Thank you kindly! This was an idea that I had from reading a comment way back, when it was theorised that Japan might begin moving away from Article 9 of their constitution early as a result of crazy Uncle Volodya and his policies.
WW2-era Music as Japan launches new ship.
23rdSeptember, 2000
- Irish Times
(Tokyo) Crowds today at IHI Marine United Yokohama Shipyards cheered, waved red-and-white Rising Sun flags and sang along to ‘Gunkan Koshinkyoku’ (Warship March), the Imperial Japanese Navy’s official march during the Pacific War, as the new Amphibious Defence Vessel JDS (Japan Defence Ship) Izumo was launched today. The new vessel, the first of her class, marks a turning-point in modern Japanese history.
“My father was in the Imperial Navy,” one elderly onlooker told reporters. “I wish he could have lived to see this.”
Following the country’s defeat in World War II, Article 9 of Japan’s post-war Constitution specifically forbade the nation from re-arming, while the Treaty of San Francisco placed responsibility for Japan's defence in the hands of the United States. However, as a result of the growth of Soviet power and the beginning of the Cold War, the Japan Self-Defence Forces were established, under certain limitations. From the 1950s onwards, the JSDF have occupied an anomalous place in Japan: officially not a military force, but possessing battle tanks, jet fighters and a naval force that has returned to a position of numerical power in the Pacific, yet barred from developing weapons classified as ‘offensive’ such as ballistic missiles or aircraft carriers. Nor has public opinion always supported the SDF, as society has remained largely pacifistic until recently.
However, the rise to power of Vladimir Zhirinovsky and the formation of the Union of Independent States has caused the Japanese government to re-think their traditional defence policy. In 1994, Japanese Prime Minister Takeshita Noboru addressed the Diet, citing the ‘increasingly unstable nature’ of a ‘certain country to the North’ and the ‘growing uncertainty of the modern world’ as reasons for a ‘more realistic’ Japanese defence policy.
Beginning in 1996, successive budget plans have increased the amount of money available to the Self-Defence Forces, allowing expanded production of the new Type-90 main battle tank, the construction and deployment of an additional thirty F-15J fighter jets, and the commissioning of three new Kongo-class destroyers on top of the four that were already active. However, it is the construction of the Izumo that marks Japan’s greatest divergence from their Constitution.
Weighing in at 27,000 tonnes, the Izumo is the largest vessel in the Japan Maritime Self-Defence Forces. Designed as an amphibious warfare vessel, as well as its total crew complement of 415, it can carry a force of 913 soldiers and thirty tanks. More than anything else, though, what have raised eyebrows in Japan and abroad are Izumo’s air capabilities. Built with a ‘ski-jump’ ramp on her flight deck, to allow the use of Vertical Take-Off and Landing (VTOL) aircraft, Izumo has eight landing spots on her deck and – if her light vehicle bay is used for additional storage space – may carry thirty aircraft. And most tellingly, a week prior to the launching of Izumo, the Japanese government announced that Mitsubishi – under license from McDonnell Douglas – are beginning manufacture of the ‘Sea Falcon’, a copy of the Boeing AV-8B Harrier II.
Although the Constitution specifically prohibits the use of aircraft carriers by Japan, the Prime Minister and the Ministry of Defence have classified the Izumo as an Amphibious Defence Vessel, insisting that such a ship is not included under Article 9. Prime Minister Takeshita has also stated that the ship and the Sea Falcons – once constructed – will be used solely for defence. However, a number of nations have criticised Japan’s development of the Izumo. UIS President Vladimir Zhirinovsky, as might be expected, was foremost among them, calling Izumo’s development a ‘pathetic attempt by a pygmy nation to regain lost Imperial glory’ and stating that ‘whether Japan builds one, ten or a thousand ships, they are nothing more than a parasite clinging to the United States’. He has also sharply criticised America’s ‘dangerous encouragement’ of Japanese re-armament, claiming that for the past three years an ‘experimental squadron’ of the JMSDF has been training with the United States Marine Corps in the use of Harrier IIs and in carrier air operations. Chinese President Jiang Zemin was less outspoken, but stated that he was ‘saddened’ to see Japan ‘edge ever closer to a return to militarism’. Nor has the criticism been entirely confined to overseas, with many criticising the government for such massive spending on defence during a time of national recession – though in the short-term, at least, the increased military-industrial expansion has led to greater employment.
No comment has been forthcoming from the White House, but certain sources in Washington have revealed that many are cautiously optimistic about Japan’s increased defence spending, citing the expense of maintaining American military facilities in Japan, and Japan’s lack of defence obligations to the United States. Many hope that this could lead to closer military cooperation between Washington and Tokyo, and Japan becoming a more ‘proactive’ ally to America, along the lines of Britain.
[AN - TTL's Izumo is heavily based on the Spanish Juan Carlos I - I figured that a full carrier would still be too much for Japan and her neighbours, but an amphibious assault vessel might just get away with it]
Screenplay of ‘Ghost in the Shell: Stand Alone Complex 2nd Gig’
Episode 26, ‘Yukoku e no Kikan’
INT. BASEMENT
The setting is a basement under Dejima Refugee Camp, buried under a tonne of rubble. We see MAJOR MOTOKO KUSANAGI, in full combat gear but with her pistol just out of reach, in a crouching position on the ground. Behind her is the prone form of the refugee leader KUZE, his left arm blown off by gunfire. Standing above them both is COLONEL FYODORA SEMYONOVA, a tall cyborg with brightly blonde hair and an impressive figure squeezed into a black catsuit. She has a large handgun aimed at the Major’s head.
