I'm working on the next update, which involves no small amount of number-crunching and analysis, and the
nature of such doesn't
quite hold my interest in the same way as demography or psephology does; but I
am making progress, and I hope to have it all ready in the next few days. But until then...
Lizzie, which part were you asking about and Brainbin, which part were you referring to with the "both" thing? Neither you nor Lizzie was clear, but it seems like she may have either meant the number of appearances by the Klingons (which is more than OTL, yes?), or the portrayal of Sulu's sexuality--or more accurately how little it does so. Just hate to see people potentially talking past one another--I'd like to make sure that the correct answer is being given to the correct question.
I was referring to the entire section on Sulu/Takei.
And I answered assuming that's what she meant. (ITTL, the Klingons would have to appear in at least eight episodes, because that's how many Kor appears in - and they do appear
without him as well, probably about half the time. So, 16/135, which is slightly more often than the 7/79 of OTL.) But to elaborate on Sulu/Takei...
From what I gather, during the run of the original series, his sexuality was an open secret. Do I think that it was "coded" into the characterization of Sulu? Well, I wouldn't dismiss the notion outright - although the evidence is mostly inferential, and I've never seen anyone indicate that this was so (sadly,
Inside Star Trek and Takei's autobiography
To The Stars were both written before he came out, so it's hard to say for sure). But let's look at the facts:
- Sulu is the only one of the six male regulars who never had an onscreen love interest. In fact, "This Side of Paradise" originally featured Sulu in the romantic subplot with Leila; story editor D.C. Fontana rewrote the episode accordingly. Was this because of her well-documented love of Spock, or were there other motivations?
- The Sulu in the Mirror Universe (which is "opposite" to the "prime" universe) is aggressively flirtatious with Uhura (and therefore blatantly heterosexual).
- Sulu was born in San Francisco, and speaks fondly of it. By the 1980s, it was already well-established as the Gay Mecca. (This was because of a subplot that would have had him meet his ancestor, which was dropped after the child actor cast in the role proved uncooperative - but note that, in this comedy film, that line was kept in).
- Kirk is surprised that Sulu has a daughter. Granted, the standard interpretation is that this is because he knows so little about the lives of his crew, which is equally valid.
Working against any circumstantial evidence is Takei himself repeatedly claiming that Sulu is straight, and presumably he would know (and have no reason to claim differently). But that same ambiguity and potential to build an argument - however similarly tenuous - will exist ITTL, just as it does IOTL.
Do you have the one with the trumpet that goes "
waah waah waah"?
vultan said:
phx1138 said:
That would appear to be one of the worst films ever made IMO: "Nashville".
Phx has it (though I obviously don't necessarily agree with him on the quality of the film). Something that strikes closer to home for you, I'm sure
vultan said:
Anyway, I quote this to say that by butterflying away the full length of a certain... foreign entanglement, you've done much more than jettison Robert Altman's career. The whole modern "war movie" genre will be completely unrecognizable pretty soon without the advent of the dark and cynical war movie that really started, IMO, with The Deer Hunter. I doubt even Francis Ford Coppola will be able to get his vision for Apocalypse Now greenlit, so he's going to be doing something else with the late 70's (and the results of that are going be be very interesting). Now, since it was really the first televised war, I doubt it can be "forgotten" in the same way that Korea sadly was, even with the same sort of "honorable" peace, but I imagine movies set during the war will be more lighthearted, kind of a cross between most WWII films in the 40's and 50's and the extremely violent (but ultimately silly and unrealistic) action movies of the 80's.
That's a very perceptive analysis. I'll be honest here: prematurely ending the overseas quagmire was indeed partly motivated by a desire to stomp out the seemingly
endless stream of films about the subject IOTL (and, indeed, people going on and on about it
in general). It took the collective American psyche nearly thirty years to fully recover from that war, and sadly, it only managed to do so because of
another tragic event that completely shifted the cultural paradigm.
And well said on Korea - a war in which Canadians fought as well, and it's very much forgotten here, too.
Anyway, over the next couple days I'm going to try to read through all of That Wacky Redhead, from start to finish, in my free time.
