I see You read in Bernadotte's mind😉Union with Sweden, which after a royal alliance with Denmark seized Finland lost in 1808 and became the Scandinavian Empire ruling in the Arctic with Greenland and Iceland and a foothold in the Antilles, Africa and India with the Danish colonies 😈
Only Time can tell us this...I hope napoleon II can overcome the mistakes and extreme Franco-centric policies of his father and keep the Italians on side, even if the Dutch already seem to be preparing to revolt.
There will surely be no blue top and Red trousers uniforms as it would be irrevelant here with the Napoleonic regime and the Empire. However, there's still a possibility of seeing this in the future. For the moment, there will only be gradual changes, with less "superficial" features to favor a more practical side of it, but the red, the blue and the white will stay on the uniforms, even if will not be as flashy as in the late 19th century. The white and the dark blue colors (with a little bit of Red) will stay predominant, just like during the Napoleonic Wars, for quite some time I think, at least until the 1840's.By the way, how will the uniforms of the French army evolve in this TL, are we going to avoid the blue top with the red trousers?
TBH, I don't think so. In 1850, Paris population was of 1 million, when for London it was more than twice this number, with 2,4 million. However, the French Empire will be more decentralized in terms of cities and industrial hub: cities like Mainz, Cologne, Lyon, Marseilles, Lille, Bruxelles, Nantes and Bordeaux or areas like Belgium, the Rhineland and Northern France (as well as Great maritime regions) will be far more populated, together, than the whole of England. I'll have to show how the population evolve in some countries, areas and cities in the future.Any chance of Paris overtaking London as the largest city in the world?
Something like Napoleon doesn't invade Russia or just crushes the Russians by marching to Moscow or St. Petersburg and then goes on to conquer the entire world?ITTL what do uchronies/alternate histories about Napoleon's defeat or a failure of the French Revolution look like, or even the one called "Napoleon and the Conquest of the World"?
from what i remember of the book not everything was linked to russia, there was the invasion of great britain the reorganisation of europe as well as the invasion of asia, like alexander the great and the pro-french revolution in americaSomething like Napoleon doesn't invade Russia or just crushes the Russians by marching to Moscow or St. Petersburg and then goes on to conquer the entire world?
But wasn't the first step winning in Russia?from what i remember of the book not everything was linked to russia, there was the invasion of great britain the reorganisation of europe as well as the invasion of asia, like alexander the great and the pro-french revolution in america
And after winning in Russia Napoleon pacifies Spain and conquers England. And eventually the entire world.La Grande Armée investit Moscou en septembre 1812, mais, contrairement à l'histoire authentique, l’incendie déclenché par les Russes s'éteint de lui-même. Napoléon prend alors la route du nord avec ses troupes et triomphe de la Russie à la bataille de Novgorod. Le Tsar se voit imposer le catholicisme romain.
I think such uchronies wouldn't be written before quite some time ITTL. Imagining Napoleon's victory is way much better in terms of fictional work than seeing him lose, especially since he had a become a central figure among the Romantic and Liberal movements, both artistically and ideologically, which isn't the case in this alternate reality.ITTL what do uchronies/alternate histories about Napoleon's defeat or a failure of the French Revolution look like, or even the one called "Napoleon and the Conquest of the World"?
AFAIK, the POD of this book is the Grande Armee winning against the Russians in 1812-1813, as here Moscow has not burned. However, this book isn't realistic at all, and it wasn't aiming at plausibility. It was just an imaginary and very much laudatory story, a kind of a tribute to Napoleon.But wasn't the first step winning in Russia?
I think that ITTL Fantasy could integrate elements of steampunk, like "modern" industrial technologies and "modern" ideas of the French Revolution. So basically Fantasy would be inspired by a "glorious" time in the History of France, that is to say the Revolution and the years from 1799 and 1812, when Napoleon rose to power and crushed his enemies. More broadly, the alternate Fantasy could be divided between the "French" branch, where the focus is on this era, and the "British" one, where the focus is on the Middle Ages, with inspiration coming from the Romantic movement and their idealization of the pre-industrial and pre-modern world. So, to sum this up the French Frantasy would be more "progressive" and connected to more recent times and to the Industrial world (so basically, a thing very much close to steampunk and even Sci-Fi, but with magical stuff), while the British Fantasy would be more "reactionnary" and attached to the Middle Ages (Tolkien's Fantasy if you prefer).so fantasy could be steampunk in this tl? Interesting what would be for you the equivalent of tolkien but in france?
