vultan said:
POTUS Takei?
I find that very unlikely, considering U.S. racial attitudes.
vultan said:
think he might get drawn back into film/TV sci-fi later on anyway?
Didn't he co-produce a lo-budget SF film?
Speaking of which, if Henry Winkler's working anything like regularly, it gives him the finances to set up his own production company. (It worked for Garner in the '50s, & he wasn't getting paid nearly what Winkler would be.)
Orville_third said:
Did James Blish write the short story versions of the episodes as OTL?
He did, & I also recall they were based on early scripts, not the final shooting draft. (I don't recall any big changes, but it's been at least 20yr since I read any of 'em. Nor was I a fan of Blish.) David doing the adaptations makes it likely they'll sell better, too.
OTOH, does this impact David's SF writing career generally? I'd hate to lose
The Man Who Folded Himself.

OTGH, it may mean
Galactic Whirlpool comes up as a potential "ST" film project.

(Excellent book, too, BTW.

)
Orville_third said:
the non-drawing equivalent of Mike Okuda as well?
Brainbin said:
Ouch, what an insulting analogy!
My two cents, if anybody cares, is Okuda is out of bounds for tampering with original work.

It's no different than colorizing "Citizen Kane".


I don't mean buffing the fx shots & such, I mean recutting the episodes.


This is megalomania...
Brainbin said:
But in all seriousness, vultan hits the nail on the head here. So many butterflies will have accumulated by the early 1990s that it's difficult to say what might happen. And indeed, at this time, I have no plans of going past 1986, partly for that very reason.
OT question: do you reject on principle the "inertia" of events keeping things going a particular direction?
Brainbin said:
to the darkly tragicomic ("St. Elsewhere"), to everything in between ("L.A. Law").
I'm deeply embarassed to admit I'd forgotten both. I watched both from the start, & liked both (unitl they wimped out when Humana complained, & ended with the "autistic dream" copout.

)
Brainbin said:
We'll have to see about that.
Sayonara. (Which most people don't know really means, "So be it." Or "Red Buttons is nominated for an Oscar".

I get them confused.

)
Brainbin said:
Kalvan seems to agree with you. Once again, I say that actions speak louder than words.
I understood he didn't get the opportunities, in the same way Bruce never did. (Same reasons? IDK.)
Brainbin said:
All right, I'll tell you what. In
The Godfather ITTL, Coppola's desired cast will prevail as well. How about that?
Personally, I'd drop Cazale to the bottom of a lake before shooting started.
Brainbin said:
I have been plotting rough network schedules for every season. Remember
The Rating Game? I've been making similar drafts for subsequent cycles, though not quite as detailed and carefully formatted.
Any of those you feel like sharing, I, for one, would enjoy knowing about.
Brainbin said:
You may
always be so bold, if it's in service of delivering praise
I would say you don't only speak for yourself, either, but serve as voice for those of us who haven't thought to actually say it.

(And should.

)
Brainbin said:
good thing, too, because they were awful
Somebody pointed out to me it's a mark of a writer's maturity to be able to recognize that fact. (I only wish I know how before years passed.

)
Excellent point. Expect a strong feedback loop between the two fandoms. In the early 1970s ITTL, I would call the
Star Trek and
Doctor Who fan communities about equally strong in the United Kingdom. (There is still "new"
Star Trek to be seen, as they're a couple of years behind;
Doctor Who is also not yet the institution that it would become in later years.) In the United States,
Star Trek is still far stronger, as they've both made about the same proportional gains compared to OTL. Canada is probably somewhere in the middle.
Brainbin said:
a barrage of posts to create a more comprehensive picture of how the people of TTL see the world, and how that perspective differs from OTL.
So it's only going to get better.
Brainbin said:

Brainbin said:
I'll sidestep your "Mork and Mindy" discussion, to address Robin Williams directly. Many of you are old enough to remember that he was a breath of fresh air when he first hit the scene in the late 1970s, and for those of you who, like me, were born well after his breakthrough: even if you don't like him, or find him overrated, or stale, I don't think that anyone can dispute that he is the best at what he does. Even if he doesn't find himself a vehicle in the vein of "Mork and Mindy", I definitely see him hitting the mainstream, perhaps in the old-fashioned way (as a manic, high-energy counterpart to the drier, more acerbic comedians of the era).
Let me turn that around. His manic style works really well in standup, but IMO less well in a structured environment like a sitcom. It may be producers won't think he's suitable material. It's very likely IMO they won't recognize he can be a serious actor (& he's done some quite good serious work; comedy's harder than most people think).
Brainbin said:
IOTL, he was a favourite of Johnny Carson, and was even invited to be one of this last official guests (alongside Bette Midler, the one whom everybody actually remembers). A standup appearance on The Tonight Show could be his ticket. It certainly was for many other comedians.
Not could. Would. One app on Carson could make your career. An ask-back, you've made it, & you can more/less pick the venues you want: all the big ones will be calling you. (Happened all the time OTL. Not sure if Leno carried the weight.)
Brainbin said:
my own favourite episode, "The Doomsday Machine"
Brace yourself: that would make my top 10, too.
Brainbin said:
"The Final Frontier", also known as "Into the Final Frontier" (because Doohan always ends his opening narration with that phrase).
Keep that thought close to your vest for a while. Though I will say that Sagan is definitely going to stick to his "wonders of the universe" style. Though he'll no doubt approve of "The Final Frontier", he definitely strikes me as more of a "big picture"-type.
I'm seeing both being big hits: making science, especially space science, popular. (Either, or both, making Isaac a major contributor?


{After reading his editorial every month in
IAsfm for about a decade, I felt like I knew him, so...

})
Brainbin said:
To be fair to Takei, he had a genuine passion for civic planning issues, and he'll focus on that during his tenure on city council. If and when he seeks higher office, then yes, he'll obviously meet popular expectations as a strong advocate of the space program.
I'm seeing a bit of Mayor Clint. Which offers an opportunity (if a small one) for an appearance in
other media. (Before they blow up Las Vegas?

)
Brainbin said:
Gerrold, privy to the entire story development process, can add ideas that were too expensive or time-consuming to realize on the show itself.
That will tend to induce the completists to buy them anyhow, if the new version doesn't do that on its own.
Brainbin said:
treat the Gerrold versions as the "new normal", thereby forcing consumers to read them.
Good to hear they aren't casually retconning.

As said, I'd bet on a lot of the more-hardcore fans buying them regardless.
Brainbin said:
We'll have to see where Fontana's career will take her. She's fielding an awful lot of offers in this era.
Then let me offer one vote for her getting major screenwriting success. An Academy Award nom?

A win?


(For adapting
Galactic Whirlpool?

Which need not include the Trek aspects to be a really good film. Or book.) A very underappreciated talent, IMO.
Unknown said:
Richard Dean Anderson, IIRC, got his start on General Hospital as Jeff Webber in the 1970s and left in 1981.
So says WP. If he quit in '81, I probably watched a few of those...& didn't see him. (Busy watching Emma, no doubt.

I didn't even notice Demi.


)
Unknown said:
Given the workload, I would be surprised if he stays longer than OTL. 14-16h days 6/week is no fun.
Glen said:
There is enough room for change, of course, but I am saying that I think there is a good chance that Winkler would try out for the show, and that if that happens you will get the Fonz. So it's something that could recur in this timeline. If you don't want it to happen, then just have him doing something else at the time that would preclude getting involved in the show. In this particular instance I'm not so much advocating for either to happen, just saying what could happen again, and what I think you need to demonstrate if it doesn't happen - you've done such a good job of showing how the changes are chaining off the original POD, don't just butterfly the Fonz - if he won't show, then give a clear chain of events changing it.
Allow me to second that. I take a view there's a certain amount of inertia in events, in people's lives, so it's possible to change outcomes, but it can take real effort sometimes. So, the OTL Fonz isn't out of bounds.
Glen said:
I wonder if Stallone will get cast as Arthur Fonzerelli instead.

That has an appeal for sheer shock value.

(It also suggests "no 'Rocky'".


)
Glen said:
if you DON'T have Henry Winkler playing "The Mash" it is very likely that the show is a one season wonder then canceled.

Stallone, in a failed series?

Brainbin said:
I think you underestimate his TTL replacement.
Considering the careful casting choices thus far, I daresay he'll be a good one.