That's really great to hear, vultan - I look forward to hearing your cumulative thoughts about the timeline so far, once you've finished
Since I came in relatively late compared to most regular readers of this story, I admit I only skimmed through most of the first several updates (it was really the update on the 1968 election that hooked me).
I came for the Star Trek, and stayed because of that 1968 election update.
Those two updates on Page 3 are still among my very favourite. The first one only because it drops that huge bomb at the end - that
Wham Line is probably my proudest moment, because
nobody was expecting it. And then, of course, that
next update seems to be what my timeline is known for, all over the board: "
the one where Lucy staying at Desilu gets Hubert Humphrey elected". And if that was what got the two of you hooked on TWR, then that's all the
more reason for me to be glad that I wrote it!
Also, I recomend checking the wiki for the complete post list--unless you're going to reread all the comments too!?
Going through the wiki was the plan. Reading some of the old comments and old speculation may prove to be interesting, however. Perhaps another time.
Seriously. If you ever read
all those comments, then you deserve a No-Prize!
Excuse me. I was operating on very little sleep yesterday.
phx1138 said:
I should have known
you could.
Yes... bathing is a lonely business
phx1138 said:
Can't say I have... I just find it unlikely the senior execs at any company, especially in Hollywood, are hanging around the cafeteria.

The senior production staff (Roddenberry, Justman, & Co.), yes. Lucy? No.
That Wacky Redhead is a
very hands-on studio chief. Besides, if she
didn't eat with Herbie and Bobby, she'd have to eat with her
husband!
phx1138 said:
Not saying RL is more pleasant. (It's not.) I just found suspending disbelief harder for some of the "sweet" shows.
I find it very difficult to watch more nihilistic (or "realistic", if you prefer) shows. If I don't like the characters, then their struggles have no meaning, and I feel like I'm "subjecting" myself to something. Why would I
ever watch something that became a
chore to me? I watch television to be
entertained!
phx1138 said:
An aside: does this also impact
Rocky Blier's career? (It seems he's WIA before the POD, so maybe not...)
No he wasn't. Shipped out in May 1969 IOTL - the armistice was in place by this point ITTL, so he would have presumably been allowed to return to civilian life in time for the 1970 season, apparently on the road to becoming one of the greatest American football players of the 1970s.
phx1138 said:
I can't even go
near one without erupting into a hacking cough - I don't think I could take it up even if I wanted to (and I
don't want to).
Ah, the pendulum of progress... People in some time periods view it as inherently good and seek to surround themselves with it, and others curse it and long for ye oldend days of yore (or ye fantasy times of never, perhaps). I wonder why we always have to be so polarized on these things? And it all seems so logical when you are in the moment, I am sure.
Cultural relativism and historiography are
very powerful things; that much has become
very clear over the last century.
e_wraith said:
Awww... Now I am really sad that this is not our reality.
I know how you feel. Of course, since I'm writing this timeline, there are a lot of little things that I've written in strictly to amuse or appeal to myself, and I'm quite pleasantly surprised just how well some of them have gone over with my readers. We'll have to see if that holds true as I continue with some of my
other plans...
e_wraith said:
Okay, I admit, I hated lots of older shows up to and even into college. I was squarely of the opinion that now was better than then in most ways. I could only watch old shows to make fun of them and the times they were made in, and did so a decent amount. I am an inherantly sarcastic and yes, even cynical person. But eventually I came to understand that people from the past weren't stupid, they were just living their lives dealing with the circumstances that their time provided. And if our time were more enlightened than the past be it in science, or social policies, or whatever... It wasn't because we were superior people, but because of everything those people from past generations did to make the world a better place. The world isn't better despite the ignorance of our forebearers, but because of their drive to overcome it. We stand on the shoulders of giants. And we owe it to them and those that come after us to do just the same, and fight our own ignorance and predjudices. Well, this perspective shift led to me looking at older media, and trying to understand the context it was produced in. Oh, some things still deserve mocking, don't get me wrong, but there is a lot to learn from most things none the less.
