This is an idea I've had in my head for a while, it's only now I've been able to articulate this idea into something cohesive,
Since the Second American Civil War (1945-1949) there has existed an unspoken rule within American media (chiefly film and television) to not mention the civil war or to allude that there ever was a second civil war. This practice dominated television throughout the 1950s and 60s and it was dubbed the Rule of Silence by media insiders. It is erroneously believed that the Rule of Silence is part of the Hays Code. This is not true given the Hays Code was created in the 1930’s.
I Love Lucy, the most-watched show in North America during the 1950’s set the foundations not only for the situation comedy but for the Rule of Silence as well.
It was only in the 1970s that film and tv studios began to challenge and break the Rule of Silence. The tv show M.A.S.H. being the poster child of this trend. Academics speculate that this was because the generation born after the civil war had now grown up and begun to demand media that articulated their post-American identities. Others say it was because of the policy of détente by the various American states and the expansion of the North American Trade Organization (NATO) that allowed for media to take risks it wouldn’t have been able to take earlier
A groundbreaking show in many respects. The most significant impact M.A.S.H. made was that the show took place during the Second American Civil War, and the show made made no attempts to hide or brush aside the fact.
Dallas (left) and Dukes of Hazard(right) two shows made in the Pacific States but targeted to audiences in the Christian Commonwealth of America. These shows reflect the trend of studios moving away from pre-war pan American idealism to specific regional settings.
Although not as prevalent as it was in the past, the Rule of silence is still used in American media to this day. Largely because it allows creators to appeal to the largest spectrum of viewers in the North American market. The DC Cinematic Universe being a prime example.
Since the Second American Civil War (1945-1949) there has existed an unspoken rule within American media (chiefly film and television) to not mention the civil war or to allude that there ever was a second civil war. This practice dominated television throughout the 1950s and 60s and it was dubbed the Rule of Silence by media insiders. It is erroneously believed that the Rule of Silence is part of the Hays Code. This is not true given the Hays Code was created in the 1930’s.
I Love Lucy, the most-watched show in North America during the 1950’s set the foundations not only for the situation comedy but for the Rule of Silence as well.
It was only in the 1970s that film and tv studios began to challenge and break the Rule of Silence. The tv show M.A.S.H. being the poster child of this trend. Academics speculate that this was because the generation born after the civil war had now grown up and begun to demand media that articulated their post-American identities. Others say it was because of the policy of détente by the various American states and the expansion of the North American Trade Organization (NATO) that allowed for media to take risks it wouldn’t have been able to take earlier
A groundbreaking show in many respects. The most significant impact M.A.S.H. made was that the show took place during the Second American Civil War, and the show made made no attempts to hide or brush aside the fact.
Dallas (left) and Dukes of Hazard(right) two shows made in the Pacific States but targeted to audiences in the Christian Commonwealth of America. These shows reflect the trend of studios moving away from pre-war pan American idealism to specific regional settings.
Although not as prevalent as it was in the past, the Rule of silence is still used in American media to this day. Largely because it allows creators to appeal to the largest spectrum of viewers in the North American market. The DC Cinematic Universe being a prime example.
They might show the Trauma of the British rule especially Mosley ruled of Ireland in Second World War
Sedan Day for Kaiserreich Germany feels like a major one.
Bastile Day for any variant of France.
Deleted member 82792
Oh yes, the Bastile Day sounds like a great idea for a Commune of France sci-fi epic.
Anyone got ideas for actors?
I've been replaying New Vegas and it got me thinking about what Fallout would look like in Kaiserreich. I found this image on the TNO reddit and went with it.
Radioskampf: Ein Postnukleares Rollenspiel Is a role-playing video game developed and published by Magnustechnik. It was released October 23rd, 1997 and was met with critical and commercial success. It is often listed among the greatest video games of all time. Among other games Radioskampf has been credited for renewing consumer interest in role-playing games due to its setting and open-ended plot and gameplay. It has also received praise for its scathing satire of German jingoism and consumer culture. The game’s popularity in North America prompted Magnustechnik to release an official English translation in 1999 under the name Fallout. Radioskampf’s success has spawned a series of successful sequels and spinoffs.
