The answer to the question "How could Battlefield Earth be even worst?"
Reds fanfic
- Thread starter E. Burke
- Start date
The answer to the question "How could Battlefield Earth be even worst?"
If it included the last half of the novel, which mostly consists of humanity trying to file Terl's taxes before alien loan sharks (who are actual sharks) can foreclose on Earth.
Not making that up.
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Comics in the USSR (Part II)
In 1956, The Flash was reintroduced by R&B Comics. Four years later, the Fantastic Four made their debut in the newly formed Marvel Comics Group. Having noticed the popularity of previous R&B Comics in the USSR, Marvel head Stan Lee formed "MarvIntern" (a play on Comintern) to handle the international distribution of Marvel Comics. It negotiated with the Soviet government to release a monthly magazine featuring reprinted Marvel stories. The Giant Sized Marvel Magazine was first released in Russian in 1964. While featuring all sorts of diverse Marvel characters, the most popular was the Iron Man Corps, primarily because of the character of Anton Venko, a Russian patriot who becomes a member of the Corps to spread the revolution. That, and the more international focus of the stories, made the Corps very popular characters in the USSR. Another Comic collective to make some inroads in Russia was Charlton Comics. While of slightly lesser quality, it was very rich in art and story, particularly with the works of Steve Ditko, with his reinterpretations of the Green Lama and the Blue Beetle (now an inventor who flies in a beetle vehicle), and the Question, a character meant to explore Ditko's interest in Eastern Mysticism (He, and his half black, half white costume, symbolizes the Taoist dichotomy of good and evil). Charlton had a minor cult following in the USSR. In his 1987 autobiographical graphic novel, Travels, Ditko recalled visiting fans while in Vladistok, noting that they had several issues of the Charlton magazine published during the 60's.
Still, the older R&B works had more lasting popularity. Insanity was followed by Freakshow and We, a horror and science fiction anthology respectively. The three soon joined together to form Hammer and Sickle Publications in 1969, which published more magazines, like the Ostern themed Far East. As the Soviet Cultural Leap began, censorship loosened, and comics, seen by the majority population in the Soviet Union as a mere child's reading material, became more socially conscious. Insanity became a hallmark for its lambasting of major Soviet leaders, much as Mad had become a cultural touchstone during the Second Cultural Revolution. Works like Freakshow provided ample social commentary for the times. Still, the chaotic 70's weren't going to be easy for the young collective. An entire print of We was pulped, because of its depiction of a futuristic dystopian Soviet society, which was heavily critical.
In the pages of GSMM, meanwhile, a character named "The Traveler" began to appear in the back pages in 1973. A completely original character created by Armenian artist Sirak Sahakian, the Traveler stories were less focused on Superheroics and more on cerebral science fiction exploration. The stories revolved around the eponymous character, who was a pilot for an unnamed Galactic confederation, who has to go on routine missions to various planets. Inspired by the stories of the Strautgatsky Brothers and Stanislaw Lem, the stories went from planet to planet, each in a differing stage of history. The Traveler became known for his sardonic wit, and detatched commentary. He had presumably seen many atrocities in his life time, and has taken to alcoholism to deal with. The Traveler became popular enough that an English translation was made and released in 1976.
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In 1956, The Flash was reintroduced by R&B Comics. Four years later, the Fantastic Four made their debut in the newly formed Marvel Comics Group. Having noticed the popularity of previous R&B Comics in the USSR, Marvel head Stan Lee formed "MarvIntern" (a play on Comintern) to handle the international distribution of Marvel Comics. It negotiated with the Soviet government to release a monthly magazine featuring reprinted Marvel stories. The Giant Sized Marvel Magazine was first released in Russian in 1964. While featuring all sorts of diverse Marvel characters, the most popular was the Iron Man Corps, primarily because of the character of Anton Venko, a Russian patriot who becomes a member of the Corps to spread the revolution. That, and the more international focus of the stories, made the Corps very popular characters in the USSR. Another Comic collective to make some inroads in Russia was Charlton Comics. While of slightly lesser quality, it was very rich in art and story, particularly with the works of Steve Ditko, with his reinterpretations of the Green Lama and the Blue Beetle (now an inventor who flies in a beetle vehicle), and the Question, a character meant to explore Ditko's interest in Eastern Mysticism (He, and his half black, half white costume, symbolizes the Taoist dichotomy of good and evil). Charlton had a minor cult following in the USSR. In his 1987 autobiographical graphic novel, Travels, Ditko recalled visiting fans while in Vladistok, noting that they had several issues of the Charlton magazine published during the 60's.
