A little contribution for this great timeline
A theatrical poster for Roman Polanski’s
Chinatown, a classic 1974 neo-noir film directed by Polanski and written by Robert Towne set in Los Angeles circa 1937 about a private detective named Jake Gittes (Jack Nicholson) who accepts an offer from Evelyn Mulawray (Jane Fonda)[1] to investigate her husband Hollis for suspected cheating. However, when Hollis is found dead, Jake eventually begins to uncover who and what killed him, discovering a conspiracy behind the scenes to control LA’s water supply and drain it to drive off farmers from their land so that new suburban homes in the city could be built which is led by the treacherous businessman Noah Cross (John Huston). In one of the most famous plot twists in movie history, Evelyn Mulawray is revealed to have a daughter who was born out of incest and that her father was none other than Noah Cross responsible for said incest. Luckily for Jake, Evelyn kills her father, Noah by gunshot, ensuring the water supply scheme is foiled for good and her daughter is safe from harm[2].
Upon release, Chinatown was praised by critics for Towne’s screenplay, the performances from Nicholson and Huston, Polanski’s direction and the score. The film was also a commercial success and inspired Towne to collaborate with Polanski on two sequels: 1979’s
The Two Jakes (about Jake Gittes discovering an oil corruption scheme) and 1981’s
Gittes vs. Gittes (about Jake Gittes dealing with divorce at the end of his life) with both films taking place decades after
Chinatown (1949 and 1961 respectively)[3]. Along with it’s sequels, Chinatown is part of the “Gittes Trilogy'' centering around the life of Jake Gittes and his decades-spanning career as a private detective in Los Angeles[4].
John Carpenter in a People Magazine interview for the 1981 cop film
Undercover L.A. starring Kurt Russell[5].
The theatrical poster for the 1983 crime drama
Scarface, a remake of the 1932 film of the same name starring Al Pacino as Tony Montana with the protagonist’s ethnicity changed from Italian to Cuban, including his surname going from Carmote to Montana and the setting taking place in communist era Cuba circa 1962[6]. When the film was released, Scarface was controversial for it’s violence and profanity with the government of Cuba and many Cuban-Americans boycotted the film for it’s portrayal of Cuban migrants coming to America and fleeing Fidel Castro’s Cuba with one such protest occurring at a theatre in Miami showing the film even with De Palma and Universal releasing a disclaimer stating it was not intended to paint a negative portrayal of Cubans[7]. However, Scarface was re-evaluated by critics and audiences years after it’s release as one of the greatest gangster flicks of all time and maintains a large following to this day.
Conversely, many in Cuba dislike the film for it’s portrayal of Cuban migrants and it’s officially banned in the country.
[1] Jane was one of the choices for Evelyn Mulawray Cross IOTL but was passed in favor of Faye Dunaway.
[2] In the original draft of Chinatown by Robert Towne, Evelyn actually succeeded in saving her daughter and foiling the water supply scheme of her incestuous evil father Noah but director Roman Polanski changed this into the complete opposite due to the murder of his wife Sharon Tate by the Manson Family in 1969. ITTL, the Manson Family never murdered Tate because they went after the Beatles only to claim the life of their manager Brian Epstein and some of them went to Brazil with Jim Jones’ Peoples’ Temple where they, along with their leader Charles Manson would get themselves unceremoniously killed in a raid by the British intelligence service MI6 in 1970. Moreover, the First Ark Wave already brought attention to the widespread sexual pestering and abuse within society, which affects Polanski a lot because the survival of his wife and a #MeToo-esque event happening resulted in him keeping Towne’s original bittersweet conclusion. It also means that the line “Forget it Jake, it’s Chinatown!” doesn’t exist here due to the different ending and thus the film’s title comes from Jake Gittes’ previous albeit more successful ITTL case instead.
[3] Another major aspect of Tate’s survival and the First Ark Wave is that Polanski didn’t abuse Samantha Geiley in 1977, as the backlash against sexual abuse and pestering coupled with the influence of his wife ensured that he would not do such a thing whatsoever. Therefore, Polanski actually gets to direct The Two Jakes and Gittes vs. Gittes due to the success of Chinatown and the presence of Robert Towne.
[4] In time, the “Gittes Trilogy” will be seen as a classic neo-noir film series by many, with
Chinatown considered the best of the three while the others are seen as good even if they don’t come close to the first though the third is considered a fitting conclusion to the story of Jake Gittes.
[5] One of the biggest pop cultural butterflies in TTL’s 1980s, besides James Cameron not making
The Terminator is
Escape from New York not existing either because Watergate didn’t happen with Richard Nixon never becoming President. Thus, Carpenter didn’t get the idea of making the film. As such,
Undercover L.A. is his other 1981 film apart from
Halloween 2.
[6] Since Cuba was an American ally after the Cuban War, the movie focuses on Cuban refugees in Florida who remained there, including Tony himself.
[7] The Cuban backlash against Scarface is even worse ITTL due to Cuba’s closer relations with the United States which caused Cuban-Americans to stage a national boycott of the film.