Radioskampf is set in an alternate world where a retro-futuristic atomic age representation of the 1950s dominated the culture and society of that world. On October 23, 2077, a global nuclear war devastates the planet and destroys modern civilization. The events of Radioskampf takes place in a 2127, 50 years after the war, and follow the Nest Geboren, a human born and raised in the Adlerhorst, one of a number of nuclear shelters built to protect the survivors of the war.
Adlerhorst is located at the foot of the Alps near Innsbruck, and the survivors outside the Adlerhorst live off the salvage of the old world. The player’s character, the Nest Geboren, is tasked with exploring the surrounding wasteland in order to find a replacement computer chip for the Adlerhorst’s malfunctioning heating system. The player has a limited amount of time to find the replacement chip or else the inhabitants of Adlerhorst will freeze to death.
Gameplay revolves around the Nest Geboren exploring the wasteland and interacting with other survivors, some of whom give the player missions. The Nest Geboren can explore major settlements including Grüne Felder, a farming community forced to pay tribute to rivaling gangs of Freikorps; Tauschstadt, a bustling merchant city mired in turf wars by the various trade guilds; and Verfault, a community of various nuclear mutants who are shunned by the rest of wasteland forced to live in the irradiated ruins of Munich.
The Nest Geboren’s travels brings them into contact with various factions like the Eiserne Bruderschaft, a knightly order of warrior monks; the guilds of Tauschstadt; many roving gangs of Freikorps who range from simple bandits to religious cults; and the Schwarze Sonne, an army of nigh invulnerable super mutants who are seemingly immune to radiation.
The Nest Geboren can obtain the replacement chip in a variety of ways, each one giving some benefit and some consequence that will affect the player’s interactions with other factions and the ending. Once the Nest Geboren brings the chip back to Adlerhorst, the nest leader tasks the Nest Geboren to destroy the Schwarze Sonne before they overrun the region. Once the Nest Geoben finds and enters the castle the Schwarze Sonne have use as their base, the Nest Geboren realizes that the Schwarze Sonne threat is much larger than they alone can handle and destroying the castle will only be a temporary setback for them. The player can either decide to join the Schwarze Sonne or proceed with destroying the castle. If the player goes with the latter option, the Nest Geboren will inform the Adlerhorst they are safe while the Nest Geboren elects to remain in the wasteland studying the Schwarze Sonne and warning others of the danger.
Kreig,
Krieg ändert sich nie
Radioskampf: Ein Postnukleares Rollenspiel Is a role-playing video game developed and published by Magnustechnik. It was released October 23rd, 1997 and was met with critical and commercial success. It is often listed among the greatest video games of all time. Among other games Radioskampf has been credited for renewing consumer interest in role-playing games due to its setting and open-ended plot and gameplay. It has also received praise for its scathing satire of German jingoism and consumer culture. The game’s popularity in North America prompted Magnustechnik to release an official English translation in 1999 under the name Fallout. Radioskampf’s success has spawned a series of successful sequels and spinoffs.
Radioskampf is set in an alternate world where a retro-futuristic atomic age representation of the 1950s dominated the culture and society of that world. On October 23, 2077, a global nuclear war devastates the planet and destroys modern civilization. The events of Radioskampf takes place in a 2127, 50 years after the war, and follow the Nest Geboren, a human born and raised in the Adlerhorst, one of a number of nuclear shelters built to protect the survivors of the war.
Adlerhorst is located at the foot of the Alps near Innsbruck, and the survivors outside the Adlerhorst live off the salvage of the old world. The player’s character, the Nest Geboren, is tasked with exploring the surrounding wasteland in order to find a replacement computer chip for the Adlerhorst’s malfunctioning heating system. The player has a limited amount of time to find the replacement chip or else the inhabitants of Adlerhorst will freeze to death.
Gameplay revolves around the Nest Geboren exploring the wasteland and interacting with other survivors, some of whom give the player missions. The Nest Geboren can explore major settlements including Grüne Felder, a farming community forced to pay tribute to rivaling gangs of Freikorps; Tauschstadt, a bustling merchant city mired in turf wars by the various trade guilds; and Verfault, a community of various nuclear mutants who are shunned by the rest of wasteland forced to live in the irradiated ruins of Munich.