Still, the older R&B works had more lasting popularity. Insanity was followed by Freakshow and We, a horror and science fiction anthology respectively. The three soon joined together to form Hammer and Sickle Publications in 1969, which published more magazines, like the Ostern themed Far East. As the Soviet Cultural Leap began, censorship loosened, and comics, seen by the majority population in the Soviet Union as a mere child's reading material, became more socially conscious. Insanity became a hallmark for its lambasting of major Soviet leaders, much as Mad had become a cultural touchstone during the Second Cultural Revolution. Works like Freakshow provided ample social commentary for the times. Still, the chaotic 70's weren't going to be easy for the young collective. An entire print of We was pulped, because of its depiction of a futuristic dystopian Soviet society, which was heavily critical.
In the pages of GSMM, meanwhile, a character named "The Traveler" began to appear in the back pages in 1973. A completely original character created by Armenian artist Sirak Sahakian, the Traveler stories were less focused on Superheroics and more on cerebral science fiction exploration. The stories revolved around the eponymous character, who was a pilot for an unnamed Galactic confederation, who has to go on routine missions to various planets. Inspired by the stories of the Strautgatsky Brothers and Stanislaw Lem, the stories went from planet to planet, each in a differing stage of history. The Traveler became known for his sardonic wit, and detatched commentary. He had presumably seen many atrocities in his life time, and has taken to alcoholism to deal with. The Traveler became popular enough that an English translation was made and released in 1976.
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Oh ... sorry that India on the other side, its philosophy is more suitable for the building than the Chinese .....
Have you thought about the sword & sandal movies?
Man, Rorschach's going to be really different ITTL.
Also, a sardonic detached alcoholic wanderer who bears the weight of history on his shoulders? Yep, that definitely sounds like a Russian super hero. Couldn't be any more Russian if his name was Vladimir Vodkavich Cykablyatski.
I'll be honest that could have been a reasonable basis for a movie. If it was a comedy but Hubbard would never go for that either because he needs to maintain the illusion that Scientology is not a massive joke and/or he genuinely believes it is a serious religion.
teg
I already have a trailer for that in my head.
"They've beaten the evil overlord Zelpax, and saved the Earth from his empire. But can humanity face the greatest struggle of all...
...paying the empire's taxes!
'It was a hell of a lot easier to blow up trains than to make them run on time'
The Foreclosure! Rated PG-13"
Also, the parts of the book that didn't make it into the movie include:
- A "mongrel tribe" of cannibals in the Congo descended from European mercenaries who interbred with natives (yeah real progressive)
- The big explosion that destroys the Psychlo base ended up killing every single Psychlo that wasn't on Earth, and the ones that are on Earth were sterilized.
- Just after our heroes discover this, they find out that all Psychlos are given brain implants that make them evil, which would be a decent plot point if our heroes hadn't just committed genocide on them
- Y'know how Terl acts like an idiot in the movie? In the book, he's still an idiot, and the book goes out of its way to remind us this.
- Neo-neo-nazis.
- Apparently, what's left of humanity have denigrated into stereotypes. Aside from the African cannibals, we also get a band of warrior Scots, a group of alcoholic Stalinist Russians, a French guy who faints at the sight of corpses, and a Chinese family who "have waited a thousand years for a new emperor"
- Unlike the movie, the book has the Psychlos looting Fort Knox the second they land on Earth.
So, yeah, plenty of material for Anti Reaction Movie Night.
