAN: That is what he said.

GUIDE: Mrs. B, is this Doctor actually a medic? For all we know your husband can still be saved...

MRS. BROWN: Perhaps, but this infection changed him in minutes. We could all be turned into monsters before we got back to quarantine. I definitely believe you aren't equipped to deal with this.

(The guide draws a gun.)

GUIDE: Look, I have this. A neutralizer pistol. Whatever these things are, if they have a central nervous system, this can shut them down long enough...

DRACONIAN: Assuming you can fire it in time before it kills or infects you.

GUIDE: Well, I'm sorry, Mr. S. But I have a duty to the people in my group. Mr. V is still at the temple and we need to get him out of here, as well as the Doctor and his girls.

MRS. BROWN: Well, there they are now.

(The twins run up the track.)

DIAMOND: Come on, we need to get to the spaceport and start evacuating!

MRS. BROWN: Exactly what we've been trying to do.

GUIDE: Sorry, no. Evacuating means everyone leaving. What about the Doctor and Mr. V?

HEART: The Doctor can leave in our ship.

GUIDE: That's as maybe but Mr. V...

DIAMOND: "Mr. V" is the cause of all this! What happened to Mr. Brown is his fault, he brought the infection here!

MRS. BROWN: (furious) What?! And he's still mucking about in that temple?

GUIDE: Mucking about, what do you mean mucking about?

DRACONIAN: Looking for more hieroglyphs! Does it matter?

GUIDE: Matter? Of course it matters! He's desecrating a galactic heritage site! I bet that's why he's caused all this mess, just to distract us!

(She runs down the track towards the temple.)

DIAMOND: No! Wait! He's dangerous!

GUIDE: (waving gun) So am I!

HEART: (to others) Look, you go to the spaceport. We'll bring her back.

(The twins run after the guide.)


[Outside the Mausoleum]

(The Doctor creeps towards Vise's TARDIS. Looking around, he tiptoes towards the dark entrance. Nothing can be seen within. Steeling himself, the Doctor enters the ship.)


[Mausoleum]

(As before. Everything is dark and still. The Doctor enters, pausing as he sees two primords - Brown and the one that infected him - kneeling in prayer by the doorway. Cautiously he moves deeper into the chamber. The Brown-Primord lifts its head to watch him as he passes but does not attack.)

DOCTOR: (sotto) So far, so good. Now, where would I keep the secret of immortality? Somewhere accessible. Handy. And, knowing Vise, tastelessly gothic.

(He spots the alcove with the casket marked with the Seal of Rassilon.)

DOCTOR: (sotto) Bingo.


[Temple Interior]

(Voru is sitting with his back to the wall of the hidden room, drawing his knees up to his chest and looking thoroughly defeated. He does not react as the guide runs in, gun in hand.)

GUIDE: Mr. V! What the hell have you done to this site?

VORU: (sighs) Yes, I'm sorry.

(The guide is surprised to see him depressed.)

GUIDE: What?

VORU: I apologize.

GUIDE: Apologize? You ruin my career in an hour, after pretending to be friends and...

VORU: I know. I'm sorry. If it's any consolation, all I've done is opened a door over there. You'll probably want to cover the inside with plastic like everything else. Or just close it up. It's not like the truth is going to get you any more customers coming here.

(The tour guide, despite herself, is curious.)

GUIDE: Why? What is the truth?

VORU: You really don't want to know. I think I prefer your version of them ascending to paradise.

GUIDE: Why? What did they do instead?

VORU: You'll only be disappointed.

GUIDE: Tell me.

(Beat.)

VORU: As you wish. Thousands of years ago, a bacteria-riddled meteorite crashed on Epsilon-Gamma. Alien viruses that the natives' immune systems couldn't cope with. So, they fled the planet until such time as all the pathogens died out. This temple is to warn anyone who visits about the toxic atmosphere. Rather redundant, given it's been clear for millennia.

GUIDE: Then why haven't they come back?

VORU: (groans) Oh who knows? Who cares? The beings who ruled this world haven't evolved into pure thought! They've just checked into a hotel while their place was being fumigated! (miserably) What a waste of a good conspiracy...

(The guide looks at the hidden room.)

GUIDE: You're right. That is disappointing.

VORU: Uh, might I ask why you are carrying a neutralizer?

GUIDE: For protection.

VORU: (scoffs) Protection? I'm hardly dangerous!

GUIDE: That's not what those girls with the Doctor said!

VORU: (rolls eyes) Oh, the Doctor's juvenile bodyguard cheerleaders said that? Well, how could anyone argue with such an unimpeachable source! (annoyed) I was scanned with the rest of the tour group, wasn't I? No weapons. I've not hurt anyone. And even uncovering the truth of this place has only harmed myself.

GUIDE: Well, even so, Mr. S and Mrs. B confirmed there are monsters around. Mr. B turned into one.

VORU: And you think that gun will stop them?

GUIDE: Of course it will.

VORU: Not with safety catch on.

(The guide glances at the gun, then at Voru.)

GUIDE: Oh, har-har. Like I'd fall for that.

VORU: It's not a trick. Go on, pull the trigger if you don't believe me.

(The guide considers, then aims at the wall beside Voru and pulls the trigger. Nothing. She tries again. Nothing.)

GUIDE: (gulps) Oh no, this thing is useless.

(Voru sighs and gets up.)

VORU: Oh give it here.

(He effortlessly takes the gun off her, presses a control and then hands it back to the guide.)

VORU: There. Honestly, don't you people go on a course to learn how to use these things?

GUIDE: (embarrassed) I skipped that session. Um, sorry about this, Mr. V.

VORU: Oh think nothing of it. You could do me a favor, though. It might cheer me up.

GUIDE: Oh, what?

VORU: Use that gun on yourself.

(The guide looks at him, incredulous. Voru looks just as casual as ever. His eyes glitter red.)


[Outside the Temple]

(The twins run down towards the temple when there is the crackle of an energy gun firing. They skid to a halt, looking around.)

HEART: It came from in there.


[Temple Interior]

(The guide lies on the floor, quite dead, the gun still in her hand. Voru, hat on his head and hands in his pockets, heads for the exit.)

VORU: Thank you, my dear. That really did cheer me up.


[Outside the Temple]

HEART: He's coming! Hide!

(The twins hide behind a pillar as Voru skips down the steps and heads off towards the treeline. He does not look back, so doesn't see them.)

DIAMOND: Oh it's Vise all right. No one else has that kind of arrogant swagger. Well, except the Doctor.

HEART: He doesn't have the gun. The guide must have tried to kill him.

DIAMOND: Can you still sense her?

(Beat.)

HEART: No. She's dead.

DIAMOND: Well, nothing we can do about it now.

HEART: (shocked) Diamond, a woman was just murdered in that temple!

DIAMOND: We tried to save her, Heart. We did all we could. Now, where do you think Vise is going?

HEART: Back to his ship.

DIAMOND: Where the Doctor is. Now, do we stay here feeling sorry for the woman who ignored all our warnings or go and save the man we promised to protect?

(Beat.)

HEART: (sickened) I hope I never become as pragmatic as you.

DIAMOND: And that's why I'm going to outlive you. Come on!

(They run into the trees.)


[Mausoleum]

(The Doctor is sweating from the heat. He has opened the casket and is examining some circuits he has removed from it, jeweler's glass in his eye.)

DOCTOR: (sotto) I don't know what's worse? The fact someone thought this up or the fact it works...

(He hears something and looks up.)


[Outside the Mausoleum]

(Voru runs down the hill and straight into his TARDIS, holding his hat down with one hand.)


[Mausoleum]

(The Doctor hastily closes the casket and hides behind it as Voru enters.)

VORU: Ah, hello boys. You all right, I trust? Don't think I didn't hear about you wandering off and bringing home a stray. I know it's awfully nice out there, but you're supposed to stay on guard. I mean, if you won't stay when I command you to then you're not much good for anything other than target practice.

(Voru crosses to an old chest near where the Doctor is hiding. He lifts it open and takes out a small device, which he shoves into his pocket.)

VORU: That's what I need. Hang on...

(He reaches into the chest and pulls out the upper half of a female android in a catsuit.)

VORU: Hullo, Victoria, my dear. I really must get round to fixing you one day. Someone needs to keep the dogs company, take them for walks, perhaps carry out the odd brutal assassination... Damage's not bad at all. Yes, I'll get you up and about once I've finished up on this planet. Epsilon-Gamma! That's actually a better name than the real one, can you believe it?

(He lets the android fall back into the chest.)

VORU: Apparently not.

(He rises and heads out the doors again, calling to the primords as he leaves.)

VORU [OC]: Bye, bye, boys!

(The Doctor steps from behind the casket, then crosses to the android and checks it over.)

DOCTOR: (sotto) Yes, he was right. Simple enough to fix. And useful too.

(He takes out a toolkit and sets to work.)


[Forest]

(The twins arrive in time to see Voru approaching. They duck down behind a tree and hide as Voru passes them, heading off down the hill. The twins whisper to each other.)

HEART: Now where's he going?

DIAMOND: He can't have been to his ship, he would've found the Doctor.

HEART: I can still sense him. Just.

DIAMOND: So he's still alive. That's good. But he must be up to something and we've got to stop him.

HEART: What do you think it is?

DIAMOND: I don't know but he's heading for the temple.

(They creep off through the trees.)


[Outside the Mausoleum]

(The Doctor emerges, pocketing his tool kit. He hurries off away from Vise's TARDIS.)


[Outside the Temple]

(Voru strides into the temple.)


[Temple Interior]

(Voru passes the guide's corpse and enters the secret chamber. He takes the device from his coat pocket and starts to attach it to the door.)


[Outside the Temple]

(The twins approach the entrance.)

HEART: He's in there. He must have found something in the carvings after all.

DIAMOND: And we know what he'll do with it. Use it to burn this planet and every other he finds. We've got to stop him.

HEART: Shouldn't we wait for the Doctor?

DIAMOND: Wait? Why would he even come here?

HEART: As far as he knows, Vise hasn't left the temple.

DIAMOND: Which makes it a good place for him to avoid. Look, we might only have a few minutes to stop him. He destroyed Earth, Heart. Me striking him down made sure we couldn't save it.

HEART: It's not your fault.

DIAMOND: Yes it is. (beat) Heart, I could live with the guilt when I could tell myself at least I didn't let him get away with it. But he's still alive and as dangerous as ever. So it was all for nothing.

HEART: Diamond...

DIAMOND: I'm going in there. Stay out here and wait for the Doctor if you like. I'll be all right.

HEART: You'll stand a better chance if I go with you.

DIAMOND: You don't have to.

HEART: If not me, then who? If not now, when?

(Beat.)

DIAMOND: Thanks. I'm actually terrified.

HEART: (gently) I know.

DIAMOND: Of course you do. You always know.

(They enter the temple.)


[Temple Interior]

(Voru is whistling 'Colonel Bogey' to himself as he works on the device. The twins cautiously enter, stopping short as they see the dead guide. Diamond darts forward and snatches up the gun. The twins take either side of the doorway, Diamond aiming at Voru as he finishes with the device.)

VORU: There, that should do it...

DIAMOND: Citizen Vise?

(Voru glances at them, mildly surprised.)

VORU: Oh, hello there. I don't think we've been introduced, have we?

HEART: Drop the act, Vise, we know who you are.

VORU: Correction. You know who I was. Who I am now is remains to be seen.

DIAMOND: Who you are is someone with my gun aimed at their head.

VORU: Aw, come on now. You've already killed me once, my dear. To do it twice smacks of obsession. Besides, I'm not here to destroy the planet. Hard to believe, I know, but just this once...

HEART: Then what are you doing in there?

VORU: Well, really, I was just admiring the architecture.

(He goes to operate the device.)

DIAMOND: Don't move!

VORU: It's all right, I can explain everything. You see, what happens is if I press this switch it will generate a sonic wave on just the right frequency that the invisible shrink-wrap around this temple will disintegrate. That's all.

DIAMOND: And why are you doing that?

VORU: Well, the heritage trust has kept this temple absolutely intact for two thousand four hundred years. Remove all micro-polymer and I think all this will be rubble in a few years.

HEART: Why do you want to ruin a temple?

VORU: It bored me. It got my hopes up that it would be interesting and then it let me down. I think it's a deserved punishment for being such a tease.

(He goes to activate it.)

DIAMOND: Try it and I'll microwave your brain inside your skull.

VORU: (grins) You're really enjoying this, aren't you? Come on, you're not going to shoot me in cold blood for a bit of harmless vandalism, are you?

HEART: (disgusted) Harmless? What about that woman you killed?

VORU: I didn't kill her. She shot herself. Being a tour-guide is quite an unfulfilling occupation you know, higher suicide rates than postal orders.

DIAMOND: And you didn't hypnotize her?

VORU: (smug) Oh, you'd know all about that, wouldn't you? Vengeance by name, vengeance by nature.

DIAMOND: And vengeance is what you're owed for what you did to Earth?

VORU: What's the problem? There's another Earth in this universe, far nicer than the one I was exiled to from all accounts. In fact, given the infinite number of parallel universes reality can afford to spare the odd Earth to be destroyed. Besides, Earth could have been saved if Vengeance here hadn't ruined my energy siphon.

DIAMOND: (shouts) Shut up!

VORU: Am I wrong? It's not as if I had a chance to save the day, I was too busy being electrocuted by Miss Moral High Ground over there. If you're really after fair play, let me electrocute you so we're even. Vengeance on Vengeance, shall we say?

DIAMOND: I don't know how you survived last time, but how many blasts from this gun will it take to keep you dead?

VORU: Oh, that'd be telling. I'd probably manage to kill you before I expired.

DIAMOND: Is it worth it?

(Voru tilts his head and smiles at her.)

VORU: I think we all know the answer to that, don't we?


[Forest]

(The Doctor runs through the trees, breathless.)

DOCTOR: I'm getting too old for this sort of thing.

(Gulping for air, he keeps running.)


[Temple Interior]

VORU: Look, the last time we three met this did not end well, did it? An innocent world burned, Diamond here having the stain of a murderer upon her soul. If you'd let me leave in peace, and I'd left in peace, we'd all be much happier.

HEART: You chose to destroy Earth out of spite.

VORU: And I've learned my lesson. Can you say the same?

HEART: You're not fooling us, Vise.

VORU: Voru, please. Tell you what. I'm under no illusions Miss Diamond here will kill me like she did last time and I really rather would keep this body. If you promise to let me go, I'll leave without harming anyone. I'll even remove the anti-plastic bomb. You can't say fairer than that.

HEART: Maybe, but we don't trust you, Voru.

VORU: Look.

(He pulls the device off the wall.)

VORU: There go. Temple is safe. A token of good will.

DIAMOND: We'll wait for the Doctor to come back.

VORU: Oh yes, he's bound to make the right decision. It worked out for us all last time, didn't it?

(Sulkily, he fiddles with the device.)

VORU: Honestly, I spent hours in here with the man and I didn't even throttle him with my scarf. If I really was out to murder anyone, wouldn't I start with him?

DIAMOND: Maybe your narcissism got the better of you.

VORU: (shrugs) Maybe it did.


[Outside the Temple]

(The Doctor trudges out of the treeline.)


[Temple Interior]

VORU: (bored) Oh how long are you going to hold me at gunpoint?

DIAMOND: Either I hold you at gunpoint or I pull the trigger.

VORU: Mm, I suppose I should be flattered you consider me such a threat.

HEART: We know how dangerous you are, even unarmed.

VORU: (chortles) Unarmed? Who said I was unarmed?

(He presses a button on the device. There is a brief crackle and Heart crumples to the floor.)


DIAMOND: Heart?!

(Heart is now a mannequin-like waxwork, inert.)

DIAMOND: (lost) Heart...?

(Voru steps forward, snatching the gun off her.)

VORU: I never carry weapons, other people tend to do that for me.

(Diamond stares at the mannequin, dumb-struck.)

VORU: You two might have forgotten your origins, but I haven't.

DIAMOND: You... you killed her.

VORU: Well-spotted.

DIAMOND: But... It was me. I killed you.

VORU: Yes, and I honestly can't think of a better punishment for you. Your late lamented and laminated sister didn't feel a thing, didn't even realize I was killing her. But you have the rest of your unnatural life to remember watching her die.

(He jabs the gun against Diamond's head, and she falls to her knees in shock.)

VORU: I wouldn't be so tactless as to say you should turn this into a learning experience, but perhaps the next time you try to cross a superior being you'll remember what it cost you last time.

(Voru starts to walk off, then pauses, takes a bag from his pocket and puts in her hand.)

VORU: Here. Have a jelly baby.

(He leaves. Diamond, in shock, picks up the mannequin and strokes its cheek.)


[Outside the Temple]

(The Doctor is about to climb the steps when Voru emerges and passes him.)

VORU: Afternoon, Doctor.

DOCTOR: (cautiously) Afternoon, Voru.

VORU: Oh don't worry, I've not changed my mind. I'm not going to kill you today. In fact, I'm leaving without further ado.

DOCTOR: I thought you wanted to know what happened here?

VORU: I did. Found the hidden wall carvings, translated the rest. Waste of a lunchtime. Oh, here, souvenir.

(He tosses the device to the Doctor.)

DOCTOR: What's this?

VORU: Don't you know?

(The Doctor examines it. His face is grave.)

DOCTOR: Waveform generator, set to annihilate polymer chains.

VORU: Yes. Just the thing to destroy a plastic-wrapped temple like this one. Or, say, Autons. Honestly, Doctor, you think I hadn't realized what your pets were? Shame on you! Yes, I noticed they were sneaking around after me and just got sick of it, I suppose. Took them quite by surprise.

(He puts his arm around the Doctor.)

VORU: Oh don't worry, old chap. I left one of them alive to keep you company.

DOCTOR: (weakly) Which one?

VORU: Go inside and find out. Or you could try and kill me in blind rage, but we both know you can't murder someone like that, can you?

(Beat.)

VORU: Thought not. And that, dearest Doctor, is why I am always going to win. Till we meet again.

(He turns and strolls off. The Doctor watches him go, dazedly and then runs into the temple.)


[Temple Interior]

(The Doctor runs in and finds Diamond cradling what is left of Heart and sobbing. He crouches down beside them, staring at the mannequin, then he embraces Diamond as she continues to sob.)


[Outside the Mausoleum]

(Voru returns to his TARDIS, whistling 'Colonel Bogey'. He enters the mausoleum, the stone doors close and the whole thing dematerializes.)


[Mausoleum]

(Voru takes off his hat and scarf and throws them over a statue as a makeshift hatstand, then crosses to the main console and sets controls.)

VORU: You know, boys, I think I will destroy that planet after all. Just need to collect something sufficiently planet-annihilating first and we can really make a night of it. Nothing like toasting marshmallows in a nuclear holocaust, eh?

(He hears footsteps and turns around.)

VORU: Victoria!

(The android, its face still missing, advances. It speaks in a crackly artificial voice.)

VICTORIA: Hello again, Citizen V.

VORU: Goodness, what a coincidence, I was just about to repair you! You seem to have done it yourself. That's very clever of you.

VICTORIA: The Doctor repaired me.

(Voru backs away as Victoria moves around the console towards him.)

VORU: Did he now? And he left you behind. What a cad!

VICTORIA: He has programmed me with clear instructions.

VORU: To kill me, I suppose? It seems he's learning after all. Still can't do it himself, but baby steps...

(Victoria lunges at him and Voru scrambles back.)

VORU: Now, now, Victoria. We both know you can't kill me, not really. I'll be up and about in no time, though perhaps no longer the handsome devil I am now.

VICTORIA: Yes. That is why I have also sealed off your resurrection casket.

(Voru's face falls and he runs over to the casket. He tries to open it to no avail.)

VORU: (quiet) So. He worked out my secret after all.

VICTORIA: Yes. The Doctor has made it clear that this universe is not big enough for both of you. I am to kill you, now and forever.

VORU: Well, Victoria, you're going to die disappointed. Get her!

(The two primords leap onto Victoria and claw on her, but she effortlessly throws them aside and advances on Voru.)

VORU: No... No, keep away. Keep away!

(The Brown-Primord tackles Victoria, snarling but she clubs it down and it falls dead to the floor. Voru is now backed up against the casket as Victoria reaches out with both hands for his throat.)

VORU: Ahem. This isn't necessary, I've got a wonderful idea. Please, listen, if you'll just listen to me, but... (shouts) No - no - no!!


[Time Vortex]

(The Mausoleum plunges into infinity.)

VORU [OC]: (wailing scream) Noooooooooooooooooo!

DOCTOR [OC]: Citizen V isn't going unpunished for what he's done here today, but when all's said and done that's not much consolation - is it?


[Outside the Temple]

(It is late. The TARDIS is parked nearby. The Doctor and Diamond stand over a grave. Diamond clings to a spade. A carved stone angel has been placed at the top of the grave.)

DOCTOR: She said she thought this statue was very pretty, remember? Michelangelo was quite flattered. He sends his respects, by the way.

(Silence.)

DOCTOR: Autons are any form of plastic converted into polynestene, allowing them to be animated and brought to life. Heart's polynestene strands were shredded away, leaving just plastic. There's nothing left of her now, no way we can bring her back.

(Beat.)

DOCTOR: Yes, I suppose burying a lump of solid plastic seems a bit stupid. And not environmentally-friendly, either. But well, she saved this world, didn't she? As good a place as any bury her.

(Beat.)

DOCTOR: Diamond?

DIAMOND: I just... can't understand how this happened. I didn't know anything could feel this bad.

(Beat.)

DOCTOR: She saved so many lives, Diamond. She did great things.

DIAMOND: And this is what she gets in return.

DOCTOR: She didn't do what she did for a reward. She'd lay down her life to save others, to save us, in a heartbeat.

DIAMOND: But she didn't. She didn't sacrifice herself. She didn't choose this. I just want her back.

DOCTOR: I know. I want her back too.

(Beat.)

DIAMOND: I got her killed, Doctor. She died because of me trying to stop Vise, just like everyone on that version of Earth. I didn't even mean to do it, but billions and billions of people burned alive because I attacked him. If I go after him again, what dies next? You?

DOCTOR: Oh, I think he's going to try to kill me whatever you do.

DIAMOND: (sniffles) It's never going to end. I know it. I can't stop it. And I can't take it.

DOCTOR: Diamond. Please. Don't. I know we're at rock bottom now, or at least very close to it. And I admit I don't know what we're going to do or where we're going to go, I don't know anything except I don't want you to give up. I want you to live. And Heart would want that too. We'd never give up on you.

DIAMOND: I'm not giving up. But I can't go on. Not with you.

DOCTOR: You want to stay here?

DIAMOND: Might as well. They need a new tour guide for the temple, now everyone knows Epsilon-Gamma is safe to visit again.

DOCTOR: (smirks) You. A tour guide.

DIAMOND: I can be a tour guide.

DOCTOR: You'll frighten the children. And the adults. And the horses.

DIAMOND: Oh, they can just look in their monitoring units. I'll just make sure they get home alive.

DOCTOR: Like me.

DIAMOND: Yes. (sighs) He's probably still alive. And that means sooner or later he'll come back here to blow this planet up. And when that happens I can at least make sure some people survive.

DOCTOR: He might not come back for centuries.

DIAMOND: I'm not getting any older. Plastic doesn't age.

DOCTOR: Maybe, but it does change. You've made me so proud, Diamond. My life's been richer for knowing you. And certainly longer.

(She sniffs, smiling.)

DIAMOND: I'm sure that'd be delightful news to anyone who cared.

(The Doctor delves in his pocket and gives a small gizmo to Diamond.)

DOCTOR: Time beacon. If you fancy a chat or anything, signal me and I'll come back.

DIAMOND: I'm not the chatty sort.

DOCTOR: Well, maybe you'll get sick of being a tour guide.

DIAMOND: I'm not the sort to change my mind, either.

DOCTOR: No, of course not. Even so. How about a hug?

DIAMOND: We don't hug.

DOCTOR: There's always a first time.

DIAMOND: And a last.

(Nonetheless they embrace.)

DIAMOND: Enough drawing things out. I know how much you hate goodbyes.

DOCTOR: This doesn't have to be goodbye.

DIAMOND: Yes. It does.

DOCTOR: Well. That's me told, isn't it?

(The Doctor enters the TARDIS and closes the door. Slowly it dematerializes leaving Diamond alone by the grave. She sighs and sits on the temple steps, then gazes up at the starry night sky. Time passes.)


(Roll credits.)
 
DBURT8.bmp


[Montage]

(Stock footage showing Vikings, the Battle of Hastings, maps of England intermixed with images of the Bayeux Tapestry.)

NARRATOR [OC]: 1066. Edward the Confessor, Anglo-Saxon King of England, dies without an heir to take the throne and so his half-brother Harold Godwinson takes the crown. William the First, Duke of Normandy, sets his sight to take over England. In mid-October, William's invasion force lands in the south just days after King Harold had fought off a different invasion from Norway. In the brief but brutal battle that followed, Harold was killed in the fighting and his forces defeated. But victory was nowhere near complete - the surviving English leaders refused to submit and for the next few months the country was plunged into war...


[Bridge]

(Rain falls over a French knight and several others on horseback along with footmen with pikes and staffs as they march forward across a wide wooden bridge that covers a gully.)

NARRATOR [OC]: While William made repeated attempts to storm London, the rest, the rest of his invasion force spread out to secure the resources of towns and villages to aid the war effort. They likewise met resistance at every turn, but none worse than the small hamlet of Taron. Taron had no reputation for repelling invaders, as that would require there to be survivor who witnessed those events...

(The small army reaches the other end where the village starts up. Peasants in furs approach through the rain, grim but unafraid.)

HEADMAN: (calls) Good afternoon, my lord.

KNIGHT: This is the village of Taren?

