Italian comic book character Giudice Giacomo Dredd (Known in English-speaking countries as Judge Dredd). Originating as a parody of the Italian Fascist Party, Judge Dredd is one of the feared Judges of Metropoli-Uno, given the power of Judge, Jury and Executioner over the common citizens. In Metropoli-Uno, crime rates have skyrocketed due to mass-unemployment caused by the increase in mechanization and rising prevalence of robots. Metropoli-Uno is a megacity, covering the entire northern half of Italy. IN the World of Judge Dredd, which is set in 2100's, the planet Earth is divided into three blocks: The Corrupt-but-marginally-free Union of the Americas (Which has expanded to cover the entirety of the Americas and the Caribbean), the Fascist-but-survivable Neo-Roma (Comprised of France, Italy, Switzerland, Turkey, Greece, North Africa, Spain and Portugal) and the Communist Sov Coalition (Comprised of the former Stalingrad Pact). Minor powers include the African Union, a hypercapitalist society divided along tribal lines, and the Asian Federation, which is comprised of South China, Indochina, Japan and Southeast Asia.
The world is a dead one, ravaged by something called 'The Final War'. The oceans have become polluted beyond belief, Britain is a radioactive wasteland, and the bulk of humanity lives in overcrowded megacities. In these cities, crime is so rampant that the Judges, the sole governing authority left, can only respond to 10% of all calls. The law itself is strict beyond measure, with littering resulting in a week in the iso-cubes, and most Judges are trigger-happy and respond with brutal force to most lawbreakers. Judge Dredd is one of the few 'good Judges', in that his devotion to upholding the law is unbreakable, his will is iron, and he will occasionally be sympathetic in it's use.
Judge Dredd first appeared in print in 1977, and satirized the Fascist movement. Written by Italian writer Giuseppe Valentino, and illustrated by Spanish artist Carlos Ezquerra, it was brought to the Americas in the pages of British comic strip 2000 AD, and took off like wildfire. In Italy, there is a misaimed fandom among the younger members of the Fascist Party, who point to Dredd's devotion to duty and unshakable devotion to the state as being an ideal, while at the same time missing that the society of Neo Roma is corrupt and brutal, slowly falling apart under its own weight, and that the people are only a hairsbreadth from revolution at any time.
Panel taken from 'The Apocalypse War'. In this storyline, Metropoli-Uno is attacked by the Sov Coalition in a war of imperialism. Millions of citizens are wiped out in a nuclear first strike, with the follow-up strike by Neo Roma being largely ineffective thanks to the Sov Coalition's use of a portal device that transfers the incoming missiles to an alternate dimension. Much of the arc concerns the efforts by Dredd and the Judges to fight off the unstoppable SOv juggernaut through the urban hellscape caused by the war (Much of the storyline draws from the battles of the Second World War, with Trieste and Berlin in particular being represented). Ultimately, Dredd is only able to prevail by sneaking behind Sov lines and taking over one of their nuclear missile silos, launching a strike against the Sov capitol of Moska that removes their leadership and much of their reinforcements.
Panel taken from the first major story arc of Judge Dredd, 'The Robot Wars'. In this storyline the Robots of Metropoli-Uno rise up against their human masters, led by the charismatic Call-Me-Kenneth. Call-Me-Kenneth, long abused by humanity, attempts to take over the city and, when that fails, attempts to flee from Neo Roma for Ethiopia with his followers. The storyline served as a thinly-veiled criticism of the Ethiopian War, especially when Judge Dredd leads a counter-invasion into Italian East Africa. Call-Me-Kenneth is depicted as an abused slave striking against an unjust system, while Dredd is forced to confront how his own society is responsible for the miserable state of affairs in Ethiopia. This story-arc showed that there was more to Dredd than simply being a faceless goon in the service of the state, with the arc ending with Dredd allowing Kenneth to walk free with the words 'Libre Call-Me-Kenneth!'