Palmera (An African Resettlement AH)

The Deal
Previously in the timeline:
The Spanish Period to Home Rule. A curious twist of fate results in a British resettlement project for Black freedmen going to the depopulated southern reaches of an alternate Florida named Palmera.
The Lion's Cub, Part One. The Union of Palmera battles tides of unrest washing out from America after the Civil War, culminating in the traumatic rebellion called the Third Border War.
The Lion's Cub, Continued. The Gilded Age unfolds in Palmera in a mingling of glory and tragedy.
The Lion's Cub, Conclusion. The Union cautiously begins to carve out a place in the international orders of politics, finance and trade.
The Hinge of History, Pt. 1 ("Unseen Pressures Build"). On the eve of the Great War, new forces of nationalism, religion and activism are growing.
The Hinge of History, Pt. 2 ("We Shall Do What Must Be Done"). The Great War erupts, and the full cost in blood and moral compromise of Palmera's "lion's cub" aspirations becomes plain.
The Hinge of History, Pt. 3 ("Lift Every Voice and Sing"). Football, baseball and beach-side leisure provide windows onto three different episodes of postwar social change.

Resource Posts:
Palmera at the End of the Belle Epoque: A Snapshot. A map and a demographic summary of the Union of Palmera in the year 1914.
Glossary of Palmey English Terms. A glossary of Palmeyisms or otherwise unfamiliar language occurring in the text. Periodically updated as the timeline advances.

Other Story Posts:

Song of Songs. Though times are tough in the wake of the Great Tequesta Hurricane, little has changed in the rarified world of the social elite. Or has it?

The Deal
(Township of Helena, Zion Parish in Tequesta County, 11th of April 1926)

Tequesta County, and Palmera's southeastern Atlantic coast generally, was eyed for large-scale development as early as the late 19th century, with a number of rail extensions and other projects being conceived but failing to come to fruition. It was rich in independent citrus, rice and coconut farms and fishing and shrimping operations—the area got something of a boost and attracted more settlers after the Great Freeze of the middle 1890s, which only Tequesta County's harvest survived—but it remained almost aggressively rural and was still to many minds quite criminally under-served by the post-war period.

Development south of the Masterman Line had hitherto favoured the Gulf Coast and the original core of Calusa around Eleutheria, but by the 1920s it was clear that Tequesta county's so-called “splendid isolation” could not last much longer. The only question was who would benefit from the boom that was surely soon to come. The epicentre of that boom would turn out to be the little coastal Township of Helena, named for its founder Helena Fletcher Giraud – an ex-slave Dustie who arrived in the region in the 1880s – near the Mayami River.

[After all the mentions of Chatta, we see a bit of it in action here. Warning for a couple of racial epithets.]


* * *​


“Hardly worth the name.”

Moses Goff said it aloud, but mostly to himself, as the little Patterson rumbled along one of the dusty tracks that Zion parish dignified with the term “roads.” He clutched his attache bag tight, and kept a hand on his straw boater as if some part of him felt the next pothole might dislodge it. Every damned thing around him seemed to be rattling at once.

“Dammiloo, Mista Riddey?[1]” The driver beside him was one of the Operation's men. Mahogany-dark, his yellowed palms horned with calluses, his seersucker suit and bow tie making him look deceptively like a man of leisure.

Goff had never seen the man before. He made a point of seeing any of them as little as he could. They all seemed to have the same inscrutable, shark-like eyes. “The roads,” he added curtly. “I said they're hardly worth the name.”

“Dem wuttie nah fi yuh dam buyah, ki?” There wasn't much humour in the driver's chuckle. “Ah sake ah dis fi yuh buckrah dem a feli weh fi bassey dem a galang, eeh Mista Riddey.”[2]

“I'm not your 'buckrah'.” Goff heard the defensive note in his voice, but he couldn't help it. “I'll have you know I'm Lanney right back to the Providence. And you can kindly knock off the 'Mista Riddey' stuff, right? I'm here as a private citizen.”[3]

The driver gave him an unreadable look and disdained to dignify that last statement with an answer. It was a mercy, Goff decided as he retreated into his private misery. He'd been on the point of reminding the insolent bulloe that it was his own Operation's money that had been holding up land use permits for developers, and with them the eyes of the law, for years. The growing clamour from the farmers had damned near taken him out of office in the last elections, and might yet do so in the month to come. He had taken risks in this whole business that he didn't dare think on, excepting times like this when he found himself bouncing along a miserable backabush track with an ingrate at the wheel.[4]

Think about how you plan to get on if one of those self-righteous Dusties gets into office come May, he thought resentfully, his jaw clenching, his grip on his briefcase tightening. Let's see you mock me then with 'buckrah' this and 'Mista Riddey' that. No, you lot need me.

It was hard to hold onto the anger, though. Discomforts of both body and mind were crowding it out. The Chief Executive Magistrate of Tequesta could feel how sickly he appeared, and it wasn't just from the motion sickness he was prone to, although the automotive's jouncing did not help matters. He already missed the orderly, cheerful and above all flat streets of Hazeleyville. More than anything he'd wanted in a long time, he wanted this distasteful rendezvous to be over.

The setting sun gave the countryside around them an incongruously idyllic cast. They'd rolled through at least a half-dozen scatterings of homesteads and makeshift orchards that Goff was certain hadn't been there the last time one of the Operation's men had come to retrieve him. It gave him a curious sense of alienness in a county he should have known like the back of his hand, a sense that the land and its people were moving past him like a film reel that was too quick to follow.

He let a measure of relief banish that discomfiting thought as he saw a shadow on the near horizon. That at least was familiar: Helena's lighthouse, tied for tallest in the country and as close as the township approached having a claim to fame. It meant their destination was close at hand.

There. The broken-down brick shack was a familiar sight, its thatch roof just visible on the right through the trees beside a gravel-strewn turnoff. It looked even more dilapidated than the last time he'd seen it. The Operation called it the Habbu-Haas[5], though there hadn't been a farm here since well before the war. The sight of it gave him chills. It had, with what he knew to be good reason, the air of a place where very bad things could happen to the man who put a foot wrong. And the less time spent here, the better.

Goff was taken aback, though, when he saw light peeking through the boards on the shack's windows. Electrical light. He could hear the faint sounds of sawing fiddles and a woman's voice on a crystal set, could hear an engine-like chugging from the building's rear.

He couldn't help looking at the driver in surprise. “You hauled a generator out here?”

“Wi mek all dem a ting boh-boh fi yuh check, Mista Kenzey.” The driver grinned at his passenger's look of annoyance, clearly pleased at finding an 'honorific' that got under his skin even more. “Tuzhu-tuzhu.”[6]

“Yes, you're princes among men, of course. I think I can just glimpse the red carpet now.”

Sarcasm was the best antidote Goff could muster for the sour feeling in his stomach as he heard gravel crunch under the tyres. It's for him, he thought with trepidation. “Mista Nonay.”[7] He had a sense of stepping into uncharted territory here, but there was no point in regrets now. The die was cast. He was opening his door and climbing out the moment the Patterson came to a halt.

“Alright, then,” he said with more confidence than he felt. “Let's have a look at him.”

* * *​

“Coo deh,” the lookout alerted them. “Fi yuh daal dem a yah. Cheh-cheh.”[8]

The stand of trees across from the Habbu-Haas had been a torment of stifling heat and scratching branches for most of the day. The pair of men leaning against the trunk of a dogwood behind the lookout – a wiry little man with tangled locks clad in sandals and rolled-up trousers – had been fighting off drowse and torpor, but the tension crackling in their companion's voice roused them with a start. He held out his spy-glass to the nearest of them.

The burly one calling himself 'Toby' snatched the glass and peered through it, grunting in approval as he saw the Chief Executive Magistrate climbing out of the car. The exalted personage of state authority was shaking life into his limbs and looking whey-faced as he contemplated the little shack.

“About time,” he said. “Weedy little bastard, eeh nah? Somehow I always expect these muckyas to be taller.”[9]

That drew a low laugh from the lookout. It didn't draw a laugh from the thin, sober-looking youngster who was calling himself 'Jake,' who said mildly: “There's no need to be vulgar, is there. Here, let me have a look.”

'Toby' shook his head as he handed over the spy-glass. He was a bull of a Lanney with a close military cut, golden skin and blue eyes. Solid rugby material, one of those intrepid souls who'd missed being old enough to serve in the War by a hair and always lamented it. Still, he regarded his partner with a hint of disquiet. All he said was: “Funny thing to worry about words at a time like this.”