HEADMAN: Taron. Aye, my lord. And what can we do for you and your followers?

KNIGHT: You can prove your fealty to your king as a start, and provide us with all the food and luxury this dreary swamp can provide us.

HEADMAN: (shakes head) We have little enough as is, lord.

KNIGHT: And you will grant it all unto us, peasant, for we are here on the King's orders. If you deny us, we will destroy these hovels and everyone in them - men, women and child.

HEADMAN: Our king would never order such a thing.

KNIGHT: (laughs) Ah, I understand now. The word has not spread this far, clearly. The king you are thinking of died in Hastings with an arrow through the eye, and was thrown into the sea by your new king. King William the First, Conqueror of England.

HEADMAN: Oh, news of Hastings reached Taron, my lord. And we have already sworn allegiance to the new King, King Edgar the Ætheling.

KNIGHT: You lying dog! William is king!

HEADMAN: Not in the eyes of the Witenagemot. Not in the eyes of the Archbishops. And not in the eyes of us.

KNIGHT: You may not believe William is the rightful ruler of this land, scum, but believe that we will put every last one of you to the sword.

HEADMAN: We believe you will try, my lord.

(A three-fingered claw reaches up over the bridge.)

KNIGHT: What is your plan? Drown us in your blood? Do you really think you can fight us?

HEADMAN: The people of Taron do not need to fight, my lord. Our Saint will do that. I'd tell you and your men to run, but you're already dead.

KNIGHT: (amused) The pig has spirit.

(Suddenly furious, the knight shouts to a soldier.)

HEADMAN: Borg! Slit his belly open and let's see what the saints will make of that.

(A red flash and the soldier falls screaming, his armor steaming in the rain. A squat figure with a domed head as wide as its shoulders is climbing up onto the bridge, holding a wand-like weapon.)

KNIGHT: What is this? Some kind of troll?

HEADMAN: Saint Taron himself.

(The creature glares up through tiny eyes, licking his lips cruelly.)

KNIGHT: Saint? He is some freak of nature!

SONTARAN: Words to cover your fear, human. To see anything other than superior genetic design for combat is pure ignorance.

KNIGHT: A toad that walks thinks itself superior to me?

SONTARAN: I do not think, I know. This human settlement is under Sontaran protection until further notice. You are not the first aggressors to foolish enough to come here.

(The Knight shouts to the villagers.)

KNIGHT: This is your Saint? You think this one foul beast can stand against the might of my troopers?

HEADMAN: We do. But the Saint will not risk our safety proving that.

KNIGHT: You mean he will not fight us?

SONTARAN: I mean, human, I will not fight you alone.

(More Sontarans clamber up out of the gully and onto the bridge. The knight and the soldiers look around wildly. They are surrounded.)

KNIGHT: (desperate) You peasants are declaring war on William the Conqueror!

SONTARAN: This isn't war. War requires an enemy that stands a chance in combat. This is merely guard duty.

(The Sontaran raises his weapon. The villagers watch on in awe as red flashes illuminate them, along with screams and clashing blades. After a few moments, the knight staggers off the bridge, smoke pouring from his melted armor. He falls dead. The Sontarans holster their weapons.)

HEADMAN: We are grateful, oh saint.

SONTARAN: We do our duty for the glory of Sontar, not for the kind words of inferior races. This was a small contingent, unlikely to be missed.

HEADMAN: But if others come...

SONTARAN: Then we will be waiting for them.

(The Sontarans and the villagers glare out over the bridge, now covered in dead bodies. The rain pours down, and thunder rumbles.)

SONTARAN: Sontaran might is invincible.



(Opening titles.)



[Bridge]

(It is now the present day. A proper bridge leads out of the town and a sign by the bridge has a stylized friendly-looking toad in a vicar's collar and the words "WELCOME TO ST. TARO'S - A SAFE HAVEN". A police constable, Duncan, is making his way down the path down beneath the bridge and pauses in surprise as he sees a red telephone box standing in the shadows underneath.)

DUNCAN: When in heaven's name did they install that?

(He hurries down to the TARDIS when the door opens and the Doctor steps out. They are both startled to see each other.)

DOCTOR: Oh, terribly sorry about that, officer. I didn't see you.

DUNCAN: Oh, it's all right. Are those windows tinted on the inside?

DOCTOR: (shrugs) I didn't notice. Have a look yourself.

(Duncan tries the door. It won't open.)

DUNCAN: It's locked.

DOCTOR: Is it? Odd, I didn't know phone boxes locked, did you?

DUNCAN: No, but this box wasn't here yesterday.

DOCTOR: Wasn't it? Well, well, what a day for mysteries.

DUNCAN: Were you using the phone just then, sir?

DOCTOR: Uh. Yes, yes I was. I was calling some friends, telling them I'll be a little late. I'm lost, you see.

DUNCAN: Lost?

DOCTOR: Completely lost. Haven't a clue where I am.

DUNCAN: Hitchhiker, are you?

DOCTOR: From time to time.

DUNCAN: You're literally just outside St. Taro's.

DOCTOR: (interested) St. Taro's?

DUNCAN: You've heard of us?

DOCTOR: No. Is it in Cambridgeshire? A lot of sainted towns are there.

DUNCAN: You really are lost.

DOCTOR: (unsmiling) Lost and alone.

DUNCAN: Well, I'm sure the Fighting Frog Inn will have a bed for you. We don't get many tourists, but visitors are always welcome.

DOCTOR: Fighting frog? You have frog fights in these parts?

DUNCAN: (chuckles) Ah, just some old folklore. Come on, I'll show you the way. Then I have to find out who put that phone box there.

(They head up the path.)

DOCTOR: Is it important? Are people complaining about an extra phone box in the village?

DUNCAN: Don't think anyone even knows about it. There was a noise complaint, I popped down to see.

(They reach the top of the hill.)

DOCTOR: Noise?

DUNCAN: Yeah, some sort of 'wheezing and groaning' sound.

DOCTOR: Mm. Could be the frogs, I suppose.

DUNCAN: I doubt it. There aren't many frogs around here.

(The Doctor eyes the sign with the toad picture.)

DOCTOR: Odd. It seems they'd be very welcome here.

DUNCAN: Like I said, local folklore.

(They head into town.)



[Main Street]

(The Doctor and Duncan head down the road, past a few shops and houses.)

DOCTOR: I know frogs had something of a following in ancient antiquity. Egypt, Mesopotamia, Greece, Rome, all thought of frogs symbolizing fertility, harmony and, shall we say, licentiousness?

DUNCAN: What?

DOCTOR: Breakers of hearts. Hence the frogs getting pretty girls to kiss them, to turn them into princes. Or the idea of witches using them for love potions and other things.

DUNCAN: Well, to be honest the most I knew about frogs was from the Muppets.

DOCTOR: It isn't easy being green. But the local culture here is obsessed with frogs.

(He indicates some frog statuettes above a door.)

DOCTOR: You must have picked up something.

DUNCAN: I might have if I was a born and bred local, but I've only been here a few months. I came down here from the city. You can really appreciate the peace and quiet after a few months.

DOCTOR: (thoughtful) Yes. Peace and quiet.

DUNCAN: Are you after some of that then? Peace and quiet?

DOCTOR: I was, but now I don't have any distractions. Do they serve drinks at the inn?

DUNCAN: Oh yes. You need a pint or two?

DOCTOR: Yes. I'm toasting the departed. And it's just occurred to me there's a lot of them to toast.

(They reach the inn. The sign, The Fighting Frogs, has a painting of a frog in knight's armor with a distinct domed helmet under its arm.)


[Inn]

(An older woman is behind the bar, polishing glasses.)

DUNCAN: Top of the morning to you, Rebecca. Where's Alan?

REBECCA: Morning to you too, Officer Duncan. Ah, he's out the back, fixing the boiler.

DUNCAN: (doubtful) Is he?

REBECCA: Oh aye, he'll fix it so well it'll be worth getting a repairman in. Hah, can you be penny-foolish and pound-foolish at the same time?

DUNCAN: Ask me the next time the economy's in a surplus. I've got your first customer for the day.

DOCTOR: (vaguely) Yes, I'm sure I've got some accepted currency on me...

REBECCA: Ah, you're still new. You're supposed to throw them out, not bring them in. Still, all are welcome.

DOCTOR: Thank you.

REBECCA: You want a drink too, officer?

DUNCAN: On duty, I'm afraid, Rebecca. The case of the unannounced telephone box still needs solving.

REBECCA: The what?

DUNCAN: Someone's dumped a working phone box under the bridge, only now it's locked!

REBECCA: Who'd do that?

DUNCAN: No idea. Probably the indolent youth of today on their way through to that pop festival.

REBECCA: Ooh, please officer, don't use such modern parlance. I get so confused.

(They laugh. The Doctor smiles vaguely.)

DUNCAN: Anyway, see you round.

(Duncan leaves.)

REBECCA: So, you want a drink then?

DOCTOR: Yes. Oh, whatever you recommend.

REBECCA: Something a bit light, I reckon. Ginger beer?

DOCTOR: Fine.

(Rebecca pours him a glass. Awkward silence.)

REBECCA: Just our luck, eh? Twenty-fifth anniversary of Woodstock happening in the next county, people from all over Britain coming to see it and they have to come through St. Taro's - but none of them want to stop for a pint or a bite to eat. Just go straight through. Youth of today, eh? Hah, who am I kidding? We'd all have done the same at their age. You want to see all the festival?

DOCTOR: Mm? Oh, no. No. I didn't even know about it.

REBECCA: How can you not? No one's talked about anything else for ages.

DOCTOR: I really haven't being paying attention. I didn't even know it was 1994. Sorry, I'm normally better company.

REBECCA: Are you now? What's wrong then, my love, did something bad happened?

DOCTOR: Someone died. Because of me, someone died somewhere and somewhen she shouldn't have been in the first place. You see, I... Well, I was travelling for a long time with my... nieces. I was supposed to look after them, keep them safe. I let them down. I failed.

REBECCA: What happened?

(The Doctor takes a stool, working out what to say.)


[Motorway]

(Fast traffic. An open-top car of teenagers drive off a side route. A sign says "ST. TARO'S - 5 MILES".)


[Inn]

(Rebecca pours herself a drink.)

REBECCA: Don't sound to me like you failed them girls, Doc. You weren't even there, were you?

DOCTOR: (glumly) I know.

REBECCA: Oh, that's not what I meant. You can't be everywhere, can you? You know what girls are like at that age, they probably took every chance they got to get away from you and play up. It's what kids do, ain't it? (sighs) They all think they're immortal, but they're not. No one is.


[Country Road]

(The car races down the road, pop music blaring. The driver, a girl in sunglasses, grins to the boy in the passenger seat. The teens in the back cheer and pass around a bottle of beer.)


[Inn]

DOCTOR: I suppose it was stupid to think we were protected, that we were safe from the outside world. We were always dropping into events, solving other people's problems and running off again.

REBECCA: Maybe you should head out to the festival, get some more fresh air, cheer yourself up.

DOCTOR: Maybe. I was at the original Woodstock?

REBECCA: You must have been a kid at the time.

DOCTOR: I certainly felt like one. Everything was possible, all the mysteries could be solved... and everything I loved was indestructible. All the delusions of the young and hopeful.


[Bridge]

(The car hurtles across the bridge, not slowing down as it enters the village. The occupants jeer and shout as they pass the 'Welcome to St. Taro's' sign. A boy in the back throws a beer bottle away and it falls into the gully to shatter in the dried-up creek.)


[Main Street]

(The car races down the street. An older man in a canvas fishing hat steps out beside the inn to look up the road.)


[Inn]

(The noise of the car makes them look up.)

REBECCA: More out-of-townies passing through.

(There is a crash and screams. They run out.)


[Main Street]

(The car has stopped and some of the teens have got out, ashen-faced. The old man lies lifeless by the gutter, his fishing hat bloody.)

GIRL 1: Oh my god...

BOY 1: Don't move him!

(The girl driver grips the steering wheel tightly.)

GIRL 2: He came out of nowhere!

BOY 2: Is he all right?

(The Doctor and Rebecca emerge from the inn.)

REBECCA: (screams) Alan!

(She runs over to him. The Doctor goes to help. The girl driver sees Duncan running around the corner.)

GIRL 2: Oh no...

BOY 2: It was an accident. You won't go to jail for an accident...

GIRL 2: We were drinking. Come on, before he gets the license number.

BOY 2: What are you...?

(Not waiting for him to get in the car, she revs the engine and drives off. She nearly hits the other teens as she rides out of view.)

DUNCAN: Hey!

REBECCA: Alan? Alan, please, come on now... (screams) Get an ambulance! Someone!

(The Doctor checks Alan over, feeling for a pulse in his neck.)

DOCTOR: I'm sorry. He's dead.

BOY 1: Oh no.

GIRL 1: It was an accident!

DOCTOR: Rebecca, I'm so sorry. He must have died the instant of impact.

(Rebecca looks around in a daze, then stares at the sign of the Fighting Frog. Her expression hardens.)

REBECCA: (mutters) Saint Taro.


[Road]

(The car hurtles past a sign saying "NOW LEAVING ST. TARO'S - ALREADY MISSING YOU". The girl driver is crying and sobbing, but doesn't slow down.)



[Inn]

(A shell-shocked-looking Rebecca enters, looking around. She sees a photo of herself and a husband. After staring at it for a moment, she crosses to the cash register, opens it and starts taking out the money and shoving it into her pockets.)


[Police Station]

(Duncan is at a desk, filling out paperwork. The Doctor wordlessly passes him a cup of coffee.)

DUNCAN: Thank you.

DOCTOR: Least I could do. Must be quite a workload, being the only policeman in town. At least you didn't ask me for a statement.

DUNCAN: No need, it's all straightforward enough. Those kids have called up their parents, just have to keep them here until they turn up.

DOCTOR: I'd suggest feeding them at the local inn, but I doubt Rebecca's in the mood for cooking.

DUNCAN: No, I am qualified in making an omelet. Maybe you should go and check up on her for me.

DOCTOR: I think she might need some time alone. She seemed to want to pray to the local saint.

DUNCAN: What?

DOCTOR: She kept muttering about St. Taro. Who is St. Taro, do you know?

DUNCAN: (rubs eyes) Not much, but anything's better than going through this hit and run for the fiftieth time. Uh, it's an ancient legend or something. You know those stories about breaking open a stone and a frog comes out? Well, they say there was a giant stone from the sky, it cracked open and an army of frogs came out.

DOCTOR: A biblical plague?

DUNCAN: Maybe. But the frogs saved the village from some raiders or others, and St. Taro was the one that controlled the frogs. They're supposed to defend the town from all threats. Vikings and Normans and whatever. You'd pray to St. Taro and summon the frogs to save the day.

DOCTOR: Hence all the frogs around the place?

DUNCAN: Yep. Mind you, they didn't summon up any frog plagues in the world wars, did they?

DOCTOR: If it only works when the village itself is threatened...

DUNCAN: It's a myth! And ancient myth!

DOCTOR: But here and now Rebecca wants St. Taro.

DUNCAN: (rueful) Maybe she wants an army of frogs to protect us from any more drunken drivers.

DOCTOR: Maybe.

DUNCAN: It's a bit late for that.

DOCTOR: Unless she wants revenge.

DUNCAN: Well, I don't blame her.

DOCTOR: They're young. They make mistakes.

DUNCAN: I'd be more forgiving if that brat hadn't driven off at top speed. She's already killed one man today, she's drunk and panicking...

DOCTOR: And the police are no help, so why not pray for an army of frogs to do it for her.

DUNCAN: Look, how Rebecca copes with this is up to her. Making some prayers to Saint Taro of the battle toads isn't the worst thing she could do.

(The Doctor stares at him.)

DUNCAN: What?

DOCTOR: Saint. Taro. Saintaro. Sontara.

DUNCAN: What's that? Latin?

DOCTOR: It means the whole world's in danger.

DUNCAN: In Latin?

DOCTOR: We need to find Rebecca before she does something suicidally-insane! Come on!

DUNCAN: Leave three kids in custody without supervision? I'm on duty...

DOCTOR: Fine, I'll go on my own. Where do the locals pray to the Sontaran?

DUNCAN: St. Taro?

DOCTOR: Where?!


[Woods]

(A determined Rebecca strides through the trees, heading in a specific direction.)

DUNCAN [OC]: There's some priest who lives in the woods. I've never seen him, don't even know if he's alive but he's the only real worshipper. There were some new age freaks back in the 70s who went out to meet him. I'm not sure if they ever came back.

(A hooded figure in a cloak sits contemplating a dead campfire. Rebecca arrives, looking surprised to have found the place so easily. The figure does not look up.)

FIGURE: Who are you?

REBECCA: I... I'm Rebecca. From the village.

FIGURE: Of course you are from the village. Where else would you be from? Now, what has brought you here?

REBECCA: There's been... my husband. My Alan. He's dead. He was killed, murdered and that murderer got away.

FIGURE: You think a wronged woman is worth of Saint Taron?

REBECCA: He defends this village. My husband's part of the village. We've been attacked.

FIGURE: There will be a price.

REBECCA: A price? You think I care about money?

(She hurls the cash at his feet.)

REBECCA: Take it. Money's not bringing my Alan back.

FIGURE: Neither will Saint Taron. His powers are many, but resurrecting the dead is not one of them.

REBECCA: I know. My Alan's gone from this world. And I'm not letting that murdering cow go unpunished.

FIGURE: You want vengeance.

REBECCA: Vengeance. Justice. Call it what you will, I want what's owed to me.

FIGURE: Very well. Follow me.

(The figure clambers to its feet and sets off deeper into the trees. Rebecca follows.)


[Woods]

(The sun is starting to set through the trees. The Doctor runs into view and looks around. He spots Rebecca following the figure along a past. Warily, the Doctor starts to follow them, making as little noise as he can.)


[Graveyard]

(Low mist drifts across a bare clearing. Dead and twisted branches sprout from rocks, looking like bones. The figure leads Rebecca there. She is only slightly unnerved by it all.)

REBECCA: Have others come to you?

FIGURE: Yes. Over the seasons, some have sought the powers of Saint Taron. To avenge slights, to mend broken hearts, to raise the dead. None of them were willing to continue when they learned what Saint Taron is actually capable of.

REBECCA: But he's supposed to defend the village...

FIGURE: The village has not needed defense for many, many years. The last time anyone required it was when it looked like the superpowers were going to go to war with fission weapons.

REBECCA: Could Saint Taron have protected us from that?

(Beat.)

FIGURE: Be glad you do not need to know that answer.

(At the centre of the clearing is a small cairn of stones like a grave. A curving string of rocks leads into the cairn from either side, and from above can be seen as a giant S-shape.)

FIGURE: (points) Dismantle that.

(Rebecca kneels down by the cairn and starts pulling the dusty rocks and weeds apart. A heartbeat noise is vaguely audible as she does so.)

FIGURE: This is your last chance to change your mind.

REBECCA: I'm not changing my mind. Some dirt under my fingernails isn't going to stop me.

DOCTOR [OC]: Can I have a go?

(Rebecca turns and sees the Doctor at the edge of the yard, hands in his jacket pockets.)

REBECCA: What are you doing here?

DOCTOR: I could ask you the same question.

REBECCA: This is nothing to do with you.

(She resumes pulling rocks away.)

DOCTOR: You're about to unleash the battle toads of Saint Tora on an unsuspecting world. Or, less poetically, you're hiring a supernatural assassin for that drunk girl in the car. You're endangering everyone in the country, maybe on the planet. I think that's something to do with me.

FIGURE: The planet is quite safe.

DOCTOR: And you know that for a fact, do you?

FIGURE: Saint Toran does not act outside his purview. This village's defense is all that concerns him.

DOCTOR: And chasing a terrified teenage girl across the countryside to tear off her head and drink her blood? Is that defense?

FIGURE: To maintain security, examples may made. But this is not my decision. It is hers.

(The Doctor looks over to Rebecca, who is digging up a small hexagonal metal well.)

DOCTOR: Alan wouldn't want you to kill anyone.

REBECCA: Oh yes he would.

DOCTOR: Really, though? (beat) What did you tell me before? No one's immortal, no one has absolute protection?

(She ignores him.)

DOCTOR: Look, I know you're in pain.

REBECCA: (scornful) Do you?

DOCTOR: Of course I do. The rawest and most basic pain there is, the ultimate suffering of being left behind, left alone. I feel right now, I was feeling it before we even met. Everyone feels it sooner or later.

REBECCA: That's no consolation.

DOCTOR: It's not meant to be! Yes, you're in pain, but that's no excuse for what you're doing. Everyone is in pain, everyone has to face it and they don't turn to black arts and revenge.

REBECCA: Only because they haven't been had the option. You think anyone would allow this to go unpunished?

DOCTOR: Punishment is not the same as blood vengeance.

REBECCA: So you're saying the man who killed your niece deserves to live after what he did?

(Beat.)

DOCTOR: Oh, if someone else is bad, why can't I be? Is that it? You can't justify what you're doing, so you put responsibility on other people. You're better than that.

REBECCA: You think that?

DOCTOR: I do.

REBECCA: I don't care what you think. I don't care if I'm letting the side down, I don't care if I've lost the argument, I don't care what happens next. All I care about is that those murderers pay for what they did.

(The figure approaches and takes out a small vial of bright green liquid.)

FIGURE: And pay they shall.

DOCTOR: (shouts) Is this all your husband is worth to you? That you'd abandon everything except cruel, devious, unthinking vengeance? Is that the woman he married?

REBECCA: (to figure) Do it!

(The figure unstoppers the vial and pours the contents into the well.)

FIGURE: Blood calls to blood.

(There is a hiss of smoke and bright light shines up out of the well. A throbbing of power begins.)

FIGURE: And the battle toad of Saint Taron rises to smite down the enemies of us all.

(Shadows move in the well. A three-fingered hand rises out, clawing through the smoke. The Doctor, the figure and Rebecca back away as another arm reaches out and a Sontaran hauls itself out of the well. Its flesh is a sickly yellow and wrinkled, with mad staring eyes. It rises up, stepping out onto the dry ground and swaying.)

FIGURE: Now it begins.

(The Sontaran lets out an unnatural, moaning howl at the sky, bunching its fists.)


[Countryside]

(The howl rings out through the dusk air over the village.)


[Main Street]

(Villagers going about their business look up at the howl, looking worried at the noise.)


[Police Station]

(Duncan looks up from a fax machine.)

DUNCAN: What the hell's that?


[Graveyard]

(The Sontaran roars again and then lumbers off through the trees, gathering speed. The Doctor and the figure watch it go. Rebecca watches along, unaware Alan is now standing behind her.)

ALAN: Oh Becky, what have you gone and done?

(Rebecca whirls around and screams in horror. The Doctor and the figure turn. Alan is gone.)


[Police Station]

(An unnerved-looking Duncan crosses to the window and pulls it shut. He looks back to the cell area of the station, where the two boys and the girl are quietly eating an omelet. All four seem unsettled.)


[Graveyard]

(Rebecca has fallen to her knees and is reciting the Lord's prayer. The Doctor is crouched beside her, but then runs over to the figure moving away.)

DOCTOR: Oh no you don't. I'm a firm believer in caveat emptor. I think you've sold my friend a dud.

FIGURE: I sold nothing. I claim no price.

DOCTOR: Yes, I saw those banknotes on the hill.

FIGURE: I am not concerned with money.

DOCTOR: Well, that makes me even more suspicious.

(He grabs the figure's arm.)

DOCTOR: Just what sort of payment do you take?

FIGURE: Let go! I am the Apostle of Saint Taron, I am not to be touched by human hands!

DOCTOR: But my hands aren't human hands. I'm not human. And neither are you, are you?

(He pulls back the hood to reveal the figure is a pale yellow Sontaran, emaciated and wrinkled to give him a wasted, skull-like look.)

DOCTOR: A Sontaran monk. Worshipping something other than war? You're a disgrace to your clone-batch.

FIGURE: Sontaran? I've lived on this world my whole life, I have never been off-world. Son-Terran would be a better name.

DOCTOR: A Sontaran monk who makes puns. Now that really is an aberration.

FIGURE: To those on the Sontar Home Worlds, perhaps. But I have no link to them. I am as much a native of this land as any humans alive today.

DOCTOR: And you're using that clone-vat over there to hire out your battle toads out of the goodness of your heart?

FIGURE: This settlement is to be defended at all costs.

DOCTOR: A hit-and-run car crash is hardly a military assault.

FIGURE: Defense includes maintaining psychological morale. Defense must be done and be seen to be done.

DOCTOR: Seen to be done? So I take it the newborn clone isn't going to be a stealthy, ninja, surgical strike?

FIGURE: I wish that it could be so.

DOCTOR: Then why not do it?

FIGURE: Even Sontaran technology does not last forever. The clone-mixture suffers from diminishing returns. Discipline, strategy, self-control, all are below the standards of a normal clone. They have become degenerate. Psychotic. It is why in recent centuries, the villagers have not requested the protection of Saint Taron.

DOCTOR: No one's been crazy or desperate enough to risk it.

(They both look back at Rebecca, sobbing and praying.)

DOCTOR: Until now.


[Farmhouse]

(A middle-aged man in overalls is working on the engine of a car in a converted stable, pausing to put a record on the turntable that starts blaring out Clearance Clearwater Revival's "Bad Moon Rising" before he returns to work.)

FARMER: Twenty-five years since Woodstock. Twenty-five years since real music.

(The Sontaran stalks from the trees towards the stables.)

FARMER: What electro-syntho-pop garbage they have today. I'd like to see Right Said Fred coming up with anything this good. Talentless yuppie.

(The Sontaran closes in. The farmer moves to the other side of the car, still complaining.)

FARMER: Our generation doesn't understand rock and roll? We bloody invented it, mate...