MAJOR
So it was you all along.
FYODORA
Tsk tsk…poor, naïve little Motoko. You really thought it was the Americans? What is it with you Japanese – all these years later, you still think they’re waiting to strike you down again. Or…maybe you thought that poor deluded Kuze here could have actually got all this together without outside help. Neither speaks well for your intelligence.
MAJOR
Well, I suppose it explains why you and your team have been so closely entwined with this operation. And logically…logically I suppose that in the wake of the Korean Civil War, the UIS would have been better placed to make Kuze their sleeper agent than the Americans. (Pause) I suppose that your people have been evacuated from Dejima already.
FYODORA
Yes. And once I’m clear, our submarine will launch its missile at Dejima... and the nuclear destruction of the island by the refugee population will inspire clampdowns from the Japanese government, attacks on refugee districts...violence. And then, when the refugees try to defend themselves…civil war. Which will be made all the worse by the cheap weaponry that’s been flooding the refugee camps. And even if things are put down quickly, and the Japanese government can investigate what happened…the evidence will lead them back to America. At best we destabilise an enemy country, at worst we drive a wedge between two enemies…and all for the price of a nuclear missile, some cyber-viruses, and a single commando team.
MAJOR (IN ACCENTED ENGLISH)
‘One billion Kalashnikovs and one nuke’.
FYODORA
(Grins) You remembered! Of course, the man who came up with that idea was an idiot in most things…but when it came to injuring the motherland’s enemies, he was a genius. (Pauses, smile changes into something more sultry) Why not come with me? Even if you were to survive me and the bomb, once the destabilisation starts, Japan won’t be a very fun place to live. (View cuts to Fyodora’s POV, sweeps over the Major’s body). And with the time we’ve spent together, I’ve grown quite fond of you.
MAJOR (LOOKING AT THE GROUND, SCOWLING)
No.
FYODORA
Pity. Well, at least I can make sure you’re not here when the bomb hits.
MAJOR (CLOSES EYES)
Did you get that, Chief?
ARAMAKI (OFF-SCREEN)
Yes, Major. A JMSDF submarine is inbound to intercept the Russian vessel now. (CUT TO PRIME MINISTER’S OFFICE, PRIME MINISTER KAYABUKI AND THE AMERICAN AMBASSADOR ARE PRESENT) And the Prime Minister is reinstated. (CUT TO CABINET OFFICES, ARMED SOLDIERS ARE REMOVING CHIEF SECRETARY TAKAKURA AND OTHER MINISTERS) Pro-UIS members of the Cabinet are being removed – just until their level of complicity is fully revealed.
FYODORA (STARTLED)
What’s going on?
MAJOR
You really thought we couldn’t put two and two together? You really thought that Togusa wouldn’t get suspicious that your team turned up to save his life just as his contact in Tokyo got assassinated? (FADE TO MONTAGE OF SCENES FROM PREVIOUS EPISODES, SHOWING FYODORA AND HER TEAM WORKING WITH SECTION 9) Since then, we’ve been monitoring you all. (SCENE OF FYODORA AND THE MAJOR IN A HOTEL ROOM IN NIIHAMA) Especially you. By the time we were deploying into Dejima, we knew exactly what you were up to. We just needed the specifics – the location of your submarine, the names of your provocateurs, that kind of thing.
FYODORA
No…no! You can’t have!
MAJOR
We have. Tachikoma! Report!
CUT TO TACHIKOMAS, OUTSIDE HIGH-RISE BUILDING IN DEJIMA
TACHIKOMA
Major! We managed to stop the Russians escaping the island, but they’ve fortified themselves inside a building in the centre! (ROCKET EXPLODES NEAR TACHIKOMA, ANOTHER RETURNS FIRE WITH ITS GATLING GUN)
MAJOR
No problem – just keep them there until backup arrives
TACHIKOMA
Ryokai!
CUT BACK TO BASEMENT
MAJOR
Japan won’t be so easy to destabilise as you thought. (SMILES) We beat Russia once, over a century ago. Looks like we’ve beaten you again, on a different battlefield.
FYODORA (SNARLING)
You won’t get to enjoy it! (CLOSE UP ON TENSING TRIGGER FINGER, SUDDENLY FREEZES) What? Why…why can’t I move?
MAJOR
The first night we spent together, I infiltrated micromachines inside you. Just in case. (INNER UNIVERSE THEME BEGINS PLAYING IN THE BACKGROUND) They’ve overridden your body’s motor control functions. It was a big flaw in UIS-made prosthetic bodies – they were uniquely vulnerable to micromachine attack. (THEME GETS LOUDER)
FYODORA (LONG PAUSE, THEN SPEAKS LIGHTLY)
Oh well. Odds are I’ll be exchanged back to the UIS after a while. Unless you kill me now.
MAJOR (STANDS UP, PICKS UP HANDGUN)
You know what the crazy thing is?
FYODORA
What?
MAJOR
I liked you too.
(MAJOR PISTOL-WHIPS FYODORA, BLOW LANDING JUST ON THE THEME SONG WORDS ‘AERIA GLORIS’)
MAJOR (SARCASTICALLY, IN ACCENTED RUSSIAN)
“Zvat Zhirinovsky”
[AN - I know that 'Zvat Zhirinovsky' was dropped, but I figured a Japanese audience might still associate it with Russia - especially since accurate Russian wouldn't be a high priority for an anime programme]