“Not one iota shall pass from the Law until all is accomplished.”[10] 'Jake's' voice was cool as spring water as he quoted his scripture, watching Goff walk into the shack, his driver behind him. “The small things matter. How long should we wait?”

The lad was dark and neat and couldn't be a day over twenty-two. Somehow, though they were both dressed in shirt-sleeves, 'Jake' hadn't found himself slapping mosquitoes the whole day. Who knew but maybe the mosquitoes found him as creepy as his partner did. He sounded entirely too calm for the situation, which made 'Toby' think of something his old man had told him: that men without fear or even nerves weren't brave, they were crazy. A whole other ballgame.

Still, he was what the Society had sent. 'Toby' shrugged. “I figure we give them a few minutes to settle in. The foreigner should be less on his guard after they get talking.”

“And we're sure he doesn't have any hidden gunsels waiting in the wings?” 'Jake' handed the glass back.

The lookout seemed offended by the question. He took his glass and said disgustedly: “Wi nuh baggrey lon-tan fi a wi nuh kon a pereh, praan?”[11]

'Jake' looked blank. Must've made whyrah pretty recently, 'Toby' thought as he translated: “He says they haven't stayed alive this long without knowing what they're doing.”

The youngster nodded, drew a grunt from their companion as he said: “No offence, friend.”

He was digging a large revolver out of the back waistband of his trousers. He cocked the hammer, carefully checking the gun's mechanism with the air of someone who clearly knew his way around a firearm even if he didn't know his Chatta, so at least there was that.

'Toby' unbuttoned his own shoulder-holster, feeling the reassuring grip of his pistol. His palm was sweaty. He hadn't yet touched the hunting knife in its sheath on his right. He was trying not think too much about it. His pulse was racing a mile a minute.

The big man would never have admitted it to either of his companions, but though he was no stranger to the rough stuff, he had never actually killed anyone before. This was to be his baptism, and nobody needed to tell him how much of an honour it was to draw this particular straw.

His sponsor had told him: “You will need to dig deep, to find it in yourself to do things beyond your normal morality. Never forget that all we do is for the greater good of the Nation.” 'Toby' waited, tried to calm his breathing, and dug deep.

* * *

“You know what's funny?” They were the first words out of the Nonay's mouth. “I didn't expect the music down here to sound familiar.”

Goff blinked. “That so?”

“Yeah.” The Nonay was a big man, well over six feet, looming over the little table in the center of the shack's single room. He was intimidating, with muscle under his considerable fat. Sweat glistened on his broad brow and seeped through his suit at the armpits, but it wasn't the sweat of nervousness; his face betrayed not the slightest hint of fear or uncertainty. “I mean, we're practically in Africa here, aren't we? But that music on the radio, just listen to it.” He cocked his head with a smile, listening to the scrape of the fiddles, the strumming banjos and guitars, the woman's voice lilting heartbreak over top of it all. “Like fucking hillbilly music, you know? Here I was expecting drums and cauldrons and headhunters and instead it feels like I'm in goddamn Tennessee. Except for all the niggers with guns and half of them don't speak English, of course.”

Goff couldn't stop himself; he stiffened at the word 'nigger.' It was a word you hardly heard in Palmera unless it came from someone who didn't care if he lived or died, but the Nonay didn't look fatalistic. Just supremely confident. He studied the man, studied his eyes. They had that same dead-fish quality the Operation's men had.

He looked around the room. There were Operation men at each corner, looking relaxed, shotguns resting over their shoulders. The driver who'd brought him took up station beside one of them. Sitting at the table with a bottle of rum, three shotglasses and a briefcase in front of him was the one man he recognized without fail, a desiccated leather-tough specimen they called Two-Day, with white hair and dressed no matter the weather in what looked like an undertaker's suit. Two-Day looked at him and nodded but didn't say anything. He was as silent and impassive as his men.

The Nonay gave a booming baritone laugh. “You think they're gonna get out of line, do you?” He shook his head. “Don't you give it a second thought, pal. They work for me, now.” The way he said it, he didn't have to add: And so do you. He advanced on Goff with a great meat-hook outstretched. “They don't like my manners, they'll sure as hell like taking a cut of the pie we're about to bake down here, trust me. You can call me Jimmy.”

“Moses Goff.” He tried not to wince at the crushing pressure of the handshake. “Chief Exec—“

“Ah, save all that. We all know who you are and why you're here.” Jimmy gestured to the table. “Have a seat there, Mose. Let's talk business.”

They sat. Jimmy's chair creaked beneath him. The Nonay nudged the case on the table with one hand.

“Before we get to what's in there,” he said. “I'd like to see what you've got for me.”

Goff nodded. The sweat on his brow was nervousness. He opened his valise and dug out the sheaf of papers within, laying them in front of the foreigner. Jimmy looked at them. His lips moved a little as he read them, he was clearly no lawyer. But his eye was educated enough to be satisfied with what he was seeing. He tapped the top paper beside Goff's signature, grunted his approval.

“That's good, very good.” He grinned. “The boss is a big believer in cutting away the red tape. Good to see we've got a kindred spirit down here. We apply a little persuasion here and there and we'll be up and running in less than half a year, guaranteed.” He nodded over at the bag. “That's to get us started. You stay solid and you'll get a payment like that quarterly. Good old greenbacks from Uncle Sam, none of that goddamned funny-money you people use down here[12]. Have a look-see.”

Goff licked his lips. He pulled the bag toward him, opened it and looked inside. What he saw there made him feel almost light-headed. He pulled a sheaf of bills out and riffled through them, looked up to a raised eyebrow from Jimmy, and nodded. “We're good.”

“You're better than good, pal,” Jimmy laughed. “These niggers ever make you that kind of money?”

This time he ignored the word. “Are you sure you can... motivate the sellers?”

“Oh, we're good at persuasion.” Jimmy was uncorking the rum bottle now. “Especially when we're guaranteed a return on investment. It's unbelievable how you people let this place molder for so long, you know. I look around me here, you know what I see? I don't see swamps and villages and busted-down shacks like this.” He was pouring a shot into each of the glasses. “I see casinos, pal. Banks. Beaches full of beautiful women. Distilleries. Shipping yards, we'll make the Canadian border operations look like goddamn peanuts. I see a city, Mose, and that's what the boss sees, too. The kind of thing that takes vision, see?” He held up his glass. “And all of it'll be ours, all of it. We'll practically be able to print our own money before we're through. A saluti.

Sah yeh.” Goff and Two-Day said it together, the first words the Operation man had spoken[13]. The three of them clinked glasses and drank. Jimmy pulled a face, coughed and spluttered a little.

“And that's the good stuff, would you believe it?” He gave a wry chuckle as he pounded his chest, as if trying to restart himself. “Fucking firewater. Give me a good glass of vino any day, but hey. It'll make money—“

The door of the shack hammered open. The Nonay's eyes went wide as he dropped his glass. It felt as if time slowed as Goff turned to see who it was, sure that they were caught, that it must be the law. Stupid, stupid, stupid, you knew this was going to catch up with you, stupid—!

But it wasn't the law.

* * *​

'Toby' was first in. The foreigner looked a lot bigger this close. He was surprised, but he didn't look frightened. The man's hand was steady as he reached for the pistol inside his suit. 'Toby' lifted his gun and trained it on him. Pulled the trigger.

No. He didn't. He tried to pull the trigger. He willed himself to pull the trigger.

Somehow, suddenly, his trigger finger didn't hear him. Blood roared in his ears as he watched the target's pistol come out. It was like he was watching from somewhere outside himself.

You're about to die, he told himself. Shoot him! You're a soldier, aren't you? Shoot him!

But he was frozen. The reality of killing a man wasn't like the fantasy of killing one. He'd visualized the moment a thousand times, waiting out there in the trees, and now he was frozen, cursing himself for a coward. None of the other men in the room so much as shifted a muscle. The pale jefe was gaping at him like a landed fish. The pistol trembled in his hand.

The Nonay gave a cold smile. The kind of smile that showed no hesitation. He was not frozen. He took aim, said something 'Toby' didn't quite scan that sounded like it was in Italian.

The crack of 'Jake's' revolver was deafening in the enclosed space.

Just like that, the Nonay was down. Groaning, writhing. The youngster walked over to him matter-of-factly. The Nonay started to shout something, his voice defiant, and then 'Jake' pointed the gun at his head and it cracked again.

Again. Again. And again. And again.

Before 'Toby' could make sense of what was happening, the Nonay was dead. There was a ruined mass where his head had been, a smear of bone fragments and flesh, blood and brain. There was a strange, flatulent noise, and a dreadful stench filled the little shack, and 'Jake' stood over the body, contemplating it dispassionately, his gun smoking.