Moreover, would there even be classic fantasy races (elf, dwarf, orc, etc.) or would they be replaced by others?
Anyway, good luck with the rest.
I think such uchronies wouldn't be written before quite some time ITTL. Imagining Napoleon's victory is way much better in terms of fictional work than seeing him lose, especially since he had a become a central figure among the Romantic and Liberal movements, both artistically and ideologically, which isn't the case in this alternate reality.
However, I can imagine maybe Russian authors writing alternate histories where Napoleon did win against Russia, perhaps in a kind of anti-French / anti Revolutionnary ideas propaganda.
In its popular Anglophonic form, yes. But the literary works based upon folklore (magic, non-human creatures, talking animals, etc.) did exist much earlier, especially in poetry.We could even go further and imagine the ramification of this potential literary trend, which could bring a new genre: what we would call "Fantasy". Indeed, IOTL Fantsay was "invented" or at least coined in the UK in the late 19th Century / at the beginning of the 20th Century by authors such as George MacDonald, William Morris, and of course in the interwar period, by J.R.R Tolkien and C.S Lewis.
Interesting choice but based on what? Balzac in his LES CONTES DROLATIQUES (?) at least “got medieval” but Jules Verne was “electricity freak” and Maupassant, AFAIK, did not write anything not just medieval but even really “historical”. Well, Dumas father could probably go into this genre if he saw any marketing potential in it.These people were known for their nostalgia of the Middle Ages. In France, writers such as Jules Verne or Guy De Maupassant could be the first authors of this alternate "Fantasy".
Of course.Here, the focus would be made on "Steampunk"-ish, revolutionnary, and modern features, and not on medieval and ancient ones. So yeah, ITTL, Sci-Fi and Fantasy genres could be completely altered up to the point of having significantly different defenitions. At least, it's a possibility.
Judging by the posted quote, the author had a blissful ignorance regarding the quoted subject. The excuse is a general garbage written in XIX century on it. This, unfortunately, applies to some “eyewitnesses” who went through the experience and then wrote grossly exaggerated reports of their experience.AFAIK, the POD of this book is the Grande Armee winning against the Russians in 1812-1813, as here Moscow has not burned. However, this book isn't realistic at all, and it wasn't aiming at plausibility. It was just an imaginary and very much laudatory story, a kind of a tribute to Napoleon.
I know, but ITTL Russia of the late 19th century will be quite different from that of OTL. But I still agree with you, that's why I said "maybe". It was just an idea I had. And if it was a propagandist book to show a "dystopian" world where Napoleon did win agaisnt the Tsar, would it still be censored?Highly questionable. The genre of alt-history was practically non-existent in the Russian/Soviet literature prior to 1990s. And a book on Napoleonic victory would be definitely unpopular if it would be published, which is extremely improbable: censorship would not allow this to happen.
I agree, but AFAIK these previous works were coined as "fantastic" and not as modern "Fantasy". I find it questionable TBH, but that's how it is classified most of the time. The argument used is that most of these poems and tales did happen in our reality with many elements of our real world, whereas, from a certain point of view, Fantasy stories are much more distant form our reality. However, to me the King Arthur legend is really apart from our world whereas the Chronicles of Narnia do happen in our reality at some points.In its popular Anglophonic form, yes. But the literary works based upon folklore (magic, non-human creatures, talking animals, etc.) did exist much earlier, especially in poetry.
Yeah, that's my point. In France the Middle Ages weren't such a source of inspiration. So if a thing close to Fantasy was to appear in this country in the 19th Century, then most of the authors would have taken recent and "glorious" historical events (such as the Revolution and the Napoleonic Wars) as example and sources of inspiration IMO. At this point, it wouldn't have been "fantasy" as we know it IOTL, but there would still have been a heavy presence of magical things and events and a distant background, distant from our world. We could even say that Steampunk, Sci-Fi and Fantasy could stay a unified literary genre ITTL. As you said, Verne was very much an "electricity freak".Interesting choice but based on what? Balzac in his LES CONTES DROLATIQUES (?) at least “got medieval” but Jules Verne was “electricity freak” and Maupassant, AFAIK, did not write anything not just medieval but even really “historical”. Well, Dumas father could probably go into this genre if he saw any marketing potential in it.
