BTW, since I was tired last night & forgot to say it,
nice work, as usual.
Whoever said consistency was the hobgoblin of little minds didn't know you.



(Need I say, I hated the "Happy Days" theme? Or that "RATC" was perfect as a theme?)

Oh, and in case I'm not clear: you do need the engine used to match the exhaust note (something Lucas would probably mention), so the "runner" would need the "beauty shot engine" to be the same one. Or you'd need to record something else. (The flatty would sound very different....)
The cool factor you'd give the show would be astronomical.
Especially when you consider Ala Kart made movie appearances in the background of shots--because the producers had no damn clue...

Lucas would know.


Again, thx.
Not only enjoyable, but educational. (My school days weren't this good.
)
You've also made me realize something: counter-scheduling can do more than impact ratings...
Which still does make me wonder why networks with low-rated shows continue to put them up against the competition's big guns...
Can the demos for day & timeslot be that good when you're getting killed on numbers? (Unless you're the WB or somebody & a Top 50 show is your biggest hit.
{Yes, Buffy, I mean you.
})
Hmmm... We're going to need a new one.Brainbin said:"jumping the shark" will not enter the pop culture lexicon ITTL.
If I haven't said so already, let me now: I most sincerely & fervently hope so! If I had to name the 5 best sitcoms ever, it would top my list. (I never liked "Lucy"... Or "The Honeymooners".) FYI, also on that list OTL: "Yes Minister" (at #2), "Barney Miller", "M*A*S*H" (mostly for the last 6 seasons, after they dumped Burns), & "WKRP", with a 6th place & honorable mention to "Rhythm & Blues" (the "black 'WKRP'"). And I'm not a big fan of sitcoms, so liking any of them is pretty strange.Brainbin said:Will there be a *Soap ITTL?
Who'd have thought a producer being cheap would actually make it better?Brainbin said:Bill Haley & His Comets provided a new recording for Happy Days IOTL, and he does indeed sound much older than he did in the Blackboard Jungle version. My reasoning, and I'm sure that it would occur to those geniuses at Desilu, is: why not just use the original recording? It's cheaper, and it sounds more authentic anyway.
I did not know about that. Thx.Brainbin said:Technically, all Bill Haley & His Comets recordings of "Rock Around the Clock" are covers, as they did not originate the song![]()
Oh, no, I picked the 3-window & the Deuce precisely because they wouldn't be out of place. The Deuce might need some tweaking of the wheels & exhaust, IDK; it's been too long since I've seen it. The Kid was built to look like a '58 project, so probably only details there, too. Might need a mockup flatty for beauty shots, if any, 'cause IDK if the engine was period-correct. Or swap in a 392.Brainbin said:Remember, Rock Around the Clock is set in 1955, and American Graffiti was set in 1962. A lot of the cars would be anachronistic.
Oh, and in case I'm not clear: you do need the engine used to match the exhaust note (something Lucas would probably mention), so the "runner" would need the "beauty shot engine" to be the same one. Or you'd need to record something else. (The flatty would sound very different....)
Brainbin said:That said, I have no doubt that Eddie Milkis, or Bob Justman, or maybe even Gary Morton (he does love to spend That Wacky Redhead's money) would contact the studio about buying some of the props. They do have a direct line to George Lucas, after all, through his wife Marcia, who works for Desilu as an editor.
Oh, I don't mean to criticize Justman at all. If I were making a series after 1965 (earlier, if he was in the biz), I'd want him on my team. His crazy sense of humor alone would do that.Brainbin said:And someone with a good sense for quality control! Milkis, Miller, and Marshall all desperately need someone to rein them in, as OTL has repeatedly shown.
And you've explained why they did something I'd sensed, but didn't know.Brainbin said:And herein lies the rub: why was Fonzie changed IOTL? Well, there's my talk about Winkler being too cuddly to play someone so dark over a sustained period, but that's just a small part of it. As I've mentioned, IOTL, the first season of Happy Days (which premiered in mid-season!) reached #16 overall for 1973-74, a very respectable position. Fred Silverman, then still working for CBS, saw it as enough of a threat that he scheduled Good Times against it the following season, which was enough to knock it out of the Top 30. Thus, the show became susceptible to retooling in the following (third) season, and many changes were made. That won't happen ITTL, for the very simple reason that there is no Good Times - Mike Evans wasn't cast as Lionel Jefferson, and therefore he can't bring the idea to Norman Lear. Therefore, it's full steam ahead for the original vision of Rock Around the Clock, which remains a little edgier, and the comedy more subtle and naturalistic, than IOTL. And the ratings will continue to rise...
This ties into the points that I was making directly above.
You've also made me realize something: counter-scheduling can do more than impact ratings...
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