(He returns to the front of the car and sees the Sontaran looming in the doorway. The farmer yells in terror and backs away.)

FARMER: Are you...? Have you come from...?

(The Sontaran nods menacingly.)

FARMER: Oh no, this can't be happening to me! I'm part of the village, you're supposed to protect me! I haven't done anything wrong! St. Taro! Please!

(The Sontaran advances, the farmer sobs and then charges to grab a pitchfork on the wall. The Sontaran's claw clamps around the farmer's wrist and there is a crunch. The farmer sobs and falls to his knees. CCR continues to blare out of the speakers. The man's wife emerges from the house.)

WIFE: Oh not this again. First it was Fortunate Son, then it was Down on the Corner. But when I want to listen to some Jethro Tull, oh no, that's with Cream and Small Faces, out the window...

(There is the shattering of glass. The wife looks up to see the farmer smash through a window of the stables and crumple dead at her feet. She covers her mouth in horror as the Sontaran stomps out of the barn and sees her.)

WIFE: (numbly) St. Taro...

(The Sontaran advances on her as the music plays: 'Don't go out tonight, it's bound to take your life, there's a bad moon on the rise.' It doesn't quite drown out her scream.)


[Graveyard]

DOCTOR: Stop it. You can see she's changed her mind.

FIGURE: There is nothing I can do. The orders have been given, the mission must run its course.

DOCTOR: How?

FIGURE: How?

DOCTOR: How is the mission to run its course. That clone isn't even fifteen minutes old and it's supposed to track down a teenage girl who isn't even in the same country. You have no idea where she is, where she's going, what she looks like...

FIGURE: I know enough.

DOCTOR: Only people who know too little say that.

FIGURE: The girl's compatriots are in the police station. Saint Taron will head there and collect the genetic traces required to identify the target.

DOCTOR: Genetic traces? At best they shared a bottle of beer together!

FIGURE: More than enough bio-data residue.

DOCTOR: I wouldn't trust that clone to walk in a straight line, let alone identify the genetic profile of a target. And when he gets it, what then? He'll run to that festival in the next town chasing the scent?

FIGURE: Most likely.

DOCTOR: If she's at that concert, he'll never find her in the crowd.

FIGURE: Then he will kill everyone at that concert.

DOCTOR: (sickened) Uncontrolled slaughter.

FIGURE: They are not part of this settlement. I owe nothing to them. (points to Rebecca) She knew what she was asking for, stranger.

DOCTOR: And you knew what you were providing.

FIGURE: By all means, let us discuss this at length? Perhaps we will agree to disagree when the clone has destroyed the target - and everyone who may stand in its way?

(The Doctor looks back at Rebecca, then to the figure. He wags his finger.)

DOCTOR: This isn't over.

(He turns and runs off into the gloom. The figure watches him go.)

FIGURE: (quietly) No, it's not over. It's never over.


[Road]

(A car drives through the village, headlights on in the gathering gloom. The Shamen's 'Ebeneezer Good' plays as a young man drives and a young woman in the passenger seat checks her makeup. As they pass the last of the houses and towards the woods, the Sontaran lumbers out into the middle of the road. The woman screams and the man hits the brakes, but the Sontaran is still hit and flung back onto the road.)

MAN: Oh my god...

(The man turns off the engine, gets out and runs over to help - then freezes as he sees the toad-like alien. Its burning red eyes snap open and slashes at the man's neck. He manages to avoid the blow and the woman kicks at the Sontaran's head. By chance she clicks the probic vent and the monster gurgles and convulses in pain.)

WOMAN: Come on!

(She grabs his hand and pulls him back into the car. They close the doors and the man tries the keys but the engine doesn't turn over.)

WOMAN: Oh you've got to be kidding me.

(The man tries the engine again and again, to no avail. He looks through the windscreen and sees that the Sontaran has disappeared.)

MAN: (with low dread) Where's it gone?

(They look around, confused. The Sontaran appears at the driver side window and punches it in with a single blow, and the occupants scream in terror.)


[Main Street]

(The Doctor runs into view as the screams are heard in the distance. He looks around the darkened street, taking in that he is alone. All the doors and windows are closed. He starts running again.)


[Road]

(The Sontaran stomps towards the village, leaving behind him the car and the twisted bodies of the couple inside. Smoke pours from under the bonnet.)


[Police Station]

(Duncan looks up as the Doctor bursts in.)

DUNCAN: Doctor...

DOCTOR: (shouts) I need the key to lock this door! We need to lock every door and window!

GIRL 2: What's wrong?

DOCTOR: We're in danger. Mortal danger. Key!

(Duncan helps him lock and the bolt the doors.)

DOCTOR: What's going on out there?

DOCTOR: You notice how everyone's called an early night and barricaded themselves in? Did they give a reason?

DUNCAN: No, but Vick the postman told me to do the same.

DOCTOR: Vick's got the right idea. On the other hand, if you'd done what he'd said I'd be locked out. So, swings and roundabouts. (calls) You lot, this is for your benefit too! Come on!

(They start closing windows over.)

BOY 1: But what's actually happening?

DOCTOR: Retribution.


[Main Street]

(The Sontaran moves up the street, glaring at the houses and sniffing the air. Growling, he continues, kicking over a bin as he passes.)


[Police Station]

(The Doctor has just finished explaining.)

BOY 2: You're joking.

DOCTOR: Well spotted, I always joke when I'm nervous of a psychotic Sontaran about to kick the door down and rip my head off. (frowns) Aren't those the lyrics to an Ultravox song? No, never mind.

DUNCAN: But Doctor, St. Taro's a myth!

DOCTOR: And where do myths come from, hmm? Something had to have happened to make people believe they could summon warrior frogs to strike down their enemies and that is precisely what is happening?

GIRL 2: But we didn't do anything!

DOCTOR: Do you think that matters to the wife of the man you friend killed? You're guilty by association and, as unfair as that may be, you're still targets.

BOY 1: This is insane...

DOCTOR: Is it? If I told you that in her grief and rage Rebecca had hired a perfectly ordinary gun-for-hire to kill you all, would you find it so impossible to believe?

DUNCAN: But a giant zombie frog...

DOCTOR: Everyone in this town believes it enough to barricade themselves in. Are you really going to assume you know more about this situation than they do? Are you going to bet your lives on that?

(A tense beat.)

GIRL 2: Well, what are we going to do about it? This monster or whatever is outside and it's going to kill us.

DOCTOR: Yes, and anyone else it meets.

BOY 2: I thought it was supposed to protect the villagers?

DOCTOR: Supposed to, yes, but this is a sort of stupid, inbred descendant. It just kills anything it meets. And since you three and I aren't locals, and Duncan here hasn't been here for long, the odds wouldn't be in our favor to start with.

BOY 2: So what's the plan, we just hide here until this monster goes away?

BOY 1: It doesn't seem like the sort to just give up.

DOCTOR: It isn't. It's programmed right into the mass of seaweed it calls a brain to hunt down your friend in the car and kill her. It'll only leave us if it somehow gets her scent and that means it'll just be killing more people in a different town.

GIRL 2: (to Duncan) Can you call for backup? Get police down here? The army maybe?

DUNCAN: You think anyone will believe me when I say a giant zombie troll is on the loose? If it's been summoned by black magic...

DOCTOR: It hasn't.

DUNCAN: Oh. Well, then maybe bullets will work on it?

DOCTOR: (confused) Bullets? You want to kill it?

DUNCAN: Well, yes! How else are we going to stop it? We can't reason with it, it won't get bored or change its mind. This is kill or be killed!

DOCTOR: Oh of course, why didn't I think of it earlier? It's not a living thing, it's just a mass of animated chemicals used as a foot soldier by an alien intelligence with a grudge! Just switch it off, why not? It's not like it has feelings or sentience or friends or family or a sister!

GIRL 2: Sister?

(The Doctor rubs his eyes.)

DOCTOR: (to himself) This isn't the same thing. I am not doing what he did. I am not.

DUNCAN: (confused) Not what?

(The second boy yelps in fright and points to a high, barred window. The Sontaran face glances in at them, moving past and out of sight.)

DOCTOR: It's circling round the building. Looking for the weakest point of entry. Then it'll strike and what's left of us might be recognized by forensic pathologists in the future.

GIRL 2: What are we going to do now?

DOCTOR: (shrugs) I haven't the faintest idea.

(Duncan grabs him.)

DUNCAN: (firmly) Oh you have got to do better than that. Three kids are going to be murdered and I am not letting that happen. Are you?

DOCTOR: No. No, there's been enough death. Yes. (deep breath) All right, I have a plan, it will sound utterly ridiculous, but it's all I have.

BOY 2: Well, I'm listening.

DOCTOR: All right. My plan is to wait until the Sontaran's as far away from the front door as possible. Then we open it, run outside, get into the police car and drive straight for the bridge.

GIRL 2: Get out of the village?

DOCTOR: No. We stop before the bridge, go down the slope to a red telephone box, squeeze ourselves inside and shut the door.

BOY 2: Yeah, you weren't overselling the 'utterly ridiculous' bit.

DUNCAN: That box is locked.

DOCTOR: I have a key. Don't ask.

BOY 1: All five of us in one phone box?

DOCTOR: We'll fit. And the phone box is more secure than this police station. There is no chance the Sontaran can reach us in there. I can't guarantee that we'll reach that phone box, but if we do, then I can guarantee we'll be safe.

BOY 2: How?

DOCTOR: (snaps) Why do you care? What does it matter as long as you get out of this alive? Is a full and detailed explanation important enough? You want that, find another solution! I'm sick of trying to reason with people tonight.

(He crosses to a window and glares out. The others exchange worried looks.)

GIRL 1: What do you think?

BOY 2: I think he's crazy. I mean, maybe seeing the monster was too much for him.

BOY 1: Question is, is he wrong?

DUNCAN: If we get in the squad car, we can be out of St. Taro's in less than a minute. There won't be much traffic on the motorway. We can lead this thing away and keep it from us. Plus a few more sightings might convince the army to get involved.

BOY 2: That sounds a bit more credible than hiding in a phone box.

BOY 1: Then why didn't he suggest it?

BOY 2: What part of 'crazy' didn't explain that?


[Outside Police Station]

(Grunting and growling, the Sontaran stomps away from the police station and around the corner out of sight.)


[Police Station]

(Everyone is listening near the door.)

GIRL 2: It's moving away...

DOCTOR: Yes. Yes, it's gone.

BOY 1: I thought it wouldn't give up?

DOCTOR: Who said it's given up?

BOY 2: Is it going to try and charge the door?

DOCTOR: No, I don't think so. I imagine it's heading for the bridge, intending to destroy it and bury my phone box so both our escape plans are foiled.

(The others looked shocked at the idea.)

DOCTOR: That's not a wild animal out there. It's a highly-trained warrior with the battle tactics of half a million years of combat coded into its brain. Just because it's psychotic doesn't make it stupid.

BOY 2: But it can't be strong enough to...

(There is the sound of loud smashing and crunching from outside.)

DOCTOR: Battlefield demolition a speciality.

DUNCAN: So once it's made sure there's no escape, it'll come back for us?

DOCTOR: I'm afraid so.

GIRL 2: So what do we do?

(Duncan shrugs helplessly. They all turn and look at the Doctor. He returns their gaze and sighs.)

DOCTOR: When I say 'run'...


[Outside Police Station]

(A pause, and then the door bursts open the Doctor, Duncan and the teens run out. They stop as they see the police car is now a smashed wreck.)

DOCTOR: See? Not as stupid as he looks.

BOY 1: No car. Now what do we do?

GIRL 2: Run for our lives, how does that sound?

DOCTOR: Well, judging by the tone of your voice...

GIRL 2: It was rhetorical!

(They run off.)


[Main Street]

(The group run down the street.)

DUNCAN: Try the Fighting Frog Inn, we can hide in there! Barricade ourselves in!

(The Sontaran emerges from the inn, snarling.)

DOCTOR: Only unlocked building in town, the obvious bolt-hole for any fugitives when you think about it.

BOY 1: How did he get ahead of us?

DOCTOR: They're designed for heavier gravity than Earth. They're very nimble away from home.

(The Sontaran advances on them.)

DUNCAN: Shouldn't we be running?

DOCTOR: Where to?

(Duncan draws his gun.)

DUNCAN: Is this thing bullet-proof?

DOCTOR: Its suit is, but the exposed flesh is very tough. I'm not sure you can kill it before it kills you, not like this.

DUNCAN: Then what?

DOCTOR: Are you a good shot? If you can get it right on the back of its neck…

(The second boy whimpers and runs back the way they came. He runs to the door of the nearest house and hammers on it, shouting, but there is no response.)

BOY 2: Help! Somebody help!

(He tries the next door. A woman glances out the window but shuts the curtains.)

BOY 2: There's something after us! Please!

(The Doctor and Duncan back up to join the others as the Sontaran continues to advance.)

DOCTOR: They're not going to help you! This thing was summoned specifically for you, you've been marked for death, reaping what you sewed.

(The girl shouts at the curtain-closed window.)

GIRL 2: But we didn't do anything!

DOCTOR: It doesn't matter to them. The locals have only survived this long by staying out of the crosshairs!

BOY 1: (screams) Please! We just need your help!

DUNCAN: Here goes nothing...

(He raises the gun and fires several times at the Sontaran's head. The impact makes it stagger, topple and then fall back into the street. A stunned silence.)

GIRL 2: Is... is it dead, I ask hopefully?

DOCTOR: Of course it's not dead, it's the ultimate warrior playing possum to lure us in. Run!

(They run up the street. Immediately, the Sontaran roars and sits upright, struggling upwards and lurching after them.)


[Sitting Room]

(A family are sitting around the TV, trying not to listen to the shouts and roars outside. A little girl is trying to peak around the curtain.)

MOTHER: (subdued) Bella, get away from that window.

BOY 1 [OC]: Help us! Let us in!

CHILD: Are you sure that big toad isn't going to hurt us?

MOTHER: Come on, time for bed, sweetheart.

(She leads her daughter away.)


[Street With Church]

(The group run along the road towards St. Taro's Church. All the lights are out and the doors are closed.)

BOY 1: A church?

GIRL 2: Why not? God's the only thing that can stop a saint!

BOY 2: Yeah, but which god? Should be looking for a synagogue?

GIRL 2: Look, hallowed ground stops demons!

DOCTOR: It's not a demon! Unless we try and flood its probic vent with holy water...

(A loud thump makes them look up and they see the Sontaran crouched on the nearby wall. It reaches down and grabs the second boy by the scruff of the neck and hauls him up onto the roof and then hurls him back down to the ground with a sickening crack. The boy flails, still alive but helpless in agony.)

BOY 2: Help me! Help me!

(The Doctor rushes forward, but the Sontaran smacks out with his claws, leaving scratches across his face as he is knocked back. Duncan tries to shoot the gun but the Sontaran leaps onto him, knocking him to the ground. He then stamps on Duncan's arm with a bone-shattering crunch and the policeman screams. It swings to face the remaining boy and girl, snarling and drooling.)

GIRL 2: Should’ve tried to find a synagogue.

(The Sontaran roars up at the night sky then the roar becomes a hideous bubbling scream and it topples forward onto the ground to reveal a long thin metal rod jammed into its probic vent. Standing behind it is the shell-shocked looking Rebecca. The Sontaran dies, its head and hands deflating into loose skin which dissolves into sludge and an empty suit. A beat.)

REBECCA: It were Alan's. He used it to break up the ice in the freezer when it wouldn't defrost.

(She pulls it out of the empty Sontaran collar.)

REBECCA: I don't know what else to say.

DUNCAN: (whimpers) How about 'ambulance'?


[News Update]

(A newsreader in glasses is reaching the end of the bulletin.)

NEWSREADER: The 25th anniversary of Woodstock has proved as dangerous as the original. St. Taro's, a small village in the county over from the Flinthill Silver Rock Festival last night suffered a disaster when the main bridge giving access to the motorway collapsed with a total death toll of five. One of the tragic deaths was local hotelier Alan Barclay who was run down by a drunken teenage girl, Deborah Peterson, 15, in a hit and run. Miss Peterson turned herself in at the Flinthill police station. Emergency services are already working to repair the bridge where, miraculously, a telephone box has survived the collapse intact and is in complete working order...


[Graveyard]

(It is morning. The Doctor examines a hole in ground at the heart of the S-shape of stones, but the well is missing. Rebecca looks on.)

DOCTOR: Our Sontaran friend has moved on. Probably planting the clone vat in some other bare patch of the woodland for the next time it's needed.

REBECCA: But the next Saint Taron it grows will be even worse than that one.

DOCTOR: We'd better hope no one requests a Battle Toad, then. (straightens up) See this S-shape? Symbol of the Sontaran Special Space Service, your basic spiral galaxy. Should've spotted it right away.

REBECCA: Do you know why these aliens came here in the first place?

DOCTOR: No, but I can hazard a guess. The Milky Way used to be Rutan territory, owned by the ancient enemy of the Sontarans. When the battle front moved, the Sontarans must have sent teams across the frontier. A small squad came here to Earth to try and secure it, but the war moved back and they were left behind trying to follow orders for the next few millennia. Defend the area from any Rutans, protect the natives in case they're needed. This part of the country must have been a Rutan stronghold a very long time ago. Both sides have probably forgotten about Earth entirely, but that patrol were never given different orders so they maintain vigilance to this day.

REBECCA: You sound sorry for them.

DOCTOR: I'm not. They're only trapped here by their own lack of imagination, their inflexibility.

REBECCA: The apostle weren't inflexible.

DOCTOR: Weren't he?

REBECCA: He told me about the weak spot in the back of the neck. Told me how to kill it.

DOCTOR: How kind of him. Of course, if he hadn't, it probably would have destroyed the village and everything in it. He wasn't being kind.

REBECCA: No. If he were kind, he'd have never let this happen. All those people'd be alive.

DOCTOR: Yes. I suppose saying 'I told you so' isn't very helpful at this point.

REBECCA: Nothing is.

DOCTOR: Well, at least you stopped it from murdering three innocent children.

REBECCA: And all the others it killed?

DOCTOR: You didn't know they'd be in danger. It was pure chance they got in its way.

REBECCA: Like my Alan getting in front of the car.

DOCTOR: Yes. (beat) What are you going to do now?

REBECCA: I dunno. Officer Duncan's still at the hospital, them kids are off to their families. You're the only one who knows what I did.

DOCTOR: The rest of the village can probably guess.

REBECCA: But they won't talk. Will you?

DOCTOR: Tell the authorities that you used black magic to summon up a vengeance demon from hell? I'm not sure they'd believe me.

REBECCA: Tell them the truth.

DOCTOR: Oh, that you happened to be living next to a broken Sontaran cloning vat and took advantage? They're not going to believe that either, are they?

REBECCA: So what happens? I get off scott-free?

DOCTOR: You might not go to jail, but you're not going unpunished. You'll know you caused all this. That innocent people, good people, are dead because of a mistake you made. (beat) I know whereof I speak.

REBECCA: You really think it compares?

DOCTOR: I think I should have been better than I was. And you probably think something similar.

(Beat.)

REBECCA: How comes you know about all these aliens, anyway?

DOCTOR: Hmm? Oh, I travel in time and space.

REBECCA: Oh.

DOCTOR: I suppose that's not quite the world-shaker of a revelation, is it?

REBECCA: Well, I'm no authority, am I? You got a time machine then?

DOCTOR: Uh-huh.

REBECCA: So you can travel back in time to when Alan was alive.

DOCTOR: Your point?

REBECCA: Just... he's not dead to you, is he? You can go where he's alive. You can do to when he ain't been born yet, or when he's been dead longer than a dinosaur. I've lost him forever but for you, he might as well be over the hill.

DOCTOR: Yes. And he's out there with his loving wife, living out his allotted span. Enjoying sunsets and fixing boilers.

REBECCA: Your niece is out there too then, ain't she?

DOCTOR: Yes. She has a beginning and an end and in between... happy times in happy places. Everything she did, all the lives she touched, the worlds she saved. It can't be undone.

(Beat.)

REBECCA: It's not enough, though, is it? They're still gone and it still hurts.

DOCTOR: (sighs) Yes it does. Come on, let's get back to the inn. There are losses to mourn and good times to remember. And a lot we'd both like to forget.

(They head off through the trees. The figure steps from behind a tree and watches him impassively for a moment, before retreating into the shadows again.)


(Roll credits.)
 
DBURT9.bmp


Part One


[Alien Planet]

(A dying sun fills a dark sky it shares with a sand-coloured moon. The landscape is barren and rocky with coral-like growths, as if this is the bottom of a dried-up ocean. Humanoid silhouettes lumber aimlessly through the twilight. The only sound is the low moan of the wind. Then a sickly wheezing, groaning noise is heard and V's stone mausoleum appears among the rubble, looking very out of place. The silhouettes turn their heads and start to shamble, zombie-like towards the entrance. The doors open.)


[Mausoleum]

(The outer door opens. Voru's bloody hand clutches the door control. He had lots of bruises and blood trickles from his mouth. He turns and staggers past the smashed Victoria android towards the open door, stumbles, turns and then falls onto his back before the doorway. He looks up out the door, tries to move, then slumps, dead. The figures fill the doorway and look down at Voru's body. They stare down at him with melted, faceless skull-heads. They are lit by a reddish glow that gathers around Voru's body, getting brighter and brighter. The crimson glare makes the faceless one look even more sinister as they gaze on.)


(Roll opening credits.)



[Cricket Pitch]

(Pan down from a glorious sunny afternoon to a cricket match being played on a ground outside a grand manor house. Two teams of oddball celebrities of different ages, genders, nationalities et all are playing. One has a stuffed giraffe puppet tied to his waist. The scoreboard says PERRY CONWAY'S SHOWBIZ SECOND ELEVEN - 58 and VISCOUNT VINCENT V REGULARS - 6. The batter with the giraffe misses the ball and it knocks the bails off. The stands are mostly full of journalists who groan with varying levels of sympathy.)

MILES: (yawns) And the Viscount's out again.

JOE: Maybe he'll call it a no-ball.

MILES: Maybe, but it's still out.

JOE: This is his land. They might not want to ruffle his feathers.

MILES: Even if let they let that go, he's not going to win, is he? They're over fifty behind. Conway's team would win now if they all went for a tea-break for the rest of the game.

(They regard the winning team, who all look very humorless and uninterested.)

MILES: Not like Cannonball Taff Jones there to be so stoic. Where's his party piece of singing a rude version of Men of Harlech?

JOE: Yeah. You know he hasn't had one punch-up with the umpire today either?

(Beat.)

JOE: Maybe he's ill.

MILES: Maybe he knows they'll throw the book at him after last time. (thoughtful) Perry Conway's not reacting much either, is he? That insufferable twerp lets the world know if he finds a penny. He's not lording it over the Viscount's lot at all.

JOE: Well, it is for charity.

MILES: Oh come on, Joe. Remember that charity fete last year and we went on and on about he'd raised more money than anyone else? He should be doing cartwheels to be winning and showing up the aristocracy. But there's nothing.

JOE: Maybe he's ill.

MILES: Maybe. Give me them binoculars will you?

(Joe hands them over.)

JOE: What is it? You think they're cheating?

MILES: Maybe...

(Miles stares at the impassive faces through the binoculars for a moment.)

JOE: Well? Are they cheating?

MILES: Not that I can see. And it's not as if they'd need to. No, I just thought it might not be them.

JOE: What? You mean they got a professional team dressed up as them all? Even Mother-in-Law Nelly and Thin Audrey?

MILES: Maybe not professional cricketers. But TV's full of stuntmen and body doubles. Getting folks to pretend to be this lot can't be difficult.

JOE: Yeah, it's a booming market, isn't it? Celebrity impersonators. You can't afford the real Perry Conway or Franklin Hughes, hire a lookalike to open your supermarket for you. Or hire them to play a charity cricket match.

MILES: Would explain how they're able to play without all their egos getting in the way. But if they are dressed up, it's good enough to fool me.

JOE: Maybe we can surprise them after the match?

MILES: They'll have swapped back for the real ones by then.

(Miles rises and starts to leave.)

JOE: Hey, hang about Miles, where are you off to?

MILES: I don't think the game's going to turn around in the next half hour, do you? But there's a buffet being prepared and I am famished.

JOE: So I get to stay here and do all the hard work?

MILES: You do it so well, Joe.

JOE: Yeah, and when her holiness Chief Editor realizes that, you're for the chop, mate...

(Miles leaves as Conway's team get another point and the audience winces.)



[Terrace]

(The buffet tables are still being set up by caterers and no food is ready yet. Miles arrives, sees this and sighs in disappointment. A man in a chauffeur's uniform shoves past him.)

MILES: Oi.

(The chauffeur ignores him and crosses to where a young woman is standing near the entrance, looking guilty and worried. The chauffeur speaks in a flat, unfriendly tone.)

CHAUFFEUR: Miss Taliot, I've been looking for you.

SECRETARY: Keep away from me.

CHAUFFEUR: There's no need to be afraid, miss. I just wanted to discuss what happened back there...

SECRETARY: Stay back or I scream.

CHAUFFEUR: (unimpressed) And that would help you how?

SECRETARY: I know what you are.

CHAUFFEUR: I sincerely doubt that. Miss Taliot, whatever you think you saw...

SECRETARY: Oh, I'm mistaken, am I? Well, the police will decide that.

CHAUFFEUR: You haven't called them.

SECRETARY: Haven't I?

(Miles has caught some of this and starts to approach.)

CHAUFFEUR: I'm sure when they discover this is just deranged paranoia on your part, you'll need someone to speak up for you for wasting police time. I could do that.

SECRETARY: Could you? Go on then, prove I'm wrong. Roll up your sleeve.

CHAUFFEUR: (mild surprise) And what will that prove?