The Nest Geboren’s travels brings them into contact with various factions like the Eiserne Bruderschaft, a knightly order of warrior monks; the guilds of Tauschstadt; many roving gangs of Freikorps who range from simple bandits to religious cults; and the Schwarze Sonne, an army of nigh invulnerable super mutants who are seemingly immune to radiation.
The Nest Geboren can obtain the replacement chip in a variety of ways, each one giving some benefit and some consequence that will affect the player’s interactions with other factions and the ending. Once the Nest Geboren brings the chip back to Adlerhorst, the nest leader tasks the Nest Geboren to destroy the Schwarze Sonne before they overrun the region. Once the Nest Geoben finds and enters the castle the Schwarze Sonne have use as their base, the Nest Geboren realizes that the Schwarze Sonne threat is much larger than they alone can handle and destroying the castle will only be a temporary setback for them. The player can either decide to join the Schwarze Sonne or proceed with destroying the castle. If the player goes with the latter option, the Nest Geboren will inform the Adlerhorst they are safe while the Nest Geboren elects to remain in the wasteland studying the Schwarze Sonne and warning others of the danger.
Kreig,
Krieg ändert sich nie
I've been working on this for the better part of the year. My Magnum Opus of sorts...
The DC Cinematic Universe (DCCU) is a media franchise and shared universe centered around superhero films produced by DC Entertainment. The films are based on characters that appear in comic books published by DC Comics. The franchise also includes television series, short films, digital series, and literature. The shared universe, much like the original DC comic books, was established by crossing over common plot elements, settings, cast, and characters.
The first DCCU film was Aquaman (2006) which began the films of Phase One culminating the crossover film The Justice League (2011). Phase Two began with Aquaman 3 (2012) and concluded with Hawkgirl (2014). Phase Three began with Batman: Hush (2015) and concluded with Justice League: United (2019). The first three phases have been dubbed “The Equation Saga”. The films of Phase Four that will start the “New Gods Saga” will debut with Harley Quinn and the Birds of Prey (2020).
The franchise has been commercially successful and has generally received positive reviews. It has inspired other film and television studios to attempt to create similar shared universes with comic book character adaptations. Marvel, DC’s primary rival has launched its own combined universe with mixed success.
By the early 2000’s DC had begun to independently produce and distribute its own films through their parent company Warner Bros. These early films were co-produced with other studios such as Legendary Pictures, and New Line Cinema. DC Entertainment made relatively little profit from its licensing deals with the other studios and wanted to get more money out of its films while maintaining artistic control of the projects and distribution. Geoff Johns, the newly elected president of DC Entertainment envisioned creating a shared universe just as had been done with their comic books. He realized, while it would be difficult to convince Warner Bros. to give him the film rights of DC’s heavy hitters like Batman and Superman, DC Entertainment still owned the rights to the core Justice League members. The executives of Warner Bros. were skeptical about the potential of the franchise as they already had a Superman and a Batman movie in the works, but they agreed to give Johns a seven-year period and a credit of $500 million to produce seven films based on his idea.
The first film of the DCCU Aquaman, released in summer of 2006 which competed with Superman Returns. Everyone expected Aquaman to fail but were shocked to see it gross over $100 million on its opening weekend while Superman Returns only made $50 million. Shocked by its unexpected success Warner Bros. gave their full support to Geoff Johns vison and scrapped or redirected much of its existing DC projects to the new franchise.
The DC Elseworlds films were made initially to differentiate the DC films and products that were made prior to Phase One. While Bryan Singer’s Superman Returns did poorly at the box office, Christopher Nolan’s Batman Begins was a success and Nolan insisted he be allowed to finish his trilogy independent from the DCCU. Geoff Johns decided to use Elseworlds as a place where directors could be given greater creative freedom and allowed to experiment without having to be constrained by the continuity established in the main films.
* Initially a standalone, retconned into DCCU
The DC One-Shots are a series of direct-to-video short films produced by DC Entertainment, set within the DCCU. Released between 2011-2015, they were included as special features on the DCCU’s Blu-ray and digital distribution releases. The films range from 3-15 minutes, are designed as self-contained stories that provide additional backstories for characters and events introduced in the films.
