AHC: Some of your favorite films premade into classics.

"Let It Go" as a political song! Nice alternate version

Thank you very much.

Actually, the idea of the music acquiring political meaning only occured to me halfway through the writing when I was imagining the critical and commercial reception. But once this can of worms was open, there was no going back.
Every parent knows, how persistent this soundtrack is...

So, in this alternate world, there is no TV show about the 1980s or about the revolution of 1989 which would not at some point feature one of the "Snow Queen"-songs. They are right up there with The Scorpions' "Wind of Change" and David Hasselhoff's "Looking For Freedom".

Ironically, although the movie grossed $9 Million at the North American Box Office after it's Oscar-win, "The Snow Queen" and its songs are associated in the US with the long-running Broadway Musical which brought Idina Menzel her second Tony Nomination in 1999.

Hörnla: And a pretty nice editing job at that.


I have to applaud your Robocop-version. It is sometimes interesting to imagine, how many changes on a movie's style would just a decade earlier mean...


Thanks for the compliments. I was lucky to find three of these actors had starred in 19th-century-period pieces at the time, years before their breakthroughs (Liefers as the Explorer and pioneer-mountaineer [!] Alexander v. Humboldt, Waltz as Friedrich Nietzsche). Especially finding the pictures of Katja Riemann, of whom I was only aware as the Queen of 1990s German RomComs, was fortunate, as she had to tame her curls here.


I have to apologize to two actors which would have almost made it: Claudia Schmutzler was my first choice as Anna, but it was impossible to find ca. 1990 pictures of her in anything but the white tank top from "Go Trabi Go". And Christoph M. Ohrt would have been a terrific Hans, but I had to find out that, apparently, he never in his life looked younger than 40.
 
Kingdom of Heaven (1954)

Kingdom of Heaven (1954) was the third film of an unofficial tetralogy made by the same director and producer and starring Robert Taylor. The others were Ivanhoe (1952), Knights of the Round Table (1953) and The Adventures of Quentin Durward (1955). All four were made at MGM's British Studios at Elstree, near London.

Of all four films Kingdom of Heaven did not only have the highest budget ($ 5,875,000) and with 142 minutes the longest running time, it also assembled the biggest cast of stars and is even acclaimed for its' decent and, for the 1950's historically quite accurate screenplay.

Cast:
Robert Taylor as Balian of Ibelin
Ava Gardner as Princess / Queen Sibylla
George Sanders as Raymond III of Tripoli
Francis de Wolff as Raynald of Châtillon
Robert Douglas as Guy of Lusignan
Mel Ferrer as King Baldwin IV of Jerusalem
George Cola as Saladin
Elisabeth Taylor as Asimat, Saladin's sister
Finlay Currie as Hugh of Ibelin, Balian's father
Felix Aylmer as Baldwin of Ibelin, Balian's uncle
Basil Sydney as William, Hugh's squire

Plot:
When a group of crusaders arrives in his village the young blacksmith Balian learns that he is in fact the illegitimate son of Hugh of Ibelin, who has, severely ill, send them to search for his only child. Having just recently buried his mother and foster father, Balian decides to accompany them to the Holy Land.

On the way to the port from which they are to sail the group is ambushed by a group of highwaymen and William, Hugh's squire, learns that Balian is familiar with the use of a sword. This is later explained by the fact that Balian was not merely a simple village blacksmith, but an expert armourer for a nearby castle as well.

After their arrival in the Holy Land Balian and his crusader entourage rescue a group of muslim travellers from what appear to be bandits, the leader of said group presents himself as Yussuf, a saracen merchant, accompanied by his beautiful niece Asimat. Balian falls in love with her at first sight, but is told by William that he can't possibly court her as a christian.

Arriving in Ibelin Balian for the first time in his life meets his, by now, terminally ill father who begs his son to forgive him for abondoning both him and his mother. In the presence of his old friend Raymond of Tripoli and his brother Baldwin Hugh knights his son and names him his sole heir. Hugh dies a couple of days later and after the burial Balian accompanies Raymond of Tripoli and his uncle to Jerusalem.