SECRETARY: You can't, can you?

CHAUFFEUR: I know for a fact you haven't called the police, Miss Taliot. There's only one phone you could access and it's in the house. So, as the police aren't coming, what exactly do you think is going to happen now?

(Miles stumbles over, acting a little drunk.)

MILES: Hey, you two waiting for the bloody food too, are you? I mean, I know all this is for charity but come on! A couple of sandwiches and a cuppa would do me, I'm starving.

CHAUFFEUR: (politely) It's all right, sir, they'll be serving the nibbles in the next five minutes.

MILES: Five minutes? Do you know how long that is in seconds?

CHAUFFEUR: Three hundred.

MILES: Exactly! I want food now, not three hundred seconds from now! What is this, Russia?

(He glances at the secretary, who nods gratefully and turns and runs up the path. The chauffeur turns and moves to follow, but Miles throws his arm around him.)

MILES: Ah, forget her, mate, you're too good for her! Women, eh? You can't live with them and you can't stop them changing the locks.

(The chauffeur gently disentangles himself.)

CHAUFFEUR: You're right. I'll let her go.

(Suddenly he turns around and lobs something at the secretary - a small glass marble filled with green goo. It smashes against her arm, splattering her with the goo and she hisses in pain, staggers and nearly falls. She looks back at the chauffeur, who smiles coldly, then runs down the path out of sight. Miles is concerned enough to drop the drunk act.)

MILES: What did you do?

CHAUFFEUR: Just a harmless prank, "mate". It's all for charity. Some people sit in a bath of bake beans, some people throw green paint.

(Miles stares at him for a moment.)

MILES: Fair enough. See you when the food's ready.

(The chauffeur nods and walks along to the entrance to the house where some security men in suits are standing. They exchange looks. Miles watches on with growing suspicion. The chauffeur and the guards don't speak but their body language suggests they are conferring deeply. The chauffeur walks off, and the guards turn and look at Miles.)


[Countryside]

(The secretary stumbles through the shrubs, looking haggard and sickly. She looks at her bare arm which is stained green. Weakly, she rolls down her sleeve and struggles onwards with a wild crazed look in her eyes. Black Sabbath's "Paranoid" plays, appropriately enough about a woman breaking up with a man who is acting very strangely all of a sudden.)


[Country Road]

(A sturdy truck with a trailer barrels down a desolate stretch of road. Steven Alexander Benton, aka Benton Snr, is in the passenger seat along with a sturdy woman on his own age, Tanya. The music is coming from the car radio.)

BENTON: You always take the back routes, Tanya?

TANYA: When they're short cuts, of course. Oh, they all go on about admiring the countryside but the longer you travel the more petrol you use and more you pay. And I can't afford to waste it.

BENTON: Your farm's not doing that badly.

TANYA: Seen a lot of farms going badly, have you, Steve?

BENTON: (slightly awkward) I can't remember.

TANYA: Sorry, rude of me. Really shouldn't be picking on someone with no long-term memory.

BENTON: Well, not now my short-term memory is working. I'll remember to be upset.

TANYA: As long as you remember who your friends are.

BENTON: As if you'd let me forget.

TANYA: Well, we've only known each other a year. That's peanuts compared to everything you've lost.

BENTON: (trying to be cheerful) What you don't know, you don't miss.

TANYA: I'll take your word for it. You're certainly coping well with undisciplined country life.

BENTON: With your help.

TANYA: I have to say, I never realized the British army was so strict. The way you go on about inefficiency and lack of discipline, it's like you were serving in Nazi Germany.

BENTON: I've never left England.

TANYA: Oh, the accent proves that. I just assumed things were a bit more relaxed in the military nowadays.

BENTON: Maybe they are. I just don't remember.

TANYA: Yes. You always think when people get discharged from the army on medical grounds they've had their legs blown off or something, not amnesia.

BENTON: It's quite the blow. You can work around not having legs, but not knowing the regs and the tricks...

TANYA: You seem to have full recall of them.

BENTON: But not the ones they use nowadays.

TANYA: You're uncomfortable.

BENTON: Can you tell?

TANYA: Just a little. I know we don't talk about what happened a lot, but...

BENTON: It's not that, Tanya. I'm just... wary.

TANYA: Wary?

BENTON: Like I'm being watched.

TANYA: There's no one watching us. The point of coming along this road to avoid any traffic.

BENTON: There's nothing out here. No farms, no houses...

TANYA: Oh, a bald patch. They're everywhere. And you were listening to the radio...

BENTON: Before this drivel came on.

TANYA: Fine.

(She turns down the radio.)

TANYA: Everyone around here will be at that cricketing thing with Perry Conway and his mates. As that song said, you're being paranoid.

BENTON: You're only paranoid if you're wrong.

TANYA: You are wrong.

BENTON: You don't feel it?

TANYA: Being watched from the woods by hungry eyes?

BENTON: I didn't say hungry.

TANYA: (smiles) No, because I feel it too. Still, you must have been in spookier places in the army, even if you can't remember...

BENTON: (shouts) Tanya!

(The secretary runs out into the middle of the road and stops. Tanya hits the brakes and truck slows down enough that the secretary is only knocked over. Benton and Tanya unbuckle and get out of the cabin in a hurry.)

TANYA: What the hell was she doing, running out like that? Did she want to get herself killed?

BENTON: Question is, did she succeed?

(They run out and over to the fallen secretary. She is sweating and feverish.)

BENTON: Don't move her.

TANYA: I wasn't going to her. No sign of blood, maybe a few bruises. She looks sick...

(Tanya moves to touch the secretary's neck for a pulse but draws back.)

TANYA: Oh goodness, she's burning up. It's like getting close to a fire.

BENTON: (suspicious) Yes. And she looks a bit green, doesn't she?

TANYA: Must have quite the fever, poor gel.

BENTON: I think she might be infectious.

TANYA: Infectious?

BENTON: She's feverish, confused - suicidal.

TANYA: Sounds a bit like rabies, but...

BENTON: We can't risk touching her.

TANYA: We can't leave her on the road! She needs a doctor! We must get her an ambulance. Look, there's a cafe out on the next motorway. We can chuck her in the back, drive her there and call for help.

BENTON: We might agitate her injuries.

TANYA: What injuries? We barely touched her.

BENTON: And we're going to keep it that way.

TANYA: You dealt with something like this before, in the army? And you remember it?

BENTON: Enough to know we're not taking chances. We'll lift her up on blankets, but we don't touch her directly and under no circumstances do we touch her skin. Agreed?

TANYA: Just this once, Steve, you're the boss. Come on.

(They start to gather blankets from the back of the truck. The secretary mumbles wordlessly, eyes glassy and a sickly green stain spreading across her throat.)


[Dining Room]

(The Viscount's team, still in their cricket whites enter a dining hall. The Viscount, a cheerful young blond man, is cheerful.)

VISCOUNT: ...and I know only the losing side say it's not about winning, but as the wise man says, you don't play cricket to win. You play it to draw.

(Some wan laughter from the celebs.)

GIRAFFE MAN: It would've been nice to get into double figures, though.

VISCOUNT: Maybe, but at least we had some fun. More than Perry Conway and his cronies.

BUTCH YOUNG WOMAN: What was wrong with them, anyway? They were like the walking dead out there. Put me right off, I can tell you.

VISCOUNT: Well, we did our bit for charity and while I can't offer you victory I can give you a slap-up banquet as consolation. No watercress sandwiches and vimto for you.

BUTCH YOUNG WOMAN: Won't all the journos out there want our photos?

VISCOUNT: Oh, let them wait. Conway and the others can enjoy their success on empty stomachs. Victor, make sure we're not disturbed, will you?

(The butler, a medium-sized intense-looking man, smiles charmingly and nods.)

VICTOR: Of course, Lord Vincent.

(He crosses to the doors, steps outside, and closes them. He turns, his smile fading.)

BUTCH YOUNG WOMAN [OC]: What the... who the hell are they?

GIRAFFE MAN [OC]: No, no, get away from me!

OLD WELSHMAN [OC]: Help! Somebody help!

(The sound of furniture being overturned and crashing crockery smashed.)

GIRAFFE MAN [OC]: No! Keep away from me! Don't you touch me!

(Some screams, cut off abruptly. Silence. Grim-faced, Vincent heads off down the hallway.)


[Terrace]

(The other guests are at the buffet table or starting to move off. The winning team are posing for photos with very unconvincing smiles. Joe checks his camera and then starts to head off when Miles runs over and intercepts him.)

JOE: Where've you been? All the best grub is gone - well, I hope so, given the quality of what's left.

MILES: Something is going here, Joe.

JOE: You're telling me. How much are they saving on those fish-paste butties?

MILES: Look, did you see a woman running around? I think she was a personal assistant, hair in a bun...

JOE: There are dozens of them round the place.

MILES: There was this chauffeur...

JOE: Dozens of them too. What is this?

MILES: I wish I knew. That PA knew something and she's on the run. No idea where she's got to.

JOE: Running out on her employer on a day like today? Dole office, probably.

MILES: She was scared for her life, Joe.

JOE: Then she's probably miles away by now.


[Motorway]

(The truck heads down the road. The secretary lies on blankets in the back, groaning with each movement. Her face and hands are distinctly green.)

TANYA: Maybe we should give her more blankets?

BENTON: She's got enough. Keep going. The sooner we get to a telephone, the sooner she can get help.

(The secretary groans and passes out.)


[Terrace]

(Miles is preoccupied. Some of the guests are starting to leave in cars or walk off. Joe munches a sandwich distastefully.)

JOE: Is it always so quiet out in the countryside? I'd hate live out here. No wonder everyone's getting out as quick as they can.

MILES: And Conway's team are letting him. When was the last time Ralph Michelson let a press opportunity go by without doing his snail racing joke?

JOE: I dunno, when was Halley's Comet last in the sky? I give you that, Miles, either someone's secretly given that lot lobotomies or they really are imposters. Still, how do you prove it?

(Miles says nothing.)

JOE: (pointedly) And we would have to prove it, Miles. A couple of lines joking they're all changelings is one thing, but anything more and the gazette gets sued for slander. Remember what happened with all the Man from Space stories that got D-noticed?

MILES: I'll ask Her Highness the Chief Editor.

JOE: Rather you than me. There's a phone box in the manor house hall, apparently.

MILES: Yeah, I heard.

(Troubled, Miles stalks into the house, passing the Viscount who is chatting to another journalist.)

VISCOUNT: No, I couldn't care less about losing. What I care about is that we have to do silly cricket matches like this before anyone will actually reach into their pockets for the less fortunate. These are the 1970s, we're not fighting wars or ruling an empire, there's no excuse for us to allow poverty to reach levels British citizens are starving to death on park benches...


[Entrance Hall]

(Some staff, catering and security are wandering around. Miles passes Victor.)

MILES: Oh, excuse me? Do you know where the phone is?

VICTOR: Of course, sir. There's a booth in that annex over there.

MILES: Thanks.

VICTOR: My pleasure, sir. But I'm afraid it won't do you any good. The phone lines are out of order.

(Victor leaves. Miles watches him suspiciously, then heads for the old-fashioned wooden phone box and sits down in it. He tries the phone, but it's dead. He contemplates the receiver.)


[Terrace]

(Victor crosses to meet the Viscount.)

VICTOR: Lord Vincent?

VISCOUNT: (to journo) Oh, excuse me. Yes, Victor, what is it?

VICTOR: There's been another issue. With the catering.

VISCOUNT: Oh. Has there?

VICTOR: Perhaps it would be best to give the ladies and gentlemen of the press a chat with your team? Take their minds off the food.

VISCOUNT: It's not that bad. (thoughtful) All right, Victor, if you think it's so urgent...

VICTOR: I do.

VISCOUNT: All right then. (to journo) I'll be right back.

(He re-enters the house, passing Miles as he emerges and heads over to Joe.)

MILES: Phonelines are down.

JOE: It happens.

MILES: After a storm, maybe, during maintenance, maybe. But there was no storm and who'd schedule this cricket match on a day the phones would be down?

JOE: Are you expecting an answer?

MILES: It's like the house is being isolated.

JOE: (rolls eyes) It's already isolated. Look, Miles, if you want a working phone, you'll just have to look for one.

MILES: Fine. Where's the nearest motorway truck stop?


[Outside Truck Stop]

(Tanya pulls up outside the motorside care. Other trucks and cars have stopped near the petrol pumps. People are returning to their vehicles.)

TANYA: Looks like we've got here after the rush. Hopefully they'll be on their way before the ambulance gets here. We might be able to get a bite to eat.

(Benton crosses to the back of the truck. The secretary is unconscious.)

TANYA: Oh my god. She's gone bright green!

BENTON: Like I said, we can't risk touching her.

TANYA: (sniffs) You can smell the heat. (weak laugh) She might burst into flame.

BENTON: We're not too close to the petrol pump. Come on, we have to get to the phone.

TANYA: Steve. Should we leave her on her own?

BENTON: We should keep our distance. Come on.

(They hurry to the cafe doors. The secretary's eyes snap open, now blood red. She stares blankly ahead.)


[Cafe Interior]

(A handful of motorists are sitting at tables, munching their food. The waitress looks up as Benton and Tanya enter.)

ANNIE: Afternoon.

BENTON: Afternoon. Where's the payphone?

ANNIE: Oh through there, near the toilets.

BENTON: Thanks.

(Benton stalks out.)

ANNIE: Is everything all right?

TANYA: Not really. This woman ran out onto the road in front of us and collapsed. She's sick, she's got a fever and she looks greener than my valley...

(Around the corner, Benton is on the payphone.)

BENTON: No, we didn't hit her. But we still need an ambulance. She's sick and I believe she's contagious, her skin colour has...

(He stops, looking very suspicious.)

BENTON: What? Oh yes. Her skin's turning green. No, this isn't just some allergic reaction. Please, just send out an ambulance at once. And be ready for quarantine...

(Back at the counter.)

ANNIE: Well, we're a fair way from the nearest hospital. It'll be lucky if the ambulance gets here before dark. We can't leave this girl out there, can we?

TANYA: Steven thinks she's contagious and we'll be infected if we touch her.

ANNIE: So he actually knows what's wrong? Is he a doctor?

(Benton returns.)

BENTON: No, but we can't take the risk.

TANYA: Did you get through?

BENTON: Yes, an ambulance is on the way. I just hope it's the only thing.

ANNIE: What do you mean by that?

BENTON: When I described the symptoms I heard a click on the phone line.

TANYA: So?

BENTON: Tanya, I know about tapping phones.

TANYA: Is that done in the army?

ANNIE: You were in the army?

BENTON: If I'm right, someone is monitoring the phone lines for any mention of this... sickness.

TANYA: And that means?

BENTON: It means I hope to heaven I'm wrong.


[Outside Truck Stop]

(A trucker named Cliff is checking the tires of his trailer. He does not see the secretary peers around the corner. Black fur is growing on her face and hands and she is breathing heavily. Her eyes are wild and staring. She suddenly lunges on Cliff, slamming him against the trailer and shoving him to the ground. Cliff shouts as the secretary claws and scratches at him, but he grabs a tire-iron and swings it at the shrieking mutant's head.)


[Entrance Hall]

(The gathered journalists and guests are clapping wildly. The Viscount is leading his team down the staircase, who have the same unconvincing smiles.)

VISCOUNT: Ladies and gentlemen, the valiant Viscount Vincent the Fifth's Regulars who secured second place so well!

(Polite but genuine laughter. Miles doesn't laugh. Some photos are taken.)

MILES: So, Jo Public, how do you feel your political credibility is going now you've lost the game?

BUTCH YOUNG WOMAN: (flatly) Cricket's an outdated patriarchal waste of time. How many times do I have to tell people that?

GIRAFFE MAN: Jo's here, as are we all, to do our bit for charity.

MILES: And you've done so much charity work, haven't you?

(Some of the journos look puzzled.)

GIRAFFE MAN: No, I haven't. Charity begins at home, so they say, but since BBC3 started, I've had enough of a profile to do things.

JOE: (sotto) Miles, come on...

MILES: (sotto) Just want to check they're the real deal.

OLD WELSHMAN: (bored) Can we get on with this please?

MILES: You all seemed a lot more involved this afternoon.

VISCOUNT: It's a long game, sir, and we're only human.

MILES: Are you?

(Awkward silence.)

VISCOUNT: What would make you think otherwise?

MILES: Could you all roll up your sleeves?

(More confusion and annoyance from the audience.)

MILES: It's not much to ask, is it?

VISCOUNT: Rather strange request.

(He rolls up his right sleeve to the elbow. A normal arm. Some of the team do likewise.)


MILES: How about the other arms?

(Victor and the Viscount exchange looks. Victor seems more worried.)

VICTOR: Uh sir, I don't think this line of inquiry...

VISCOUNT: (talking over him) I think someone's found the buffet food not to their liking. Perhaps you should stay for supper and allow me to convince you of the truth.

MILES: No thank you.

VISCOUNT: Why not? When does a British journalist turn down a free meal and an interview?

(Beat.)

MILES: Since now.

(He glances around, seeing everyone is looking at him. But some of the staff and the chauffeur are gazing expressionlessly at him. He notices they all have their sleeves down. The Viscount smirks, spotting his discomfort.)


VISCOUNT: Perhaps some more relevant questions? I think we'd all prefer this over before nightfall?


[Cafe Interior]

(Cliff staggers in through the doors. His shoulder is bloody and the other patrons gasp in surprise.)

CLIFF: Somebody... help me...

(Annie goes to help him.)

ANNIE: Cliff, pet, what happened to you?

CLIFF: Some crazy vagrant jumped me outside. Scratched me.

ANNIE: (calls) Ed, get the first aid kit!

(The cook sticks his head around the door.)

ED: I'm trying to clean the grille!

ANNIE: Just do it, Ed! (winces) Jeez, Cliff, that looks bad. Good thing there's an ambulance coming.

BENTON: You said someone attacked you.

CLIFF: Yeah! Mad woman screaming, biting... I managed to fight her off...

(Benton and Tanya exchange looks.)

TANYA: You don't think...

(As Ed the cook emerges with the first aid kit, Benton crosses to the window and looks out at Tanya's truck. The back is visibly empty.)

BENTON: She's gone.

TANYA: But she was out for the count.

BENTON: You said it sounded like rabies. She's gone feral and is now out there biting people.

ED: What's that? That woman's got rabies?

(More alarm for the patrons.)

BENTON: Hey, hey, quiet all of you! Now listen to me. Yes, I think that woman we brought here attacked your friend here, and she will definitely try to attack anyone who goes outside. We have to barricade the door, call the police.

ED: Who are you?

BENTON: Steven Benton, ex-RSF commander. Now unless any of you have any better ideas, we have to lock the doors.

ANNIE: But there are at least half a dozen new cars and trucks out there, that's what, six other people out there. We need to help them.

BENTON: We may not be able to help them. If we go out there, the only guarantee is that we risk infection as well.

ED: What, from rabies?

TANYA: Steve, look, whatever she has, she can't have rabies. It takes weeks for symptoms to show up, and you and I saw it, she was turning green.

BENTON: All right, it's not rabies. It's something like rabies but much worse.

(Beat.)

TANYA: You've seen it before?

BENTON: Yes, I have. And you can take my word for it, that woman will infect everyone she finds, assuming she doesn't murder them all in the first place. Now the people outside might have a chance of hiding in their vehicles, but we step outside those doors she will be waiting. Now. Let's get the barricades up.

(A tense moment, then Annie nods. The patrons get up and start to close and bolt doors, shifting chairs and others.)

TANYA: You think this will work?

BENTON: It has to.

TANYA: And if doesn't?

BENTON: Then we're worse than dead.


[Outside Truck Stop]

(A truck driver sees the doors being shut. Frowning, he leaves the shade of his truck and approaches the entrance. The secretary creeps out of the shadows, now shaggy-haired and twitching in agitation. The trucker realizes she is there and turns around, only for the primord-woman to leap onto him in a frenzy. She grabs his head an animalistic vice-like grip and forces him to the ground. His cries are drowned out by the guttural roars of the primord.)


[Cafe Interior]

(The patrons recoil, startled at the screams outside. One of them covers his mouth and runs for the toilet in horror.)

ED: By all the saints...

TANYA: (sickened) What's happened to her? She's turned into some kind of animal.

BENTON: That's what happens when the infection takes hold of you. Everything just rots away, and there's nothing left but rage and the instinct to spread it. Uncontrollable, primal.

ANNIE: (confused) Like... werewolves?

BENTON: Like them. But it only takes one touch of their skin to infect you.

CLIFF: (bleakly) And she did more than that.

(Realization dawns and they all look at Cliff and his bandaged shoulder, looking sick and unwell.)

CLIFF: She got me. I'm going to turn into a mad dog like her, aren't I?

(Patches of green are visible under the bandages.)


[Terrace]

(It is now dusk and the various cars are driving off down the gravel drive. Miles and Joe linger by an old mini as other guests, press and celebs leave. Miles is still troubled.)

JOE: What was the big deal with their arms anyway?

MILES: They were hiding something.

JOE: What, though? Were you looking for the mark of the beast or what? Look, if you want to prove that pro-celeb cricketers are all being replaced with imposters, the best way is to find out where are all the originals going.

MILES: True.

JOE: And maybe why anyone would want to replace that lot in the first place. It's not like they wield immense power now, is it?

(Miles hushes Joe as he sees the chauffeur from earlier crossing their path, heading for Victor.)

MILES: He's the one I was talking about. Get the binoculars out, Joe. Time for your lip-reading party piece.

(Joe sighs and peers through the field glasses as he watches the chauffeur speaking to Victor.)

MILES: What are they saying?

JOE: Give me a chance. Something... they can't find someone. TS Eliot? No, Taliot.

MILES: Taliot, that was the PA's name!

JOE: Yeah, yeah. No, they don't know where she is so they have to... no wait, "things". "Things will have to be done". Your butler over there's not liking it, though.

MILES: He wanted to warn me off earlier. Told me about the phones. He's mixed up in this and not by choice.

JOE: He and the driver aren't friends, I can tell you that for nothing.

MILES: Enough of this. Let's go and do an up close and personal interview.

JOE: I thought you had to give up your "up close and personal interviews" or you'd go to jail.

MILES: Right now, I might be safer behind bars. Come on.

(Joe shoves the binoculars into the back of the car.)

JOE: You're going to be the death of me one day, Miles, and I won't even have the enjoyment of saying I told you so...


[Cafe Interior]

(Cliff is in a booth. Ed and Annie, both wearing washing up gloves, are unbandaging his wounded shoulder. The skin around the injury is green.)

ED: I've heard a human bite's worse than a dog's when it comes to germs, but this is something else.

(Cliff groans dazedly.)

BENTON: You've got to resist it, Cliff. You hear me?

TANYA: You can't just fight off a toxin with strength of character, Steve.

BENTON: No, but how else do you keep a hold of your soul? How do you keep control of your own mind?

CLIFF: (weakly) What's he talking about?

ANNIE: Look, is there any cure for this?

BENTON: Only one I know that works. A bullet through the brain.

CLIFF: (confused) What?

TANYA: (shocked) Steve!

ANNIE: We're not shooting anyone!

BENTON: That woman ran out into the middle of the road, Tanya. I think she was trying to kill herself before she changed. She knew what was coming.

TANYA: This man's not like that, though. He's a bit groggy, feverish, but not as bad as her.

BENTON: A smaller dose, the longer it takes.

ED: So you're saying we've got some time then?

BENTON: Yes...

(Benton sighs, rubs his eyes and takes a deep breath.)

BENTON: Okay. Heat affects the process. The hotter he gets, the faster he changes. So we have to cool him down. Do you have a cold room or something?

ANNIE: A cold store out the back.

BENTON: Then we put him here. At the least it'll slow things down. He might have a chance when the ambulance gets here.

ED: The ambulance has to get past that monster out there first.

TANYA: One thing at a time. Let's move him.

BENTON: But don't touch him, not at all.

(Outside the cafe there is another primord roar.)


[Cold Store]

(A bare-metal room filled with packets and crates and lit with a pale blue light. The door opens and Ed and Benton push in a rickety wheelchair with Cliff sitting on it. He moans in agony.)

BENTON: Sorry about that, Cliff.

ED: It's not that cold!

BENTON: It is to him.

(Cliff sobs in pain.)

ANNIE: Put him in the left-hand corner. Coldest place.

CLIFF: (feebly) No, please no...

(They steer Cliff into the corner and he moans in torment. The others are distressed by this.)

ED: There must be something we can do for him!

BENTON: He's in pain because the transformation's slowed down. Anything that helps him feel better will turn him into that thing out there.

ANNIE: Right. Sorry, Cliff, pet.

(Cliff whimpers. Ed and Annie leave.)

BENTON: Tanya, keep an eye on him.

TANYA: Right. If we cool him down enough, will that... I dunno, freeze the poison out of him?

BENTON: I don't think it's that simple. But whatever happens, don't touch him. And if the rest of him turns green, lock him in here and run.

(There is a loud crash and screams from outside.)

ED [OC]: Mr. Benton!

(Benton runs out.)


[Cafe Interior]

(The secretary-primord and three infected mutated truckers have smashed through the wooden back door of the cafe, clawing at the air with green hands. Everyone is scrambling away as Annie rummages under the counter.)

ANNIE: It's down here somewhere.

(Benton arrives, taking in the scene.)

BENTON: Everyone, back to the front! Don't let them touch you, one touch and you're done for...

(Two more primords charge the window of the cafe, breaking the glass. The humans are caught in a pincer. Annie rises up from the counter with a shotgun and fires at the primords at the window. They stagger under the blows. She fires again.)

ED: They're not falling!

BENTON: They will, in time.

ED: Maybe silver bullets will help?