The next thing 'Toby' knew, he was outside, vomiting noisily into the gravel. There was someone just behind him doing the same. The jefe. He felt a twinge of shame at having something in common with the corrupt little worm of an official, but there it was. His guts heaved again, the last of his lunch decorated the dirt. He straightened up shakily, kicked the gravel over, tried to gather himself.

He turned back. 'Jake' was at the door of the shack, regarding him quietly. “First time?” he said.

'Toby' nodded sheepishly. There was no point trying on bravado now. “Sorry about that,” he managed after a moment. “I... I meant to... I mean, I thought I would...”

“It's alright.” 'Jake' walked over and put a hand on his shoulder. “Gets to everybody the first time. You'll get used to it. And besides.” He looked at the hunting knife in its sheath under 'Toby's' right shoulder. “I'm just a trigger man. I don't do the surgeries. That's what you're here for.”

The "surgery." 'Toby's' head swam. The stench from the shack was still in his nostrils. He could smell it from here. “You're sure we need to—“

“It's part of the deal, Toby.” There was iron in the voice of the kid-who-was-not-a-kid. “The Operation want it clear that this is us, not them. It was their condition for coming on board.”

'Toby' scrubbed at his mouth. He looked to his left. Their lookout man was standing there, cool as you please, and he shrugged in confirmation of 'Jake's' point. “Buckrah dem wi a nuh farah. Buku-buku diggrey, ah yeh. Fi yuh chugu.”[14]

The man nodded at the shack. The Operation's men were emerging from it now, unhurried, looking if anything quite pleased at the day's business. The leathery elder they called Two-Day was standing with the jefe, who was shaking like a leaf, looking like he might faint dead away. Goff's eyes met his and Toby squared up his shoulders. Enough of having anything in common with that.

“Right then.” He nodded. Took a breath. Laid his hand on the hunting knife, walked determinedly back into the miasma of death wafting out from the Habbu-Haas. “Alright. Time to dig deep. I'll see you in a minute.”

* * *​

“What... what the hell is he doing now?” Goff's voice was querulous in his own ears, but he didn't care. He felt like he was in a nightmare as he watched the big man pull a large, wicked hunting knife as he headed back into the shack. “What is this?”

“They friend, Mista Goff.” Two-Day had a gravelly voice that had always reminded him of an old door-hinge, rusty with disuse. There was a touch of sympathy in the man's eyes now. “We make yon-lo deal. Sorry I nuh tell you but 'im Nonay had to think wi him lackey fuh dis a work... and yuh nuh much a jawie, nuh 'fense.[15]

Goff rubbed his temple. “Well, no, I'm not much of an actor. At least not for something like this, you've got me there.” But his mind still swirled with confusion. “What other deal? A deal with who?”

Two-Day's face crinkled in a rare smile. “Nuh fi dem Nonay, mi yuh rangah. Ey weri doekoe fi yuh sedu.” For once he showed a flair for the dramatic as Goff looked at him in confusion, like he was waiting to drop a bombshell, and then he said: “Kom-Payi.”[16]

The Chief Executive Magistrate of Tequesta county stood staring, the gears of his mind slowly unsticking until he finally said: “The Company.” And then, going even paler: “You... you can't possibly mean the Union Mercantile Company.”

It was the first time he'd ever seen a look on Two-Day's face that could be called smug. “Tru-tru. Buku-buku doekoe, ah yeh?” The Operation's bag-man actually laughed and clapped him on the shoulder. “Oorah-leh, Mista Goff. Wi fi a wani.”[17]

As Two-Day led him away, Goff couldn't stop himself from looking back at the Habbu-Haas. The question came out: “But... what is he doing in there?”

“Yuh nuh wan fi a kon.” The old man's tone went grim. “Mi yuh sirrey.”[18]

No, thought the jefe as he walked away and tried to blot the things he'd just seen from his mind. I probably don't want to know. Best to look forward. And it was dawning on him, with a sense of relief as powerful as a drug, that there was going to be plenty to look forward to.

* * *​

By 1926, the Union Mercantile Company was the single largest private-sector employer in Palmera. Its transportation subsidiary alone – the Union International Transport Company – was running a small fleet of ocean liners, cruise ships in the Caribbean, passenger rail in-country and freight far beyond the nation's borders. Its radio station, Freedom Radio, founded to inform and entertain its passengers anywhere the UITC's trains and ships might go, was the nation's sole broadcaster. Union Mercantile was the largest of the parties interested in developing Tequesta county... and it took a dim view of competition in its backyard.

The Company, having dealt with and made use of unsavoury characters in every corner of the world it reached, had no qualms about making use of the Nono Nemo Society as a cat's paw at home, as seen here. Giacomo “Jimmy Diamonds” Diamante, the unfortunate agent of the Chicago Outfit who met his fate in the Habbu-Haas—where he was found grotesquely mutilated along with his untouched cache of good old Uncle Sam's greenbacks—represented one of the last attempts made by American gangsters to claim territory on Palmeran turf. While there would still be a Mafia presence in Palmera thereafter, it would be on the terms of the local syndicates from the mid-Twenties on.

The Operation that was bribing Moses Goff to protect its smuggling business was at this point a late survival of a very old tradition of pirates, wreckers and smugglers in the region. It too would become a cat's paw for UMC interests, an extension of the Company into the shadow economy of liquor smuggling and other sorts of vice and contraband. It would be transformed by the rise of modern Helena from the “backabush” operation of the likes of Two-Day and his men into a sophisticated criminal organisation with an international reach of its own. Goff, though there were serious questions raised about his corruption, would find his career so thoroughly bolstered by the development he brought to Tequesta county that he would go on to become one of the longest-serving “Jefes” in the nation's history.

The amount of human engineering needed to cut and dredge the mangrove swamps and create durable and tourist-friendly beaches at Helena and other nearby communities in Tequesta and Kingsland counties would, in the event, be successfully argued by the UITC as exempt from the law mandating full public access to natural beaches. The “man-made” beaches were not quite as segregated as MP Dunham had feared when he gave his fiery condemnation of a fellow Jucker in the Commons—but they were very much under the control of the tourism companies that ran them and were certainly built around the needs of the tourists, with locals an afterthought. In some views this actually wound up being the best of both worlds for Palmera: natural beaches in Utina and in the Caribbean Territories became lucrative leisure hotspots for the locals, while the nation was able to use her artificially groomed beaches to attract foreign tourism at highly profitable levels.

* * *​

NOTES:

[1] “Dammiloo, Mista Riddey?”—“What's that, Mr. Chief?”

Riddey is a bit like saying bwana or massah and by this time is a word mostly used in humour.

[2] “Dem wuttie nah fi yuh dam buyah, ki?”—“What? Aren't the roads your damn job?”

Ah sake ah dis fi yuh buckrah dem a feli weh fi bassey dem a galang, eeh Mista Riddey.”—“On account of this is how you Bosses like to see Black men living, right Mr. Chief?”

Buckrah is a word used to refer specifically to plantation masters, overseers and bosses of chain gangs. It doesn't necessarily mean a White Boss specifically, but that's often implied, as we can see from Goff's defensive response in which he reminds the driver that he's a Creole.

[3] “I'm Lanney right back to the Providence.”

The Providence was the most famous of the fifteen ships used to evacuate Black Loyalists from Nova Scotia to Palmera in the early 1790s. This is the close Palmey equivalent of boasting that your ancestors arrived on the Mayflower.

[4] "Bulloe"—goon, muscle. “Backabush”—deep rural.

[5] ”Habbu-Haas”—“Farmer's House.”

[6] “Wi mek all dem a ting boh-boh fi yuh check, Mista Kenzey.”—“We made everything the best it could be for your visit, Mr. Fifteen.” (Fifteen is a reference to the ships of the Nova Scotia fleet; he's switched to poking fun at Goff's boasting about his ancestry.)

Tuzhu-tuzhu.”—“Just like always.”

[7] “Mista Nonay.”—“Mr. Northern.”

Nonay is the most common Chatta word for Americans.

[8] “Coo deh”—“Hear this / Listen up / Look alive”

Fi yuh daal dem a yah. Cheh-cheh.”—“Your boys are here. Quick, look.”

[9] “eeh nah?”—“Isn't it so?”

. . . these muckyas to be taller.”—Muckya means an important official, someone who is Kind of a Big Deal.

[10] “Not one iota shall pass from the Law until all is accomplished.” He's loosely quoting Matthew 5:18. This is a favourite scripture of Tribulationists, of whom 'Jake' may or may not be one.