Thank you for that very thoughtful contribution - this is one of the "heavier" concepts I'm dealing with in writing this timeline. Popular culture definitely touches on this, on well. The backlash against 1950s programming (and, later, the retro nostalgia, and then "ironically" embracing it), and then the (much later) backlash against
1980s programming, which seems to be following a similar trajectory. Which touches on your earlier point about the pendulum swinging (I've now mentioned it, too, in the timeline proper).
e_wraith said:
What does this has to do with Maude? Well, even with the above epiphany, I still cannot stand Maude. Then again, I couldn't stand it even to mock it. Something just grates on my about it worse than just about any other program I can think of. Everyone is so unlikable and shrill... Ugh.
And again, I reiterate that it seems to have aged the
worst of all the longer-running Norman Lear shows.
All in the Family,
Sanford and Son,
The Jeffersons,
Good Times, and
One Day at a Time have all endured much better than
Maude. And I definitely think that you may have hit on some of the reasons why.
e_wraith said:
Oh, for the birthyear records, 1978 for me.
Thank you for sharing! That makes 29 data points: the mean is 1976, and the median is 1977 (and both are trending downward). What's also interesting is that we now have three mode
decades: seven posters were each born in the 1960s, the 1970s, and the 1980s.
e_wraith said:
This, though, probably even better makes the case that he was not likely to stop since he didn't even with these pressures.
All right, then, I'm glad you understand my reasoning.
e_wraith said:
Hey, Gates made an impression on lots of people. And Roddenberry was his official PR officer for a time. Jack Webb was his unofficial PR officer for a lot longer, of course.
Those must have been
very heady days at the LAPD in the 1950s...
e_wraith said:
See, you have a gift for understatement. Make sure your family and friends know that if you ever call them complaining of a minor cut on your arm they should start looking around for where the limb wound up.
Well, there have to be
some tradeoffs to my deliberately cultivated understated online personality
I was attracted by the Dr Who/Star Trek crossover, since I was a fan of both series. I would have loved to see this episode in real life. I can even picture some of the scenes (e.g. the Doctor, Spock and Scotty reconfiguring the Forward Deflector to interfere with the transmission of the Nestene Consiousness) and some of the dialog "You're from Vulcan ? I remember meeting Surak - wonderful man, terrific sense of humour".
I'm glad you liked it. I've admitted before that I planned it to attract attention - in retrospect, the 1968 election probably got the job done, though that certainly didn't
hurt.
My memories of it in the 80s was that it was extremely crass and quite unfunny.
Now it might be because I'm English, or was a serious child, or because my best mate at the time incomprehensively found it hilarious

rolleyes

, or something else.
The problem I've always had with
Saturday Night Live is that it's so pompous and arrogant, because it's an "important" show (and
boy, do the writers ever know it!). Apparently, the Not Ready For Primetime Players years were more irreverent - but lately, they've been insufferable; and it doesn't help that their most recent resurgence revolved around a topical political parody - based around the
reigning champ of smug SNL personalities, Tina Fey, who isn't
nearly as funny as she
thinks she is.
Interesting to tie into his later political career. TTL's Arnold? Well-known actor has a large fan-base leading to political grass roots? Or did Reagan do that first (either timeline)? This would tie in really well with Brainbin's butterflies on how fandoms work with Doctor Who and Star Trek leading the way.
Reagan was elected the Governor of California in 1966; George Takei ran for the Los Angeles City Council in 1973 (and won, ITTL). Obviously, Takei has a
much higher climb to the top than Reagan did, since you can run for President
directly from a gubernatorial office (or a
former one), whereas Takei needs
at least one more promotion in between, and possibly two.
If, indeed, he
were interested in running for President. I've mentioned before that he strikes me as far more of a legislative mind than an executive one, if his OTL political activities are any indication. Also, if he plans on moving on up, he'll at least want an office that he has a reasonable chance of winning.
The last few updates have been very interesting and the on going discussions are always fascinating. Thank for you hard work and keep it up.
Thank you very much for the compliment! And thank you for reading
---
And now, to observe the passing of an individual who has a very special connection with one of the major foci of this timeline.
William Windom, who played Commodore
Matt Decker in my favourite episode of
Star Trek, "The Doomsday Machine", recently died of congestive heart failure at the age of 88. Windom also starred in
My World and Welcome to It, as well as Dr. Seth Hazlitt in
Murder, She Wrote; he also appeared in many television series and movies throughout his over half-century-long career.
May he rest in peace.