ANNIE: Who has silver bullets lying around?!

(She fires at the secretary primord, who recoils. One of the injured primords manages to crawl through the broken windows but collapses.)

BENTON: See? Without the heat, they can only take so much.

ANNIE: Yeah, and so much is what I've given them! I'm out of cartridges!

(The apparently-dead primord suddenly comes back to life and manages to pull down a patron who screams and shrieks as it claws at him.)

BENTON: Everyone, this back. We've got to get to the freezer!

ED: We'll be trapped!

BENTON: The cold will drive them away, and we can use the frozen goods in there to drive them back and...

(The secretary-Primord charges forward and grabs the shotgun off Annie and smashes her to the ground. The second Primord leaps through the window and attacks the other patrons. Benton runs for the cold store. Ed is rushing to help Annie when another Primord grabs him in a headlock and he screams in agony.)


[Cold Store]

(Benton runs in, looks around, then pulls the door closed. He grabs a screwdriver and jams it into the handle, forcing it closed. Tanya looks up from a still-human-but-very-sick Cliff.)

TANYA: What's happening out there?

(From outside come horrible roars of the primords and begging screams of humans.)

BENTON: The end of the world. Again.

TANYA: We can't just leave them out there!

BENTON: Oh we can, Tanya. Those things will tear us apart or worse...

(The noises stop. Silence.)

TANYA: Oh my god.

BENTON: Shh!

(Heavy footsteps are heard, thumping closer and closer. Silence.)

BENTON: Like I thought. They'll avoid this cold spot.

TANYA: Is... is everyone...?

BENTON: Yes. They didn't stand a chance.

(Beat.)

TANYA: What do we do now?

BENTON: We stay here.

TANYA: In a cold store, we'll freeze to death!

BENTON: Not for a while. And Cliff's infection is still pumping out heat.

TANYA: All right, we might last a day - assuming those things stay out. But then what? Are they going to wander off into the countryside or what?

BENTON: I don't know, Tanya.

TANYA: What do you know, Steve?

BENTON: I know that I was lucky to survive meeting those things the first time and lasting this long on a second attempt is pushing my luck! And I also know that there's an ambulance on the way.

TANYA: (realizes) Oh god, they'll be massacred.

BENTON: Maybe not. I told you the phones were tapped.

TANYA: You heard a click, Steve. That's all.

BENTON: Someone very powerful is keeping an ear off for reports of things like this. Someone knows they're loose.

TANYA: Is that actually good news, though?

BENTON: I'm not sure. It depends who they are, if they're on our side or those things...

(On cue, a bestial primord roar is heard outside.)


[Terrace]

(The catering staff are tidying up the buffet tables. The chauffeur idly crosses and picks up one of the leftover sandwiches. Joe suddenly comes over, slamming his arm down around the chauffeur in what looks a friendly manner but is actually restraining him. Startled he drops the sandwich.)

CHAUFFEUR: Hey! Ow, do you mind?

JOE: Oh buck up, old bean! You need to be able to deal with tricky customers when you're a driver. You're a driver, aren't you?

CHAUFFEUR: I am Lord Vincent's chauffeur.

JOE: Yeah, but where'd you start out? Ex-cabbie?

CHAUFFEUR: What's it to you?

JOE: Just wondering if you've got your story straight, me old cantaloupe. There's something very odd going on, isn't there? Everyone acting a bit strange, like they're not who they say they are.

CHAUFFEUR: Look, you've clearly had too much to drink...

JOE: (loudly) Are you impugning my sobriety, squire? I could sue you for slander - or maybe the bloke you're pretending to be!

CHAUFFEUR: I'll call the police!

(Miles joins at the other side.)

MILES: (grins) Phone lines are down, me old mucker.

(He rolls up the chauffeur's sleeve to reveal a small black rectangle device with a light and a plus-sign logo strapped to his upper arm.)

MILES: What have we got here then?

CHAUFFEUR: Don't touch that.

(He tries to stop Miles but Joe holds him in place.)

JOE: What's that? You a mason as well are you?

CHAUFFEUR: (genuinely worried) You don't know what you're doing! Please, let go!

MILES: What happens if this comes off?

(Miles tries to pull the armband off and it sparks and shorts. Shocked, Miles and Joe release the chauffeur who holds up his arm in horror.)

CHAUFFEUR: You ignorant animals! What have you done?!

(In blind panic, the chauffeur sprints into the house before the journalists can stop him.)

MILES: Still think there's no story?

JOE: Still think we're gonna get arrested! Come on!

(They run into the house, watched by the handful of caterers who have seen the whole thing. One of them is Diamond, her expression unreadable.)


[Corridor]

(Miles and Joe run around a corner.)

JOE: This place is like a maze...

MILES: Servant's wing. He must be heading for his mates.

JOE: You think they've got armbands too then?

MILES: Let's find out.

(They hurry down the corridor to a door slightly ajar. Miles indicates to Joe to be silent.)

MEDIC [OC]: ...it's your own fault.

CHAUFFEUR [OC]: I'm aware of that. Just tell me if it's damaged?


[Bedroom]

(Set up rather like a field hospital with beds and couches filling up the room. Lying on them are bodies covered in sheets. A brisk-looking medic in tweed is examining the chauffeur's armband.)

MEDIC: Luckily for you, the safety-overrides were able to cut in. You'll need a fresh template-stabilizer.

CHAUFFEUR: Well, get me one.

MEDIC: They aren't an infinite resource.

CHAUFFEUR: Then be glad you're vital enough to proceedings I don't take yours.

MEDIC: Your vindictiveness and aggression are not productive. This is a ridiculous waste of effort to expose a potential threat.

(Miles and Joe look through the doorway, watching them.)

MILES: (sotto) What the hell is going on?

MEDIC: Which one of these is your template?

CHAUFFEUR: And you accuse me of inefficiency.

MEDIC: If were efficient, I wouldn't need to carry out this pointless task in the first place.

(The medic pulls a sheet back to reveal the giraffe man lying lifeless on a bed. A white version of the armband is on his arm. The medic covers him and tries another, the old Welshman. Then the butch young woman. Then a man identical to the chauffeur.)

MEDIC: Ah here we are.

(The medic adjusts the white armband then attaches a second black armband to the chauffeur's other arm. Miles is horrified.)


[Corridor]

(The journalists shrink back from the door.)

MILES: Did you see that? You wanted to know where the real celebs were going, well now we know!

JOE: Are they dead?

MILES: I dunno. But they've got armbands, white ones. The fakes have black ones.

JOE: Not much of a mystery there. The armbands let them steal their faces or something.

MILES: Like voodoo or something, but...

JOE: Never mind that, what do we do now?

MILES: I don't know!

JOE: You must have some scheme, you're always planning something!

MILES: Not this time, this time I've got nothing!

JOE: Seriously?

MILES: Seriously.

(Joe bursts out laughing and goes and knocks casually on the door.)

JOE: All clear, friends, Romans and countrymen!

MILES: (uncertain) Joe?

JOE: Come on, Miles, you know me. I can never resist a little jape. (laughs) Oh, the look on your face!

(The door opens and the chauffeur and the medic emerge, nodding to Joe.)

MILES: (confused) You... did you set me up? A prank?

JOE: Can't help meself, Miles. A defining trait.

MILES: So this was all fake?

CHAUFFEUR: A little too real for me.

MILES: You did all that performance with that PA?

CHAUFFEUR: Oh no, not at all.

JOE: Ah, my fault. Not being clear. Miles, this whole 'secret invasion of doppelgangers' thing? That's as real as real comes. The prank was that you weren't going into a trap.

MILES: (bewildered) Trap?

(The chauffeur and the medic seize Miles and are clearly far stronger than he is. The effortlessly force him through the door.)


[Bedroom]

(Miles is forced onto a bed in the middle of the room, held down by the chauffeur and the medic as Joe follows them inside.)

MILES: I don't get this! Joe, you're working with them?

JOE: Yep. Have been ever since this afternoon.

CHAUFFEUR: You were on your guard, so we targeted your photographer.

MILES: (to Joe) And, what, bribed you?

JOE: Oh come on, Miles. You know me. Well, you know Joe Christensen.

MILES: You're Joe Christensen!

JOE: Oh, and who's this then?

(He pulls up a blanket to show another Joe lying on a couch, a white band on his right arm. The first Joe rolls up his sleeve to show a black armband.)

MILES: No... You can't be.

MEDIC: Such a feeble brain. He knows the basics of everything happening here and yet he still doesn't understand.

JOE: I'm one of the impersonators, Miles. Just impersonating your pal Joe.

MILES: But... you're him! You're not like them!

JOE: Well, I'm under cover, aren't I? I have to be convincing. Especially as you were noticing the rest of them weren't keeping out of character.

MEDIC: It's a waste of time and mental energy mimicking their personalities so exactly.

JOE: (wags finger) But it was drawing attention. So, I made the effort to blend in. I know everything the real Joe in his head, like how you keep the best stories secret. You could've called in the troops and not told Joe, so I came up with this stunt to make you show your hand.

MILES: (stunned) Just like the real Joe would have.

CHAUFFEUR: It nearly cost me my life.

JOE: Oh, stop moaning. It worked, didn't it?

MILES: So what happens to me now? You going to kill me?

VISCOUNT [OC]: (shrugs) Oh, yes...

(Miles looks up and sees the Viscount, still in his cricket whites, lounging in the doorway.)

VISCOUNT: Eventually.


[Corridor]

(Diamond cautiously moves around the corner and towards the door.)


[Bedroom]

(The chauffeur is strapping down Miles while Joe places a headset on Miles' head.)

MILES: What are you going to do to me?

MEDIC: Even if you were smart enough to comprehend the answer, it is irrelevant. (to Viscount) We have used our full compliment here. There are none to spare for processing.

VISCOUNT: Then we re-process. (to Joe) Will you do?

JOE: Oh yeah. When I'm Miles I'll cover for Joe. Miles is the troublemaker - he disappears, everyone will on alert. Especially the legal department.

MILES: You're going to impersonate me?

CHAUFFEUR: He's catching up.

(Joe sits down on a matching bed and the medic puts the headset on.)

MILES: What happens to me?

MEDIC: Your bio-energy will be diverted and absorbed by your duplicate. All your memories, your feelings, your thought, everything will be transferred into a perfect copy. Unfortunately, the process is lethal after a few days.

JOE: Don't worry, Miles. It doesn't hurt.

MILES: How do you know?

JOE: Guess I don't. Still, who cares?

MEDIC: De-processing beginning.

(Joe closes his eyes and the machinery hums. His face loses definition and becomes the blank-faced alien creature in its monochrome uniform.)

MILES: Oh my god... Oh god... What is that?

VISCOUNT: As you can see, it's not human anymore. But it will be again, very soon. (to medic) Begin.

(The medic takes out a syringe-like device and crosses to Miles when Diamond enters.)

VISCOUNT: (impatient) Oh, what is it?

DIAMOND: Apologies, Lord Vincent. It's the mausoleum, there's something wrong.

VISCOUNT: (alarmed) What?

DIAMOND: I don't know. I was told to alert you immediately.

VISCOUNT: (to Miles) What have you done?

MILES: Done? I don't know what you're talking about!

VISCOUNT: We can ask him when he's one of us. Continue processing.

(The Viscount and the chauffeur leave, closing the door behind them.)

MEDIC: You, I need some assistance removing the stabilizers.

DIAMOND: Of course.

(She crosses over to the alien and examines the black armband... then rips it off. The alien lets out a scream, glows brightly and then a humanoid glob of colourless slime splatters onto the bed. The medic whirls around but Diamond throws out her hand. A psychic blast hurls the medic against the wall. Diamond rips away the bonds.)

DIAMOND: Quickly, get out of there!

(Miles gets up while Diamond crosses to the further beds and pulls up sheets. She finds the man the medic is impersonating and rips the white armband off. The medic tries to rise, then collapses, glows brightly and then turns into the blank alien.)

MILES: Why's it not exploded? Isn't that what they do?

(Diamond checks the original.)

DIAMOND: Dead. It drained him dry.

(The creature rises and staggers forward.)

DIAMOND: We're going to leave now. And if you follow us showing your true self, how long do you think you can keep up the charade?

(The molten-faced creature stops. Diamond turns to Miles.)

DIAMOND: What are you waiting for? A personalized invitation? Run!

(Miles flees the room. Diamond reaches out and two of the black armbands fly into her hand. Then she flees too. The creature watches them go.)


[Entrance Hall]

(Diamond catches up with Miles. She rolls up her sleeve and puts on the armband.)

DIAMOND: Put this on.

MILES: Why?

DIAMOND: So these body-snatchers think we're them of course.

MILES: But that doctor, or medic or whatever, he'll raise the alarm.

DIAMOND: Yeah, but there aren't many of them around. A lot of the staff are still human, these duplicates don't want to risk being found out before they get the upper hand.

MILES: So what, just act natural and they'll have to let us go or they'll blow their cover?

DIAMOND: I can see why you became a reporter. Give me your mobile.

MILES: My what?

DIAMOND: Your mobile phone.

MILES: I don't have a mobile phone. How could you without a wire to connect the line?

DIAMOND: Oh creation, I forgot how backward this era is. Come on, we'll use the phone box.

MILES: They cut the lines.

DIAMOND: That was just for the match. It'll be connected by now.

(She opens the booth and looks in.)

DIAMOND: Huh. Weird seeing one smaller on the inside.

MILES: Look, let me. I've got contacts.

(He takes the phone, checks it's working and then dials a number.)

MILES: Frank? It's Miles Attwood and... yeah, yeah, get in line. Look, something's happened at Mr. V's manor house and I need to talk to the Chief Constable... Hello? Hello?

DIAMOND: He hung up?

MILES: Yeah. I know Frank, though. He would've asked me what I was after at least.

DIAMOND: Maybe this crude system's broken down.

MILES: Or maybe Frank's a duplicate.

DIAMOND: Don't be paranoid.

MILES: Well, he could be! They could be anybody!

DIAMOND: But not everybody. Not the whole police force. Now ring the ordinary police up before they isolate the phone again.

(There is the click of a gun being cocked.)

VICTOR [OC]: I wouldn't do that if I were you.

(Diamond and Miles turn to see Victor standing behind them, holding a gun at arms length, uncomfortable and desperate.)

VICTOR: Now just why would you two be so desperate to contact the police?


[Cold Store]

(Benton and Tanya are huddled together near the door, as far away from Cliff as they can. They shiver as Cliff looks very ill, but only his shoulder is green.)

TANYA: It's been quiet a long time.

BENTON: Yep.

TANYA: I didn't hear any sirens. Or screams.

BENTON: No.

TANYA: You think those things have left?

BENTON: I don't know. They might have. They're not normally this stealthy.

TANYA: What are they?

BENTON: A sign of the apocalypse.

TANYA: Don't be ridiculous.

BENTON: I'm not. If they're around, then it's the beginning of the end of the world.

TANYA: How? I mean, they're dangerous, yes, but they're just wild animals. They're not going to end the world.

BENTON: No, they're not. But the reason they're here is...

(There seems to a dramatic evil laughter from outside before the muffled cheerful strains of "I'm The Urban Spaceman" start playing.)

BENTON: What's that?

TANYA: The Bonzo Dog Doo-Dah Band.

BENTON: What?!

TANYA: (frustrated) The jukebox! Someone's turned it on!

BENTON: But who?

TANYA: Do those monsters like pop music? More than you mean? Doesn't it soothe the savage beast or something?

(Benton stares at her. The music continues.)

TANYA: (nervous chuckle) Maybe that's what they're called, those things, the Bonzo Dog Doo-Dahs...

(A quiet knock comes from the door. They tense.)

BENTON: Time to get weapons.

TANYA: What weapons? Tinned peaches?

BENTON: Cold tinned peaches! Just...

(The door shakes roughly, and the screwdriver rattles loose in the door handle. It falls loose before Benton can replace it and the door opens as the music reaches its nonchalant crescendo. The Doctor pokes his head around the door.)

DOCTOR: I'm not interrupting anything, am I?


[Entrance Hall]

(Victor is slumped in the corner of the annex. He has a bloody nose and his jacket has been removed and his shirt-sleeves rolled up to show he is not wearing any armbands. Diamond keeps watch, having taken Victor's gun.)

MILES: Looks like he's human.

VICTOR: More than she is. She just waved her hand...

MILES: Shut it, Jeeves. I don't care if you believe me or not but we've got the gun so listen - there are creatures in this big old manor house and they're kidnapping people and turning themselves into copies of them, stealing their faces and if your lovely master isn't one of them then he is definitely part of the conspiracy.

VICTOR: I believe you.

DIAMOND: Amazing how open-minded people get when you beat them up and hold them at gunpoint.

VICTOR: I mean it. I don't know about these creatures, but I saw how people were changing. They looked the same, they know everything, but they're just not right. It's not them.

MILES: And they haven't replaced you?

VICTOR: You don't work as a butler for the aristocracy without being trained to turn a blind eye. I suppose they thought I wasn't worth body-snatching.

MILES: How long has this been going on?

DIAMOND: More to the point, how long as Viscount Vincent had a mausoleum in the grounds?

VICTOR: (surprised) You know about that?

MILES: Everyone does, it's an eyesore you can see from the cricket pitch.

VICTOR: But it wasn't there a few weeks ago! I know it looks like it's been there for hundreds of years but that part of the grounds was empty last month...

DIAMOND: He's telling the truth.

MILES: You've got experience of mausoleums appearing out of thin air?

DIAMOND: Too much of it. He's not even trying to hide who he is this time.

VICTOR: Who?

DIAMOND: Viscount Vincent the Fifth. Mr. V.


[Cold Store]

BENTON: Doctor, what the hell are you doing here?

DOCTOR: The usual, I was passing by and thought I could help.

TANYA: You know this man?

DOCTOR: Oh, hello, my dear. I'm the Doctor.

(He doffs an invisible hat.)

DOCTOR: Benton here and I go back a while.

TANYA: Before he lost his memory?

DOCTOR: Lost his...? (looks at Benton) Oh, yes, probably.

BENTON: Doctor, Vise's monsters are back.

DOCTOR: Primords? Yes, I know. They've wrecked the cafe and left. I thought I'd check for survivors. The freezer seemed the best bet.

TANYA: And you turned on the jukebox?

DOCTOR: (defensive) Why not? I love the Bonzo Dog Doo-Dah Band. Never mind that now, my ship's outside and we can get out of here while we can.

TANYA: What ship?

BENTON: Not now, Tanya, trust me. But Doctor, our friend here, he was infected.

(Frowning, the Doctor crosses to Cliff who is still half-conscious.)

DOCTOR: Nasty. Still, the low temperature seems to have retarded the transformation slightly.

BENTON: Yeah, but if we take him out of here into warmer air...

DOCTOR: (nods) It'll start again with a vengeance. He might turn before we can get him any treatment, assuming treatment will work.

TANYA: We called an ambulance an hour ago. It might turn up...

DOCTOR: (firmly) It won't. Benton, Tanya, see if you can strap some frozen peas to his shoulder or something. We're going to make a run for it.


[Terrace]

(The catering staff are tidying away the last of the buffet tables and other staff are taking in the cricket gear. Diamond, Victor and Miles emerge from the house and calmly walk down the steps. Everyone seems to be looking at them or watching them. Diamond and Victor don't react but Miles can't quite his apprehension. He mutters.)

MILES: Oh god they're all copies, aren't they?

DIAMOND: No, if they had a critical mass then they would have attacked by now.

VICTOR: So there's still time to turn things around. They haven't even got everyone in the household, they can't have taken over the whole world.

MILES: (getting hysterical) Assuming they've only started work here. What if this thing is happening all over the world?

DIAMOND: That's a helpful attitude.

MILES: If I'd had that attitude earlier, Joe wouldn't have caught me in the first place!

(As they move onto the path, the Viscount, the chauffeur and some other security men arrive directly in front of them.)

VISCOUNT: Ah, there you are. It seems you got us chasing a false alarm, young lady. I'd like to know why.


[Cafe Interior]

(The place is a wreck with broken grass and dead bodies both human and primord. The Doctor pokes his head around the corner behind the counter and looks around. He turns and calls over his shoulder.)

DOCTOR: Coast's clear. Come on.

(Benton and Tanya follow him out. They have their jackets and blankets wrapped around their hands as they support Cliff, who has frozen food tied around his shoulder.)

DOCTOR: Quickest way is out the front...

(Annie leaps up from behind the payphone. Her face is green, eyes are red and she is growling.)

DOCTOR: Back, back...

(Cliff charges forward and tackles Annie. Thick steam billows from where his chilled limbs touch the primord, and Annie shrieks in agony.)

DOCTOR: It can't take the cold! Quickly!

TANYA: But Cliff...

CLIFF: (shouts) Go!

(The Doctor, Benton and Tanya run around the fighting pair and out through the doors. Shrieking in pain, primord-Annie gets the upper hand and starts to club Cliff to death with her claws.)


[Outside Truck Stop]

(The vehicles are all abandoned. A dead body lies near Tanya's truck, but there is no other sign of life. The Doctor, Benton and Tanya flee the cafe and along the main building to where a distinctive red phone box now stands.)

DOCTOR: This way.

TANYA: Where?

BENTON: The phone box.

TANYA: How is that going to help?

(More primord roars come out of the night. The trio stop and look around. The area seems deserted before the secretary-primord creeps out from behind a trailer, then another and another. They are between the trio and the TARDIS. As they start to move backwards when Annie-primord staggers from the cafe behind them, growling and roaring.)


[Terrace]

DIAMOND: I was only reporting what I was told.

VISCOUNT: And who, precisely told you that?

VICTOR: (quickly) I did.

CHAUFFEUR: Of course, we should have known. Your unreliability has been a problem from the beginning.

VICTOR: (angry) Unreliable? I've done everything you've asked of me and I have done it well.

VISCOUNT: We all know precisely why you've been helping us, don't pretend there's any nobility involved.

(The Viscount crosses and checks Miles and Diamond for their armbands.)

VISCOUNT: At least he hasn't interfered with processing. (to Victor) But they're right, "old friend", you're teetering on the edge of dispensability. We've had enough problems turning this ridiculous cricket match to our advantage. (to Miles and Diamond) Take him back to central. If he tries anything, mutilate his face.

DIAMOND: We understand.

(They march off with Victor while the others head into the house.)

MILES: Where is central?

DIAMOND: I haven't the faintest idea.

VICTOR: We have to go somewhere.

DIAMOND: I know. Let's check out the mausoleum.


[Outside Truck Stop]

(The primords are forming a ring around the Doctor, Benton and Tanya. They growl and pant.)

TANYA: They're not attacking.

BENTON: What's wrong with them?

DOCTOR: It's a cold night. The cool air is eating into their energy, hurting them. It's driving them back to the warmth of the cafe, but they don't feel as strong as before.

BENTON: So they're waiting for what, dawn?

DOCTOR: More or less. They're not exactly firing on all cylinders.

TANYA: Well, if they want heat - let's give it to them.

(She rushes over to nearest petrol pump, takes the pump and sprays a thick puddle onto the asphalt. The primords growl menacingly, clearly puzzled at this motion.)

BENTON: Tanya, tell me you're not...

(She flicks her lighter on and throws it to the puddle and a sheet of flame belches up. Tanya backs to the others as the primords growl and move towards the heat, breaking the ring.)

TANYA: Now!

(They run to the TARDIS. The primords are reluctant to leave the heat, and by the time they start the trio are safe inside the phone box.)


[TARDIS Control Room]

(The Doctor is operating switches on the console while Tanya looks around in awe.)

DOCTOR: Brilliant! A burst of heat like that was far too tempting for them! Where'd you meet this spectacular lady, Benton?

BENTON: She's my neighbor. She owns the farm next door.

DOCTOR: (affectionately) You old charmer.

BENTON: Doctor, what are primords doing here? They were all in Vise's mausoleum and that's at the bottom of a black hole!

DOCTOR: Ah, yes, about that. It turned out Vise wasn't quite as dead as we thought.

BENTON: He was fried to a crisp!

DOCTOR: I know, it was a reasonable assumption, but we were wrong. He came back to life in a brand new body and he piloted his mausoleum to safety, complete with his pack of primords.

BENTON: Right.

DOCTOR: That sort of thing happens more than you think.

BENTON: And now he's on Earth?

DOCTOR: Yes. I'm working on that.

(He turns on the scanner it shows the primords in the carpark, dancing around the fire like cavemen.)

BENTON: There are, what, eight of them? That's enough for them to infect everyone in Britain...

DOCTOR: That's one thing we don't need to worry about. The authorities are dealing with it.

BENTON: I knew it.

DOCTOR: (surprised) You knew it?

BENTON: I rang for an ambulance when I saw the first person infected. The phone was tapped when I mentioned the symptoms. Someone knows what these things are.

DOCTOR: Yes, and the threat they pose. The question is, how much do they know about Mr. V?


[Grounds]

(Diamond, Miles and Victor hurry past a clipped yew bush. Vise's mausoleum is in the distance.)

MILES: But what's in that stupid tomb?

DIAMOND: We're finding out.

VICTOR: If it's the cause of the imposters, maybe it's not the safest place to shelter.

DIAMOND: Look, they haven't worked out we're loose yet but sooner or later someone's going to find that medic and realize. We need to be somewhere they won't look and...

(The drone of an approaching helicopter.)

DIAMOND: Down!

(They all duck down and shelter behind an ivy-covered tree as a helicopter flies across the sky, shockingly loud and shining a spotlight.)

DIAMOND: Personally, I think that's overkill.

(The helicopter flies directly overhead, shining on their hiding place, but continues on its way into the night. The trio watch it go.)

VICTOR: I don't think they were looking for us.

MILES: (shaken) I feel the exact opposite way.