[11] “Wi nuh baggrey lon-tan fi a wi nuh kon a pereh, praan?”—“We haven't lived this long without knowing how to operate, understand?”

[12] “that goddamned funny-money you people use down here”—Palmera started using paper currency with the onset of the Great War. Of course to certain American eyes, anything that isn't the greenback doesn't look like real money.

[13] “Sah yeh.”—“Bless.”

[14] “Buckrah dem wi a nuh farah. Buku-buku diggrey, ah yeh. Fi yuh chugu.”—“We don't kill Bosses. Way too much trouble, see. It's your prize.”

(That last more literally: “It's your scalp.”)

[15] “We make yon-lo deal. Sorry I nuh tell you but 'im Nonay have to think wi him lackey fuh dis a work... and yuh nuh much a jawie, nuh 'fense.”—“We made another deal. Sorry I didn't tell you, but the American had to think we were his lackeys for this to work... and you're not much of an actor, no offence.”

Two-Day is a primary speaker of Chatta trying to work up some English here, presumably hoping to put Goff at ease.

[16]“Nuh fi dem Nonay, mi yuh rangah. Ey weri doekoe fi yuh sedu.”—“Not with Americans, I can tell you. And there'll be more cash in your pocket.”

Two-Day giving up on the English and going full Chatta.

[17] “Tru-tru. Buku-buku doekoe, ah yeh?”—“True as it gets. Lots and lots of cash, see?”

Oorah-leh, Mista Goff. Wi fi a wani.”—“Come on, Mr. Goff. Let's get a drink.”

[18] “Yuh nuh wan fi a kon. Mi yuh sirrey.”—“You don't want to know. I promise you.”
 
Last edited:
The creole part was hard to read but quite interesting.
Will Palmera be socialist in it's dealing with businesses?
 
There's a swing leftward on its way in politics -- it will eventually dawn on people just how dangerous a concentration of power the UMC is -- albeit not to full-fledged socialism.
 

Isaac Beach

Banned
Beautiful, reminds me of A Brief History Of Seven Killings; the language boggles you at first but then you catch on and it's fantastic. You really are showing off quite the breadth of styles. Will Helena ever reach Miami levels of density or remain comparatively sparse?
 
A very fine bit of writing there. It's no wonder the US mob is having trouble getting an "in": it's damn hard to cozy up to the locals when you can't hide your contempt for them. (The US mob was of course active in the Caribbean OTL, but there was a white colonial power structure there for them to piggyback off of).
 
Given its later start, Helena may not reach quite the size of OTL Miami, but it will become a major city for certain.

Helena will have a smaller hinterland to draw immigrants from than Miami. Americans seeking a warm climate will have a harder time settling there than IOTL, and most will choose alternative destinations that don't require them to get a new passport.

The big question is how much non-Anglo Caribbean migration it will draw. Given Palmera's, ahem, close ties with Haiti, it seems certain to draw Haitians, but Cubans are iffier. On the one hand, Palmera is close by, rich, and full of business opportunities, so at least a few Cuban businessmen should set up shop there (speaking of which, what's Vicente Martinez Ybor up to ITTL?). On the other hand, the opportunities aren't as great as in the United States, the local syndicates have both legitimate and illegitimate business sewn up pretty well, and the class system will be harder for Cubans to crack than OTL Florida where the early Cuban settlers were mostly slotted in as white. Unless there's an upheaval in Cuba that causes refugees to flee to Palmera - something that can never be counted out - Helena might end up more like a richer, safer Kingston than like Miami.
 
A richer, safer Kingston is an interesting comparison.

Palmera does have some historic ties with Cuba in this timeline; it's probably the healthiest close relationship the country has in the Caribbean outside the British sphere. It would be most attractive as a destination for Afro-Cubans (about a tenth of the Cuban populace) and mulatto or mestizo Cubans after that (another two-fifths), so there would still be fairly substantial potential for Cuban immigration, and for immigration from similar ethnicities across the Spanish Caribbean. Also fairly significant numbers from Haiti, as you note. ;) Definitely far fewer Americans who aren't part of the Great Migration.

(Vicente Martinez Ybor will have returned to Havana after the rebel victory in the Seven Years' War here, to answer your other question. IOTL he was mainly forced to relocate to Florida because the Republican cause lost.)
 
Last edited:
Oh, oh, 1926...that's the year the Great Miami Hurricane hit IOTL (I read about it in hurricane books; plus Hurricane Harvey's hitting just north of Corpus reminded me of it)...

Palmera is in for similar disasters, methinks...
 
Song of Songs
Previously in the timeline:
The Spanish Period to Home Rule. A curious twist of fate results in a British resettlement project for Black freedmen going to the depopulated southern reaches of an alternate Florida named Palmera.
The Lion's Cub, Part One. The Union of Palmera battles tides of unrest washing out from America after the Civil War, culminating in the traumatic rebellion called the Third Border War.
The Lion's Cub, Continued. The Gilded Age unfolds in Palmera in a mingling of glory and tragedy.
The Lion's Cub, Conclusion. The Union cautiously begins to carve out a place in the international orders of politics, finance and trade.
The Hinge of History, Pt. 1 ("Unseen Pressures Build"). On the eve of the Great War, new forces of nationalism, religion and activism are growing.
The Hinge of History, Pt. 2 ("We Shall Do What Must Be Done"). The Great War erupts, and the full cost in blood and moral compromise of Palmera's "lion's cub" aspirations becomes plain.
The Hinge of History, Pt. 3 ("Lift Every Voice and Sing"). Football, baseball and beach-side leisure provide windows onto three different episodes of postwar social change.

Resource Posts:
Palmera at the End of the Belle Epoque: A Snapshot. A map and a demographic summary of the Union of Palmera in the year 1914.
Glossary of Palmey English Terms. A glossary of Palmeyisms or otherwise unfamiliar language occurring in the text. Periodically updated as the timeline advances.

Other Story Posts:
The Deal. Tequesta County's rural isolation is set to make way for an age of development... but who will benefit?


Song of Songs
(The Chevalier Theatre in Eleutheria, Mediator Parish in Legree County, 8th of October 1927)

The elections of 1926 were the closest the ruling Juckers had ever come to defeat in the Commons; Bolton won his second government by a margin of just five seats. His fragile government would be tested four months later when a Category 4 hurricane all but flattened Tequesta County, doing immense damage, killing dozens and sending the national economy into recession.

Turmoil followed as the country rebuilt. Subsequent months saw wildcat strikes, divisive rumours of corruption in high places, and growing calls for updated antitrust law to restrain the leviathan of Union Mercantile.

For all that, political order held and life went on, the nation still robust enough[a] for 1927 to produce sorely-needed bright spots:

  • The Patterson Hayer made its debut to public acclaim as the finest car on the road, with all due respect to Messrs. Ford, Daimler, Renault and Peugeot.(b)
  • “Talkie” cinema was dawning, and Palmera's opening salvo--the great Oscar Devereaux's “The House Behind the Cedars”--was filmed.(c)
  • Hector Justin made the first non-stop trans-Atlantic flight, Daltonville to Paris.(d)
  • The first radio-broadcast exhibition match between Palmey and American soccer teams took place in Chicago between the Lucky Boys Combo and the Chicago Americans.(e)
  • The Fair Quarters Act struck the prior Good Neighbours Acts from the books and imposed stiff penalties for housing discrimination(f).
It was also a revolutionary year in music. Loney Sonic Machines' “Maxfield Sessions” announcing the birth of modern Palmey country; Ubu Mina Recordings released the first known “mandey” record; doekoe music was giving way to blues, jazz and the Jazz Age[g]. And on a Saturday night in October one of Palmera's most storied performance venues would open its doors: the Chevalier Theatre in Eleutheria.

* * *
"What do you suppose it means, anyway?" Fonso kept asking anyone who'd listen as the Hocus Pocus Club jostled their way through the crowd's general hubbub and past a half row of tolerantly bemused guests into their balcony seats. "Was he fussy as a kid, or something? Is he just bad-tempered? If he's bad-tempered enough for that to be his actual nickname, how does he talk anyone into working with him?"

"You're killing us here, you know that, kid?" But Rocky ruffled the kid's wiry curls affectionately as he said it, a white slash of a grin lopsided on his rugged dark features. "It's not 'Tetch,' for the hundredth time. It's 'Tedge.'"

Fonso jerked away from him irritably, patting his hair back into place, straightening his bow-tie as he settled into his chair. "I wish you wouldn't do that, I'm not eleven anymore."

