What's interesting to me about this is the way it doesn't really fit into any of the Western categories. It's danceable, but it's probably not extremely mixable (there isn't a really set pattern of drums that would allow one track to be mixed into the next). I've known about Soviet and Russian electronic music for a while, though I don't know much; one of the pioneers in electronic instruments was Leon Theremin, who invented an early drum machine, the 'theremin' device named after him (it generates tones based on the position of one's hands relative to a metal object), and, as it turns out, several listening devices. He's one of the many inventive Soviets sent to the sharashka or research-gulag.
Like classical music, electronic music could be seen as apolitical by Soviet authorities. I don't know of any hard evidence that they encouraged electronic musicians, however these releases are clearly not printed on old X-ray film like the Beatles or punk rock might have been, so they must have been tolerated or approved of.
These are from the 1980s, and so are probably a little too late to have a big impact on Western electronic music if they had been popularized in the West. I do wonder why the Soviets didn't consider exporting this music, since it's language-independent, and since so little of Soviet culture ever made it to the west.
As a what-if, perhaps Soviet electronic composers developed this music just a bit earlier, say around the same time Kraftwerk began producing (1974-77). With some help from cultural authorities, might this music have been popular in the West? Might it have, at the least, rivaled Kraftwerk for American audiences?