Recording
At the suggestion of producer
Bob Ezrin, Pink Floyd added elements of
disco, which was popular at the time. According to guitarist
David Gilmour:
[Ezrin] said to me, "Go to a couple of clubs and listen to what's happening with disco music," so I forced myself out and listened to loud,
four-to-the-bar bass drums and stuff and thought, Gawd, awful! Then we went back and tried to turn one of the parts into one of those so it would be catchy.
[5]
Gilmour recorded his guitar solo using a 1955
Gibson Les Paul Gold Top guitar with
P-90 pick-ups.
[6] Despite his reservations about Ezrin's additions, Gilmour felt the final song still sounded like Pink Floyd.
[5] When Ezrin heard the song with a disco beat, he was convinced it could become a hit, but felt it needed to be longer, with two verses and two choruses. The band resisted, saying they did not release singles; Waters told him: "Go ahead and waste your time doing silly stuff."
[7]