"Just ignore him, kiddo." Alex was grinning from the seat beside Rocky, all blonde-haired blue-eyed charm. "A lot of people get 'Tedge' and 'Tetch' mixed up, I'll bet."

"Don't take this the wrong way, Rissey[1], but I don't know if it's worse to have him busting my chops or you sticking up for me." This drew an unconcerned whatever-you-say grimace from Alex and laughs all round as Charlie came barging along the row, clapping young Fonso on the shoulder as he maneuvered a generously-poured martini in his other hand so deftly that he somehow managed to spill not a drop in all his climbing over people.

The rawboned, wavy-haired Charlie subsided into his seat with a knowing smile to match Rocky's, his equal in age and fellow-consul of the Club. "Here's to the Chevalier de Saint-Georges, boys[2]. What you suppose he would've made of this joint?"

Rocky shrugged. "I know I'm impressed. Just look at that ceiling, it's like a cathedral."

"Like you'd know a thing about cathedrals," Fonso said.

His older friend laughed. "I dimly remember seeing some pictures. It's all about imagination, kid, that's how you've got to look at it."

"Will you reprobates stop joking around?" Thad was the only one who wasn't in on the merriment. His voice cut sharply into the general mood. "They'll be on any minute."

The thin brown-skinned dandy had a more serious air about him than the others most times, but his fellow Knights Under the Mysterious Veil of Bacchus from the Hocus Pocus Club[3] knew very well that there was something more keeping him focused tonight. Someone. Charlie grinned, nudged Fonso's shoulder and winked.

Fonso didn't dare steal a glance at her. Thad's guest. No, he reminded himself sternly. Thad's girl. Don't you even go thinking about her, that's not what friends do. But something drew his eyes against his will. Before he knew it, he was stealing a glance.

God, she's beautiful.

The "sixth wheel's" name was Delphine. Delphine LeClaire. She was five slender feet of bronze-skinned perfection in an ivory gown with a yellow flower in her hair, and she had this way of looking around her as if she were Cinderella at the ball, as if she were walking through a magic kingdom. She had that look now, drinking in the vaulted ceilings, the great curved galleries. It was an odd thing, because her story was the furthest thing from Cinderella's, but that didn't matter.

What mattered was that she was perfect and she didn't even know it. What mattered was that just like every time he saw her, Fonso was going to try to keep himself from thinking about her and he was going to fail. He was going to try not to let his restless thoughts dwell on the fact that she was a year younger than even he was, clearly too young for Thad, but--

--well, but there it was.

Fonso willed himself to look away from her as she finally took her seat. He could hear her and Thad talking low and tried not care what they were saying, what they were thinking. He glanced left to find a sympathetic look in Charlie's eyes and the martini glass pressed into his hand.

He lifted it and drank without a second thought as the curtains opened and the crowd began to applaud.

Not that it mattered, of course, whether Delphine LeClair was impressed by men who knew their jazz... but it couldn't hurt to pay the closest attention he could to Tetch no-no-no to Tedge Telemaco. They were going to have to talk about it afterwards and the least he could do was not be tongue-tied.

* * *
She could tell when a fella was trying to impress her. It was funny how even in this debonair company they were almost always kind of clumsy and obvious about it, but it was also kind of sweet. Thad was rattling on nervously as the Big Moment inched closer about how he'd always admired the way 'Tedge' stayed in the pocket of melody and harmony in his solos, the way he blended soaring invention and strict discipline, talking as if this wasn't stuff she would already know.

"It's the kind of playing that really speaks to an understanding of the national soul, you know?" he said, which was awfully pompous but he was clearly nervous, so Delphine let it slide.

And besides, how was he to know how much she already knew about Tej Telemaco? He still didn't have an inkling as to why she was really here. For whom she was really here.

The first figure to take the stage was the Maestro. Most of the people in the audience knew him, of course; he'd been running the Eleutheria Philharmonic for years. A young man for the position, Joshua Marchioness wasn't quite forty, but he came of four generations of performing excellence and exuded the confidence that went with it. It was rumoured he'd been the driving force, with the backing of the right sort of friends of course, behind this theatre getting built.

"Ladies and gentlemen!" Marchioness' voice was clear and ringing. He pointedly spoke without a microphone, making a demonstration of the acoustics from the first moment. That made her smile. "You are most welcome on this historic evening! We are never more in need of music than in trying times..."

And he was off. Talking up the healing power of the Euterpean Muse, taking the crowd on a tour of the career of the Chevalier de Saint-Georges and his own great-grandfather's adventures with that famous figure, acknowledging the Personages in the loges on house right. He started with the Prime Minister's box, singling out the famous architect Julius Bell whose swan-song this theatre was sure to be. He was a small and unimpressive-looking man and she thought Mister Bolton looked very tired. Daddy was somewhere behind them but she couldn't see him.[4]

It was all interesting enough, she supposed, but it was nothing she didn't know. Except for when she noticed how Alex was careful not to look at the box where his family was sitting, the third box the Maestro singled out for the crowd's applause after the Prime Minister's and the Malagasy Queen's. They were a glamorous looking family, the women had an undoubted fairly-tale quality in their glittering gowns as they waved at everyone, and she really had no idea why one would shun them. But that was Alex's business.

Finally the Maestro ran out of introductions and stepped down into the orchestra pit. The first selection was, of course, to be a violin concerto of the Chevalier's. The young American violinist who came onstage to play it, Ezekiel Gordon, was introduced as a child prodigy from Philadelphia. And he was good, too. She wished she could have given him the full attention he deserved.

But she was restless. Waiting. Trying in advance to school her expression so it wouldn't show too clearly what she felt when he took the stage. Thad had fallen quiet beside her, either out of regard for the music or because he sensed her mood. Right now, she didn't care which.

* * *
Tej ran through the fingerings of the first number on his cornet, pacing as the band quietly did their own last-minute run-throughs and preparations behind them. He tried to get himself in the spirit of the first number. He hadn't played classical music in public since he was a kid and the opener was just five and half minutes of him with a little colour from the orchestra. Being in the right mindset was going to be crucial. No distractions.

Fat chance, he thought. The note was still in his pocket. It weighed next to nothing, but it still weighed on him. The woman's perfume was on it, and somehow managed to smell like a month's wages for a normal man. Walked into the gig of a lifetime and it's a snakepit.

Could he afford to refuse her? Could he afford not to refuse her? Should he simply tell her his life was already lousy with women as it was and that he couldn't handle any further complications, thank you very much? That one wife had already kicked him out of her life and he was already getting proposals from another one who'd managed to corner him up in Harlem? No, he couldn't run with that last, this was not some random star-struck kid asking to come backstage after the show.

He had a lifetime of instincts formed on the road in America that he couldn't trust in this weird country. He didn't know whether he could believe what he felt here, whether he could bank on all the promises it made. Whether letting himself believe might drive him into mad acts he never would've committed otherwise.

He knew he was overthinking this. He went nervously to the curtain, peeping out, but the crowd was invisible beyond the footlights. Make no mistake, he thought to himself. She's out there. She'll be watching. But then, the guy who'd composed the piece he was starting with was out there, too. His music deserved full attention, didn't it? He walked away from the curtain, walked back and peeped again.

"Will you cut that out, birey?" That was Dackey, his bass player, the local sideman-for-hire whispering furiously. "You're gonna make us all nervous."[5]

"Sorry man," Tej mouthed back. Adjusted his tie. Paced. Patted his forehead with his kerchief.

Even the little things threw him. He was used to understanding the language of the streets anywhere he was, but here he didn't even have that. He tried to think back to late-night conversations with his friend Rafe, who seemed to have a story for every occasion, an opinion on every situation. What would Rafe do with this pickle? No matter whether he had to make something up he had a way of hitting on a half-decent idea. The trumpeter experienced a sudden wave of loneliness. I wish you were here, Rafe.

Sani DuValle and Sissirietta Jones were going diva-a-diva in what he was told was one of the Chevalier's most famous arias from Ernestine. They were in the home stretch now. The stage manager was giving him the "thirty seconds" gesture. Tej nodded back at him and gave him a thumbs-up.[6]

On the spur of the moment he grabbed the note out of his jacket pocket, crumpled it with one hand and tossed it away. He'd deal with it later; right now he needed to be fully present for the music.

The divas crescendoed to the finale. The applause from the audience was like waves beating on a seashore. Tej closed his eyes, opened them, nodded to the stage-manager and stepped out to do his sweet thing.

* * *
Thad tried to hold her hand at first. She held it back, half-heartedly, until embarrassment had made him pull away.