There he is presented to the leper King Baldwin IV as well as to the King's sister, Princess Sibylla and her husband Guy of Lusignan, who supports the anti-Muslim activities of brutal factions like the Knights Templar. After Baldwin's death, Guy intends to break the fragile truce with Saladin and make war on the Muslims.

He hopes that, having just recently arrived from Europe, Balian will support him against the moderates in court like Balian's uncle and Raymond of Tripoli. In an unobserved moment Princess Sibylla strongly advises Balian against siding with her husband when it comes to agression against Muslims, for that can only lead to disaster.

Guy and his ally Raynald of Châtillon attack a Saracen caravan and Saladin advances on Raynald's castle Kerak in retaliation. At the King's request Balian defends the villagers by charging Saladin's cavalry, despite being overwhelmingly outnumbered. Balian and his knights are captured, and he encounters the saracen he had saved from Raynald's men disguised as bandits shortly after arriving in the Holy Land, who he learns is actually Saladin's chancellor, who releases Balian and his knights in repayment of the earlier debt.

Saladin arrives with his army to besiege Kerak, and Baldwin IV meets it with his. They negotiate a Muslim retreat and Baldwin swears to punish Raynald, though the exertion of these events weakens Baldwin. The King later asks Balian to marry Sibylla and take control of the army, knowing she has an affection for him, but Balian refuses the offer not only because it would require Guy's execution but also since he secretly is still infatuated with Asimat.

After Baldwin IV dies, Sibylla succeeds her brother, and Guy becomes king. Guy releases Raynald, asking him to give him a war, which Raynald does by taking Saladin's sister hostage and murdering the emissaries Saladin sent to negotiate her release. Sending their heads back to him, Guy declares war on the Saracens. Raynald orders three of his men to assassinate Balian, the most strident voice against war, though Balian survives the attempt.

Despite Balian's advice to remain near water Guy and the Templars march Jerusalem's army deep into the desert, where Saladin's army annihilates the Crusaders in the Battle of Hattin and then marches on Jerusalem, which Saladin invests with his superior force. Under the command of Balian's uncle and Queen Sibylla Jerusalem is barely able to withstand the Saracen onslaught.

Balian learns that one of the reasons why Saladin is rejecting terms is that Raynald had told him before his execution that he had ordered Asimat to be killed in case of defeat and thus an infuriated Saladin believes his sister dead. But, as Balian discovers, said order has never reached Raynalds men so there is hope that she may still be alive as a hostage in Raynalds castle.

Balian and two of his most trusted knights sneak out of the besieged city and head for Kerak, where they can only just avert the rape and subsequent murder of Asimat. Returning her to Saladin Balian is able to negotiate a peaceful surrender of the city and a safe conduct for the city's christian population and defenders, thus quixotically forsaking his love for Asimat for the well being of the people of Jerusalem.
 
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I have to applaud your Robocop-version. It is sometimes interesting to imagine, how many changes on a movie's style would just a decade earlier mean...

Danke schoen. :) The only real sticking point I encountered was in casting Bob Morton for the ATL '70s version of Robocop; my original choice, Kurt Russell, was only in his early 20s in 1974, so he would have been too young for the part. The rest of the casting choices were a snap, especially Steve McQueen(physically and emotionally he's the guy who most closely mimics Peter Weller's acting style in the OTL Robocop) and Roddy McDowall(his voice had just the right amount of subtle menace for a '70s version of ED-209).

Quick side note: my casting of Charles Bronson as Clarence Boddicker was a riff on Bronson's role in the 1972 mob action flick The Mechanic.
 
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Harold Peters the Wizard Boy

A series of silent film shorts and feature films that ran from 1921 to 1928. Harold (or "Harry" as he is often called) learns at the age of 11 that he is a wizard, and can do real magic. The earliest shorts, directed by Hal Roach, depicted Harry and his non-magical friends living in fictional South Greendale, USA. Often, Harry would cause some type of magical mischief, either intentionally or unintentionally, before fixing it by the end of the episode. In some episodes he was portrayed as overtly mischievous, while in others he was well-meaning and helpful. The series became known for its new and innovative special effects; the most commonly-used effect was a jump cut that was used whenever Harry made something appear from thin air. Similarly, in some episodes Harry's magic was secret, while in others it was accepted by the adults as a normal, if annoying, part of every-day life.

