Actually, thinking of venues - why the need to have it at ONE venue?
Basically, how early on could a global broadcast - ala "Live Aid" have taken place?
I mean, not just technologically, but economically and socially too..
* There needs to be a reason for such a show - either to make money, or for some deserving charity
* We also need TV networks willing to screen rock bands LIVE - or at very least on a delay (just in case anything dodgy happens)
...then there's the technological questions...
Anyone else here keen on exploring this idea - or is this a silly tangent?
Network standards and practices added to the mix would kill any possible television broadcast. It could have been broadcast live, coast to coast but, unless there was a good cause involved, rather than just a music festival, there's no way most of the acts would agree to submit to any network standards and practices or FCC regulations. This was the rebellous 60's! Abby Hoffman would have to be locked in a trailer fifty miles from the nearest microphone to avert the profanity he'd be spitting out alone.
If it were like the Concert for Bangladesh, with phone in lines to make donations for some sort of universally accepted worthy cause (world hunger, for example, much like Live Aid) I could see a lot of the biggest acts in the world (and a few in need of some good PR) signing on to perform and conceding to NSPs though. (They'd still run certain acts on tape delay though, especially if The Doors showed up and Jim was as blown out as he was at the time and after the Miami Incident and all.)
Trans-oceanic broadcast might be the trickey part. I don't think (not sure but almost positive) they didn't have the tech to pull that off yet, BUT, it was coming soon enough.
They were able to get a lot of those acts together for the Concert for Bangladesh a few years later, so it might very well bring The Beatles out for one last live performance.
Thing is, the acts start pilling up, the bands are limited to how many songs they can do and my copy of a Dead bootleg from Woodstock that my uncle recorded himself (and did an EXCELLENT job with) is one of my prized possesions, something I wouldn't want to see butterflied away.