Translated version of a quote from the Wiki: "The narrator states on many occasions that he is writing an authentic story. Many documents, official newspapers, public statements, are also reproduced and create an effect of reality. The story is fictional but it subverts the codes of the historical genre, there is a constant play with plausibility."Judging by the posted quote, the author had a blissful ignorance regarding the quoted subject. The excuse is a general garbage written in XIX century on it. This, unfortunately, applies to some “eyewitnesses” who went through the experience and then wrote grossly exaggerated reports of their experience.
I know, but ITTL Russia of the late 19th century will be quite different from that of OTL. But I still agree with you, that's why I said "maybe". It was just an idea I had. And if it was a propagandist book to show a "dystopian" world where Napoleon did win agaisnt the Tsar, would it still be censored?
Well, in Russia terminology was different and, for example “fantasy” poems of Zhukovsky, Pushkin and Yershov considered just a poetry. The fantastic books by “Baron Brambeus” (Osip Senkvsky) would belong to the different genre and the only “Fantasy” (Фантазия) was a play by Kozma Prutkov, which was much more entertaining (IMO) than Tolkien’s endless drivel and, while involving a quest, did not involve any magic. 😂I agree, but AFAIK these previous works were coined as "fantastic" and not as modern "Fantasy".
I can assure you that none of the relevant Pushkin’s poems was taking place in an ongoing reality: to the best of my knowledge the flying sorcerers, magic swords, the talking heads separated from the body (unlike the conventional talking heads), the hats of invisibility, talking magic fish, witches, enchanted princesses, and the demons were not routinely found in Russia. Ditto for the talking wolves, and the strange talking creatures looking like a hybrid of a pony, a donkey and a bactrian camel with the levitation abilities.find it questionable TBH, but that's how it is classified most of the time. The argument used is that most of these poems and tales did happen in our reality with many elements of our real world, whereas, from a certain point of view, Fantasy stories are much more distant form our reality.
Well, IIRC, WC declared that if Arthur even did not really exist, it had to exist as something important for a national spirit. So why don’t you consider it a “historic novel”? 😂However, to me the King Arthur legend is really apart from our world whereas the Chronicles of Narnia do happen in our reality at some points.
At which time?Yeah, that's my point. In France the Middle Ages weren't such a source of inspiration.
Not necessarily. The best known French historical novels written in the XIX, ‘Three Musketeers’, ‘Queen Margot’, and ‘Notre-Dame de Paris’, are about much earlier times and so are other less popular books spanning period Francis I - Louis XIV.So if a thing close to Fantasy was to appear in this country in the 19th Century, then most of the authors would have taken recent and "glorious" historical events (such as the Revolution and the Napoleonic Wars) as example and sources of inspiration IMO.
Well, blaming a pretty much unknown book hardly makes too much sense because it did not have a big impact upon the historic and social perceptions. OTOH, I’m not too fond of the idea of evil races appearing in some popular fantasy books.At this point, it wouldn't have been "fantasy" as we know it IOTL, but there would still have been a heavy presence of magical things and events and a distant background, distant from our world. We could even say that Steampunk, Sci-Fi and Fantasy could stay a unified literary genre ITTL. As you said, Verne was very much an "electricity freak".
Translated version of a quote from the Wiki: "The narrator states on many occasions that he is writing an authentic story. Many documents, official newspapers, public statements, are also reproduced and create an effect of reality. The story is fictional but it subverts the codes of the historical genre, there is a constant play with plausibility."
Yeah, it sounds as a... mockery, to say the least. I don't even know why this passage was written TBH, it's obvious that the author was writing a completely implausible story. But to me this book doesn't need to be blamed, as it was just a silly fiction, at least it's only my opinion.