The series proved immensely popular with children and adults alike. Harry's trademark "wand" (in actuality a stick taken from a tree near the studio) became one of the most enduring symbols of the show.

One of the most iconic characters of the series, Harry's three-headed dog Fluffy, originated in this era. Fluffy would be played by several different dogs over the series' span.

The twelfth short in 1922 did away with the old formula. In this short "the philosopher's stone," all of Harry's friends were wizards and the town adults were their wizard teachers in a giant, secret wizard school. The short was initially intended to be a one-off special; it was a full one-hour film and had used an immense portion of Roach Studio's budget. Money went toward construction of the school castle, costumes for the crew, and makeup for the antagonist: Lon Chaney, Sr. as the unforgettable Lord Von Dark. The Philosopher's Stone kept most of the comedy elements that made the series famous, but it introduced a more serious storyline where Lord Von Dark sought the mystical Philosopher's Stone so that he could become immortal and conquer the world with his powerful dark magic.

From its outset, The Philosopher's Stone was intended to be an experiment. The actors and characters from Harry Peters' series were expected to gain interest so that the movie wouldn't be a complete flop. Against all expectations, The Philosopher's Stone became a runaway success.

Hal Roach was not involved in the production of The Philosopher's Stone, and indeed expressed distaste for the final product. He sold partial rights to Harry Peters to Paramount Pictures for the purpose of making feature films and returned to making family-friendly comedies in the vein of the earlier episodes.

From 1924 to 1928, the two series would run concurrently. Roach's "Harry Peters the Boy Wizard" would use most of the old cast in classic, family-oriented comedies, while Paramount's series, "The Adventures of Harry Peters" would deal with more serious fare with its own cast and set. Lord Von Dark was portrayed by a different actor in each movie, and the role became thought of as cursed.

None of the subsequent shorts or feature films recaptured the popularity of The Philosopher's Stone, and the series was quietly discontinued by both studios.
 
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Nice Kalvan.. I say Michael and Kirk Douglas as Young and Old Joe respectively. It's never made since to me why this has never been attempted. And who are the directors?

In an ideal world, Myself. (This is based on a "You go back in time" thread in Alien Space Bats) But as I'm not in the Director's Guild (and definitely wasn't back then), They would be:

Heavy Rain: Roman Polanski

Looper: Rocky Morton (It is based on a Phillip K. Dick short story, after all.)

The Matrix: James Fargo

Mass Effect Trilogy: James Cameron and/or the Scott Brothers, depending on who's doing Terminator and Aliens at the time

Dragon Age: Paul Verhoeven

How to Train Your Dragon: Martin Rosen
 
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How to Train Your Dragon: Martin Rosen

Good that you were asked about the directors cause I missed your take on HTTYD. One of the few Movies which are far better than the book they're based on.
I'd say that the '89 Version Stands and falls with the Dragons. I remember "Fuchur" in "Neverending Story"....

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It is a shame that children nowadays don't accept silent Movies any more (or b/w often as well), so they never get to know Harry Peters.

However, the 1-Billion-$-lawsuit of the Roach heirs vs JK Rowling was interesting!
 
Following up on one of my previous posts...

Clear And Present Danger(1967)

Starring:
James Franciscus as Jack Ryan
David Janssen as John Clark
Cecil Kellaway as Admiral James Greer
Sidney Poitier as Jeffrey Pelt
Simon Oakland as Bart Mancuso
John Saxon as Sgt. Domingo "Ding" Chavez
Will Kuluva as Colonel Felix Cortez

Directed By:
John Sturges

Bringing back three of the five principal cast members from The Hunt For Red October(Kirk Douglas and Curt Jurgens were unable to reprise their roles due to contractual obligations with other films), this second movie in the Ryan saga finds the State Department analyst called on once again to use his talents to avert disaster-- this time a threatened Marxist uprising in Mexico whose leaders may have ties to Cuban intelligence. Real-life CIA chief Richard Helms has an uncredited cameo in Danger's opening sequence as a newspaper reporter at a White House press conference.