[TARDIS Control Room]

BENTON: I don't understand it, Doctor. I've spent almost a year here and I've kept an eye out for Vise, or anyone like him. I've read the papers, I've watched the news, I've managed to bite my tongue when the trade unions complain how unfair things are when they're allowed to go on strike without being shot...

DOCTOR: I know, I know, people don't know how lucky they are. But Vise's new body is different to his old body. New face, new voice, everything different.

BENTON: Like plastic surgery?

DOCTOR: No, not particularly. Do you?

BENTON: I mean, he's changed what he looks like and we don't know what he looks like now?

DOCTOR: Oh I didn't say that.

(The Doctor starts rummaging in his pockets when Tanya wanders over.)

TANYA: This phone box is bigger on the inside than it is on the outside.

BENTON: Yes.

TANYA: And there's no phone.

BENTON: That's right as well. This is the Doctor's time machine. The phone box is just camouflage.

TANYA: Ah. You know, Steve, it seems like everything's gone completely crazy to day.

BENTON: Very much so.

(The Doctor takes out a crumpled newspaper.)

DOCTOR: Here we are. Charity cricket match held by Viscount Vincent the Fifth. And as "five" is "V" in Roman numerals, that's V-V-V. The Viscount likes to be called "Just V" or "Mr. V."

BENTON: (understand) Or Citizen V.

DOCTOR: Yes. He really likes things starting with V for some reason, it makes his disguises obvious when you know what you're looking for.

BENTON: And the government know he's brought primords here?

DOCTOR: Yes, and they want to wipe them out. As a matter of fact, here we go...

(He nods to the scanner. The helicopter is visible flying towards the truck stop.)


[Outside Truck Stop]

(The helicopter is directly above the motorway. The primords snarl and growl up at the copter. A small silver bomb-like object plunges from the helicopter towards the car park. It shatters on the ground and white mist sprays out under pressure, filling the whole car park and engulfing everything.)

DOCTOR [OC]: It's not a thermal explosive, but a freezer one. Very complex and experimental, but it works. Instead of raising the temperature, in plunges it down below zero, like dousing everything in liquid nitrogen.

(The white mist starts to clear. The fire is out and the primords are motionless like statues. Everything is covered in ash-white frost. Nothing moves. The helicopter starts to move off.)


[TARDIS Control Room]

(The white-hued motor station fills the scanner screen.)

BENTON: Cold to kill the primords?

DOCTOR: Yes. And everything else in the local area. Trees, plants, animals, anyone who might have survived the primords. By tomorrow the warmth of the sunshine will make everything out there shatter like glass.

TANYA: (weakly) Horrible.

BENTON: Necessary, though. It stopped the infection from spreading across the country. It put them out of their misery.

TANYA: That's a very brutal way of looking at things.

BENTON: My son was turned into one of them before he died. I'm entitled to be brutal.

TANYA: (shocked) You... had a son?

(The Doctor tactfully changes the subject.)


DOCTOR: Uh, this will be the big story tomorrow morning. A truck stop mysteriously destroyed by military forces to "prevent an outbreak of the rabies virus". There's a list of the dead and missing, and you two are on it.

BENTON: You came back in time to save us?

DOCTOR: It's one of my most annoying quirks.

BENTON: I thought you couldn't change history.

DOCTOR: I didn't change history. The news still report you dead, it's just definitely inaccurate now.

(He throws the paper to the floor and sets controls.)

DOCTOR: Now we know where Mr. V is based, it's time to double back a little further. We've got to be proactive, take the fight to him.

BENTON: Are you sure about this?

DOCTOR: Yes. First thing first, time to get Diamond.

BENTON: Oh, I was wondering where she and Heart had got to.

DOCTOR: Heart is dead. Vise murdered her.

BENTON: (sighs) I'm sorry.

DOCTOR: It's all right, Benton. I know you've suffered much more than I have.

(He starts to operate more controls.)

TANYA: Steve. I really think this could be explained better.

BENTON: All right. I'll tell you the truth, but it's a very long story.


[Outside Truck Stop]

(The frost-covered TARDIS dematerializes.)


[TARDIS Control Room]

(The central column rises and falls as the Doctor works controls.)

DOCTOR: Hang on, everyone. Next stop Planet Epsilon-Gamma.

TANYA: That sounds like a long journey...

DOCTOR: Don't worry, we'll be there faster than you can say "xerophilious anticholinesterase"!

BENTON: What's a zero-philus anti-thing?

DOCTOR: Oh a sort of brain medication made out of dry wood. Does it matter? It's just something that takes a while to say. And we've arrived.

(The central column stops and the console chimes.)


[Forest Clearing]

(The TARDIS arrives among the silver birch. The door opens and the Doctor steps out, looks around and calls back inside.)

DOCTOR: I'll be back in a moment. Trust me, I know what I'm doing.

(He heads off purposefully.)


[Forest]

(The Doctor, far less confident, wanders among the trees for a moment, then stops. He licks a finger and tries to feel the wind direction.)

DOCTOR: I was sure it was this way...

(An indistinct figure moves through the trees, shadowing him as he chooses the next direction.)

DOCTOR: Come along, Doctor, you have an unerring sense of direction. Or was it an unnerving sense of direction?

(Through the foliage he sees the temple and grins.)

DOCTOR: Very good, Doctor.

(An invisible force slams him into a tree, then back against another tree and pins him there. His pursuer steps out into the open.)

DOCTOR: (strained) Hello, Diamond.

DIAMOND: Hello, Doctor. As ever, your reflexes are as sharp as a marble.

DOCTOR: I was expecting a friendlier reception.

DIAMOND: A random time-space craft materializes without warning on this planet and you think I'd take a chance it wasn't you-know-who?

(She releases him with a gesture. He rubs his neck.)

DOCTOR: Point taken. Still I thought you'd be happier to see me again.

DIAMOND: I'd be happier if I'd been expecting you.

DOCTOR: Gracious as ever.

DIAMOND: Is it Vise? Is he coming here?

DOCTOR: No, he's loose on Earth in the 1970s. I need your help.

DIAMOND: To fight him? Weren't you paying attention the last two times he wiped the floor with us? I discussed this at length with you before I left.

DOCTOR: Ah, but this time I have a plan.

(Diamond stares at him.)

DOCTOR: Well, half a plan.

(She arches an eyebrow.)

DOCTOR: An idea. Half an idea. Look, right now he doesn't know I'm onto him. That's a huge advantage.

DIAMOND: And what's he doing?

DOCTOR: Honestly? I think he's holding a charity cricket match.

DIAMOND: That doesn't sound like him.

DOCTOR: I'm sure it's for nefarious purposes.

DIAMOND: (scoffs) So what do we want me to do? Bat for middle and stump? And what makes you think I even want to get within the same galaxy as that creature if I can avoid it?

DOCTOR: The same reason I'd want to be. Heart.

(Beat.)

DIAMOND: Go on.

DIAMOND [OC]: And that's how I got into this.


[Grounds]

(Diamond, Victor and Miles are still hiding in scrub. The mausoleum is visible nearby.)

DIAMOND: So the Doctor traveled back in time a few weeks, dropped me off for a humiliating training course to become an official catering assistant to be assigned here so I could find out everything that happens while he's busy in a motorway cafe ten miles away.

VICTOR: (to himself) How very enterprising of him.

MILES: ...wait a minute, did you say "travel in time"?

DIAMOND: Do you have some kind of skepticism overload or something? We're fighting an invasion of alien face-stealers, choke down the incredulity until we've won!

MILES: Right. Yes, sorry. Will do.

VICTOR: It looks clear. We should go while we can.

DIAMOND: Agreed.

(They break cover.)

MILES: We'll be safe inside there, right?

DIAMOND: No, but at least we'll be in danger from something else. Come on.

(They run across the lawn towards the mausoleum.)


[Mausoleum]

(The chamber is in darkness until the doors creak open and the trio enter. There is the sound of dank water dripping and the chamber is deserted. Miles glances nervously at a gargoyle.)

MILES: I don't like it. Maybe we should take our chances outside?

VICTOR: We don't have a chance outside.

MILES: You don't maybe, but they think I'm the real deal.

VICTOR: They did before, they might not now.

(Diamond is looking around the hall.)

DIAMOND: No primords.

MILES: No what?

DIAMOND: Guard dogs. Vise used to have a whole pack of them.

MILES: And you're worried they're gone?

DIAMOND: I'm worried he found something better to guard his ship. There has to be something left here, he wouldn't trust those aliens to come and go.

VICTOR: Assuming they gave him a choice.

DIAMOND: If the imposters are in control, it's only because he's allowing them to think that.

MILES: But how can he be Lord Vincent?

DIAMOND: Time machines, remember? He could go back in time and call himself that, live here for years in secret until now.

MILES: What, he waited for twenty years before doing anything evil?

DIAMOND: Time machine! He can skip the boring bits! (to Victor) Are you understanding this, at least?

VICTOR: Oh yes, ma'am.

DIAMOND: Thank goodness someone does.

(She crosses to the battered resurrection casket, studies it for a moment then takes out the time beacon and activates it.)


[TARDIS Control Room]

(The console starts beeping.)


DOCTOR: That's Diamond's signal.

(He sets controls.)


[Mausoleum]

(Miles is sticking close to Diamond, intimidated by the dank gloom.)

MILES: What is that thing?

DIAMOND: Panic button. (mutters) Come on, Doctor, hurry up.

(Victor peers out the doors.)

VICTOR: Someone's coming...

DIAMOND: Who?

VICTOR: I think it's the Viscount and some others.

DIAMOND: Close the doors, quick!

(They close them, cutting off a lot of the light.)

DIAMOND: Do you think they saw us?

VICTOR: No, but they're still coming straight here.

DIAMOND: Might be a coincidence. They might not know where in here.

MILES: Either way, we've got to hide.

(The sound of materializing fills the air.)

MILES: What's that?

DIAMOND: Our one chance of getting out of this alive.

(The TARDIS materializes in an alcove to one side.)


[Grounds]

(Clouds pass over the full moon as the Viscount and some of his cronies march straight through the darkened grounds towards the mausoleum.)


[Mausoleum]

(The Doctor, Benton and Tanya have emerged from the TARDIS to meet with the others. The Doctor crosses to the central control node.)

BENTON: I thought I'd never have to see this place again.

DIAMOND: There are no primords here. And if the aliens are working the government to destroy them all, it looks like Vise has had them all put down.

DOCTOR: But you said they used the toxic chemical on that woman Benton and Tanya ran into?

DIAMOND: It seems they wanted to silence her before she spilled the beans on the conspiracy, and they were running out of aliens to steal faces.

DOCTOR: It looks like this version of Mr. V's not the animal lover the last one was.

BENTON: What about these aliens, do you know who they are?

DOCTOR: Oh yes. I helped them out a few years back. They were kidnapping teenagers at Gatwick and stealing their bodies.

BENTON: What, and you helped them?

DOCTOR: Well, I made them give everyone back. And they weren't doing it out of malice, they were on the brink of extinction. I gave them another way to survive and they took it. All ended peacefully for once.

DIAMOND: It didn't end, they're back here and very maliciously infiltrating society.

DOCTOR: I know, you said.

(He starts adjusting controls on the node.)

DIAMOND: Look, Vise will be here any minute. Let's just do what we came here to do before...

(The doors creak open and the Viscount enters, smirking, along with the other security guards.)

VISCOUNT: Well, well, Doctor. Our paths cross again. How appropriate your own face has changed since Gatwick Airport.

DOCTOR: Oh. Yes. Still, at least I'm not stealing them. I gave the Chameleons or whatever they want to be called advice on how to repair their genome. Why didn't they take it?

VISCOUNT: (shrugs) Many of them did. But not all. Especially when the military applications of body-snatching were realized. A small force could infiltrate any society, assuming the identities of different people all the way from country folk to media celebrities to the leaders of the world powers.

(The Doctor addresses the staff.)

DOCTOR: You refused to cure a terminal condition because it allowed to conquer planets you don't want?

VISCOUNT: It's really quite depressing someone of your intelligence cannot appreciate such vision. It takes true genius to weaponize failure and defeat.

DOCTOR: Alas, I don't has as much experience of it as you do.

VISCOUNT: That will soon be rectified. Do you really think you have the upper hand here?

DOCTOR: We outnumber you, two to one.

(The security guards take out futuristic handguns.)

VISCOUNT: Whereas you're unarmed.

DOCTOR: So I must clearly have another advantage.

VISCOUNT: You said that the last time you faced Chameleon Tours. You were bluffing then. You're bluffing now.

DOCTOR: All right, I'm feeling talkative.

VISCOUNT: (rolls eyes) When are you not?

DOCTOR: I like the cricket get-up by the way. Anyway, either you surrender or I hit the door control.

(An unimpressed beat.)

VISCOUNT: You're going to defeat us by closing the door?

DOCTOR: The interior of this ship is in another dimension, remember. Cutting your duplicates off from their originals ends rather messily if I remember right.

VISCOUNT: You think we haven't made allowances for that?

DOCTOR: Now who's bluffing?

VISCOUNT: Go on then.

DOCTOR: I will.

VISCOUNT: Do it.

(The Doctor presses a button and the doors close. The Viscount glances with a smirk at his guards, who are totally unaffected.)

VISCOUNT: As you see, the connection is unbroken.

(The Doctor looks horrified.)

DOCTOR: (shaken) You really have boosted the signal strength since we last met... (calmer) ...but can it cross time as well as space?

(He slams down another control before anyone can stop him and the takeoff bellow fills the mausoleum. Miles, Tanya, the Viscount and the guards are shocked at this turn of events.)


[Grounds]

(The mausoleum fades away into the night.)


[Time Vortex]

(The stone building hurtles through infinity.)


[Mausoleum]


(The Viscount and the guards look stunned.)


DOCTOR: Can your signal penetrate the time vortex?

(One of the guards convulses, glows and turns to slime with an empty armband.)

DOCTOR: Apparently not.

(The other guard disintegrates.)

DOCTOR: Who's bluffing now?

(The Viscount stares at him, opens his mouth to speak, then falls to his knees and also disintegrates as well. Surprised, the Doctor runs forward to examine the goo. Diamond, Benton, Miles and Tanya hurry over to join him.)

DIAMOND: (shocked) He was a Chameleon like them.

BENTON: But if he's a fake, then where's the real Vise?

(Victor loiters by the control node. He flips up a switch and a shrill shrieking noise fills the room. Diamond and the humans let out a scream and clutch their heads, collapsing to the ground around the helpless and astonished Doctor.)

VICTOR: You really aren't very good at this "spot Mr. V" business, are you, Doctor?

(The Doctor stares in horror. Victor grins. White flash)


[Mausoleum]

(The opening sequence replays. The dying Voru manages to open the doors before he collapses and starts to glow red. The door opens and the Chameleons enter, standing over him as he transforms. The red blazing glow fades to show Victor lying in Voru's bloody clothes. Victor opens his eyes and grins a feral grin.)


(Roll credits.)
 
DBURT9.bmp



Part Two


[Outside BBC 3]

(Night is falling over a TV station. A sign outside one building says "BBC 3 - HEAD OF BROADCASTING - ALL PASSES MUST BE SHOWN".)


[Office]

(The Controller of BBC3 is dressed in a tux and checking his reflection in a shaving mirror, taking to the intercom on her desk.)

CONTROLLER: What the hell does she want to talk to me for? Oh, send her up. (grumbles) Bothering me at this time on a Sunday night. Someone's got ideas above her station...

BUTCH YOUNG WOMAN [OC]: Yes.

(The Controller is slightly startled to see her in the doorway.)

BUTCH YOUNG WOMAN: Even ideas above your station.

CONTROLLER: (friendly) Ah, the radiant Jo Public! Heard you were thrashed at the cricket match today! Still, you were going to bang on about the patriarchy in your next episode anyway, I'll be bound.

BUTCH YOUNG WOMAN: I've got better things to worry about.

CONTROLLER: (to himself) Wonders will never cease. (louder) All right, Jo, I'm very busy. That match isn't the only charity gala on tonight. What do you want?

BUTCH YOUNG WOMAN: I need your help.

CONTROLLER: Yes, and?

BUTCH YOUNG WOMAN: I've got a following. One word from me and half the students in the country will protest.

CONTROLLER: The other half will do it to get out of work.

BUTCH YOUNG WOMAN: But that's not enough. I'm not powerful. I need someone powerful, someone influential. Someone like you.

CONTROLLER: (mildly interested) Oh do you now? And, what, you're willing to compromise your principles for the greater good?

BUTCH YOUNG WOMAN: This is life or death, mate. That cricket match was an excuse for all the celebrities there to be replaced by alien creatures. They're heading out to find the most powerful people they can and then replace them, on and on until they control the country and then the world.

(Beat.)

CONTROLLER: Well, I can see why you're worried about me.

BUTCH YOUNG WOMAN: Don't humor me, I'm not crazy.

CONTROLLER: Of course you're not. But it's a bit of a tall tale, that's all. You got any proof of this evil scheme.

BUTCH YOUNG WOMAN: I don't need proof of the scheme.

CONTROLLER: Why not?

BUTCH YOUNG WOMAN: (grins) Cause I'm part of it, chuck.

(She raises a pen-like object and aims it at the Controller. He freezes rigid and collapses back into his chair. The butch young woman opens a bag and takes out a headset.)

BUTCH YOUNG WOMAN: I have to admit, you're not the best template I've had and I was expecting so much more from someone called the Controller.

(She leans close, smiling cruelly as she puts the headset over the frozen Controller's head.)


[Office]

(Later. There is a loud knock on the door.)

MAN [OC]: Charles? Charles, what's the delay! The car's out front and the meter's running!

(The Controller crosses to the door and opens it, rolling down his sleeve as he does so.)

CONTROLLER: It's all right, Martin. I'm coming.

MAN: They say Jimmy's going to make his bid tonight. And not for an auction.

CONTROLLER: The worst-kept secret of the year, you mean? I know all about that. Who doesn't?

MAN: Still, Charles. Be nice to say we were there when he puts himself forward for PM. History in the making, eh?

CONTROLLER: Oh yes, Martin. The winds of change are starting to blow...

(They both leave the office. Stuffed into the cupboard behind the door is the real Controller, staring glassily ahead wearing a white armband.)


(Roll credits.)



[Time Vortex]

(The mausoleum floats through infinity.)


[Mausoleum]

(The Doctor is still surrounded by the fallen bodies. Victor has removed his dinner jacket, more relaxed and insolent than before.)

VICTOR: Do you need me to explain what's going on? I would've credited you'd understand on your own but, well, it's rather obvious you're behind the times.

DOCTOR: The Viscount was real?

VICTOR: Oh yes. Probably waking up in that processing room as we speak. Not that it'll do him any good, the uh "Chameleons" as you call them, will just swap an identity for his in due course. I can't believe you thought he was me.

DOCTOR: He was an arrogant, cocksure narcissist strutting around bragging about the last time I beat him...

VICTOR: (smirks) So he couldn't have been me, then, could he?

DOCTOR: You're two lives down, I'm not.

VICTOR: Oh is that how we're counting the scores, is it? Because I would've thought you ranked your pet plastic bimbos higher. Or don't dead Autons count?

DOCTOR: I was sure I'd killed you last time.

VICTOR: That's the trouble when you're too squeamish to get your hands dirty and you outsource your murder. Your assassin couldn't last the distance.

DOCTOR: Neither could you.

VICTOR: No. And I liked that body, Doctor. I was sad to give it up. But not as sad you will be.

DOCTOR: I've defeated the Chameleons before.

VICTOR: No, the Chameleons gave in before. These are the militant lunatic fringe of their ravaged civilization, the zealots and fanatics and tigers and lions and bears - oh my!

DOCTOR: I still would have thought you'd aim higher.

VICTOR: I didn't aim anywhere. My ship crashed on what was left of their home planet when I was recovering from my renewal. They came across me as I changed, helped me survive my injuries...

DOCTOR: (sarcastically) And so you had to repay that kindness?

VICTOR: (passionately) Of course I did. I owe it them to help them conquer this planet... (sniggers) No, I don't, I'm lying to myself.

DOCTOR: You were dying and vulnerable. What did they do to you?

(Victor unbuttons his shirt and pulls it back to reveal the back of his shoulder. A dark metal disc is implanted in the flesh.)

VICTOR: Recognize it, Doctor?

DOCTOR: I've seen something similar.

VICTOR: A crude assassin's tool. Modified to do to me what happens to them when the armbands are removed. They had plenty of time to adjust it for my biology.

DOCTOR: Resurrection sickness. Happens to the best of us.

VICTOR: And I am the best of us.

DOCTOR: You're the one with the time bomb hidden as an ugly mole on your shoulder. Just how often did the Chameleons need to remind you they could kill you at a moment's notice?

VICTOR: Oh they didn't need to, but they did it anyway. Except, of course, you've sent us beyond their reach. I'm free now.

DOCTOR: I doubt it. That death-button of yours probably has a fail-safe if you try and remove it.

VICTOR: (glumly) Yes, a pity I don't have a way round it. (brightly) Oh wait, yes I do!

(Victor crosses to the resurrection casket.)

DOCTOR: Where did you get that abomination anyway?

VICTOR: I built it of course. Well, I had it built by some very clever people who didn't want me to murder them, but the idea was all my own.

DOCTOR: Oh I believe that.

VICTOR: Come on, Doctor! Admire genius when you see it!

DOCTOR: My admiration means that much to you?

VICTOR: Oh. Good point. Still, you won't find another machine like this. The key to immortality, no strings attached.

DOCTOR: Except for the innocents you butcher.

VICTOR: No such thing as a free lunch, but it's not like I'm not taking anything that isn't mine. I step inside, switch it on and come out better than new, restored and reinvigorated. Even regenerated.

DOCTOR: And in a parallel universe, there's a smoky hole in the ground where your alternate self was.

VICTOR: I burn up lesser men to warm my own greatness. It also makes sure that there is an increasing number of universes without pale copies of me cluttering up the place. Without a duplicate of me, no dimensional paradox to overcome, I can skip between realities with greater ease... and destroy them.

DOCTOR: Unlike this one.

VICTOR: Yes, there's a version of me here, so I have to tread softly but not forever.

DOCTOR: So why haven't you killed me?

VICTOR: Oh please, as if you're a parallel version of me. I thought you'd worked out the truth by now.

DOCTOR: Truth? Of course I'm you. It's why you used the automatic defenses to kill everyone in your ship who wasn't you!

VICTOR: I haven't killed anyone. (grimaces) Ooh, that sounds wrong. Er, I haven't killed anyone yet. Yes, that's better. But no, I just sent a neural pulse through the telepathic circuits, on a wavelength higher life forms like you and I aren't bothered by. Don't think that makes you the same as me.

DOCTOR: (thoughtfully) Not the same, but similar enough for the telepathic circuits. And if I reverse the polarity...

VICTOR: Oh, don't you dare reverse the polarity aboard my ship!

(The Doctor grabs a control on the node and twists it round the other way. The shrill shriek repeats and Victor and the Doctor convulse with agony and collapse as Diamond, Tanya, Benton and Miles stir and recover.)

DIAMOND: Doctor?

MILES: Oh god, my skull...

(The Doctor is slumped, holding onto the control node to stay upright.)

DIAMOND: Doctor!

DOCTOR: (pained) Diamond... set the controls, get us back to Earth... the day we left, quickly.

(Diamond starts setting controls.)

BENTON: What happened? What's wrong with the butler?

DOCTOR: It's him... Vise...

BENTON: What?

(He advances on Victor.)

TANYA: Steve, what are you doing?

BENTON: What I should have done before.

TANYA: You can't kill an unarmed man?

BENTON: Beg to differ, Tanya.

DOCTOR: (hisses) Diamond!

(Diamond doesn't look up from the controls. She waves a hand, psychically knocking Benton down.)

DIAMOND: I am technically on his side in this, Doctor.

DOCTOR: He's my responsibility! Land the ship, Diamond, we need to stop the Chameleons. They're loose in England. You've got... (groan) Stop them!

MILES: What about you?

DOCTOR: I... (feverish) Vise is my responsibility! I'll deal with him, once and for all. Just go!


[Country Road]

(The mausoleum materializes in an empty field by the road where Benton and Tanya were first seen.)


[Mausoleum]

(Diamond turns a dial and the doors open.)

MILES: But how are we supposed to stop an invasion of face-changing aliens?

DOCTOR: (groans) Use your imagination!

BENTON: We can't risk that monster escaping!

DOCTOR: He won't! Trust me!

BENTON: I've done that before and look where it got me!

DIAMOND: What about...

DOCTOR: I'll deal with that too. Just get out of here!

(Diamond nods, grabs Benton and effortlessly hauls him out. Tanya and Miles hurry after them. The Doctor takes his hand from his ear, revealing blood on it. He reaches over and operates controls.)


[Country Road]

(The quartet watch the mausoleum fade away.)

MILES: (amazed) Did that...?

DIAMOND: Enough with the skepticism. We've got a world to save.


[Time Vortex]

(The mausoleum hurtles faster and faster.)


[Mausoleum]

(The Doctor's nose is bleeding now as well. He nearly collapses. A weak chuckle comes from Victor, who is sprawled on the floor, bleeding from his nose, mouth and ears.)

VICTOR: (weakly) What now, Doctor? (coughs) Just going to leave the signal broadcasting till we both die?

DOCTOR: (coughs) If I'm not your parallel self, then if I focus the signal on you... you die, I'll live...

VICTOR: (evil laugh) Oh, the sun always shines on the righteous... And if I'm lying? (coughs) You willing to take that risk?

(The Doctor reaches out for the control. Victor's eyes widen in alarm.)

DOCTOR: Oh... it's a risk, I grant... but either way, you're finished... Mister V... vanquished!

VICTOR: (shouts) NO!