Mmh, I'm glad not to have to write on the fire of Moscow as You just contradicted all the research I've made on this subject. Even modern and recognized historians (most of them being French, but still very much not into the "Roman National") said that the fire actually did burn down the majority of shelters that could have been used during the winter. And also, spreading the whole army outside Moscow wouldn't have been too dangerous when cossacks and Russian light cavalry were continuously harrasing the Grande Armée ? And did the countryside had the ressources and the peasants the will to feed 90 000 soldiers (taking into account that a soldier usually eats as much as about two people each day on average)?Speaking of which, a strategic importance of the Fire was grossly exaggerated by the French (and the Brits who picked all types of crap from them). With a big part of the wooden buildings being burned (black on a map), there were still plenty of the surviving dwellings within the city and definitely even more so in the close proximity. In OTL Murat’s cavalry was placed at least 15 km outside Moscow and there was absolutely no reason (except for participation in the looting) not to place at least part of other troops in the numerous villages, estates and small towns immediately outside Moscow.
Again, I think Smolensk was too distant from Moscow to relieve the GA, even more with the Russian cavalry harrasing the supply lines (even if winter could have reduced their efficiency). I'm still dubious on how peasants could have fed 90,000 soldiers almost on their own, when winter should have surely hit them hard too.As far as the supplies were involved, there was seemingly no serious shortage of them in Moscow even after the fire and, by the contemporary Russian accounts, if the French were ready to pay local peasants for food in gold, they’d have no supply issues throughout winter. Plus, there were considerable magazines in Smolensk.
Of course, I wasn't talking of Russian literature, but these pieces of information could really be useful for my TL. I had heard of these poemes but there were Always described as tales, and not as fantasy. BTW, I'm now wondering at how we should describe Wagner's Works: it does happen on earth as the Rhine and certain regions are most of the time present in his operas, however the background is very much different from our reality, with creatures, Epic fights and magic without it being considered strange. To me, it really looks like modern-day fantasy, less the Nationalist symbolic of course. However, I'll disagree with you on Tolkien's Works: even if I don't especially like Fantasy, to me LOTR is a literary classic and one of my favorite Books (three of my favorite Books I should Say instead).Well, in Russia terminology was different and, for example “fantasy” poems of Zhukovsky, Pushkin and Yershov considered just a poetry. The fantastic books by “Baron Brambeus” (Osip Senkvsky) would belong to the different genre and the only “Fantasy” (Фантазия) was a play by Kozma Prutkov, which was much more entertaining (IMO) than Tolkien’s endless drivel and, while involving a quest, did not involve any magic. 😂
Weren't there also references to the pre-christian slavic mythology? I Can remember a collection of stories and tales from this period where certain gods were common characters. Especially Jupiter and Neptune-likes divinities, with a story Happening in a kind of local Russian Atlantide myth under the Volga IIRC. I also know that Romantic painters were fond of such "fantastic" subjects, in Russia, in France and in Germany. However, I don't think a fantasy trend really existed in France during this period. Even a writer like Prosper Mérimée wrote short stories about sudden irruptions of Magic and horror within normal life, but it did happen in our World. Maybe I'm not knowledgeable enough on the literature of these years.can assure you that none of the relevant Pushkin’s poems was taking place in an ongoing reality: to the best of my knowledge the flying sorcerers, magic swords, the talking heads separated from the body (unlike the conventional talking heads), the hats of invisibility, talking magic fish, witches, enchanted princesses, and the demons were not routinely found in Russia. Ditto for the talking wolves, and the strange talking creatures looking like a hybrid of a pony, a donkey and a bactrian camel with the levitation abilities.
To me the borders between these two genres are really thin. AFAIK, tales are most of the time recollection of oral traditional stories whereas Fantasy stories were written independently without a unique source inspiration.The question is when something stops being a fairy tale and starts being a fantasy. When it becomes unbearably long?
Living in Brittany, I also know that Arthur is also useful as far as tourism and marketing are concerned😉Well, IIRC, WC declared that if Arthur even did not really exist, it had to exist as something important for a national spirit. So why don’t you consider it a “historic novel”? 😂
In the 1800's, apart from Hugo's Notre Dame Of Paris and some short stories from Balzac. The thing is that it wasn't a Big trend.which time?
