alternatehistory.com

So, there's this interesting tidbit about a constructed language in the nineteenth century.

The early 19th century, for instance, saw Jean-François Sudre's "Langue Musicale Universelle", or Solresol, which was based on the international names of the musical notes, with all words formed out of combinations of the syllables "do, re, mi, fa, so, la, si [sic]". Statistically, these combinations yield seven one-syllable words, 49 of two syllables, 336 of three, 2,268 of four, 9,072 of five, for a total of 11,732 primary words, a respectable vocabulary in any language. Shifts of stress from one syllable to another yielded additional words and separate grammatical forms. The language could be sung, played, or hummed, as well as spoken. It could be written as music. It could be expressed in taps, or even colors. Solresol gained wide acceptance, and was sponsored by such figures as Victor Hugo, Lamartine, von Humboldt, and Napoleon III. But it became, so to speak, extinct in the early years of our century.

So, what are some benefits of this? For one, this language can be played by military percussion bands written as musical notes with little additional training, and orders can be transmitted at the speed of sound.

Could this system have achieved real use?
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