(The Doctor turns the dial to full and the shriek gets louder and louder. Both the Doctor and Victor scream in agony.)


[Time Vortex]

(The screams continue as the mausoleum spins away into the distance.)



[News Desk]

(A trustworthy-looking female newsreader addresses the audience.)

NEWSREADER: The Prime Minister's sudden departure from the gala caused much consternation, but a statement from his office states he was struck by a brief bout of food poisoning and is recovering, while in other news the charity cricket match at Viscount Vincent the Fifth of Burgundy's manor was shown to be a devastating defeat by Perry Conway's Showbiz Second Eleven at 78 runs to 7. On the bright side, five thousand four hundred and fifty pounds have been raised for the benefit of grieving grannies, injured sailors and children in need - relieving a little of the suffering and stamping out some of the misery in this wicked, wicked world. A firework display to celebrate the win at a local truck stop, however, caused some damage and emergency services were called in to investigate, but authorities have confirmed no one was hurt.

(Across the studio, the Controller can be seen amongst the floor crew and cameramen. He nods slightly. The newsreader idly smooths out her sleeve, the armband visible beneath.)


[Country Road]

(Diamond and the others trudge along the side of the dirt road.)

MILES: It's daylight now.

DIAMOND: What a journalist you are.

MILES: So we've moved in time. But when?

DIAMOND: A little bit into the future, as far as I can tell.

TANYA: You mean you're not sure?

DIAMOND: I mean I'm not sure. I landed Vise's ship on automatic, so it nudged a little bit forward so we didn't bump into ourselves.

MILES: But how far?

TANYA: These trees look like they did yesterday, well, yesterday as far as I can tell.

DIAMOND: So we've only missed a day at most.

BENTON: (sourly) An extra day for these Chameleons to take over the country.

DIAMOND: You didn't even know they were here for the last few weeks. There's only a few dozen of them at most, minus the ones we killed.

BENTON: But they could be anyone anywhere.

DIAMOND: (impatiently) No, they couldn't. They can only be famous or influential people in this soggy little island. They're not bullet proof, they're not multiplying, and now they don't have a leader. If you want to go wallow in despair, do it somewhere else.

BENTON: What's the point in even stopping these things when Vise could be back any minute?!

DIAMOND: The Doctor's dealing with him.

BENTON: I've heard that before.

TANYA: Steve...

BENTON: Tanya, you don't know what that man is capable of. He destroyed the world I came from. Billions and billions of people and he burned them just for the fun of it. Everyone I ever knew, ever could know, died in agony and the Doctor didn't stop it!

DIAMOND: No one did. You included, "Steve".

BENTON: We should have killed Vise back there. At least we could have had some justice.

DIAMOND: I killed Vise at the time. He came back.

BENTON: I'd do it properly, unlike some squeamish girl.

(Diamond rounds on him angrily.)

DIAMOND: Squeamish? That creature murdered my sister in front of me. To punish me. I could have crushed his skull to pulp like that. (snaps fingers) And don't think any of you could have stopped me. You know why I didn't? Because right now, we might need him alive.

TANYA: Why?

DIAMOND: Because he's clever. Too clever. He doesn't just plan to win, he plans to lose. Game theory. Whatever happens, he makes sure he comes out ahead. And you putting a bullet in his brain is something even Miles here could have predicted.

MILES: (offended) Oi.

DIAMOND: You think Vise couldn't factor it into his plan? You think he wouldn't have some fail-safe or back-up ready to kick in? The Doctor took him by surprise, which is more than anyone else has managed. So we leave it to him.

BENTON: That doesn't guarantee...

DIAMOND: (shouts) No it doesn't! Nothing guarantees anything, except if we stand around here comparing how much of our lives that man has ruined, the Chameleons are going to win. Now come on. We need to find a phone in this backward swamp you call civilization!

(They start moving again.)


[Mauseoleum]

(The room is quiet. The Doctor is slumped by the node. Victor sprawled on the floor. Both might be dead. The Doctor opens his eyes painfully and twists the dial back. The shriek returns in reverse. The Doctor manages to stagger to his feet and groggily looks down at Victor's body. He kicks his leg, then, satisfied he's dead, stumbles over towards the TARDIS. He opens the door and enters.)


[TARDIS Control Room]

(Exhausted, the Doctor staggers to a roundel and slides it back to reveal a red cross and a row of ampoules and hypo-sprays. He swigs from a couple of ampoules, grimacing at the medication. He gives himself a shot from the hypo-spray and sighs in relief. Much stronger, he pulls out a hanky and wipes the blood from his mouth and nose. He stops as he sees the cocoon-like plastic shape on the floor. His expression turns grave.)


[Mausoleum]

(A twisted arm grabs the control node. Victor hauls himself up into view, grinning insanely through the blood from his nose mouth and ears. He looks to the resurrection casket and drags himself towards it.)


[TARDIS Control Room]

(The Doctor, recovered but expression now very grave, is checking instruments on the console. The dials and meters are spinning wildly, rising higher and higher. He nods, satisfied. He heads outside.)


[Mausoleum]

(The Doctor steps from the TARDIS and sees Victor is gone. He looks around and sees Victor lying in the resurrection casket.)

DOCTOR: No! Get out of there!

VICTOR: (woozy grin) Make me.

(The Doctor advances and then bounces off an invisible barrier with a burst of blue sparks.)

VICTOR: You know, when you think about this, this is all your fault. There's another Vise, another Doctor, out there in the multiverse and they're going to die all because of you.

DOCTOR: You're the one using that obscenity!

VICTOR: So I am... (giggles) but you didn't stop me, though, did you? And you never will!

(There is a thunderclap and a wave of red light rolls up and down the interior of the casket. The glow gathers around Victor until he is blazing with energy. The blood and scars disappear, then the next wave changes his hair to blond and curlier, then again and again until his face has completely changed into someone resembling an older Sixth Doctor. The casket shuts down. His eyes flutter open, blazing red for a split second.)

DOCTOR: You...

V: (deep breath) I. Hello again.


[Country Road]

(Ahead are the sound of sirens and emergency vehicles and thick smoke is blowing up into the air. The quartet approach.)

TANYA: That's where the motorway station used to be before they bombed it.

BENTON: That's it!

DIAMOND: What?

BENTON: How we deal with the Chameleons. If calling in one of those primords was enough to flatten the truck stop, then a call saying there's another at the Viscount's manor and Bob's your uncle.

MILES: I thought you said the Chameleons were monitoring the phones.

BENTON: Yes. They wanted to keep a track of that poor woman you saw infected.

MILES: So won't they be a bit suspicious when you ring up and say their secret headquarters just happens to be the next place they need to blow up while they're inside it?

BENTON: (annoyed) Well, do you have a better idea?

TANYA: If the manor house is their base and half of these imposters are gone, maybe it won't be defended very heavily. Maybe we can free those celebs they are copying.

DIAMOND: I did get a good look at their processing equipment. I might be able to fix something.

TANYA: But they'll recognize you and Miles!

DIAMOND: So?

(She rolls up her sleeve to show the armband.)

DIAMOND: That's the trouble with body-snatching, you can never keep track of personnel. It's you two who should be worried.

BENTON: They don't even know about us.

DIAMOND: Exactly. Two people they've never seen before turning up at the manor will get them on alert - worse, they might recognize you as the good Samaritans they tried to freeze in liquid nitrogen last night.

TANYA: So, what, you're saying we should split up?

DIAMOND: That depends. What are you two going to do while Miles and I are up at the house?

(Tanya and Benton exchange looks.)


[Mausoleum]

(The Doctor watches as V steps from the casket.)

V: Ah, much better than doing it the old-fashioned way! Natural metamorphosis isn't a patch on this sort of renewal. I can tell even without looking that in every fibre of my being this is the most extraordinary improvement.

DOCTOR: I'm sure that's a great comfort to the parallel selves you've just butchered.

V: Parallel selves are a commodity. I can do whatever I want to them. You should be the first to realize that, my dear Doctor.

DOCTOR: What do you mean?

V: A mirror! I must have a mirror!

(He pulls back a dusty curtain to a full-length mirror and admires his reflection.)

V: Oh my. I can hardly believe what I'm seeing! What a noble countenance! A face exuding nothing but warmth and wisdom! I've often found myself lacking this is some form or another in my previous incarnations but I do believe I've finally found perfection! (laughs) A face people will admire and trust long before they realize that I've already slit their throats!

DOCTOR: Yes, but I wore that face better.

V: Did you? Oh good, that means there will be some gullible victims out there who'll think I'm the Doctor and seek my counsel and courage. Oh, to see the scales fall from their eyes. I'm sure this must be quite galling, now that this is who I am. But worry ye not, il Dottore, you won't be living long enough to get used to it.

(He rummages under the shirt of his shoulder and pulls out the button.)

V: Hah! I thought that would happen. Now our chameleonic friends no longer have a hold over me, I don't need to waste my time tending to their vulgar and predictable whims. I can focus all my attention onto you.

DOCTOR: That's quite the braggadocio from someone hiding behind a force field.

V: Well, I need to get out of this ridiculous outfit. I require clothes to compliment by new and respectable outfit. Something stylish and elegant, but without pretension. I'm just popping off to get changed. I assume you'll be here when I get back. After all, you wouldn't want me loose in the cosmos would you? Ciao!

(With a wave, V leaves. The Doctor watches him go and then runs to control node and starts to dismantle a hatch in the base.)


[Country Road]

(The quartet have finished discussing their plan.)

MILES: (unimpressed) That's your plan?

TANYA: It's not as mad as it sounds.

MILES: It sounds utterly deranged.

BENTON: It doubles our chances for success.

DIAMOND: He's right. Look, this armband was the one the fake Viscount was wearing. It's as close to a badge of authority as we can find.

(She hands Tanya and Benton some black armbands.)

DIAMOND: Sorry about the goo.

(They grimace as they put them on.)

DIAMOND: Just remember, this might not work. They can't seem to instinctively tell real from fakes, but if you give yourselves away they won't show you any mercy. None of us are famous enough to be worth duplicating.

MILES: (huffs) Can you go five minutes without undermining my sense of self-worth?

DIAMOND: Not unless I take a vow of silence. (to Benton and Tanya) Good luck.

MILES: Shouldn't we have a secret password or something?

BENTON: No point. If we're duplicated, the Chameleons will know everything we do.

MILES: Oh.

TANYA: Come on, time's a-wasting.

(Tanya and Benton head down the road, while Miles and Diamond hurry off through the trees.)


[Time Vortex]

(The vortex is spreading thinner and darker, as if coming to the end of a tunnel.)


[Mausoleum]

(The Doctor has opened a panel to reveal a diamond-shaped glass shape filled with brown-red liquid. He looks up as V returns dressed in a jet black frock coat, waistcoat and trousers that fit him properly.)

V: Ah, that's much better. A most remarkable improvement, don't you agree?

DOCTOR: If you're stranded in Victorian London.

V: An era not without its charms. Especially if you wander the back streets on a foggy night with a butcher's knife and a decent knowledge of the human circulatory system. Quite... ripping, I'd say!

DOCTOR: What a pity you'll never get to visit.

V: Only if you stop me and you haven't been doing a very good job so far, have you?

DOCTOR: What are you going to call yourself this time? Vance? Vaughn? Vladimir? Vinnie? What is it with you and the letter V anyway?

V: Oh, a reminder of the good old days at home. When I was starting out as a mere humble doctor of law.

DOCTOR: A Valeyard.

V: Valley-Yard? It was Veil-Yard in my universe. Oh well, I was thinking of something more vainglorious in its vicarious valor, a vector of vitality vexing the virtuous and the veritable and vulnerable in a virtuoso violation of viciousness.

(The mausoleum shudders and there is a chime.)

V: Oh, we've landed. Wherever it is, it will be the virginal victim of my villainous vendetta!

DOCTOR: That's getting very irritating, very quickly.

V: Hrm. Yes, I take your point. Even my voluminous vocabulary vacillates at such vulgar verisimilitude.

DOCTOR: Speaking of words starting with V, what's this?

(He pulls the glass shape out of the control node.)

V: (frowns) It's the vortex primer.

DOCTOR: Correction. It was the vortex primer.

(The Doctor hurls it to the floor and stamps on it. The liquid wells like blood from the broken glass.)

V: (alarmed) What have you done?

DOCTOR: Rendered your mausoleum worse than useless. If you try to take off without a trackoid time crystal, you might get back into the time vortex but there'll be no chance of leaving again ever.

V: You've stranded us here!

DOCTOR: It's nice to know your brain's not too soft from resurrection trauma, Mr. V.

V: Of course I can easily take a replacement part from your ship over there.

DOCTOR: Unless I already removed it and destroyed it as well.

V: (sarcastic clap) Well done, very clever. You've sacrificed yourself as well as me.

DOCTOR: It's why, this time, I'm going to win.

V: Hardly much of a victory, is it? Without my time-ship I'll just have to take out all my frustrations out on the innocent locals.

DOCTOR: Which is why I've taken us somewhere without innocent locals.

V: Oh, guilty locals, are they? I can work with that. I admit sometimes I can't tell the difference. They die the same no matter what the crimes. Anyway, are you going to tell me where we are or do I have to look myself?

DOCTOR: I thought I'd take you to the end - and beyond.

V: And what pray tell does that mean?

DOCTOR: It means I've taken you the place you've been heading all your life, right from the very beginning.

(He presses the button and the doors open. V turns, frowning and crosses to look out them.)


[Last Planet]

(The mausoleum sits in a bleak, rocky landscape under a dark starless sky. Everything is still and silent. V stands in the open doorway, looking around at the desolation. His expression is unreadable. He turns back inside.)


[Mausoleum]

V: Bleak. Barren. No plants or trees or animals or people, no life of any kind... Is it Cromer? It's Cromer, isn't it?

(The Doctor shakes his head.)

V: Oh, all right, I give up. Where are we? When are we? Or when?

DOCTOR: (confused) When?
V: Yes, you know the sort of thing. Year? Decade? Century? Millennia? Epoch? Eon?

DOCTOR: We're been trillions upon trillions of years since there was any point trying to measure time. Welcome to the end of the universe.

(V looks to the dead landscape outside.)

V: Well, it could be Cromer. If you squint. All right, I give up. Why have you decided to trap us both here at the very end of reality itself?

DOCTOR: Well, this is what you've always wanted, isn't it? To destroy everything. To kill everyone. And what do you think was going to happen after you ran of lives to end and there were no more stars to snuff out? This. A realm where there's nothing left alive except you.

V: Oh very thought-provoking, Doctor. Except I haven't killed everything. Everything just died of old age. Where's the fun in that?

DOCTOR: It's the same end result.

V: The journey matters more than the destination.

DOCTOR: You can pretend you killed everyone. No one is going to contradict you.

V: Is this meant to make me change my ways, Oh Ghost of Christmas Future? Does Tiny Tim still have a chance if I reform myself to your moral absolute? Well, tough. There'll always be another universe, somewhere else for me to destroy.

DOCTOR: And what happens when there isn't? When this is all there is left?

V: Then I content myself with winning.

DOCTOR: Winning?

V: I'm alive. Everything else is dead. That's a win in anyone's book. Except... you're still here. What was that you programmed into that android to kill me? The universe wasn't big enough for the two of us? Well, now I'm inclined to agree.

(He snaps his fingers and there is a fizz as the force field shuts down. V advances on the Doctor, who backs away.)

V: So this was your great dramatic gesture, then? Take me as far away from everyone else as possible and make sure I never come back?

DOCTOR: I'm not here to impress you.

V: Good, because you're succeeding immensely. But don't forget I'm not trapped here with you, you're trapped here with me.

DOCTOR: Kill me and you'll be alone forever.

V: But I'll still be alive, so I'd be doing better than you wouldn't I? And I don't think you've crippled your own ship.

DOCTOR: Because you've never been wrong before.

V: I know you, old chap. For all this compulsive martyrdom you like to show, you like having an escape route. A way out you can not take so your thin skin of moral scruples can keep out the cold. It's not really a sacrifice if you don't have any choice in the matter, is it?

DOCTOR: You know, I believe you really won't be lonely. The universe will cease to be before you get bored listening to your own voice.

V: Oh I intend to take off some time to enjoy your dying screams first.

(The Doctor is retreating back around towards the doorway.)

DOCTOR: Confident, are you? How about a five minute start?

V: Time is meaningless. Space is collapsing. This is the end of the road. Where are you going to hide?

DOCTOR: (smug) Wouldn't you like to know?

V: You'd like me to let you run off out that door? What's to stop me taking off and leaving you out there?

DOCTOR: Because then you'd be stranded in the time vortex forever. And you'd know you'd never beaten me.

V: (mock distraught) Oh curse my predictability!

DOCTOR: You're your own worst enemy.

V: (chuckles) Case in point. All right, Doctor. I'll count to a hundred. Just for old time's sake.

DOCTOR: We haven't known each other that long.

V: You really don't know, don't you? I thought it was just some witty badinage but you really have forgotten your heritage.

DOCTOR: What are you talking about?

V: I'm up to ten. Ninety more to go. Do you want the truth or the advantage?

(The Doctor glowers at him, then runs out.)


[Last Planet]

(The Doctor sprints off across the dusty plain. V leans in the doorway and watches him run.)


[Grounds]

(Diamond and Miles move through the treeline.)

MILES: It all looks normal.

DIAMOND: That's the idea. Come on. Act like you own the place and have no real personality or identity.

MILES: Pretend to be a civil servant, I get it.

DIAMOND: Doesn't it strike you as pathetic that you've chosen to be governed by people you don't remotely respect?

MILES: Democracy is the worst form of government, except for all the others, to quote Winston Churchill.

DIAMOND: Who?

MILES: Former Prime Minister.

DIAMOND: So even your own leaders think they're rubbish? It's hard to think the Chameleons can do a worse job. Come on.

(Dusting themselves down, they head briskly over to the manor house.)



[Accident Site]

(A fire truck and a few police cars are visible amongst the swirling mist. Benton and Tanya approach the emergency workers.)

POLICEMAN: I'm sorry, this is a restricted area...

(Benton rolls up his sleeve to reveal the Viscount's armband.)

BENTON: Not to me.

POLICEMAN: Of course not. I wasn't informed...

BENTON: You didn't need to be. I take it all the mutant creatures were destroyed?

POLICEMAN: Yes, sir. There were less than a dozen confirmed infections, all accounted for.

TANYA: And unconfirmed?

POLICEMAN: All organic life in the immediate area has been flash frozen. We're smashing up the remains and disposing of them as per orders.

BENTON: So there are no more creatures on the loose?

POLICEMAN: Not to our knowledge, sir. All the creatures in the time traveler's vessel were disposed of. Unless there are any other samples of the mutagen...

BENTON: Then that's enough. Continue with the operation and then resume normal duties. We want a low profile, no attracting attention, no suspicious humans who need to be disposed of or replaced.

POLICEMAN: Sir.

TANYA: We also need the phone-tapping abandoned.

POLICEMAN: Abandoned?

BENTON: You heard her. It's a waste of resources now we have completed infiltration.

POLICEMAN: (surprised) We've completed...?

BENTON: Does your template have a hearing problem? I want all monitoring shut off. Until that time, I require a secure line with no eavesdroppers, human or not.

POLICEMAN: Sir.

(The policeman moves off.)

TANYA: So far, so good.

BENTON: So far.


[Terrace]

(Miles and Diamond reach the front of the house. A passing security guard spots them, but doesn't react. They calmly continue inside.)


[Entrance Hall]

(They creep past the stairs.)

MILES: The thing is, Viscount Vincent's been all over the papers. If he disappears all of a sudden, people will start asking questions.

DIAMOND: Probably why they want to get control of the country's media.

MILES: But if they don't have a Viscount, people will want to know where he is. It'll draw attention here to this house. So they need to replace the copy we killed in the tomb.

DIAMOND: It depends if the original's still alive to copy. But if it is... Come on.


[Bedroom]

(The Viscount lies unconscious on the couch with a white armband. Joe and the chauffeur are talking crossly. The real Joe with a white armband lies on a bed nearby.)


JOE: This is hardly necessary. The Director has only been missing a few hours...

CHAUFFEUR: A few hours too long. Look, even I can tell that the template is disconnected. If the Director is still alive, he has lost his form. We need Viscount Vincent the Fifth for the final phase of these charity organizations.

JOE: And your promotion to acting-Director is just a convenient unexpected side-effect?

(Unnoticed, Diamond peers around the door.)

CHAUFFEUR: This operation is at a crucial phase. There are eyes watching us, and we cannot afford a single mistake.

JOE: All right, all right. We will reprocess you.

(The chauffeur lies down on the couch beside the Viscount. Joe puts the headsets on their heads. As he activates the machine, the chauffeur's eyes close and he begins to revert to his original form. Suddenly Diamond and Miles burst in, charging Joe and knocking him over. Diamond races to the processing machine. The Chameleon that used to be the chauffeur tries to rise, but Diamond adjusts the controls. The Chameleon collapses, dissolving into goop. The Viscount groans and starts to wake up. Joe struggles upright.)

JOE: No! No you worthless anthropoids...

(Miles grabs Joe's black armband.)

MILES: This worthless anthropoid has your life in his hand, fake Joe. Think about that.

(Joe tenses. Diamond starts adjusting more controls.)

JOE: You have no idea what you're doing with that equipment!

DIAMOND: Is that bad? For me, I mean. I know it's terrible for you and the rest of you parasites, but what is the price to a worthless anthropoid on a planet you're invading out of sheer spite?

(Joe says something.)

DIAMOND: Come on. You're the superior intellect. Give a reason not to keep pressing buttons.

(Joe gulps, starting to sweat.)


[Last Planet]

(The Doctor runs off across the difficult terrain. He looks back through the mist and sees V striding confidently towards him, smiling evilly.)

V: (calls) I count all the way up to one hundred, I don't skip any numbers, and you're still not ready! Are you trying to break my hearts with sheer bathos? Because breaking your neck is going to be much, much easier.

(Saying nothing, the Doctor keeps running. V is gaining on him all the time.)


[Bedroom]

(Joe is talking, pleading, with Miles and Diamond.)

JOE: Look, you can't know what it was like for us. We didn't choose this... form, this ability. We were facing extinction. Something worse than death.

(Miles indicates the bodies in the couches.)

MILES: Like this, you mean?

JOE: Miles... Listen. Our race, we were flexible. You people think chameleons change their colour to blend into the background, but they don't. It only ever happens by coincidence. Chameleons change colour to show their moods, for mating rituals.

MILES: You changed your bodies for mating rituals?

JOE: Among other things. But then there was an explosion. A colossal explosion, worse than anything you can imagine. A bang so big it didn't just knock down buildings or smash glass and brick. It smashed our minds out of our bodies.

DIAMOND: An explosion that created telepathy.

JOE: Uncontrolled telepathy. Our mind bled into each other. Imagine, right, everyone who lives in a street. And then each one of them had a copy of the consciousness of everyone else on that street. All those minds in each body. How would you know which mind belonged where?

MILES: (cautiously) I'd look in the mirror.

JOE: That would work if your form wasn't plastic, if it couldn't alter its shape. Instead, we went mad. A whole species without a clear identity, a clear form. To survive even for a day, we had to abandon everything.

DIAMOND: All your identities. All your forms. That's why you became hollow shells, blank and unfinished.

MILES: And you built these things to steal them from other people.

JOE: It was survival.

DIAMOND: No, survival was when the Doctor gave you another option and the rest of your people took it. You didn't. You chose conquest and murder. So tell me, with a voice that isn't yours from a mouth you've stolen, why we shouldn't wipe you all out?

JOE: (desperate) That's murder.

DIAMOND: You've been murdering people. Not just this body-snatching, you caused a primord outbreak. It looks like humanity's survival depends on stopping you.

MILES: So if our positions were reversed, mate, if it were you at the controls, what would you do?

JOE: But I'm not at the controls. You are. You're humans, you show mercy.

MILES: Do we?

JOE: (laughs) Of course you do! You have charity cricket matches! Even the most selfish and wealthy of your race are morally compelled to help the less-fortunate, the children in need, the old, the sick, the homeless. It's so easy to just let them all fade away, but you never do.

DIAMOND: They never fix it all, either.

JOE: Inefficiency and negligence. It's rarely outright malice. You humans never like hard work, but you can't stand being judged by yourselves. None of you want to be thought of as the villain.

MILES: The real Joe would tell you that's not true.

JOE: A handful of insane maniacs all civilizations despise and shame. Put Hitler at that control, my people are dead. I think you're better than that. Am I wrong?

(Miles looks guiltily at Diamond. Diamond doesn't flinch.)


[Last Planet]

(Just as he thinks he's lost V, the Doctor sees the black-clad figure directly ahead of him. The Doctor ducks down a sharp inline and clings to the side of a sandy slope while V stalks above, the angle too steep for him to see his prey. V moves off. The Doctor slides to the bottom of the slope and hurries off through the gully, taking the more exposed fork instead of going deeper. V drops down into the gully and runs down to the fork. The Doctor is hiding in the hollow as he comes near.)

V: I suppose I should thank you for the chase, Doctor. Nice to put the new body through its paces. A brand new form, better than ever with none of that tedious post-renewal trauma. I bet you're feeling a bit envious. As well as exhausted. Just how much longer can you keep running?

(He reaches out and scoops up a handful of dust.)

V: Then again, just how much further is there to run, mm? This isn't a planet, or even an asteroid. Just one of the largest chunks of matter left remaining in existence, the safest landing point for my ship to locate. Mind you, that doesn't say much. This isn't even an atmosphere, just a cosmic smog of atomized particles as the last bits of matter breaks down. It'll probably start to break up from the pressure of our footsteps. There's not enough energy left to hold anything together any more. (sotto) Why come here? Why not just hurl us into a black hole if you wanted to be rid of me? Why? I must remember to get the answer before I kill you. Maybe I'll tie a knot in my hankie. Or your windpipe, whatever's easiest.

