If the Chuck Oswald story was ever a movie, a sequence with him tripping balls on heavy medication and imagining himself as Zap Zephyr would be perfectly soundtracked to this. Picture Oswald on a yacht at Martha's Vineyard, seeing the helm as the controls of Zephyr's ship. Booze and drugs flow freely as "his hearty Zed Force crew" parties long into the night. The sequence ends with someone pissing him off by accident, he pulls a pocket pistol out, and shoots them in the face as everyone screams.
I may be considered an Infee, but this timeline has to be the greatest I've ever read. Any tips on how to write a scenario like this?
Thank you soooo much! I have to agree with what everyone else said: write what you love and know. And if you don't know something, don't be afraid to ask other board members for advice or book/research tips. I would never have been able to write this TL without the help of people like Zoid, DocBrown, Murica, etc.
I've wanted to write some general thoughts on creative TL writing so here it is as rambling commentary at 2 am: Write what you love and a lot of other people will love it too
(though, of course not everyone). I've said this TL reflects my own personal obsessions and favorites: Star Wars, 1984, Strangelove, Death of Stalin, Napoleonic, American, and Victorian history, weird conspiracy theories, Warhammer, Fallout, Bioshock (likely Outer Worlds in forseeable future, lol). My number one tip: create something that is as unique and interesting as the franchises, books, timelines, and movies you love. Why do YOU like those? Chances are other people like those same things for similar reasons. I was inspired by things like the unique flavor of Fallout
(f*** Todd Howard though) to create my own world that's just as detailed, fleshed out, and unique. The future of this TL has so much damn flavor its gonna blow everyone away, at least I hope, when we truly arrive at "The Setting" of the glorious Pinnacle Future that we will explore indefinitely. Most of all, don't be afraid to do something truly crazy, really out there, and run with it. If people don't like it, they'll say so. As for this TL's style, as someone else said, characters and interesting dialogue can not only move the plot along and make it more interesting than "x invaded x and wow it's different now" or "this guy who lived is dead now", it can also be true entertainment in its own right, even regardless of the setting. If I write an interesting or insane character and give him unique quirks, traits, or lines, then I bet there are a few readers who don't even really care about AH that much that will stumble upon this and like it for the sheer quantity of memorable characters I've tried very hard to develop and the laughs and horror they can bring. Sorry for rambling and my advice probably isn't worth much, since I'm far from professional and so is the TL, never went to college, and am literally a Walgreens shift manager, lol. I definitely recommend watching a lot of documentaries and skillshare type videos on writing and creating characters and worldbuilding, because I think that is what has helped the most over the past year. I can't remember the video now, sadly, but one thing that has helped me write dialogue was an author video calling out Quentin Tarantino for amazingly interesting writing. Realistic writing is boring, because most real life convos are boring. Stylized is interesting. When Bruce Willis's character in Pulp Fiction is buying cigarettes and is asked "Filters?" He replies, "None." That is interesting, and that is good writing. To me, and this is a personal choice, "uber realistic" AH can be boring in my opinion (not all the time but often). Stylized AH is where my ears perk up. Madness might not be "hard" AH, but it's interesting. lol
EDIT:
I believe this is the video! It really stresses cutting or rewriting awkward or uninteresting dialogue. I have also thought of dabbling in screenplays. A guy in my tiny hick town pitched an idea to Disney and they bought it. I'm very jealous, lol.