For most of the first acts, no matter how sublime, he found himself wallowing in his own confusion. Delphine had asked him to bring her, had melted him with that charming smile, that brightness that seemed to just walk into a room with her. What was going on?

The questions swirled in his mind only until Tedge took the stage. The first notes of "St. Gregory's Lament" silenced any remaining fidgets in the crowd instantly. They hung in the air so pellucid, so precise, so aching and poignant as to break the heart.

Thad hadn't entirely been spinning a line when he'd told Delphine of all the ways he admired Tedge's playing. Sure, perhaps he'd embellished his knowledge of jazz a little bit, but nobody could take one look at her eyes when she talked about the new music and resist the temptation to be part of that enthusiasm.

But Thad's first love was classical music. It was the best and purest thing his parents ever gave him, that music, and he was one of those rare specimens who preferred the moderns. Now he found himself transfixed. He hadn't expected a jazz man's cornet to produce the most striking sound he'd heard in years, but there it was.

The conundrum of whether to hold Delphine's hand was suddenly forgotten as Tedge Telemaco took him, with a clarity of tone one only heard in dreams, through the waves of St. Gregory's lamentations for a fallen world, his quest for a mystical union with God. Every successive phrase seemed like a journey further through sorrow into tranquility.[7]

The player, alone on the stage with the orchestra's subtle backing rising around him, gave himself totally to the music. When the last note hung in the air and faded away, Thad looked over at his brash fellows from the Hocus Pocus Club and was surprised to see tears on at least one face. More surprised yet to see that one of those was Charlie... and astonished to reach up and touch his own face and realize that he was another. The Knights Under the Mysterious Veil of Bacchus exchanged bashful looks and rueful grins.

When Thad looked at Delphine, it was no surprise to find that her face was streaming too. But they were tears of joy, her smile the same bright marvel as ever, and he realized in that moment why she was really here, and who she was really here to see. He was even more surprised to find that he understood, and that he didn't mind.

"He really is remarkable," he found himself saying as they applauded him.

Delphine grinned even more brightly. "Just you wait," she said. "That isn't the half of it. Wait'll you hear him sing."

* * *
"Can't we just slip on out and go the Tropicana?" It was the same complaint Alex always had at this point of an evening as they were joining the great herd of people on the way out to the lobby. That part at least of the Chevalier Theatre experience was much like any other. "I hear the showgirl revue is doing a Moulin Rouge theme tonight."

"We are expected," intoned Charlie in the mock tones of his august father: "To hold our end up like good chaps, to see and be seen. You know that by now, Alex, have a little fortitude."

"It's not fortitude that's my problem." Alex gave him a barbed grin. "It's just my sister Olga's sure to get at me about the company I keep, and one of these days I might see her point."

"It's not you who's doing us the favour, Rissey," put in Rocky, matching that grin barb for barb.

He and Alex regarded each other in silence for a second and Fonso got ready to get in between them. They'd gotten in quarrels by this route before, and Alex had been known to cut loose recklessly once or twice as if daring Rocky to touch him. There was deep danger in that... but presently Rocky's mercurial mind scampered onward.

"Hey Thad, where's your beauty gone?"

"She's not my beauty after all, more's the pity." Thad seemed surprisingly at peace with it, relaxed and grinning with the others, a Knight in good standing and free of female entanglements once again. "Seems bent on getting a word in with old Tedge, if you must know. She took off like a shot when the curtain rang down." When Charlie and Rocky gave him some ribald, knowing "oooohs" he just laughed. "Ah Hell, I can't even blame her. I've just gotta learn to sing 'Someone To Watch Over Me' like that guy does, that's all."

"No problem," Charlie assured him. "A couple of lessons with me and a strict nine-martini-a-day regimen and you'll be crooning whole queues of buzen to your door, my boy. I guarantee it."[8]

"I'm entirely in your hands, good sir," rejoined Thad with a grin and a mock bow. He looked over at Fonso: "So, kid? What'd you think?"

"Huh?"

In truth time had stopped for Fonso as he'd learned, in quick sequence, that Delphine LeClaire wasn't here as Thad's girl after all, and that she was here to see Tetch instead. It had suddenly become a matter of utmost urgency to prise himself away from the Club and go after her, for reasons he could neither name nor resist; but as the human tide from within the theatre bore them out into the foyer, he realized with a desperate and uncharasteristic reach into guile that he needed to conceal this fact until he could make good his escape.

"Um," he managed: "Talented. He's very talented." No, that wouldn't do, this was the Club he was talking to. He forced a smile and embellished: "Honestly it's a bit unfair that one guy should be able to play the cornet like that and lead a band and sing like that, too. Bad for morale."

"Hear, hear!" chimed in Rocky with approval. "I say we break his fingers immediately and tell him to stick to the singing. Leave something for the rest of us."

"You've never touched a musical instrument in your life," Alex reminded him.

"No, but I could if there weren't fellows like that around, hogging all the spotlight."

"Oh, damn it all," said Thad suddenly, his smile growing fixed as he spied someone bearing down on them. "Don't look now, but it's St. Paul at twelve o'clock."

"Luck or no luck," Charlie intoned: "When your time comes, you're gonna get it."[9]

Sympathetic gazes shifted as one to Fonso, who finally managed to wrench his thoughts free of Delphine for just long enough to see a big, burly man in a black tuxedo and a red waiscot emerge from the crowd in front of them. He was grinning at them all, but his attention, as almost always, was locked on Fonso.

"Gentlemen and worthy Knights," Godwyn Marchioness -- who called himself "Manu Mansu" these days -- was saying with his own approximation of ironical wit. But his expression was serious as he sketched a bow to Fonso and said: "Your Grace. I was hoping to see you this evening."

No luck at all, Fonso lamented inwardly as he suppressed a groan. "It's just Fonso, Godwyn. Uh, I mean Manu. You know that. Nice to see you."

He braced himself for a round of the familiar "Your people need you" dance as all the while his heart pounded out the name: Delphine, Delphine, Delphine...

* * *
It was child's play to talk her way backstage. The security staff took their duties seriously, but they knew who her father was. His name and an expertly-brandished smile was all it took.

As she made her way through the hallways backstage, Delphine sung under her breath: "There's a somebody I'm longing to see... I hope that he... turns out to be... someone who'll watch over me..."

It was the song that she'd first heard him sing when she'd snuck out of an evening during a family visit to New York. Daddy would've killed her if he'd learned she'd gone to a speakeasy. For that matter he would have been none too fond of the idea of her falling in love with a Nonay jazz man because of the way he had of making a song sound like he was singing it just for you. And still less enamoured at the thought of her losing her virginity to such a man, pining for him, watching him play the Chevalier Theatre while thinking only of what it would feel like to be in his arms again.

Well, not even Daddy needed to know everything. She was almost twenty-one now, it was time she had some secrets of her own. Some memories that belonged just to her.

She was picturing Tej's face when she surprised him. Her skin was already tingling with the anticipation of what would follow. She waved merrily as she passed by his band's green room. She didn't notice the confusion on their faces, the way some of them averted their eyes.

Delphine noticed the first funny thing as the door with his name on it came into view. His door was shut... but more than that, there was something sitting outside it. As she drew closer she could see it a small, long-bodied creature wih sleek brown fur. It was an island coney on a leash, an exotic pet for a certain type of person who would have to be obscenely rich even by Daddy's standards. It was on a leash that appeared to be studded with diamonds.[10]

The sight was so incongruous that at first she simply couldn't process it. The little coney cocked its head at her as she stepped toward it, knelt down to pet it gingerly. It leaned into the petting affectionately as she looked at the door, wondered whether she should knock.

She heard something from within. A woman's voice. A sigh.

Delphine caught her breath. She leaned in close with her ear to the door. The little coney watched her and then helpfully put its own ear against the door as if in moral support.

She heard voices. Laughter. The quiet sounds of kisses and sighs. And then, very clearly, the sibilant sound of a silk dress falling to the floor and a woman's voice moaning: "Oh Tedzhe, lyubov moya..."[11]

Delphine looked at the coney's diamond-studded leash and an image flashed across her mind: of Alex's glamorous fairy-tale sisters in their royals' box in the theatre. She clapped a hand to her mouth to stifle a cry as her world came crashing in.

* * *
"... so I hope you'll agree that people in your position can do a great deal to revitalize our relationship with the continent. It's just a matter of deciding you want to make a difference."

Manu Mansu had been at him for some time now. Fonso had given up any pretext of listening to him, especially after the rest of the Hocus Pocus Club had abandoned him with apologetic looks.