Comics in the USSR (Part III)
Democratization had brought a new sort of cultural renaissance for the Soviet Union. In the world of comics, the most popular genre was actually science fiction adaptations, mostly from Russian or Eastern European science fiction. Adaptations of Solaryis, Andromeda, Hard to be a God, and even the film Stalker were released through the 80's. Some exceptions to science fiction adaptations included The Last Question by Isaac Asimov and The Million Names of God by Arthur C. Clarke. Many of these adaptations appeared in the science fiction comic series We (named in homage to the dystopian science fiction novel by Yevgeny Zamyatin), and in MarvIntern. MarvIntern had become a major recruiting tool for Soviet artists to come to the UASR, and publish work there. With the work that some British writers were also doing in the American Union, the "International Crusade" era, as it was nicknamed, began in American comics, helping revitalize the industry.
With the influence of American comics continuing to trickle in, superheroes began to somewhat make their name. "The October Guard" was an example of a mid-80's Superhero team. A somewhat pale American imitation, they are scientifically enhanced superhumans who gathered to fight an external alien invasion. Notably, they are each from one of the SSR's. The "Mighty Human" was revived in the form of "Mighty Man!" in 1989. The new writer, however, took the character, and made him a parody and deconstruction of the original. In some ways, Mighty Man reflected the attitude of the pre-Leap Soviet society. A conservative communist man in a world that was changing around him with libertarianism, libertarian communism, anarcho-syndicalism, and especially multi-party politics becoming the norm. In one seminal scene, he breaks up a perfectly legal democratic meeting, and finds that he had failed to move on with the times.
Other genres also became very popular. In yet another American imitation, Arseniy the spy was an homage to Nick Fury, Agent of SHIELD, as written and drawn by Jim Steranko. Like Fury, and earlier Soviet spy Stierlitz, he fights mostly bureaucratic and military villains, some internal, some external. Like Fury, the story were punctuated by intense sexuality and occasional psychedelia. The war genre was represented by Ivan, a 1991 series revolving around Ivan, who had adopted the name from his mentor, Ivan the Terrible. Ivan was a soldier in the Moscovy army, when he comes across a mysterious pedant. The pedant stops his aging at 25, perpetually making him army ready. Soon, he serves the early Tsarist regime, under Ivan and his successors. He fights to rebel Napoleon's invasion, and later the Crimean conflict. He serves in the Russo-Japanese war, where his immortality causes some confusion, when he emerges from a direct artillery hit. The October Revolution occurs off-screen while Ivan was serving in World War I. Ivan later serves in seminal Soviet events like the Polish-Soviet War, the Russian Civil War, and World War II, where he witnesses the death of Stalin as a member of his personal guard. He later serves in Erithea, the Kongo, and other Cold War era conflicts. Throughout, he comments on how war had the same elements, despite the weapons used, or the personalities involved. The character is, to some extent, an extension of the Traveler. His immortality had lead him to both detatchment and alcoholism, which is prolonged through his many centuries of living. At the end of the series in 1999, the character, now in modern day Leningrad, contemplates destroying the pendant and committing suicide.
Democratization had brought a new sort of cultural renaissance for the Soviet Union. In the world of comics, the most popular genre was actually science fiction adaptations, mostly from Russian or Eastern European science fiction. Adaptations of Solaryis, Andromeda, Hard to be a God, and even the film Stalker were released through the 80's. Some exceptions to science fiction adaptations included The Last Question by Isaac Asimov and The Million Names of God by Arthur C. Clarke. Many of these adaptations appeared in the science fiction comic series We (named in homage to the dystopian science fiction novel by Yevgeny Zamyatin), and in MarvIntern. MarvIntern had become a major recruiting tool for Soviet artists to come to the UASR, and publish work there. With the work that some British writers were also doing in the American Union, the "International Crusade" era, as it was nicknamed, began in American comics, helping revitalize the industry.
With the influence of American comics continuing to trickle in, superheroes began to somewhat make their name. "The October Guard" was an example of a mid-80's Superhero team. A somewhat pale American imitation, they are scientifically enhanced superhumans who gathered to fight an external alien invasion. Notably, they are each from one of the SSR's. The "Mighty Human" was revived in the form of "Mighty Man!" in 1989. The new writer, however, took the character, and made him a parody and deconstruction of the original. In some ways, Mighty Man reflected the attitude of the pre-Leap Soviet society. A conservative communist man in a world that was changing around him with libertarianism, libertarian communism, anarcho-syndicalism, and especially multi-party politics becoming the norm. In one seminal scene, he breaks up a perfectly legal democratic meeting, and finds that he had failed to move on with the times.