David Janssen's portrayal of Ryan's CIA counterpart, John Clark, was so popular with audiences that the Clark character would be spun off into his own movie franchise in the early '70s and serve as the inspiration for the protagonist in NBC's 1980s cult action hit TV series Rainbow Six.
 
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Good that you were asked about the directors cause I missed your take on HTTYD. One of the few Movies which are far better than the book they're based on.
I'd say that the '89 Version Stands and falls with the Dragons. I remember "Fuchur" in "Neverending Story"....

Well, my plans for this one was that it would have been an animated feature (please note the director), and that I was giving the voice cast.
 
Bad Lieutenant (1976)

Warren Oates ...... The Lieutenant
James Coburn ...... Rapist #1
Santa Berger ...... The Nun

Director: Sam Peckinpah

Following the smash (and completely surprising) success of Bring Me the Head of Alfredo Garcia Sam Peckinpah sought to strike while the iron was hot and dive straight into what audiences seemed to like most about his previous film: the darkness

And indeed too-dark-for-noir Bad Lieutenant is almost pitch-black from start to end. Retaining BMEHOAG star Warren Oates as a misanthropic El Paso detective who tries to find redemption in a search for the man who raped a nun. And boy does he need it, at least a quarter of the films run time is devoted to the depravity of the Lieutenant as he drinks, buys and uses heroin from Mexico and (in a scene that was reported to make audiences either laugh or leave the theater) masturbates to the report of the nun's assault.

Still, when the Lieutenant closes in on the rapist, Peckinpah's control of editing remains strong and the violent conclusion shocked audiences numbed by Peckinpah's other violent films

The film was given several bad reviews during it's release as critics and audiences thought Bloody Sam had finally gone too far. Still, the pathos of Oates in the title role has softened it's reputation and it's slight success allowed Peckinpah to keep making moderately successful films until his death in 1994.
 
Since this is back...

Heaven Is For Real (1934)(1)

Starring Shirley Temple

Filmed as an alternate script to Bright Eyes, which would be released next year, "Heaven is for Real" tells the story of a man, down on his luck, and his family who suffer several serious problems, including when their little girl dies of a normally curable childhood disease which they have no money to treat.

She imraculously comes back and relates, throughout the rest of the film, how she celebrated so much there, with a "voice like an angel." She tells of the streets of gold and her meeting the man's great-grandfather, who family history says died in the Civil War "freeing the salves". She also meets the miscarried child the family never told her about since it was too early in the pregnancy, a miscarriage which had put a strain on the marriage.

In the end, Miss temple's burst into stardom encourages many that heaven is real and helps to remind the family that God is watching and that even though thigns can be rough sometimes, He will help them through it.

(1) Yes, i know OTL this is based on a true story, but TTL it's much like what I'd imagine Hollywood doing, a feel good movie that would also be able to showcase Shirley Temple's talents.
 
The Emancipation of Django (1915) (TL-191)

Confederate War propaganda directed by D.W Griffith. Prussian abolitionist Dr. King Schultz emancipates the slave Django (portrayed in blackface), shortly before his scheduled execution. Schultz and Django, working for the U.S federal government, assassinate key figures in the South in order for the Union to gain advantage in the coming civil war. Protagonist John Brittle is hired by Calvin Candie to defend his plantation and his sister's honor from the murderous Django. The movie culminates with Schultz and Django, backed by federal troops, attacking the Candie plantation in an attempt to spark a slave uprising. Schultz is killed in the attack, and the film ends with Django's death at the hands of a lynch mob. The film, though set in 1859, was intended to reflect World War I, with Schultz, an agent of the Prussian government, and the U.S conspiring to destroy the South by sparking a Negro uprising.