Notre Dame De Paris takes place in the 1480's, so technically still in the MA. However, we're talking of magical and fantastic things here, and Dumas' or even Rostand's Books and plays weren't part of the fantastic or fantasy genres. It was "historical" as You said. To me, Verne, Maupassant (who did write many gothic and fantastic short stories, with "La Horla" for example) would be more fitting candidates. Balzac and maybe Hugo would be too, as well as Lamartine maybe.Not necessarily. The best known French historical novels written in the XIX, ‘Three Musketeers’, ‘Queen Margot’, and ‘Notre-Dame de Paris’, are about much earlier times and so are other less popular books spanning period Francis I - Louis XIV.
To me it's just an easy (lazy?) way of creating ennemies, but it is efficient too. Christian influence was very much important in Fantasy (Both Tolkien and Lewis were very pious for example), so these evil races might just be like demons, and the Big Bad Guy is most of the time a representation of the devil. But it's true that nuance and complexity are really not caracteristics of this genre, and that's why many dislike it.OTOH, I’m not too fond of the idea of evil races appearing in some popular fantasy books.
Mmh, I'm glad not to have to write on the fire of Moscow as You just contradicted all the research I've made on this subject. Even modern and recognized historians (most of them being French, but still very much not into the "Roman National") said that the fire actually did burn down the majority of shelters that could have been used during the winter.
There was no need to spread the whole army and definitely no need to do so far away from Moscow. The city was ”evolving” into the numerous villages and estates which were within two-three hours of a leisure walk from Kremlin and became a part of Moscow only in the XX century or even after WWII.And also, spreading the whole army outside Moscow wouldn't have been too dangerous when cossacks and Russian light cavalry were continuously harrasing the Grande Armée ? And did the countryside had the ressources and the peasants the will to feed 90 000 soldiers (taking into account that a soldier usually eats as much as about two people each day on average)?
Again, I think Smolensk was too distant from Moscow to relieve the GA, even more with the Russian cavalry harrasing the supply lines (even if winter could have reduced their efficiency). I'm still dubious on how peasants could have fed 90,000 soldiers almost on their own, when winter should have surely hit them hard too.
Of course, I wasn't talking of Russian literature, but these pieces of information could really be useful for my TL. I had heard of these poemes but there were Always described as tales, and not as fantasy.
The ‘Song of the Nibelungs’ is medieval (XIII century) and the Scandinavian source is even older so Wagner’s operas did not introduce anything new except music. Of course, the source is vaguely connected to the historic background, destruction of the Burgundian kingdom by the Huns so it is not quite a fantasy. But does “fantasy” have to happen outside planet Earth?BTW, I'm now wondering at how we should describe Wagner's Works: it does happen on earth as the Rhine and certain regions are most of the time present in his operas, however the background is very much different from our reality, with creatures, Epic fights and magic without it being considered strange. To me, it really looks like modern-day fantasy,
less the Nationalist symbolic of course.
Well, “De gustibus non est disputandum”. I managed to get only through few pages and found it boring but this is my personal taste.However, I'll disagree with you on Tolkien's Works: even if I don't especially like Fantasy, to me LOTR is a literary classic and one of my favorite Books (three of my favorite Books I should Say instead).
Some of the minor personages of this mythology survived in the Russian literature all the way to the modern times.Weren't there also references to the pre-christian slavic mythology?
You are definitely better familiar with the subject than I do because I can’t recall anything of the kind.I Can remember a collection of stories and tales from this period where certain gods were common characters. Especially Jupiter and Neptune-likes divinities, with a story Happening in a kind of local Russian Atlantide myth under the Volga IIRC.
I can recall something of the kind in “Lokis”, “Venus of Ille”, and few vampire stories in “Guzla” but where else? OTOH, with not all of his works being translated to Russian, I can’t claim a complete knowledge.I also know that Romantic painters were fond of such "fantastic" subjects, in Russia, in France and in Germany. However, I don't think a fantasy trend really existed in France during this period. Even a writer like Prosper Mérimée wrote short stories about sudden irruptions of Magic and horror within normal life, but it did happen in our World. Maybe I'm not knowledgeable enough on the literature of these years.
