1941, Wednesday 8 October;
He banked over and straightened up for a second run over the works below. They were calling it an airfield, but all he saw was some cleared land, piles of broken scrub wood emitting a lazy smoke, and some recently dug drainage ditches. And across the whole area were numerous coolies and bullocks pulling carts, sledges, rollers etc. It didn’t seem much different to last week, but Singapore wanted more photos, so who was he to argue. The F24 cameras clicked away as he cruised over, confident that should anything hostile appear, he could just run way, with a maximum speed of 350 mph, thanks in part to not carrying any machine guns, he was confident that nothing would catch him.
Just the three, including this so called, airfields to photograph today, all on the Kra Isthmus, and this was the last, next it was home, Alor Star, and on landing he had a couple of airmen fuss over the cameras and extract the film, while the squadron leader of RAF No 4 (Singapore) PRU, asked him how the flight went. His new Canadian built Hurricane, a Mk X, built by the Canadian Car and Foundry, and fitted with a British built Merlin XX engine, would get the once over from the ground crew, and they’d have his baby ready for tomorrow. And that was it really, a lovely little job, a spot of lunch, and the rest of the day off, cushty!
On the edge of the runway was a de Havilland Dominie, part of the Comms Flight out of Seletar, waiting for his film. Film from the other Hurricane PRU, taken of the ports and surrounding areas of Pattani and Songkhla was already onboard. In two hours’, time they would be in Kuala Lumpur for a short stop, before flying onto Seletar, arriving about tea time.
Seletar, just before 5pm, a despatch rider was waiting by the hangers for the film, which once the airmen had placed in his paniers, and signed off, he was away, roaring along, full of the self-important of a prestige assignment, and feeling like king of the road as he raced off south, towards Singapore. Along Thomson Road he roared, the waters of the MacRitchie Reservoir could be seen on his right, until he reached the right hand turning, into Lornie Road, racing now south of the Reservoir. Sime Road came up on his right, and the first checkpoint, with barriers and armed guards, a mere formality with him, as he was waved through.
Further on down Sime Road, he came to the gates of the partially built, joint Army/RAF headquarters, where his papers were checked by the Sikh guards. On, in he rode, careful to observe the speed limit, there were too many Red Caps around, until he pulled in the parking area, by a long wooden hut. Several small trucks and cars were parked on the gravel, and pulling his BSA M20 onto its rear stand, he took his satchel of film into the entrance hall, the door opened by another Sikh sentry.
Inside, he turned left and walked over to a big desk, signing the film over to a young WAAF “Hello Gladys, you look lovelier every day”, “oh give over Reg, you say that to all us girls” she smiled, as she took the film, and signed his paperwork. Reg gave a smile, “I’ll be off then Gladys”, and he walked out, heading for a cup of tea at the NAFFI. Gladys picked up the telephone, dialled a number and waited for the call to be answered. “Hello Peter, your film is here”. Seconds later a young RAF sergeant quickly emerged from the long corridor, and took the film, heading to the dark room to develop it.
Next morning, 8am sharp, a Flight Lieutenant and two Pilot Officers, started work, hunched over their tables, with magnifying glasses, studying the blown-up photos, comparing them with last week’s, noting changes, estimating lengths, widths, identifying locations. By mid-morning, a typed report, accompanied by three photos, was in the hands of the intelligence officers.