2016: The Negro's America (1939) (TL-191)
An odd science fiction epic commissioned by the Freedom Party. In the far future year of 2016, the villainous mulatto socialist President Abraham Hussein Obama (portrayed in blackface) rules North America with an iron fist. Obama plans to destroy the white race, now an embattled minority, through forced miscegenation and the extermination of all white males. Texan Ted Cruz leads the resistance, rescuing white women from government run brothels/concentration camps. Obama is finally defeated when resistance scientist Dr. Ben Carson unleashes a robot army against the U.S government.

Pulp Fiction (1948)

Peter Lorre as Vincent Vega
Humphrey Bogart as Jules Winfield
Robert Ryan as Butch Coolidge
Rita Hayworth as Mia Wallace
Lionel Barrymore as Marcus Wallace
Sidney Greenstreet as Winston Wolf
Marilyn Monroe as Fabienne

The film opens with Lorre and Bogart playing a pair of cynical hitmen working for brutal mob boss Marcus Wallace. Bogart questions his line of work after a close call while Lorre is tempted by Mia Wallace, Marcus' wife. When the hitmen are sent after the renegade boxer Butch, Winfield convinces Vega to betray Wallace and help Butch and his lover Fabienne escape. Vega and Mia are shot by Wallace, who in turn is murdered by Butch. Winfield is left lonely and embittered.

The Dark Tower Trilogy(1978, 1980, 1981)
Directed by Sergio Leone and George Lucas, based on a screenplay by Stephen King. In the first film, gunslinger Roland (Clint Eastwood), the last survivor of Gilead, hunts down the Man in Black (Jack Nicholson) in his quest to reach the Dark Tower. Roland, journeying between the Wild West-style planet Midworld and various versions of Earth, is joined by drug addict Eddie (John Travolta), bipolar cripple Suzannah (Diana Ross) and teenager Jackie (Jodie Foster). In the second film, Roland's ka-tet must duel against Blaine the Mono and the Wolves of Calla, while Roland opens up about his past. In the third film, the ka-tet faces off against the Man in Black and the Crimson King, who seeks to destroy the Dark Tower and conquer the Universe. The trilogy also used creatures designed by Jim Henson studios, and a diverse soundtrack incorporating both contemporary rock bands and more traditional compositions by Ennio Morricone. Followed by a prequel in 1985 focusing on the young Roland.
 

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Bull Durham - 1946

  • Directed by: Henry Koster
  • "Crash" Davis: Ronald Reagan
  • Annie Savoy: Jean Arthur
  • Calvin "Newt" Laloosh: Marshall Thompson
  • Joe "Skip" Riggins - William Demarest
  • Larry Hockett: Phil Silvers

A baseball dramedy set in the minor league system following the close of WW2. Crash Davis, a one time big league prospect, whose career was set aside when he went to war. He served as a waist gunner on B-17's. He acquired the nickname "Crash" after surviving three crash landings of his shot-up bomber back in England. His war injuries and time have prevented him from achieving his goal of making it to the big leagues. At the beginning of the tale, the embittered Crash, is assigned to the Durham Bulls, a minor league team owned and run by - a woman! - Annie Savoy. With Annie's prodding, Crash eventually snaps out of his funk, when he takes rookie "Newt" Laloosh under his wing, and helps the young man to make it to the majors. Crash & Annie walk off into the sunset, hand in hand....

Sentimental, and a commercial success
 
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The Hangover (1982)

Starring
Dan Aykroyd as Phil Wenneck, a teacher.
Harold Ramis as Dr. Stu Price, a dentist.
John Belushi as Alan Garner, Doug's socially-inept future brother-in-law.
Tim Matheson as Doug Billings, the groom.
Gilda Radner as Jade, a stripper and escort.
Leslie Nielsen as Sid Garner, Tracy's and Alan's father.
Carrie Fischer as Tracy Garner, the bride.
Mary Louise Weller as Melissa, Stu's girlfriend.
George Takei as "Mister Sushi", a maniacal Japanese yakuza
Bill Murray as Officer Franklin

Cameo appearance by George Foreman as himself.

A raucous success on par with Animal House. One sequel was made, with plans for a third cancelled by Belushi's death in 1987. Dan Aykroyd later said of his friend that the success of The Hangover and later Ghostbusters lifted Belushi out of a depression spiral, but perhaps it was inevitable that his friend's unhealthy lifestyle would lead to his own demise.
 