(V leaves, taking the steeper, shadowed gully. The Doctor watches on, clearly exhausted.)


[Motorway]

(A police car drives along to a small lay-by with an ordinary phone box. It stops. The policeman gets out, along with Benton and Tanya.)

POLICEMAN: Here we are, sir.

BENTON: (unimpressed) This is it?

POLICEMAN: Removing the surveillance web is not easily-done, sir. We've isolated this part of the network. No one can listen in.

TANYA: What about our people?

POLICEMAN: (slightly miffed) The line is secure.

BENTON: Then keep your distance. This isn't for your ears. Or whoever's ears you happen to be wearing.

(Benton enters the phone box. Tanya, self-consciously, stands outside as Benton carefully dials a number and waits.)

VOICE: Hello?

BENTON: Put me through to your scientific advisor, immediately. It is vital.

VOICE: Excuse me, sir...

(Benton starts to speak, then stops.)

VOICE: Hello?

BENTON: You're... Are you... Is your name Benton?

VOICE: Er, yes, sir, as a matter of fact it is. Look, can I ask what's happening?

(Benton screws up his eyes.)

BENTON: I need to speak to the Doctor. He gave me this number. The Doctor with the phone box who can change his face and travel through time. There is an alien invasion taking place in Britain right this minute and he's the only one who can help.

VOICE: All right, sir. Putting you through.

BENTON: (quiet, broken) Thank you... Son.


[Last Planet]

(The Doctor is holding a sonic-screwdriver device with a pen duct-taped to it. He is adjusting it with a normal screwdriver, sweating as he does so. V climbs atop a dune in the distance and the Doctor senses it and ducks down out of sigh. V turns on the spot, calling out loudly.)

V: Doctor! Doctor, I know you can hear me. There's nothing else to listen to at the end of time. If you want me to run you down, I will. It's not as is this dustball is particularly large, but I admit it might fall apart any second. Surely we're both owed a more dignified end than that? Let's cut to the chase, well, cut the chase completely. I know why you're doing all this, why you're drawing things out. And it's not out of some sophistic delusion of morality. I know what you want and why you're not going to leave here. So, come on down and face oblivion - it's the most fun you can have at the end of the universe, after all. I'll even tell you who you really are as you seem to have rather conveniently forgotten. At least this way you'll know what will be written on your tombstone. You can't say fairer than that now, can you?

(The Doctor stays where he is, breathing hard and clearly rattled by V's speech.)

V: Can you? (disappointed) Apparently you can. All right then, I gave you a chance. Whatever happens now, Doctor, it's all on you.

(V jumps down off the slope and out of view. The Doctor turns and runs in the opposite direction, apparently in a blind panic.)


[Motorway]

(Benton is still on the phone.)

BENTON: Stop arguing with me, man, and do it! It's your job! Gatwick Airport, 1966, look it up if you can't remember it! Stop asking me how I know, just look into it and you'll find out it's true.

TANYA [OC]: Uh. Steve.

(Benton looks up. The policeman is aiming a gun at them both.)

BENTON: The whole point of a secure line is we don't have eavesdroppers.

POLICEMAN: Yes. Still, a good policeman is always a nosey parker. Even the template of one. Put down the phone.

(Benton does so.)

BENTON: If you were listening, you'll know I've alerted the authorities. The United Nations know what you're up to.

TANYA: Do you have enough of those armbands for everyone?

POLICEMAN: I don't know, but I'll have two more once I remove them from your dead bodies.


[Bedroom]

(The processing machine has been pulled apart and then put back together again. Wires and circuits hang out messily. Joe makes the last adjustment.)

JOE: There. It should work now.

MILES: If it doesn't, you just used up your last chance.

JOE: Human beings have mercy.

DIAMOND: To their own kind, maybe. When it comes to alien invasions, they can be very unforgiving.

JOE: This is survival. For all of us.

DIAMOND: Then go ahead.

(Joe swallows, reaches forward and activates the control. The processing machines crackles and shorts out in a puff of smoke. Joe's eyes roll up in his head and he faints, Miles catching him.)


[Motorway]

(The policeman suddenly staggers, shuddering as if getting an electric shock. He collapses against the phone box. Benton and Tanya back away.)


[News Desk]

(In between bulletins, the newsreader is chatting with a floor manager when she jolts in her chair, looking faint. The floor manage is startled.)


[Corridor]

(The BBC 3 Controller is similarly stricken.)


[Terrace]

(A security guard convulses and falls.)


[Dining Room]

(The comedian with the stuffed giraffe collapses in front of the guests at the table.)


[Bedroom]

(Miles cradles the fake Joe, who is in a daze.)

MILES: Did it work?

(Diamond looks to the real Joe, who is groggily sitting up. The other real victims, the comedian, the Viscount, the butch young woman, the security guard, the policeman, are likewise coming round.)

DIAMOND: I think it did. Fancy that.


[Office]

(The real BBC3 Controller groggily gets out of the cupboard, pulling the armband off and looking around in confusion.)


[News Desk]

(The newsreader is looking around, lost.)


[Motorway]

(The policeman looks fearfully and confused at Benton and Tanya, clearly having no idea what's going on.)


[Bedroom]

(All the humans are getting to their feet. The fake Joe is looking around, a lost expression on his face.)

DIAMOND: I think... we just won.


[Last Planet]

(The mausoleum sits in the dust. Further back, the Doctor staggers up onto the plain. He looks around and sees no one around in any direction, then he activated the device, speaking into it like a microphone.)

DOCTOR: Hello, this is the Doctor. Come in. Hello? Where are you? Stop messing about, this isn't funny. You're supposed to be waiting here for me. You said you would. I certainly paid enough up front. You wouldn't have cheated me, would you? (beat) Of course, if you did, I'd be stranded at the end of the universe with a psychotic serial killer and I wouldn't be in a position to complain. But you didn't get your whole fee, did you? Are you really going to miss an option like that? (sighs) Maybe you had an accident. Traffic can be terrible when the stars burn down to nothing, I suppose. There goes that otherwise incredibly brilliant plan...

V: Well, if you will go and rely on other people.

(The Doctor whirls around and V slams his hand down on the Doctor's shoulder, locking him in place.)

V: I have to say, that was admirably underhand and sneaky. The sort of thing I would do. You didn't maroon yourself here deliberately, you thought you had a getaway vehicle ready and waiting.

DOCTOR: Afraid so. In hindsight, smashing both our vortex primers was something of a mistake.

V: In hindsight, everything seems to be a mistake. But you were always going to come back here, weren't you? You want my ship, don't you? Or, to be completely accurately, my resurrection casket.

DOCTOR: I have no desire to use that abomination.

V: On yourself, perhaps not but it's easy to have scruples about yourself. You want to use it on someone else, to bring them back to life, don't you? I wonder which poor fallen waif you've chosen to restore? Or maybe all of them? Is your little phone box filled with more corpses than the Paris Ossuary and Highgate Cemetary combined?

DOCTOR: I haven't lost as many as you've killed.

V: Is that a compliment or an insult? Never mind, I don't care. If you're willing to sacrifice a complete innocent for your own selfish desires, then you're really not much better than me, are you?

DOCTOR: Not much better, no. But still better than you.

V: But, unlike you, I know who I am.

DOCTOR: I am the Doctor.

V: Oh are you? You, the Doctor, that wandering many-faced intergalactic crime fighter in his erratic time machine. Famously disguised as a police box, not a telephone kiosk.

DOCTOR: The chameleon circuitry glitched.

V: Did it? Or is it you're not travelling in that notorious painted blue policeman's booth but a completely different vessel altogether? The Doctor's is a Type 40, of course?

DOCTOR: Of course.

V: But yours is a Type 50.

(The Doctor blinks, surprised.)

DOCTOR: No. It's a...

V: It's a Type 50, old chap. Like my mausoleum. They wouldn't have been compatible otherwise. Even my improvisational skills only go so far.

DOCTOR: Yes, but... No. I've never had any other time ship than the one I have now.

V: Which is a Type 50. You've owned it for as long as you can remember, I trust? Just how long is that?

DOCTOR: I remember leaving home. I remember my granddaughter, my friends, my companions, alien planets, Sontarans, Draconians, Nestenes...

V: And that face you're wearing. How did you come upon it? What did you look like before?

DOCTOR: I've had seven other faces, it's easy to lose track.

V: Pah! Seven?! I doubt you've had two! That face, and your original one. Oh, dear, I do have to spell it out for you. Remember Earth, the one that I destroyed so efficaciously? That escape plan relied on a Type 50 time ship arriving in my backyard at precisely the right time. Do you think it was just bad luck you ended up there? You brought me that ship so I could escape. Literally, not figuratively. Your whole purpose in life, your mission, your reason to be, was to free me.

DOCTOR: (less confident) I am...

V: ...what I made you to be. You are my creation. My homunculus, my puppet, my gofer and dogsbody combined. You're not the Doctor. You're not even me. You're a chameleonic bioplasmic avatar that clearly needed a few of the kinks worked out of it before I sent you into play.

DOCTOR: You mean... you created me, sent me into this universe to steal a time machine for you, and then I just forgot and started believing I was your parallel world self, the Doctor?

V: Oh at last! This is like pulling teeth but not as fun. Before my exile, I knew those spineless cretins were going to try and get the better of me. Time-locking my ship to an expendable planet like Earth was obviously going to be the justice they'd dispensed. After all, they don't need to get their hands dirty. But they needed to catch me first and I used the last days of my freedom to create you.

DOCTOR: A clone?

V: Please, don't be vulgar. A genetic construct. I fired you into an appropriate dimension, one close enough to my own. You patterned yourself on my parallel self, the peripatetic Doctor, the moment of your arrival. You probably looked quite different at the time, but you copied the real one perfectly. No one suspected a thing.

DOCTOR: And I found my way home and stole a time ship.

V: Yes, probably not very well. Maybe you were shot trying to escape or else the controls blew up in your face. You became... you. The new "Doctor" and you forgot you'd ever been anyone else.

DOCTOR: But everything since then has been real. Heart, Diamond, Vienna, Sontar Prime...

V: Hardly a life at all, really. And you would stayed here gallivanting around, thinking you were the Doctor and never come back for me.

DOCTOR: (quietly) And what a tragic turn of events that would have been.

V: Luckily, before you forgot your origins you set protocols in place on your time ship. When push came to shove I was able to drag you down for the great escape. I honestly wasn't sure if you'd forgotten me or you were playing some kind of cruel mind-game. That would just like me, after all. But no.

DOCTOR: I'm not the Doctor. I'm not real. I'm a wind-up toy that wandered off on its own.

V: Yes, it's tragic isn't it? I can't imagine a greater blow to anyone's psyche. To know you are nothing, less than nothing, a crude mimicry of a greater being with ideas above their station.

(The Doctor stares at V, lost.)

V: The wonderful thing is, I'm not even lying. That's why I've not bothered to kill you, "Doctor", because that would imply you had a life to take. You're not even worth that. A brief, unexpected diversion to entertain me between genocides. And do you have anything to say, you mockery of a man, before I finally put you out of my misery?

DOCTOR: (shakes head) It can't be true.

V: It is.

DOCTOR: It can't. If it is, then... then...

V: (sadistic glee) Yes. It changes everything, doesn't it?

(The Doctor looks up at V, grinning confidently.)

DOCTOR: No. It changes nothing.

(He jabs the device he's holding at V's chest. There is a loud buzz and V is frozen, a look of stunned surprise on his face.)

DOCTOR: Ooh, is he alive or is he dead? Has he thoughts within his head? Has he lost his mind? Can he see or is he blind? We'll just leave you there. Why should we even care?

(V is motionless. The Doctor raps his knuckles on V's forehead but there is no reaction.)

DOCTOR: I remembered these little freezer pens from the last time I met the Chameleons. Or the Doctor met them, if we're going with your story. Either way, it wasn't enough to freeze me. But with a few adjustments, a slight inversion of polarities, and wham, bam, thank you Director. Total neurological paralysis. Yes, you just couldn't believe I'd risk my own life to stop you, could you? I'd have to have an escape plan, rather than a final solution?

(The Doctor zaps V again.)

DOCTOR: Oh, don't worry, I'm sure it'll wear off eventually. In the meantime you can stand here, unable to speak or move or touch or harm. Unable to influence anything around you. I can't imagine a greater blow to anyone's psyche. To know you are nothing, less than nothing, a crude mimicry of a greater being with ideas above their station. And as everything that ever was devolves into a homogeneous soup of atoms, you can think long and hard about the decisions that led you here and why even your own homunculus would turn on you.

(He starts to walk off then turns back.)

DOCTOR: Come to think of it, when were you ever a reliable source of information for anything? I wouldn't trust you to describe the colour of orange juice. Me? Not the Doctor? Yeah, of course. You learn something new every day.

(He waves mockingly.)

DOCTOR: Ciao.

(He walks over to the mausoleum and steps inside. The doors close. V stares ahead, blank and powerless as the mausoleum vanishes with a wheezing, groaning sound. Silence falls. V remains motionless as the mist draws in.)


[TARDIS Control Room]

(The Doctor is installing the glass shape in the console dais. He straightens up, dusting his hands.)

DOCTOR: Sorry about that, old thing, but I couldn't take the risk he'd do a runner with you. (sighs) Old thing. I suppose you're not that old. I hope no one got hurt when I took possession.

(He looks down at the cocooned shape.)


[Mausoleum]

(The cocoon is now loose wrapping material on the floor. The Doctor stands by the casket and lying in it is the mannequin-like shape of Heart.)

DOCTOR: I'm sorry I didn't think of this sooner.

(He reaches for a control and stops.)

V [OC]: You want to use it on someone else, to bring them back to life, don't you? If you're willing to sacrifice a complete innocent for your own selfish desires, then you're really not much better than me, are you?

(The Doctor doesn't press the button. Dissolve to...)


[Church]

(A wedding is in progress. The groom, a good-looking young man, is waiting at the altar as "The Wedding March" starts to play. He turns around eagerly to see the bride come up the aisle. It is Heart, and in the place of her father and wearing a tuxedo, is Diamond. They all grin at each other as they take their places. The priest steps forward and opens his mouth to speak when suddenly Heart screams in agony. There is a red flash and her empty wedding dress falls to the ground. Panic and confusion spread. Diamond and the groom are utterly horrified by what they've seen.)


[Mausoleum]

(Heart, real and alive again, coughs and splutters in the casket. The Doctor has his hand on the activator, face grim.)

HEART: (dazed) Doctor?

(The Doctor tears his gaze from the control and looks at Heart.)

DOCTOR: Hello again.

HEART: What the...? I... What happened? I was so lost.

DOCTOR: But you're found now, that's what matters.

(He helps her from the casket.)

HEART: Where are we? Is this... This is Vise's mausoleum.

DOCTOR: It's not his anymore. Though there might be the odd primord skeleton lying around. It's just another abandoned time ship drifting the vortex. The Flying Celeste. Or do I mean The Marie Dutchman?

HEART: Doctor. Where's Diamond?

DOCTOR: Good question. Let's go and find her. I know she'll be delighted to see us!

(They enter the TARDIS.)

HEART: Delighted? Are we talking about the same Diamond?

(The TARDIS dematerializes.)


[Time Vortex]

(The mausoleum drifts aimlessly away as the red phone box hurtles purposefully in the other direction.)


[Cricket Pitch]

(A sunny morning. The Viscount sits at a table having tea and sandwiches with Diamond, Miles, Joe, Benton and Tanya. Wandering around in basic formal wear are the duplicates of Joe, the Controller, etc. They all have innocent childlike expressions as they set up the pitch for another game.)

VISCOUNT: And we're sure they're all safe now?

DIAMOND: So far everything's working the way the technician promised.

(She nods at the duplicate Joe who, nonplussed, gives a polite wave back.)

DIAMOND: Their forms have been flash-frozen into who they were impersonating, but the links to the originals have all been severed.

TANYA: And they can't remember who they were?

VISCOUNT: They're all like children. Simple children. Actually, I'm not sure I feel good using them like this. Unpaid staff and that.

MILES: Well, the other Joe said they'd recover after a few days. Got the greatest intellects in the universe, so they say, but they all seemed pretty stupid beforehand.

DIAMOND: This'll keep them busy in the meantime, long enough for Benton's pals in the military to make sure we've got the lot of them.

JOE: (folds arms) Well, I refuse to feel sorry for them. And when they remember they're all evil aliens again, what happens then?

VISCOUNT: That is a point. They might start this invasion all over again.

DIAMOND: They can't. They're stuck in their current forms and even if they weren't, their processing machinery has been smashed and no one's bringing any replacements.

VISCOUNT: You mean Victor? I tell you, I can't hold myself as a true judge of character anymore. He totally fooled me, never even once made me suspicious.

DIAMOND: (darkly) He's good at that. Believe you me.

MILES: But where's he got to? And your friend, the Doctor? What's happened to them?

DIAMOND: Here's a journalistic tip, Miles. Don't ask someone questions you know they can't answer.

(There is the familiar wheezing, groaning sound from the middle of the pitch and the TARDIS appears. The duplicates blink in mild surprise but don't really react. Diamond rises and runs over to the phone box as the door opens and Heart steps out. Diamond stops and stares at her.)

HEART: Hey.

DIAMOND: Hey. You're alive then?

HEART: Guess so.

DIAMOND: Bang goes my new sewing room.

(They embrace. The Doctor steps out, shuffles past them and crosses to the others.)

MILES: Who's she? Another duplicate?

DOCTOR: Oh no, just her twin sister. (frowns) Keep up! (to Benton) And it looks like you've managed to sort things out quite well.

BENTON: I called the relevant authorities. Got the Doctor to sort it out.

DOCTOR: (thoughtful) Did you? Smart move.

BENTON: When I rang, my son answered.

DOCTOR: ...And how are you?

BENTON: I don't know. There's not much precedent for hearing a parallel universe version of a dead relative on the phone.

DOCTOR: Well, imagine how your son feels.

BENTON: (curtly) He doesn't feel anything, he didn't recognize me.

TANYA: Maybe that's for the best.

DOCTOR: Yes, Benton, you can focus on your fresh start. A new life, new friends, new neighbors. Focus on what you've got instead of what you've lost. Unless you're writing a country and western song, anyway.

(Heart and Diamond come over.)

DIAMOND: Apparently we don't need to worry about Citizen V any more.

DOCTOR: No. No one does, ever again.

TANYA: Is he dead?

DOCTOR: Well, technically not yet. Ask again in a thousand trillion years and you'll get a definite answer.

BENTON: Did you kill him?

(A slight pause.)

DOCTOR: Yes, I did.

BENTON: I hope it hurt.

DOCTOR: Pain was never something that would bother Vise.

DIAMOND: So how did you do it?


[Last Planet]

(V remains frozen in place. A boulder nearby suddenly crumbles away into sand and smoke, billowing around him. In the distance there is a faint rumble. V still doesn't move.)



[Cricket Pitch]

DOCTOR: (flatly) Efficaciously.

HEART: (slightly troubled) You seemed a lot more upset when you had to kill that time parasite on the Imploder.

DOCTOR: Did I?

DIAMOND: As a matter of fact, yes. You were.

DOCTOR: I suppose I must have been. On the other hand, that was when I was killing a living sentient being.

HEART: And Vise doesn't count?

DOCTOR: Ah, but Vise was me, remember? So killing him isn't murder, it's an extroverted suicide. Completely different thing.

(The twins shrug and decide to go with that.)

DIAMOND: If you say so.

HEART: Yes, there was definitely only room for one Doctor in this universe.

(The Doctor is uncomfortable about that. He turns back to Benton and Tanya.)


DOCTOR: Anyway, we're holding up the next match so we should be probably getting on our way. And best of luck for the future – whatever you choose to make of it.

BENTON: Right. But how... just how did you bring Heart back from the dead?

(The Doctor's cheerful expression starts to fade.)


[Church]

(Diamond kneels weeping over the empty wedding dress. The groom stares at it in shock.)


[Cricket Pitch]

DOCTOR: A good magician never reveals his secrets.

TANYA: And are you?

DOCTOR: Am I what? Good? Or a magician?

TANYA: Either.

DOCTOR: (taps nose) That remains to be seen.

(He turns to the twins.)

DOCTOR: Come on, you two.

(They enter the TARDIS and it dematerializes.)

VISCOUNT: (sighs) Every time I think I've got the hang of this mess, it just starts baffling me.

MILES: Hey, Joe.

JOE: What?

MILES: I've got an idea for what to do with these Chameleons when they get their heads together.

JOE: Oh?

MILES: How about you and I set up a celebrity lookalike service for charity events?

(Benton and Tanya still look at the spot the TARDIS was.)

TANYA: Ready to go home?

BENTON: (surprised) Home?

TANYA: I need a replacement truck. But I think I can sweet-talk the Viscount into giving us a lift.

BENTON: You know who I am now.

TANYA: I always knew who you were. Now I just know what you were.

BENTON: A security commander in a Nazi-ruled England who ordered and carried out abuse, torture and execution of his own people.

TANYA: Yeah. But am I going to say anything that'll make you feel more guilty than you already do? Like the Doctor said. Fresh start.

BENTON: You can't be that well-adjusted.

TANYA: Well, there's only one way to find out.

(Arm in arm, they head back to the Viscount table.)


[TARDIS Control Room]

(The Doctor is happily operating controls while the twins gossip.)

HEART: (scoffing) You're a tour guide?

DIAMOND: And a very good one.

HEART: With people? Living people?

DIAMOND: Correct.

HEART: And they like the way you behave?

DIAMOND: (annoyed) Look, I keep them alive for their visit and they leave less ignorant than when they arrived. I never promised to mollycoddle them.

HEART: Sounds like you could use the assistance someone with people skills?

DIAMOND: Like you, you mean?

HEART: Like me, I mean.

DIAMOND: Do I look that desperate?

HEART: Do I?

DIAMOND: (smirks) As a matter of fact, yes. All right, sister of mine, you fancy joining forces to face the tourist industry on Epsilon-Gamma?

HEART: We split the money. Fifty-fifty, my favor.

DIAMOND: Yes... maybe I'll take care of the financial side of things.

(They grin then notice the Doctor watching them.)

DOCTOR: So that's our next stop worked out then? Ding-ding, everybody off? All right. If that's what you want.

(He starts resetting controls, scowling.)

DOCTOR: You're in charge, not me.

DIAMOND: Like always.

(The Doctor doesn't smile.)

DIAMOND: I know it seems a little ungrateful...

DOCTOR: (flatly) Very much so.

HEART: Oh Doctor, don't be like that.

DOCTOR: Like what?

DIAMOND: A petulant brat.

DOCTOR: (very petulant and bratty) Who's petulant? I couldn't be more pleased you're going. Frankly, if you hadn't asked just now I would have told you both to sling your hook.

DIAMOND: So you don't want us to stay with you then?

DOCTOR: Not at all. Thank you both for the ride, it's been fun.

HEART: Doctor!

DOCTOR: (sighs) You don't need to ask me for permission. I'm not your father or your employer or careers officer or guidance counselor. You have lives of your own, it's what I've been telling you since the day we first met. If this is how you want to live them, who am I to stand in your way?

(He goes back to the controls.)

HEART: (quietly) The only person who could.


[Forest Clearing]

(The TARDIS materializes. The door opens and the Doctor steps out. Heart and Diamond emerge, wearing satchels and backpacks of possession.)

DIAMOND: Here go. Epsilon-Gamma. It's not the most spectacular world in the sky, but it's home. Or a very close approximation of home, anyway.

HEART: So where's this cabin of yours with the famous lakeside view?

DIAMOND: Near the lake, of course! Other side of the temple.

(The Doctor turns and goes to re-enter the TARDIS.)

BOTH: Oh no you don't.

(The Doctor turns back.)

DOCTOR: Sorry, you both seemed eager to go.

HEART: Not so eager we don't want to say goodbye.

DOCTOR: I hate goodbyes, you know that.

DIAMOND: I hate your outfit, we all have crosses to bear. (beat) You go first, Heart.

HEART: Me?

DOCTOR: Well, you are the emotional one.

HEART: Don't pigeonhole me!

DIAMOND: (singsong) Sounds emotional to me.

(Heart looks between them, then laughs.)

HEART: I'm going to miss this. And you, Doctor. Thank you for giving us a chance to be ourselves. To be anyone, for that matter.

(She hugs him, then stands back. Diamond steps forward.)

DIAMOND: Thank you, Doctor. It's been a pleasure... is what I would say if it had been a pleasure. It wasn't. (beat) But I'm still glad it happened and I'm still going to miss you.

DOCTOR: Not if you aim carefully.

(Diamond laughs.)

DOCTOR: Well, time I was off. It's a big universe out there and I still haven't been more than the tiniest glimpse of it. There are worlds to save, monsters to fight. (to himself) Doctors to find. (louder) Things like that. (pats TARDIS) Might even do a bit of redecorating.

HEART: Will you come back and visit some day?

DOCTOR: I might pop in from time to time. Or maybe I'll meet someone else who wants to see the universe and be too busy? Who knows where our destinies might lie?


[Forest Clearing]

(The twins watch the TARDIS dematerialize.)

DOCTOR [OC]: Maybe we'll bump into each other some other time, some other place? Perhaps our paths will cross in some remote outer corner of the universe?

(The twins turn and walk off down the path to their new life.)


[Time Vortex]

(The TARDIS spins off into infinity.)

DOCTOR [OC]: But, wherever it is, whatever happens, I'm certain than we'll meet again.


[TARDIS Control Room]

(The Doctor is at the control. He grins at the camera.)

DOCTOR: Oh yes. We shall meet again...


(Roll credits.)
 
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