And now, my inaugural post:
(Poster to be added at a later date.)
Murder on the Orient Express (1940)
A Warner Bros. Pictures Production
Directed by Michael Curtiz
Written by Seton I. Miller, Julius J. Epstein and Philip G. Epstein
Adapted from the novel by Agatha Christie
Produced by Hal B. Wallis
Music by Max Steiner
Cinematography by Sol Polito
CAST:
Christie herself was pleased with the final result. Although taking umbrage with the quality of Poirot’s moustaches in the film, she found Lugosi’s performance to be “pleasantly adequate”. It satisfied her enough to ensure that the door remained open, regarding future screen version of her work.
The film is widely considered to be the best adaptation of the book, (rivalled only by Sidney Lumet's also excellent 1974 effort), and among the best overall dramatisations of Christie's work.
(Poster to be added at a later date.)
Murder on the Orient Express (1940)
A Warner Bros. Pictures Production
Directed by Michael Curtiz
Written by Seton I. Miller, Julius J. Epstein and Philip G. Epstein
Adapted from the novel by Agatha Christie
Produced by Hal B. Wallis
Music by Max Steiner
Cinematography by Sol Polito
CAST:
- Greta Ohlsson (Greta Garbo)
- Hildegarde Schmidt (Marlene Dietrich)
- Ratchett (Edward G. Robinson)
- Hercule Poirot (Bela Lugosi)
- Mary Debenham (Olivia De Havilland)
- Countess Andreyni (Myrna Loy)
- Col. Artbuthnot (David Niven)
- Count Andreyni (Basil Rathbone)
- Foscarelli (Don Ameche)
- Cyrus Hardman (Warren William)
- Pierre Michel (Erich Von Stroheim)
- Masterman (C. Aubrey Smith)
- Princess Dragomiroff (Maria Ouspenkaya)
- McQueen (Dwight Frye)
- Dr. Constantine (Edward Van Sloan)
- Bouc (Harold Huber)
Christie herself was pleased with the final result. Although taking umbrage with the quality of Poirot’s moustaches in the film, she found Lugosi’s performance to be “pleasantly adequate”. It satisfied her enough to ensure that the door remained open, regarding future screen version of her work.
The film is widely considered to be the best adaptation of the book, (rivalled only by Sidney Lumet's also excellent 1974 effort), and among the best overall dramatisations of Christie's work.
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