All he said now was: "Yes, make a difference, sure, sure..." His mouth on autopilot as he caught sight of Alex a few dozen paces away.

Two of the Russian's sisters had descended on him and were chattering at him with what looked to be concern, or as if imploring him to do something. Alex hated dealing with his family and made no secret of it, but there was a reluctant change happening in his body language, as if he couldn't refuse what they were asking. Some hidden instinct was screaming at Fonso now, he would never be able to say why.

Finally he turned back to the man ever-so-politely haranguing him and said frankly: "Look, I don't mean to be rude, but there's something I need to take care of. I hope you'll excuse me."

Manu Mansu smiled sadly. "You're not there yet, I understand. When you are, you know where to find me. Good luck, Your Grace."

"And don't call me that," Fonso gritted as he strode away.

He came level with Alex as his Rissey friend's sisters swept away in a phalanx of voluminous evening gowns, their faces troubled. Alex caught his look and fell into step with him.

"They're worried about Anya," he reported of his two sisters. "She vanished just before the end of the performance. Father's afraid she's done something rash."

"And are you worried?"

"I'm on Anya's side," Alex said simply. "They all spend too much time trying to control her. Always looking for suitable husbands for her, lecturing her about who she can and can't be seen with. We're in the Land of Freedom and she's never been truly free, it's absurd... but I have to go through the motions or I'll never hear the fucking end of it. And you?"

A terrible premonition was churning in Fonso's guts as they made a beeline through the foyer for the artists' quarters. He said: "I just want to... make sure Delphine's alright." And realized as he was saying it that it was suddenly all he hoped for.

They had barely reached the door before it burst open.

The figure that fled past them hid her face in her hands the entire way. She was barefoot, her shoes dangling from the fingers of her left hand, Fonso would remember that specifically for the rest of his days. But by her size, her ivory dress and the flower that fell spinning from her hair to alight on the marble floor, he knew it was Delphine.

Fonso saw the passage behind her. It was in uproar. There was another woman pelting barefoot down the hallway toward them, pale-skinned and patrician and beautiful, wild-eyed and tearful, an evening gown gathered loose and hastily around her.

Behind her, the band that had played behind Tetch Telemachos was milling and after a moment he could see the singer and trumpeter himself being held back from pursuing... Delphine? The woman behind Delphine? It wasn't clear. Long bloody red weals charted parallel courses down the man's cheeks and he was shouting something Fonso couldn't make out.

"Anya!" Alex shouted beside him. The woman running toward them now had to be his sister. As he ran forward to gather her up--casting a dark look down the corridor at Tetch and his band--he said over his shoulder: "Fonso, go after Delphine! I'll handle things here."

There was a dangerous note in his voice that Fonso didn't like, but there was no time to think. There was only time to turn and run, to chase after a woman like his life, his future, the last breath in his body depended on it.

* * *
They called Eleutheria the "Venice of Palmera," or sometimes the "St. Petersburg of Palmera." It had, a random corner of Fonso's mind reported to him as he ran headlong out into the night in search of Delphine, just over three hundred and thirty miles' worth of canals at last count. The nearest one was three blocks away from the Chevalier Theatre, due east.[12]

He ran for it as fast as he could, the tails of his tuxedo flapping behind him. At some point he thought he heard Rocky and Charlie and Thad shouting after him, asking him what was happening, but all he could do was run.

The stars were overhead and very beautiful. The moon was bright, almost full. The heavens wheeled on uncaring as he shouted after Delphine LeClaire.

He almost reached her before she reached the canal. He came close enough to touch the hem of her dress. He could still feel its fabric against his fingers as he watched her soar into the water. It was the last thing he would remember of that night, an image that would replay itself in his dreams.

* * *
The Hocus Pocus Club we meet here, the self-assured young gods of fashionable high society nightlife in Eleutheria, are all scions of captains of industry or exiled royals.
  • "Rocky" is Rakoto Nafy, publicly thought the son of a member of Queen Ranavalona III's entourage but in fact the Queen's own son with an undisclosed member of the Palmeran elite. "Charlie" is Charles Norris Wright, the grandson of Norris Wright Cuney and presumptive heir to the Union Mercantile empire. "Thad" is Thaddeus Zenon Gandel, son and heir of industrial entrepreneur and citrus magnate Felix Gandel.
  • "Fonso" is Afonso XV Nzinga, the rightful heir of the Kingdom of Kongo and the second-most-recent of the exiled royalty on display here, his family having evacuated him--a boy of eight at the time--to Palmera in 1914 when Portugal abolished the Kongo monarchy. We'll be seeing the reasons for keen Black Nationalist interest in the potential symbolic(?) uses of his royal claims in further chapters.
  • "Alex" too was a boy when he made landfall in Palmera, though a little older than Fonso. He is Alexei Romanov, the exiled Tsarevich of Russia. His elder sisters are the Grand Duchesses Olga, Maria and the wild-child of the bunch, Anastasia, whom he calls "Anya." (EDIT: In response to a question from comments: his haemophilia is no less severe here than it was IOTL, and though Palmera has better medical care he has already outlived his expected span. He is as reckless as we see him here out of long certainty that nobody in his sphere would dare touch him and out of the long proximity of present death. Perhaps even a certain resentment of the hand Fate has dealt him, because by now -- noting his estrangement by this point from his family and his sympathy for "Anya's" constricted life -- he surely knows that the way the Romanovs built their lives around his illness probably cost them his patrimony.)
  • Delphine LeClaire was an heiress to the wealth of an oil magnate. Her tragic suicide on the night of the Chevalier Theatre's opening would turn "Daddy" into an anti-jazz crusader, the one project he would ever set his mind to that was doomed from the start.
Tej Telemaco is a kind of cross between early jazz trumpet pioneer Bix Beiderbecke and early crooning pioneer Al Bowlly. He will be a towering figure in the history of jazz in Palmera. [His friend Rafe is a Chicago musician (transplanted like himself from New Orleans) better known as "Gate" Kincaid; this timeline's answer to Satchmo. One of Tej's many nicknames, since clearly almost nobody can pronounce his actual name properly, will be "Junior Gate" on account of his being a year younger than his friend Gate.] The intimacy with the listener that modern recording and amplification technology can produce has clearly complicated his life.

Telemaco's illicit liaison with Anastasia Romanov would earn him a shiner from her baby brother and lead to her father disowning her and revoking her titles and honours. Her subsequent marriage to Telemaco was months' worth of scandal-rag material even in a country where "interracial" marriage was relatively normal (inter-
class marriage was much less normal). The jazzman loved his Duchess as best he could... but Delphine left a permanent impression on him, and it would be her for whom he composed his most famous ballad.

* * *​
NOTES:

(a) IOTL the Great Miami Hurricane of 1926 damaged Florida so severely as to bring an early local onset of the Great Depression. Palmera has fortunately been compelled to develop a more diversified and solid economy, and does not have a major city in this particular hurricane's path.

(b) To Palmey eyes, anyway. Patterson cars of this time can be considered roughly technologically comparable to the prototype Grieve automobile of OTL Peru. In terms of market niche they're like early Hyundais: sturdy, reliable, cheap and unsexy.

(c) Based on a novel of the same name, just as a real (now lost) film of Oscar Michaux was in OTL, but set in Georgia and Palmera and centred on the drama of a light-skinned Lanney woman's escape from a lover who turns abusive on discovering the “impurity” of her blood.

(d) Hubert Julian, a pioneer Black aviator of OTL, tried but failed to secure funding for such a venture IOTL; Justin is a luckier analogue with access to the proper resources in Palmera. He completes his flight on May 12th. American pilot Gustave Hesshaimer completes a New York-Paris flight a week later (1,200 km shy of Justin's distance record). The world outside Palmera will be incapable of registering this discrepancy for decades afterwards.

(e) Soccer's popularity in America has been bolstered, particularly among Black Americans, by the sport's profile in Palmera. There is a “soccer war” at this time happening between rival American leagues; the Lucky Boys have their game with an integrated mostly-Black squad descended from a real early Seventies team called the Chicago American Twelve.

(f) Though principle and disaster response have both to some extent prevailed here, the Juckers are of course working hard to counter the Liberty and Justice Party's advantage among the tens of thousands of Black “Tumbley” voters making whyrah every year.

(g) “Mandey” is similar in principle to “mento” music from Jamaica, and like that music is a precursor to the development of TTL's analogues to ska and reggae. The Maxfield Sessions are Palmera's answer to the Bristol Sessions in Tennessee, ground zero of American country music. These are the heirs to "landship music" of an earlier era.