Other genres also became very popular. In yet another American imitation, Arseniy the spy was an homage to Nick Fury, Agent of SHIELD, as written and drawn by Jim Steranko. Like Fury, and earlier Soviet spy Stierlitz, he fights mostly bureaucratic and military villains, some internal, some external. Like Fury, the story were punctuated by intense sexuality and occasional psychedelia. The war genre was represented by Ivan, a 1991 series revolving around Ivan, who had adopted the name from his mentor, Ivan the Terrible. Ivan was a soldier in the Moscovy army, when he comes across a mysterious pedant. The pedant stops his aging at 25, perpetually making him army ready. Soon, he serves the early Tsarist regime, under Ivan and his successors. He fights to rebel Napoleon's invasion, and later the Crimean conflict. He serves in the Russo-Japanese war, where his immortality causes some confusion, when he emerges from a direct artillery hit. The October Revolution occurs off-screen while Ivan was serving in World War I. Ivan later serves in seminal Soviet events like the Polish-Soviet War, the Russian Civil War, and World War II, where he witnesses the death of Stalin as a member of his personal guard. He later serves in Erithea, the Kongo, and other Cold War era conflicts. Throughout, he comments on how war had the same elements, despite the weapons used, or the personalities involved. The character is, to some extent, an extension of the Traveler. His immortality had lead him to both detatchment and alcoholism, which is prolonged through his many centuries of living. At the end of the series in 1999, the character, now in modern day Leningrad, contemplates destroying the pendant and committing suicide.
I'm not sure that the "alien invasion" relevant. We are talking about companies that have unlimited amount of resources and use them wisely spsobny. Instead of capitalist societies are able to go beyond their system as destroy themselves before they will be capable of interstellar flight (it looks like a child kotorumu gave a real loaded pistol). While this subject can thrive and 20s - 40s (socialist society is not yet mature, to the same war requires such literature).
And yes, for me it is a question of theory, rather than entertaining.
On spy novels how would be Frederick Forsyth's works?I have an idea for The Devil's Alternative with involves Irish nationalists instead backed by Irish Americans and radical factions in the UASR,although the Troubles might be butterflied.
That is interesting. I wonder if Irish Nationalists become minor villains in Franco-British media, often seen as misguided nationalists taking Deleon-Deb's money to enact violence.
Nova Havana
Nova Havana is an expansion pack for the video game Fallout 3, released on June 19th, 2009. The pack is named after its setting, the city of Nova Havana, founded by the Grand American Legion, a military formed from the remnants of the Cuban military, organized by the leaders of the Havana mob after the destruction of the Cuban military government. After the Great War, the Great American Legion took over Cuba, and began to expand outwards, taking over part of Florida. After Floridan militias subdue the Legion, they instead consolidate their holdings in Florida, and formed a new, warped version of pre-war Havana. It becomes a land of vice and excess, with various casinos and brothels. The mission for the pack is to infiltrate Nova Havana on behalf of the Florida Brotherhood of Steel, in order to destablize them, and stop them from threatening the Florida communes, and amounting more power. After fighting off Cuban soldiers armed with Indian weapons, as well as large mutant alligators, the player character reaches the decadent city. Once in the city, he must assassinate General Vincento, a descendant of "Boss" Vincento, the original Supreme General of the Legion, to cause a power vaccuum and cause a civil war, which would divide the city, and allow the Brotherhood and the Florida communes to drive them out.
The pack became controversial in the UASR, due to the option to gamble at some casinos, an activity mostly illegal in the mainland. Some translations take out the gambling, and instead have pinball games. Ultimately, since Nova Havana was seen in a completely negative light, and gambling can cause many problems for the player, it was kept in the main American version. Many Cuban political and business figures are lampooned, as is the "Havana Vice" aesthetic of the 40's and 50's.