The first two shorts received generally negative reviews, but the rest were more positivity received and highlighted for their contributions in expanding the DCCU. All the One-Shots were made available on Watchtower when the Bat Family mockumentary shorts (2017-2019) were reclassified as One-Shots.
DC Entertainment has produced multiple television series set in the DCCU across broadcast, streaming, and cable. The first DCCU tv series were aired on The CW, then expanded to Blockbuster’s streaming service debuting with The Suicide Squad (2016-2019). Then, when Blockbuster was forced to breakup its illegal monopoly, Warner Bros. was quick to release its Young Adult Series on its own streaming service, Watchtower. DC has announced they plan release all future content exclusively on Watchtower.
The DC Cinematic Universe (DCCU) is a media franchise and shared universe centered around superhero films produced by DC Entertainment. The films are based on characters that appear in comic books published by DC Comics. The franchise also includes television series, short films, digital series, and literature. The shared universe, much like the original DC comic books, was established by crossing over common plot elements, settings, cast, and characters.
The first DCCU film was Aquaman (2006) which began the films of Phase One culminating the crossover film The Justice League (2011). Phase Two began with Aquaman 3 (2012) and concluded with Hawkgirl (2014). Phase Three began with Batman: Hush (2015) and concluded with Justice League: United (2019). The first three phases have been dubbed “The Equation Saga”. The films of Phase Four that will start the “New Gods Saga” will debut with Harley Quinn and the Birds of Prey (2020).
The franchise has been commercially successful and has generally received positive reviews. It has inspired other film and television studios to attempt to create similar shared universes with comic book character adaptations. Marvel, DC’s primary rival has launched its own combined universe with mixed success.
By the early 2000’s DC had begun to independently produce and distribute its own films through their parent company Warner Bros. These early films were co-produced with other studios such as Legendary Pictures, and New Line Cinema. DC Entertainment made relatively little profit from its licensing deals with the other studios and wanted to get more money out of its films while maintaining artistic control of the projects and distribution. Geoff Johns, the newly elected president of DC Entertainment envisioned creating a shared universe just as had been done with their comic books. He realized, while it would be difficult to convince Warner Bros. to give him the film rights of DC’s heavy hitters like Batman and Superman, DC Entertainment still owned the rights to the core Justice League members. The executives of Warner Bros. were skeptical about the potential of the franchise as they already had a Superman and a Batman movie in the works, but they agreed to give Johns a seven-year period and a credit of $500 million to produce seven films based on his idea.
The first film of the DCCU Aquaman, released in summer of 2006 which competed with Superman Returns. Everyone expected Aquaman to fail but were shocked to see it gross over $100 million on its opening weekend while Superman Returns only made $50 million. Shocked by its unexpected success Warner Bros. gave their full support to Geoff Johns vison and scrapped or redirected much of its existing DC projects to the new franchise.
Film | P.S.A release date | Director(s) | Screenwriter(s) | Producer(s) | Status |
Phase 1 | | | | | |
Aquaman | 7/15/2006 | James Cameron | Geoff Johns, Andrew Kevin Walker | Avi Arad, Geoff Johns | Released |
Green Lantern | 6/17/2007 | George Miller | Michele & Kieran Mulroney | Gale Anne Hurd, Geoff Johns | Released |
