Introduction and Welcome
Welcome to LEVIATHAN Rising, a Turtledove-nominated timeline about the rather novel premise of the United States Navy being the agency at the heart of the American space program. Or my preferred alternative title: Admiral Heinlein Conquers Space With Mythological Cryptozoology and the Bestest* of NASA’s Never-Built Toys.
* Subject to the author’s opinion on what the bestest ones are. If you’re a space fan, all of the author’s chair-spinning while flailing his arms and giddily squeeing “ENCELADUS BY 1970!” ought to tell you where those sympathies can be found. …even if the precise thing being referenced wasn’t technically ever a NASA design. Details, details.
The Timeline in a Nutshell
LEVIATHAN Rising asks – and to various degrees tries to answer – a simple question: What if Robert Anson Heinlein, the dean of rocketpunk, had not contracted the tuberculosis which derailed his career in the U.S. Navy? Heinlein graduated from Annapolis in 1929 near the top of his class academically, wished to make the Navy his career, and by all appearances had the makings of a very promising one prior to his medical discharge in 1934. Had he managed to continue his career in the Navy, it is quite probable he would have risen quite high indeed. And lest anyone assume this is the usual allohistorical parallelism of “Bob Heinlein became one of the most important sci-fi writers of all-time, ergo he achieves the same prominence in the Navy,” it’s worth remembering his brother Lawrence reached the rank of major general in the Air Force.
The events of the timeline result in Heinlein crossing path with the Navy’s nascent space program. One of the travesties of our time is how underappreciated the Navy’s space-related ambitions were from 1945 until 1958 or so. The major reason for that is the one Naval space-related thing everyone does know about, with Vanguard TV-3 having the spotlight shined on it and then coming down with a violent case of the explosions. But that doesn’t detract from the seriousness of the Navy’s interest in space, the successes it recorded with the Viking rockets and Transit satellite navigation system, or the depth of talent which the Navy had at its disposal. Four of the first five Americans in space -- Alan Shepard, John Glenn, Scott Carpenter, and Wally Schirra – were Navy men (Glenn was a Marine, but still), while the Naval Research Laboratory was (and still is) a powerhouse in the space sciences. There’s also Robert Truax, who…well, it’s probably a coincidence that the thing he’s best known could be described as a leviathan rising from the depths.
Definitely a coincidence.
By putting Heinlein and the Navy’s early interest in space onto a collision course, it’s hoped that interesting and entertaining things will result, as an American space program evolves that is at once immensely familiar and quite alien. As well as producing a variety of butterflies, some fairly predictable and others distinctly less so.
Why Does All of This Sound Vaguely Familiar?
Because you have read – or at least heard of – The Return of William Proxmire.
And if you haven’t heard of The Return of William Proxmire, it was a short story written by Larry Niven in 1989 that involved a time-traveling curmudgeon of a senator who traveled back in time to cure Bob Heinlein of his tuberculosis, so he would continue his Naval career and would never write any of that sci-fi nonsense. Which would mean the American taxpayer would never have to waste any money on a space program, which was all the fault of a public that grew-up reading about Heinlein’s Glorious Rocketpunk Future. And when Senator Proxmire returns to the present after succeeding, well…Admiral Heinlein doesn’t let the Soviets build spacecraft it doesn’t work out as planned.
Despite my like of The Return of William Proxmire, this timeline strives to be a distinctly more grounded experience. That said, the precise point of divergence is purposefully kept vague, so perhaps a time-traveling William Proxmire is the reason why Heinlein doesn’t catch TB.
What Can the Reader Expect from this Timeline?
It is my intention that the timeline will convey events through a numbered-chapter format, in which expositive prose is presented via a third-person (mostly) omniscient voice. At present, LEVIATHAN Rising is not intended to tell a conventional story, at least of the sort which embodies characters and dialogue. In other words, don’t expect Ocean of Storms. (You shouldn’t be expecting that in any event, because BowOfOrion is a much better author than I am.)
