#1 The nSk project begins in 1970 and succeeds. nSk-State citizens prevent [post-New Wave / BoP] and [post-New Wave / BoP] which directly lead to [post-New Wave / BoP] and the substantive dissolution of what Yugoslavia had meant prior to 1989. Knowing nSk, a significant element of socialised means and tools of production continues to exist, probably in a heightened state.
#2 W.R. - Misterije organizma / W.R. - Мистерије организма (1971) by Dušan Makavejev is not banned in Yugoslavia and succeeds in terms of its political message. Yugoslavia's nomenklatura and proletariat take on board Makavejev's warnings regarding Leninism—even pure Leninism—and the necessary consequences of a division between the party and the class. They also take on board Makavejev's sexual politics. Yugoslavians are too busy living economically liberated and sexually liberated lives to be ensnared in what Wilhelm Reich describes as fascism. The Industrial Democracy movement in Industrial Relations is radically transformed by what is known in the West as "The Yugoslavian Revolution." In 1985 Makavejev directs The Coca-Cola Kid which has a similar effect on Australian with ethnic/national backgrounds from Yugoslavia, and Australians generally. From 1986 Neighbours is unable to be screened on television in the United Kingdom. This obviously leads to a revival of the Australian Film Industry.
yours,
Sam R.