Nova Havana is an expansion pack for the video game Fallout 3, released on June 19th, 2009. The pack is named after its setting, the city of Nova Havana, founded by the Grand American Legion, a military formed from the remnants of the Cuban military, organized by the leaders of the Havana mob after the destruction of the Cuban military government. After the Great War, the Great American Legion took over Cuba, and began to expand outwards, taking over part of Florida. After Floridan militias subdue the Legion, they instead consolidate their holdings in Florida, and formed a new, warped version of pre-war Havana. It becomes a land of vice and excess, with various casinos and brothels. The mission for the pack is to infiltrate Nova Havana on behalf of the Florida Brotherhood of Steel, in order to destablize them, and stop them from threatening the Florida communes, and amounting more power. After fighting off Cuban soldiers armed with Indian weapons, as well as large mutant alligators, the player character reaches the decadent city. Once in the city, he must assassinate General Vincento, a descendant of "Boss" Vincento, the original Supreme General of the Legion, to cause a power vaccuum and cause a civil war, which would divide the city, and allow the Brotherhood and the Florida communes to drive them out.
The pack became controversial in the UASR, due to the option to gamble at some casinos, an activity mostly illegal in the mainland. Some translations take out the gambling, and instead have pinball games. Ultimately, since Nova Havana was seen in a completely negative light, and gambling can cause many problems for the player, it was kept in the main American version. Many Cuban political and business figures are lampooned, as is the "Havana Vice" aesthetic of the 40's and 50's.
After reading up more about the creator, I decided that it would be more interesting if Little Orphan Annie stayed in the UASR. Harold Gray was less of a conservative and more of a general populist who celebrated hard work and hated the idle rich.
Here's what I have so far...
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To many Americans, the name "Little Orphan Annie" is synonymous with childhood. Since the original comic strip's 1924 debut, the rambunctious redhead has been immortalized in blockbuster movies, a Broadway musical, a radio drama, animated cartoons, and much more. The comic strip was one of the first to have an ongoing plot, a picaresque tale with elements of political commentary and swashbuckling pulp fiction, and would influence generations of cartoonists.
Annie's creator, Harold Gray, was one of the many young men whose lives were changed in the trenches of World War I. In private, he would rage against the "blood sucking parasites who led millions of kids to their deaths in a war that they never understood" whenever the subject was brought up. He moved to Chicago to pursue his boyhood dream of being a cartoonist, and found work in the Tribune.
While looking for possible subjects on the streets of the South Side, he struck up a conversation with a little girl. "She was an orphan...had a lot of common sense, knew how to take care of herself. She had to." Gray recalled in an interview with the Labor Literary Review. "Her name was Annie"
I think it would be better if Gray followed a path similar to OTL... not all art should be dominated by the left. Reactionaries do can create good works, it's just that they... can't distinguish between politics and professional lives and just throw an anvil at readers.
"I'm Fred Trump,and this is my casino.I work here with my son..."
Can't help but thinking about the Pawn Stars copypasta.
How much is the approximate population of American exiles in Cuba by TTL 2016?
About the copypasta i made an UASR version just because:
“I’m Earl Browder and this is the Union of American Socialist Republics. I work here with my comrades Jack Reed and "Big Bill" Haywood, and in 26 years I’ve learned one thing. The Revolution is a historical truism.”
Y'know, come to think of it, you're right - AmeriCuba needs some good artists. Makes it more interesting.
Besides, I couldn't see Socialist!Annie being as weird as how the original strip could get IOTL. Like, she sunk a Nazi submarine, found the Loch Ness Monster, fought juvenile delinquents, and one of Daddy Warbucks's friends was heavily implied to be God.
When it ended in 2010 (yes, it really stayed on for that long - it ended because no one really cared about that version of the character anymore), the last strip had Annie be kidnapped by a Yugoslavian war criminal in Guatemala, with Warbucks believing her to be dead. The last panel read "AND THIS IS WHERE WE LEAVE OUR ANNIE...FOR NOW."
(If anyone cares, she was rescued by Dick Tracy three years later)
The American exile population is probably not as big as it was during the Havana Vice years. The younger generation of AmeriCubans (we need to come up with a word for the American exiles in Cuba--I vote for "exyuma", as in "ex-yuma", yuma being Cuban slang for Americans. Or probably just Yuma) probably don't see Cubans as colonial subjects, and I'd imagine that the intermarriage rates would be steadily increasing.
Also, nice maymay.