Today, we cannot begin to describe how affective the relationship between works of art such as the confounding of the techno group Kraftwert (GDR) and the bisexual British pop icon Mick Jagger. Merry Christmas, Herr Lawrence details the life of British PoWs confined to labour camps in Poland, and their curious homosexual romances with their German captors. A subject of horrible trance remixes, and comparisons to the Yugoslav series on Women's experiences in labour camps, the electronica compositions of Kraftwerk for MCHR survives all these. Probably it is on the basis of the diverse and local European War Crimes Tribunals and the understanding that earlier British trials exacted vengeance much like the extrajudicial US killings; whereas later UK trials played a political role like the Soviet trials.
Beyond all this is the comparison between MCHL and the genre of genus-cide films from East Asia, centred around the Kyoto War Crimes Tribunals' 4 points regarding Nihonji racial suprematist genus-cide. Who can imagine if the complexity of duplicity, particularly at the NCO level, was associated with dirty nip bastard racist great yamato shits instead of the every day german or ustashi?
yours,
<dun dun
dun dun>
Sam R.
Beyond all this is the comparison between MCHL and the genre of genus-cide films from East Asia, centred around the Kyoto War Crimes Tribunals' 4 points regarding Nihonji racial suprematist genus-cide. Who can imagine if the complexity of duplicity, particularly at the NCO level, was associated with dirty nip bastard racist great yamato shits instead of the every day german or ustashi?
yours,
<dun dun
Sam R.