Notwithstanding the lack of conventional narrative in the mainline chapters, the timeline also includes a variety of excerpts from in-universe media of various sorts intended to provide a bit more context and flavor, as well as break up the monotony of the format. It also furnishes an excuse to use the equivalent of over-the-top accents and falsettos for my narrative voice, which is a welcome change of pace.
When Will the Next Update Be Posted?
Soon™. Plus two weeks. So at least ten minutes before Kaiserreich releases its Hungarian focus tree.
More seriously, the timeline is currently on hiatus. When I began writing LEVIATHAN Rising, I had a very particular writing cadence in mind. I wanted to practice Heinlein’s Rules for Writing Science Fiction, specifically that in order to write sci-fi, you had to write sci-fi. The original intent was to write 500-1,000 words per day, with a new chapter going up twice (or more) a week. The nature of this high-paced approach lent itself to a fast-moving progression of events that tended to focus only on certain key events and leave many things to the viewer’s imagination. Or, at the very least, encouraged not sweating the details too much because the timeline was not attempting to wade into the weeds and be detail-heavy.
And then, at some point around Chapter 9, I managed to lose the plot and things became quite detail-heavy. The pace of new postings plummeted like a stone as chapter size bloated. This was not a bad thing, as I am distinctly happier with the end-products, but I feel there is a significant difference in quality between the first and second halves of the timeline as currently written. And that difference is jarring, as well causing tonal and potential continuity problems.
So I’ve decided, after a fair amount of consideration, to put the first half of LEVIATHAN Rising into revision to bring it up to the standards of the later, more recent chapters before proceeding with new mainline chapters. It is unknown precisely how long this process will take, but my tentative hope is to have it completed by November, so that National Novel Writing Month can be spent working on progression rather than revision. That said, it is quite likely that there will be an update or two containing new interlude content in the meantime.
…Was That A Hearts of Iron 4 Joke?
Yes. This is also a timeline which features an alternative history anthology called What Childish Fantasy!, derived from an essay written by Winston Churchill.
Everyone has their vices. Some people drink. I make references to other allohistorical media. (I also torture acronyms.)
Will There Be Art?
Incredibly unlikely, as my artistic skills are non-existent and I am disinclined to invest the time into Kerbal Space Program to learn how to model things with Kerbal Space Program 2 around the corner. (But which has been so delayed it will come out only after regular posting has resumed but before the KR Hungarian focus tree.)
* Subject to the author’s opinion on what the bestest ones are. If you’re a space fan, all of the author’s chair-spinning while flailing his arms and giddily squeeing “ENCELADUS BY 1970!” ought to tell you where those sympathies can be found. …even if the precise thing being referenced wasn’t technically ever a NASA design. Details, details.
The Timeline in a Nutshell
LEVIATHAN Rising asks – and to various degrees tries to answer – a simple question: What if Robert Anson Heinlein, the dean of rocketpunk, had not contracted the tuberculosis which derailed his career in the U.S. Navy? Heinlein graduated from Annapolis in 1929 near the top of his class academically, wished to make the Navy his career, and by all appearances had the makings of a very promising one prior to his medical discharge in 1934. Had he managed to continue his career in the Navy, it is quite probable he would have risen quite high indeed. And lest anyone assume this is the usual allohistorical parallelism of “Bob Heinlein became one of the most important sci-fi writers of all-time, ergo he achieves the same prominence in the Navy,” it’s worth remembering his brother Lawrence reached the rank of major general in the Air Force.
The events of the timeline result in Heinlein crossing path with the Navy’s nascent space program. One of the travesties of our time is how underappreciated the Navy’s space-related ambitions were from 1945 until 1958 or so. The major reason for that is the one Naval space-related thing everyone does know about, with Vanguard TV-3 having the spotlight shined on it and then coming down with a violent case of the explosions. But that doesn’t detract from the seriousness of the Navy’s interest in space, the successes it recorded with the Viking rockets and Transit satellite navigation system, or the depth of talent which the Navy had at its disposal. Four of the first five Americans in space -- Alan Shepard, John Glenn, Scott Carpenter, and Wally Schirra – were Navy men (Glenn was a Marine, but still), while the Naval Research Laboratory was (and still is) a powerhouse in the space sciences. There’s also Robert Truax, who…well, it’s probably a coincidence that the thing he’s best known could be described as a leviathan rising from the depths.