Aquaman 2 | 6/11/2008 | Michael Bay | Kevin Smith | Geoff Johns | Released |
Wonder Woman | 2/6/2009 | Kathryn Bigelow | Kathryn Bigelow | Geoff Johns | Released |
Batman: Year Two | 10/31/2010 | Matt Reeves | Jeph Loeb | Geoff Johns | Released |
Man of Steel | 7/6/2011 | Zach Snyder | David S. Goyer | Geoff Johns | Released |
The Justice League | 7/4/2011 | Joss Whedon | Joss Whedon Christopher Markus, Stephen McFeely | Geoff Johns | Released |
Phase 2 | | | | | |
Aquaman 3 | 5/15/2012 | James Wan | Kevin Smith, Andrew Kevin Walker | Geoff Johns | Released |
Martian Manhunter | 8/5/2012 | Jon Favreau | Jon Spaihts | Geoff Johns | Released |
Batman: Dark Victory | 10/2/2013 | Matt Reeves | Jeph Loeb | Geoff Johns | Released |
Wonder Woman: Gods and Mortals | 9/7/2013 | Kathryn Bigelow | Allan Heinberg | Geoff Johns | Released |
Justice League: World War | 5/5/2014 | Joss Whedon | Christopher Markus, Stephen McFeely | Geoff Johns | Released |
Hawkwoman | 11/9/2014 | Edgar Wright | Edgar Wright | Geoff Johns | Released |
Phase 3 | | | | | |
Batman: Hush | 4/11/2015 | Matt Reeves | Jeph Loeb | Geoff Johns | Released |
Dr. Fate | 7/19/2015 | Scott Derrickson | Scott Derrickson | Geoff Johns | Released |
Power Girl | 9/17/2016 | Anna Boden, Ryan Fleck | Anna Boden | Geoff Johns, Amy Pascal | Released |
Public Enemy Superman | 11/6/2016 | Jon Favreau | Jeph Loeb | Geoff Johns | Released |
Blue Beetle | 3/22/2017 | Ryan Coogler | Ryan Coogler, Joe Robert Cole | Geoff Johns | Released |
Zatanna | 7/11/2017 | Patty Jenkins | Allan Heinberg | Geoff Johns | Released |
Orion | 8/29/2017 | Ava DuVernay, James Wan | Tom King | Geoff Johns, Peter Safran | Released |
Justice League: Apokolips | 4/26/2018 | Zack Snyder, Joss Whedon | Christopher Markus, Stephen McFeely | Geoff Johns | Released |
Hawkman & Hawkwoman | 7/7/2018 | Edgar Wright | Edgar Wright, Joe Cornish | Geoff Johns | Released |
Shazam! | 3/15/2019 | David F. Stanberg | Henry Gayden | Peter Safran, Geoff Johns | Released |
Justice League: United | 4/26/2019 | Joss Whedon | Christopher Markus, Stephen McFeely | Geoff Johns | Released |
Phase 4 | | | | | |
Harley Quinn and the Birds of Prey | 7/2/2020 | Cathy Yan | Christina Hudson | Margot Robbie, Geoff Johns | Post-Production |
Batman In The Court of Owls | 6/4/2020 | Matt Reeves | Matt Reeves, Jeph Loeb | Geoff Johns | Post-Production |
Swamp Thing | 4/22/2021 | Guillermo del Toro | Gary Dauberman, Mark Verheiden | Geoff Johns | Filming |
Challengers of the Unknown | 5/5/2021 | James Gunn | Jonathan Tzachor | Geoff Johns, Johathan Tzachor | Filming |
Shazam! Fury of the Gods | 12/16/2022 | David F. Stanberg | Henry Gayden | Peter Safran, Geoff Johns | Filming |
The Flash | 6/23/2023 | Andy Muschietti | Christina Hodson | Barbara Muschietti, Geoff Johns | Pre-Production |
Lobo | 7/17/2023 | Andy Serkiss | Kelly Marcel | Geoff Johns | Pre-Production |
Atom Smasher | 9/26/2023 | Adam Sztykiel | Jaume Collet-Serra | Geoff Johns | Pre-Production |
Wildcat | TBA | Lea Thompshon | TBA | Geoff Johns | In Development |
Superwoman | TBA | Patty Jenkins | TBA | Geoff Johns | In Development |
Justice Leauge: New Gods | TBA | Ava DuVernay | TBA | Geoff Johns, Peter Safran | In Development |
The DC Elseworlds films were made initially to differentiate the DC films and products that were made prior to Phase One. While Bryan Singer’s Superman Returns did poorly at the box office, Christopher Nolan’s Batman Begins was a success and Nolan insisted he be allowed to finish his trilogy independent from the DCCU. Geoff Johns decided to use Elseworlds as a place where directors could be given greater creative freedom and allowed to experiment without having to be constrained by the continuity established in the main films.