[1] "Rissey"--Russian.

[2] This is Joseph Bologne, the Chevalier de Saint-Georges, a son of Guadeloupe and a famous fencer, violinist, composer and conductor in France of the latter 18th century. Despite his connections to French history, he's a figure of considerable romance in Palmeran historiography and letters not just because of his artistic achievements but also because of his military pedigree, having also been a monarchist colonel for France's first all-black regiment.

[3] This is a peak era for fraternal orders of every sort--beyond just the Masons--with fanciful titles, costumes and structures. The Hocus Pocus Club are young and hip enough to be at the stage of poking ironical fun at it all. They're not a "fraternal order," just drinking buddies.

[4] Marchioness' great-grandfather is George Bridgewater, a Black violinist from Poland who worked with the Chevalier; ITTL he eventually emigrated to Palmera and founded a family. Julius Bell is analogous to Julian Abele, one of the great early African-American architects who had the same taste for neo-classical design.

[5] "birey"--"Bro, buddy."

Dackey is a Chatta nickname that means "stuff."

[6] Sani DuValle is the fictional Palmey diva we saw mentioned in the second part of "The Lion's Cub," now in the latter stages of her career. Sissirietta Jones was a real Black American diva of the same time period who still lives in America in this TL but has made a trip to Palmera for this show. Ernestine was an opera of the Chevalier's that is now mostly lost, unfortunately, though the upside is that the gaps allow me to make up dramatically convenient arias for it.

[7] The composer here is an Armenian, part of a community of Armenians who have sought refuge in Palmera after the genocide (the country is usually cagey and obstructive about European immigration, but for this purpose has made exception). "St. Gregory's Lament" is here an early analogue of the Alan Hovhaness piece "The Prayer of St. Gregory," written with similarly spare Armenian spiritual sensibilities and as a fine showpiece for the cornet.

[8] "buzen"--woman of easy virtue.

[9] Godwyn "Manu Mansu" Marchioness gets referred to as "St. Paul" here because he's the self-appointed apostle of Garveyism first referenced in the "Hinge of History." Our fullest encounter with him is still in the future, as he's mostly just a distraction to Fonso's current state of mind. Charlie is quoting the American film "Wings," released in this year.

[10] This is a hutia, a ferret-like rodent related to the guinea pig and native to islands like Jamaica and Cuba. They're extremely elusive and to people living on the islands they're mostly a food animal. This would make them incredibly expensive to acquire as pets.

[11] "Oh Tedzhe, lyubov moya..."--"Oh Tej, my love..." just in case it isn't clear from context.

[12] This is a result of major building projects and urban revitalization starting in the days of the Harrington Government, an effort to make Eleutheria an imposing modern capital leavened with a touch of Old World charm. That this also happens to parallel a characteristic of IOTL Cape Coral at the same site is pure coincidence, that's my story and I'm sticking to it.
 
Last edited:
Definitely enjoyed the update; even if I couldn't care less about any country's high society or their "young, rich and stupid" demographic, this nonetheless is a good look at how society is developing in Palmera, through the eyes of a bunch of exiles no less!
 
Alex seems not to be too worried about hemophilia, is this some subtle ATL butterfly?

It might account for the survival of his family perhaps--I can well believe that all the damage Rasputin did to the Romanov reputation OTL was just an opportunistic infection as it were, merely symptomatic of and exacerbating the basic disease of the dynasty's destiny to fail. But perhaps without that worsening elaboration, the Romanovs would manage to keep just enough friends in Revolutionary Russia to get both the opportunity and the good advice to flee for their lives instead of being trapped and eventually gunned down. Maybe.

Given the way this ATL tends to hew pretty close to OTL on the whole, especially at some distance from Palmera, I suppose Russia is much as OTL under Bolshevik control, perhaps with some other names and personalities shuffled around it but basically the same sort of thing--Marxist party with doctrines of central control and ruthless toward rival political power, currently in something similar to NEP of OTL but liable to shift back to absolutist central planning any year now. Or are you interested in playing games with alternate revolutionaries--with Bolsheviks who nevertheless partner with other parties, playing more or less nice with Left SRs perhaps, or could it somehow be a Left SR regime in Moscow with the Bolsheviks playing second fiddle or out of the picture completely? Is Red Russia perhaps a more or less democratic coalition of rival Marxist and other radical parties, or is it even Red? Might some jumped up general have usurped the Tsarist title and claims as some sort of Napoleon expy?

Or is Alex just as vulnerable as he was OTL, and just is fortunate enough to be reasonably safe from unfortunate injuries in Palmey society, even though he is running with this Brat Pack?

Did Fonso make the slightest effort to dive into the canal after Delphine, or was it somehow crystal clear to him that no matter what he did, she'd just try to drown him too? Or is there something I'm not picturing about these canals, like obstructions she deliberately bashed her head on or something like that?

There would probably be some alligators about I suppose, though if they are salt water canals I think Florid excuse me, Palmey 'gators would stay out of them. (What is Chatta for "alligator" by the way?)
 
Oh yes, thanks for letting me know about the Grieve automobile too, and reviving it in some form here. When I read about the OTL Peruvian one with its removable back seats, I was reminded of what charmed me so much about the Honda Fit's adjustable seating. So over time I suppose the Patterson will gradually lose its stigma as a Negro, hence unAmerican car in the States and gradually come to be ubiquitous on US roads too, if the owner/designer persists in a "it just works, and if it doesn't work, give it a quick kick and then it will work" philosophy.

Although the USA is pretty much a bit player in this story and deservedly cast as somewhat sinister comic relief, I like to think that the existence of Palmera, while it might on the whole and in the main make Yankees even more staunchly and avowedly racist, there might be a reaction too of some people willing to stand up as friends of black folk. Just as the purchase of a Ford car OTL might simply be an economic/technical choice but might also be a step in solidarity with Henry Ford's racist lunacy, will liberal-progressive types of the "race is hooey" school make a point of owning Patterson cars?
 
Pretty sure African Americans who are looking to buy a car will go for Pattersons, and just as with Soccer, this will spread to other ethnicity. The Caribbean will be more developed TTL and thus provide another market as will the British Empire. Politics, Racism and Back Nationalism is sure to play a role in the sale of Palmeran manufactured goods early on, whether good or bad.
 
Good questions @Shevek23 --

1. Alex is still fragile, but in Palmera he has the benefit of more up-to-date plasma transfusion technology -- this would have been a good opportunity to shoehorn in a mention of this timeline's counterpart of Charles Drew, except I was already dropping enough names -- and he leads a fairly safe and relatively normal life under the wing of his Hocus Pocus Club companions. Certainly nobody would dare strike or harm him, since he and the other Romanovs are important symbols (in their own way) of Palmera's place in the world. (He knows this, too, which is one reason for his brashness and for Rocky's implied resentment of him. But you have a point, I should at least allude to it.)

2. Russia is just as much a Bolshevik power by this point as it was IOTL, although the leadership has different quirks and feuds. The Romanovs were able to escape before the Bolsheviks consolidated their power and could imprison them, the same escape they tried to make IOTL; the difference here was that while all the other Western candidates rejected them for reasons of internal politics, the Tsar's old Palmey allies were available as a final resort.

3. Fonso's memories end with Delphine leaping into the canal because that's as much failure as his mind can bear; his memory blots out the rest, although very probably he did jump in after her and make other attempts to save her.

4. The Chatta word for alligator is probably either kaiman or gaddey. I haven't quite decided yet. (EDIT: On reflection I'm leaning toward the former as I want some variation from the -ey ending in the vocabulary.)

I like to think that the existence of Palmera, while it might on the whole and in the main make Yankees even more staunchly and avowedly racist, there might be a reaction too of some people willing to stand up as friends of black folk. Just as the purchase of a Ford car OTL might simply be an economic/technical choice but might also be a step in solidarity with Henry Ford's racist lunacy, will liberal-progressive types of the "race is hooey" school make a point of owning Patterson cars?

It's a distinct possibility. OTOH (and probably more likely overall) people might also just buy Pattersons for their practical qualities without really knowing the background, just as it was rare for people to think about colonialism or anti-Asian prejudice when buying a Japanese or Korean car.

[Ah, I do grieve the Grieve. :) What might have been...]
 
Last edited:
Oh, incidentally: I've been making some refinements here and there, as y'all may have noticed from the tables-of-contents links turning up at the beginnings of posts. Feel free to give feedback on these if you're moved to do so. I'm hoping they'll improve navigability of the timeline but they're a lot of work, so I want to know if people either are or are not finding them convenient.
 
Top