Definitely a coincidence.
By putting Heinlein and the Navy’s early interest in space onto a collision course, it’s hoped that interesting and entertaining things will result, as an American space program evolves that is at once immensely familiar and quite alien. As well as producing a variety of butterflies, some fairly predictable and others distinctly less so.
Why Does All of This Sound Vaguely Familiar?
Because you have read – or at least heard of – The Return of William Proxmire.
And if you haven’t heard of The Return of William Proxmire, it was a short story written by Larry Niven in 1989 that involved a time-traveling curmudgeon of a senator who traveled back in time to cure Bob Heinlein of his tuberculosis, so he would continue his Naval career and would never write any of that sci-fi nonsense. Which would mean the American taxpayer would never have to waste any money on a space program, which was all the fault of a public that grew-up reading about Heinlein’s Glorious Rocketpunk Future. And when Senator Proxmire returns to the present after succeeding, well…
Despite my like of The Return of William Proxmire, this timeline strives to be a distinctly more grounded experience. That said, the precise point of divergence is purposefully kept vague, so perhaps a time-traveling William Proxmire is the reason why Heinlein doesn’t catch TB.
What Can the Reader Expect from this Timeline?
It is my intention that the timeline will convey events through a numbered-chapter format, in which expositive prose is presented via a third-person (mostly) omniscient voice. At present, LEVIATHAN Rising is not intended to tell a conventional story, at least of the sort which embodies characters and dialogue. In other words, don’t expect Ocean of Storms. (You shouldn’t be expecting that in any event, because BowOfOrion is a much better author than I am.)
Notwithstanding the lack of conventional narrative in the mainline chapters, the timeline also includes a variety of excerpts from in-universe media of various sorts intended to provide a bit more context and flavor, as well as break up the monotony of the format. It also furnishes an excuse to use the equivalent of over-the-top accents and falsettos for my narrative voice, which is a welcome change of pace.
When Will the Next Update Be Posted?
Soon™. Plus two weeks. So at least ten minutes before Kaiserreich releases its Hungarian focus tree.
More seriously, the timeline is currently on hiatus. When I began writing LEVIATHAN Rising, I had a very particular writing cadence in mind. I wanted to practice Heinlein’s Rules for Writing Science Fiction, specifically that in order to write sci-fi, you had to write sci-fi. The original intent was to write 500-1,000 words per day, with a new chapter going up twice (or more) a week. The nature of this high-paced approach lent itself to a fast-moving progression of events that tended to focus only on certain key events and leave many things to the viewer’s imagination. Or, at the very least, encouraged not sweating the details too much because the timeline was not attempting to wade into the weeds and be detail-heavy.
And then, at some point around Chapter 9, I managed to lose the plot and things became quite detail-heavy. The pace of new postings plummeted like a stone as chapter size bloated. This was not a bad thing, as I am distinctly happier with the end-products, but I feel there is a significant difference in quality between the first and second halves of the timeline as currently written. And that difference is jarring, as well causing tonal and potential continuity problems.
So I’ve decided, after a fair amount of consideration, to put the first half of LEVIATHAN Rising into revision to bring it up to the standards of the later, more recent chapters before proceeding with new mainline chapters. It is unknown precisely how long this process will take, but my tentative hope is to have it completed by November, so that National Novel Writing Month can be spent working on progression rather than revision. That said, it is quite likely that there will be an update or two containing new interlude content in the meantime.
…Was That A Hearts of Iron 4 Joke?
Yes. This is also a timeline which features an alternative history anthology called What Childish Fantasy!, derived from an essay written by Winston Churchill.
Everyone has their vices. Some people drink. I make references to other allohistorical media. (I also torture acronyms.)
Will There Be Art?
Incredibly unlikely, as my artistic skills are non-existent and I am disinclined to invest the time into Kerbal Space Program to learn how to model things with Kerbal Space Program 2 around the corner. (But which has been so delayed it will come out only after regular posting has resumed but before the KR Hungarian focus tree.)
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