As per usual, I'm wondering about the third Beatles film. Had Epstein not died, I wonder whether he would have found something acceptable for the group, or whether he would have assumed Yellow Submarine would satisfy the contract.
As per usual, I'm wondering about the third Beatles film. Had Epstein not died, I wonder whether he would have found something acceptable for the group, or whether he would have assumed Yellow Submarine would satisfy the contract.
I don't know what take he would have had on "Yellow Submarine" in how it turned out, which was a Beatles film without any involvement of the Beatles. "Yellow Submarine" would have satisfied UA had the Beatles been actively involved in it, rather than having others do the voices and doing a last minute, unplanned cameo filmed for the end. The way it turned out was a bit of a gamble that didn't pay off. I honestly don't know if Epstein went along with the idea that a film about but not involving the Beatles would have satisfied the contract, or if that plan of lack of involvement only came afterward when it finally started production.
What may happen, quickly perusing my internet sources, is that "Yellow Submarine" may go into production before "Magical Mystery Tour". That being if the film were truly delayed by Epstein's death in the OTL. (They could also both go into production around the same time, if the Beatles aren't actively involved in the former). If things go as they did with "Yellow Submarine" not satisfying the UA contract, then the group may attempt to make the "Magical Mystery Tour" concept into a feature film, much as "Let it Be" was originally planned as a TV movie before it was realized it could finish out the film contract.
That could go a few ways: either it's looked after more carefully, perhaps scripted, perhaps quite different from the original concept in order to be commercial under Epstein's watch, and things go better. Or perhaps its all that the actual thing was, just on a larger scale.
All that said, once the contract is finished out, the Beatles could do other television projects and films. But I doubt they'd attach themselves to a
nything like that UA film contract again.
The problem with scripting Magical Mystery Tour is that it would violate the entire spirit and point of the exercise. Magical Mystery Tour was just a bad idea, and I do not think Epstein could have fixed it without essentially betraying the heart of McCartney's premise. According to Hunter Davies, Epstein's relationship with McCartney was the weakest, and he was consistently, at least by 1967, concerned with keeping McCartney happy. That suggests he would not have tried to have Magical Mystery Tour detour from McCartney's. vision. That is a bit of a shame, because clearly, that vision did not work. It's also a shame because 1967 would have been a great year for a Beatle film, given all the hype and success surrounding Pepper.
As per usual, I'm wondering about the third Beatles film. Had Epstein not died, I wonder whether he would have found something acceptable for the group, or whether he would have assumed Yellow Submarine would satisfy the contract.
Also, wasn't there talk of an Alice in Wonderland, and a Lord of the Rings film?
Lord of the Rings, yes, but it never went anyone beyond some brain storming. JRR Tolkein still held the film rights and refused to allow it. I've never heard anything about Alice in Wonderland. Glass Onion and I had that as the Beatles film following McCartney's death in "End of the Beginning" (side note: we should continue that someday).
The closest thing was a TV movie Ringo was in in 1985. That and "I Am The Walrus", and some assorted Lewis Carroll inspired imagery elsewhere over the course of the Beatles' career.
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Lord of the Rings, yes, but it never went anyone beyond some brain storming. JRR Tolkein still held the film rights and refused to allow it. I've never heard anything about Alice in Wonderland. Glass Onion and I had that as the Beatles film following McCartney's death in "End of the Beginning" (side note: we should continue that someday).
The closest thing was a TV movie Ringo was in in 1985. That and "I Am The Walrus", and some assorted Lewis Carroll inspired imagery elsewhere over the course of the Beatles' career.
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Also, the Lord of the Rings idea seems, from what I know, to post-date Epstein's death, possibly by as much as two years.
I hate Lord of the Rings and love The Beatles, the idea of it's existence as a film is too confusing for me to even fully consider.![]()
You know how amazing a Lord of the Ring's Beatles' soundtrack would have been? I wouldn't go with 1969 (or later), though. Either the psychedelic era in late 1966 to 1968, or the White Album 1968. The imaginativeness or "folk" of the series would be better served by those. I have trouble seeing the Beatles' "Let it Be" era sound evoking this:
https://www.youtube.com/watch?v=RRVIVJjuaHE
Well, it'd be different from that. That film was far more of a straight adaptation than Heinz Edelman wanted to do, and the idea of doing such a version was essentially his idea. The idea was to use music to condense the story, so it'd actually be more akin to something like Fantasia than that. Also, in terms of imagery, Edelman wanted to use designs inspired by Akira Kurusawa's films, so the imagery would not resemble what you would expect out of a Lord of the Rings project.
So an artsy acid trip film which is essentially a collage music video and collection of musical segments in feature form?
It'd be closer to that than the Lord of the Rings animated film that was actually made. The caveat I would put on that is that Edelman still wanted to tell the Lord of the Rings story, so there'd be more of a comprehensible plot than a typical acid trip/Fantasia like film or even Magical Mystery Tour And I'm not sure whether everything was going to be musical or whether music was simply going to be used to condense the story. Also, if the Beatles are involved, there will be bits of dialogue, both to satisfy UA if possible, and also because Lennon really wanted to play Gollum.
Does anyone know enough to talk about the legal stuff about Seltaeb which was still evidently an issue when Epstein died? All I know is that it was a clusterfuck which resulted in a legal battle.
Wasn't a criticism of that film idea that it would give Lennon too much of the spotlight in Gollum?