„Damn it! For Christ's sake, build faster, Home Guardsman!“
„Yes, sir!“
Commander Đuro Gruić, while always a calm man, could not help but feel jumpy as he heard the news of the Italian invasion from the south. He personally decided to lead the fortification and roadblock building in Mostar, the biggest city of the region, and no doubt an important patriotic symbol of Herzegovinian Croats.
Unfortunately for him, though, small villages and towns southeast of the city named after the bridge keepers (
mostari) of its famous Old Bridge have surrendered without a fight, many of them having majority Serbian populations unhappy with Vladko Maček and his politics who wished to evade unnecessary bloodshed if possible. This act left Mostar and Croat-populated western Herzegovina wide open for attack.
This left Gruić and his Home Guardsmen little time to set up defenses in Mostar, but the experienced Brigadier General quickly went to work, traveling from the provincial capital of Banja Luka to the Herzegovinian city during the early hours of the morning, so his distressed tone may be justifiable to some.
„Hurry. We have merely finished a single entrance, we still have to set up roadblocks in south and southwest.“
„Yes, sir!“
As some of the Home Guardsmen hurried to their stations, another small group of them, three young men, possibly in their late teens, approached the weary general in a hurry, appearing distressed. Gruić initiated the exchange.
„What is the situation?“
„Sir, the Greens have captured all villages to the southeast of Mostar. We have scouted ahead and it appears they are going to arrive to Mostar tonight, sir!“
„Good. We'll give them one hell of a fight! We'll send them right back where they belong, you hear?!“
„Sir, yes, sir!“
„Now go to the armory. See if there are any rifles left and distribute them all to people who are willing to put up a fight!“
„Yes, sir!“
Despite everything he tried to do as Ban of the Unincorporated Lands, Vladko Maček's hopes of establishing trust between Bosnian Serbs and the new government by appointing the Orthodox Christian general to the temporary position were crushed today by the realization that southeastern Herzegovina fell without a fight. Gruić could not help but feel disappointment at the people's choice, but he understood why. There was simply not enough time for him secure sympathy from the majority population, and he is not the only man facing this issue. He knew very well that the army suffered from many problems, and after the events of the April War a lot more time was needed for proper military protocols to be formed.
Despite all the disadvantages his country faced, he still felt strong determination and willingness to face the green menace if it meant the safety of his country, and he was dead-set in proving that tonight.
Well-known actor Boris Dvornik in the role of Đuro Gruić, whose actions in the following days and years made him one of the most controversial figures in Croatian contemporary history. This role won Dvornik numerous awards and accolades, and is considered to have reinvigorated his career, while the film itself is considered as one of the hidden gems of European cinema to this day. [1]
Meanwhile, to the far east of Mostar, in a small town of Višegrad, eerie silence filled the small place, creating an uncomfortable atmosphere. On one of key landmarks in the town, the Mehmed Paša Sokolović Bridge
[2], stood a large crowd of about a hundred people. Not all of them were in the same position, though. About thirty of them were on their knees, their hands behind their heads as they looked up at their captors. Many of those same captors wore jet black clothes, appearing like wraiths when contrasted to the bright morning sunshine.
Many of them, but not all, sported beards. Those blessed with facial hair appeared far more confident and sturdy in comparison to their shaven comrades. But there is one more thing they all shared in common, they were all armed with rifles. Outdated World War One rifles, but rifles nonetheless.
The oldest, silver-haired soldier among them, the leader, hostages assumed, approached one of the constables, lifting the young man's head up with his hand in a gentle motion. The constable's eyes showed a mix of fear and determination as he frowned at the assumed commander.
„So… could you be a good boy and point me to where you hide your munitions?“
„I'd rather not.“
The boy smiled at his captor triumphantly, as if winning a lengthy argument. The commander was far from impressed, and replied in an instant.
„And I'd rather not carve out your eyes and have them show me the way.“
The constable's grin quickly disappeared, and an uneasy grimace crept its way onto his youthful face.
„It's… It's over there.“
He uneasily points to one side of the bridge, toward a small unassuming house. The older man smiles at him.
„How kind of you. Now, you!“
He turned to his comrades, yelling while glaring at every single one of them. All of them point their heads obediently in his direction, expecting command.
„Use your knives, spare every bullet you come across! And make sure the bodies get thrown into the Drina, we're going to use this bridge later, and I'd rather not stain my shoes again!“
The same officer who thought his life was spared looked up at the old man, feeling betrayed by the cunning rifleman. But before he could insult the grey-haired fox as he pleased, he felt himself momentarily lose hearing after the laborious screams engulfed his ears. He tried looking to his side, in the general direction of the cries for help but before he could do so, he felt a sharp painful sensation in his throat.
One of the soldiers stuck a knife into his throat. He was breathless, the metallic liquid filling his nostrils, making him unable to take any breaths. He tried desperately to stop it from pouring out of the gaping hole but the bearded man relentlessly kept making newer, bigger holes. The youngster could not feel the pain anymore as he fell to the ground, his body limp, forever lifeless.
Mehmed Paša Sokolović Bridge, site of the atrocity
*****
[1] While yes, that really is Croatian actor Boris Dvornik, the photo is actually taken from the 1982 film adaptation of Branko Marinković's modernist novel
Kiklop (lit. Cyclops).
[2] Named after Sokollu Mehmet Pasha, an Ottoman statesman who served as grand vizier from 1565 to 1579. He was also the person who kept Suleiman I's death a secret from his troops during the famous siege of Szigetvár in 1566.