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Yakuza are explicitly Japanese organized crime. Takei's character would either have a Japanese surname, or else be a member of some Tong, Triad, or Jo-Pok group.
Changed to "Mr. Sushi" which IMO would fit the comedic but somewhat offensive take on east Asian characters of the 80's (See: Long Duck Dong)

Is Richard Pryor or Eddie Murphy "Black Doug" the drug dealer?:D
I was thinking the guy from Alien, Yaphet Kotto, since Pryor or Murphy would probably put the production over budget.
 
Earthquake(1925)

Starring:
Harold Lloyd as Stanley "Earthquake" O'Malley
Lionel Barrymore as Dr. Brushemoff
Mildred Davis as Stanley's fiancee Dora Jones
Walter Johnson as himself

In this 30-minute short spoofing what was then an already established movie trope-- the mad scientist --Lloyd plays a humble insurance salesman who transforms into a baseball superstar when he unknowingly ingests a chemist's experimental strength enhancing formula. Aside from its groundbreaking special effects, this movie was best known for real life baseball great Walter Johnson's cameo appearance midway through the film; the scene of Lloyd hitting an impossibly long home run off Johnson and Johnson's reaction to it is generally considered one of the funniest moments in silent film history.
 
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Technically this should count since the series was made into films IOTL too. I really hope this isn't too silly.

"Messengers from Space" (1974)

Plot

The first of the mysterious and deadly "Messengers" was sighted in 1980, a year after a large meteorite struck Antarctica and killed hundreds of millions of people. The year is now 1995 and the Messengers have returned. Based at an underground city named London-3, an international organisation named NERV tries to defend humanity using two-hundred-feet tall self-repairing robots that can only be piloted by people who have the right type of personality. However, Dr. Ickes, head of the organisation, is secretly trying to execute a nefarious plan that could change the world. Notable for its impressive sets and heavy symbolism, this is a must see for all science fiction enthusiasts.

Cast

Peter Cushing as George Ickes, head of NERV (Gendo Ikari)
Alun Armstrong as Shane Ickes, George Ickes' naive son and a reluctant robot pilot (Shinji Ikari)
Billie Whitelaw as Capt./Maj. Michaela Kenney, one of the operational leaders of NERV (Misato Katsuragi)
Rosemary Dexter as Raye Andrews, a female robot pilot who talks little (Rei Ayanami)
Nadia Cassini as Carrie R. Zeppelin, a half-German robot pilot with a short temper (Asuka Langley Soruy)
Wanda Ventham as Rita Ames, NERV's computer specialist (Ritsuko Akagi)

Directed by Freddie Francis
Special effects by Gerry Anderson
Music by Dudley Simpson, "Come, Sweet Death" performed by Procol Harum
 
American Sniper

Don't know if this would qualify as a classic, and I'm not much for glamorizing serial killers, but Denzel Washington as John Allen Muhammad and (Jaden Smith? Lil Bow Wow?) as Lee Boyd Malvo in American Sniper, about the 2002 DC sniper shootings. Not sure when it would be made, as you don't want the Malvo actor to be too young or Denzel to be too old, but when those shootings occurred, I thought this movie had to happen.
 

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Earthquake(1925)

Starring:
Harold Lloyd as Stanley "Earthquake" O'Malley
Lionel Barrymore as Dr. Brushemoff
Mildred Davis as Stanley's fiancee Dora Jones
Walter Johnson as himself

In this 30-minute short spoofing what was then an already established movie trope-- the mad scientist --Lloyd plays a humble insurance salesman who transforms into a baseball superstar when he unknowingly ingests a chemist's experimental strength enhancing formula. Aside from its groundbreaking special effects, this movie was best known for real life baseball great Walter Johnson's cameo appearance midway through the film; the scene of Lloyd hitting an impossibly long home run off Johnson and Johnson's reaction to it is generally considered one of the funniest moments in silent film history.

Love it! Harold Lloyd remains under-appreciated.
 
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