I completely missed those.Maupassant (who did write many gothic and fantastic short stories, with "La Horla" for example)
Mmmh, interesting, as some showed the same map you used to say how much shelters were destroyed and how the GA was trapped as winter was approaching. However I won't go further on this subject as this is no more the subject of this TL, but I find it interesting that two completely opposed interpretations can exist about the description of a same map.Yes, it did, as can be seen on a map. What I’m saying is that there was still plenty left.
So the logistical situation of the GA wasn't that bad in Moscow? There's maybe proof of that as the umber of soldiers ddin't plummet during the occupation of this city, even if it lasted a month. It went from around 95-100 thousand men, to about 90,000. In comparison, the GA is thought to have lost nearly 100,000 men in the first month of the Campaign, most by desertion AFAIK.There was no need to spread the whole army and definitely no need to do so far away from Moscow. The city was ”evolving” into the numerous villages and estates which were within two-three hours of a leisure walk from Kremlin and became a part of Moscow only in the XX century or even after WWII.
These peasants had been routinely feeding a much greater population of Moscow. As I said, opinion of the Russian participant of the event was that, if paid in meaningful money, the peasants and even nobles would oblige. The story about the suicidal patriotism is a later invention and there was enough of cooperation in the rear. The main “activities” were against small disorderly groups of the looters on the way back.
It seems to me that after taking Moscow Napoleon was pretty much passive administratively allowing discipline to disappear and doing little in the terms of supply organization or any organization whatsoever. The soldiers had been routinely making cooking fires inside the buildings with the predictable results and on the way back, which was quite disorganized from the very beginning, the baggage train had been overloaded with the loot, not supplies.
BTW, the food was routinely stored in the cellars well protected against the fires, which were a commonplace.
It's true that Napoleon was still able to write his propagandist articles for the "Moniteur Universel", at least until October 1812, so it tends to show that the communications weren't as bad as often imagined. However, it did become worse in October, but I don't know if it is because of the disastrous retreat or because of the rise in power of the cossack attacks.Don’t overpay the Cossacks: most of these stories were a product of the memoirists quite understandable fear. The partisan detachments were not big enough to make a serious impact as long as the French were in a good order. As for the communications, even those with Paris were not interrupted. Of course, there would be difficulties but attack of a light cavalry upon a strong convoy would have a good chance to end up as a costly failure.
I know, and it shows that the limits between Fantasy and fantastic tales are really thin. As for the definition of fantasy, I think it is about bringing the readers into a very different and strange world, where magic and monsters are normal and common. AFAIK, in these old tales the reality presented is one where magic and so on is common, so IMO it could be counted as Fantasy. However, maybe it is considered too old to fit into this genre. After all I'm far from being an expert, so I'm not sure.The ‘Song of the Nibelungs’ is medieval (XIII century) and the Scandinavian source is even older so Wagner’s operas did not introduce anything new except music. Of course, the source is vaguely connected to the historic background, destruction of the Burgundian kingdom by the Huns so it is not quite a fantasy. But does “fantasy” have to happen outside planet Earth?
If you read Wagner's letters, you'll see that he connected his works to the German Nationalism of his time. But of course, you're right to say that the original tales weren't nationalist propagandaSee above. By the time the epics was created there was no German nationalism. 😉
Of course!Well, “De gustibus non est disputandum”. I managed to get only through few pages and found it boring but this is my personal taste.
Yeah, the Baba Yaga figure was even used recently in a very famous movie, even if it had no connection to the original creature. As for modern Russian literature, I don't know but I believe you.Some of the minor personages of this mythology survived in the Russian literature all the way to the modern times.
After some research, I think I found the original legend: this mythical city is called Kitezh and is thought to have been built under the Lake Svetloyar by Georgy II of Valdimir:You are definitely better familiar with the subject than I do because I can’t recall anything of the kind.
I think that in both these stories the magical elements are added in our "normal" world, so it sounds more "fantastic" to me. Maybe the Mask of the Red Death By Edgar Allan Poe would be a better example, as the whole reality presented to us in this short story is magical and strange.I can recall something of the kind in “Lokis” and few vampire stories in “Guzla” but where else? OTOH, with not all of his works being translated to Russian, I can’t claim a complete knowledge.
That's logical I think, as Maupassant is not very famous outside of France, where his works are studied in High School.I completely missed those.