DC Elseworlds | |||||
Film | P.S.A. Release Date | Director | Screenwriter | Producer | Continuity |
Batman Begins | 15/06/2005 | Christopher Nolan | Christopher Nolan | Emma Thompson | Dark Knight Trilogy |
Superman Returns | 21/06/2006 | Bryan Singer | Michael Dougherty | Jon Peters, Bryan Singer | 1978 Film Series |
The Dark Knight | 14/07/2008 | Christopher Nolan | Christopher Nolan | Emma Thompson | Dark Knight Trilogy |
Bizarro | 21/11/2010 | Kevin Smith | Kevin Smith | Kevin Smith | Standalone |
Kingdom Come: Issue 1 | 2/5/2011 | Kevin Tancharoen | Kevin Tancharoen | Kevin Tancharoen | Kingdom Come |
Green Lantern: Emerald Knights | 7/6/2011 | James Gunn | Greg Berlanti | Greg Berlanti | DCCU* |
The Dark Knight Rises | 20/07/2012 | Christopher Nolan | Christopher Nolan | Emma Thompson | Dark Knight Trilogy |
Kingdom Come: Issue 2 | 31/08/2014 | Kevin Tancharoen | Kevin Tancharoen | Kevin Tancharoen | Kingdom Come |
Detective Chimp | 13/01/2015 | James Gunn | James Gunn | James Gunn | Standalone |
The Death of Superman | 24/07/2017 | Zack Snyder | Zack and Deborah Snyder | Deborah Snyder | Standalone |
Gotham by Gaslight | 23/01/2018 | Guy Ritchie | Bruce Timm, Sam Liu | Susan Downey, Dan Lin | Standalone |
Joker | 4/10/2019 | Todd Phillips | Todd Phillips | Todd Phillips | Standalone |
Übermensch: Kaiser's Sohn | TBA | Werner Hertzog | J.M. DeMatteis | Todd Phillips | Standalone |
Kingdom Come: Issue 3 | TBA | Kevin Tancharoen | Kevin Tancharoen, Todd Phillips | Kevin Tancharoen, Todd Phillips | Kingdom Come |
Luthor | TBA | Tim Miller | Tim Miller | Tim Miller | Standalone |
* Initially a standalone, retconned into DCCU
The DC One-Shots are a series of direct-to-video short films produced by DC Entertainment, set within the DCCU. Released between 2011-2015, they were included as special features on the DCCU’s Blu-ray and digital distribution releases. The films range from 3-15 minutes, are designed as self-contained stories that provide additional backstories for characters and events introduced in the films.
The first two shorts received generally negative reviews, but the rest were more positivity received and highlighted for their contributions in expanding the DCCU. All the One-Shots were made available on Watchtower when the Bat Family mockumentary shorts (2017-2019) were reclassified as One-Shots.
DC One-Shots | |||||
Film | P.S.A. release date | Director | Screenwriter | Producer | Home Media Release |
Halloween at Arkham | 10/25/2011 | Drew Pearce | Eric Pearson | Geoff Johns | Batman: Year Two |
Huntress | 9/13/2012 | Paul Dini | Eric Pearson | Geoff Johns | Man of Steel |
How to not stand out when working undercover on Earth | 7/21/2013 | Taika Waititi | Taika Waititi | Geoff Johns | The Justice League |
The Daily Planet breakroom | 12/4/2014 | Kevin Smith | Kevin Smith | Geoff Johns | Aquaman 3 |
The Wall | 5/15/2015 | Gideon Raft | Eric Pearson | Geoff Johns | Justice League: World War |
Bat Family | 8/28/2017 | Taika Waititi | Taika Waititi | Geoff Johns | Publuc Enemy: Superman |
Bat Family: Part 2 | 3/17/2018 | Taika Waititi | Taika Waititi | Geoff Johns | Blue Beetle |
Robin(s)? | 2/14/2019 | Taika Waititi | Taika Watiti | Geoff Johns | Zatanna |
DC Entertainment has produced multiple television series set in the DCCU across broadcast, streaming, and cable. The first DCCU tv series were aired on The CW, then expanded to Blockbuster’s streaming service debuting with The Suicide Squad (2016-2019). Then, when Blockbuster was forced to breakup its illegal monopoly, Warner Bros. was quick to release its Young Adult Series on its own streaming service, Watchtower. DC has announced they plan release all future content exclusively on Watchtower.
| The CW's DC Television Series | |||||
| Series | No. of Seasons | No. of Episodes | First Aired | Last Aired | Showrunner(s) |
| The Flash | 7 | 151 | 7/10/2014 | 5/14/2019 | Andrew Kreisberg, Eric Wallace |
| Arrow | 7 | 160 | 10/10/2012 | 5/13/2019 | Andrew Kreisberg |
| Agents of A.R.G.U.S | 6 | 123 | 9/24/2013 | 8/2/2019 | Andrew Kreisberg |
| Gotham | 5 | 100 | 9/22/2014 | 4/25/2019 | Bruno Heller |
| Supergirl | 4 | 87 | 6/4/2016 | 5/19/2019 | Andrew Kreisberg, Robert Rovner |
| Blockbuster's DC Television Series | |||||
| Series | No. of Seasons | No. of Episodes | First Aired | Last Aired | Showrunner(s) |
| The Suicide Squad | 4 | 52 | 1/8/2016 | 11/29/2019 | Charles Roven |
| Jonah Hex | 1 | 13 | 3/14/2017 | 11/5/2017 | Akiva Goldsman |
| Catwoman | 2 | 26 | 4/21/2018 | 6/9/2019 | Melissa Rosenberg |
| Doom Patrol | 1 | 15 | 2/15/2019 | 5/24/2019 | Jeremy Carver |
| Deathstroke | 1 | 13 | 7/18/2018 | 8/7/2019 | Greg Berlanti |
| Batman Inc. | 1 | 13 | 6/20/2019 | 8/19/2019 | Andrew Kreisberg |
| DC's Young Adult Series | ||||||
| Series | No. of Seasons | No. of Episodes | First Aired | Last Aired | Network | Showrunner(s) |
| Young Justice | 2 | 10 | 6/7/2018 | 5/30/2019 | Watchtower | Geoff Johns |
| Titans | 2 | 24 | 12/10/2018 | 11/29/2019 | Watchtower | Greg Berlanti |
| Stargirl | 1 | 13 | TBA | N/A | Watchtower | Geoff Johns |
Deleted member 82792
Awesome work here! Can you tell us who some of the actors are?
Also, what the plot for Übermensch: Kaiser's Sohn?
Yes he did, he did write the LOTR as technically is contemporary to the POD(ie before no unrestricted submarine warfare) so the idea of LOTR/Middle Earth Saga still happened, a flavour event was that the exile might have leaked into his works and he denied, saying all his inspiration came back his education and the great war. It was a flavor event in South Africa and Canada Gameplays, Dunno if is still there
Übermensch: Kaiser's Sohn, is set in an alternate world where Clark Kent crash lands in Germany instead of Kansas and becomes a superhero in Germany. The Kaiser formally acknowledges Superman's existence by adopting him and appointing him as the heir apparent of the German Empire. This causes the United States, led by Lex Luthor to begin an arms race of superheroes to defeat Germany and its Übermensch. At the same time, Superman/Übermensch has to navigate court intrigue, Luthor's meddling, and existential threats whilst trying to do good and make the world safe.
Some of the cast of the DCCU
Superman/ Clark Kent........................................Matt Bomer
Wonder Woman/ Diana Prince.......................Gal Gadot
Batman/ Bruce Wayne........................................Robert Downey Jr.
Robin/ Dick Grayson............................................Robert Pattinson
Robin/ Tim Drake..................................................Ansel Elgort
Robin/ Jason Todd.................................................Curran Walters
Aquaman/ Arthur Curry......................................Adrian Grenier, (Aquaman ) Jake Gyllenhaal, (Aquaman 2) Jason Momoa, (The Justice League, Aquaman 3)
Lex Luthor..................................................................Bruce Willis
President of the United States..........................Arnold Schwarzenegger
The Joker....................................................................Adrien Brody
Darkseid.....................................................................Ron Perlman
Green Lantern/ John Stewart............................Columbus Short
Amanda Waller........................................................Angela Bassett
Deleted member 82792
Does the Supergirl series have Melissa Benoist and Katie McGrath in it? And maybe Supercorp?
And what other actors do you have in DC? Also, how is Marvel doing?