Pope Gregory: “Use of Papal Tiara should be Persevered”
-La Croix, 1 August, 1981
"Pope Gregory has made a statement on the traditional papal tiara that has held many people’s eyebrows raised. The self-described 'socially conservative' pope, in an interview with a journalist with
L’Osservatore Romano, the official newspaper of the Vatican, was quoted as saying: “[use of the tiara] must be persevered.” He clarified: “The use of the tiara is a tradition that has been obeyed for hundreds of years. We, the Church, must make sure that we follow these traditions and not let them ‘die out,’ lest we be accused of watching the vineyard burn. If we are to believe Sacred Scripture, if we are to believe the Catechism, if we are to believe what the Saints and Pontiffs of the church decreed.”
The papal tiara, visible on both the flag and coat of arms of the Holy See, has been less commonly used by modern popes, with previous pope John Paul II not donning the crown at all before his brutal murder by apparent Turkish terrorists.
However, many other people were less approving of the decree. One self-described ‘practicing Catholic’ who preferred to remain anonymous, called the comments “demonstrably silly” and that “if ancient traditions were to be followed, should the Church return to the traditions of declaring Crusades and antipopes?”
La Croix’s Vatican Correspondent was not available for further comment."
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What does PA want? A Special Election! When do we want it? Now!
-Op-ed written by former Attorney General Robert Bork, Pittsburgh Post-Gazette, 6 August, 1981
"In Britain, they call them “snap elections.” In my ancestral homeland of Germany, they’re called “
schnelle wahlen,” “fast choices.” Wherever you live, no matter the language or country, they’re always there. Special elections, take place in nearly every free nation in the world.
They’re also what Pennsylvania needs, right here and right now.
I believe Governor Scranton is a fine man, but I am seriously in doubt as to his character and ability to take on such a role that comes with the responsibilities that being the Governor of the Commonwealth of Pennsylvania brings. I know that his family has numerous and extensive ties to the state government, though I am cautious of the Governor for numerous reasons. I am cautious of his participation in polytheistic and pantheistic meditation rituals. I am cautious of his early years in which he lived the life of a spoiled, McGovern-worshipping beatnik.
However, dear reader, I am most concerned about his ties towards former Governor Thornburgh. Let me say this: I understand his reasons for attempting to take the bribes. I understand that the GOP is hurting through the death of Reagan, that much is absolutely true. But, I think I can say for all Pennsylvanians: corruption is corruption. And the fact that he knew where to scout these bribers out is deeply concerning. Consider the following: just who exactly is to say Governor Scranton won’t repeat what Governor Thornburgh committed?
As a fellow Republican: Governor Scranton, let the people of Pennsylvania, from Pittsburgh to Philadelphia, let them have their say. Let them have their opinions heard. Let Democracy be heard."
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8 September
Craig Leon was in the recording studio, wondering why the hell they’d signed four punks from San Francisco. From what his higher-ups told him, the last time anyone tried to get the band to play music that was either listenable or marketable, their producer had been pelted with insults and an empty can of coke.
He'd heard the horror stories from them, to boot. "Jesus Christ, these kids were worse than the Ramones!" "Why the hell the label had signed them, even as a joke at the poor souls who had to deal with them for however long this “album” was set to take, was a complete mystery!"
But, he had optimism spiraling in his mind. How hard could it possibly be? “After all,” he thought as he sipped the remainder of his coffee out of a chipped mug, “I could make four brats from New York make a decent track. It shouldn’t be too hard to get four from the other coast to sort their shit out.”
Setting the empty white cup on the dashboard of the control room, he had an idea.
With said idea in his mind, he walked into the studio.
One of the band members, looking up from his bass, said: “who the hell are you?”
Without a moment of pause, the producer replied: “I’m your new producer. Now, play me your tracks.”
The three other members glared at him with looks of confusion and disapproval.
Someone spoke from behind the room. “Why?”
“Don’t ask me why. Just play me them, and I’ll give you some…
suggestions.”
The guitarist, lankilly standing in a sea of auxiliary cables, replied “suggestions for what?” in a gruff, uncompromising tone.
“
Suggestions for modernization.”
Across the sea, Paul David Hewson was also in a recording studio, freaking out trying to deal with a severe bout of writer's’ block and a looming release day. He was desperately trying to get lyrics, music, anything, to pen and paper. If this continued, they would have to completely move the release date.
He heard the unmistakable sound of the door of the control room opening, and his producer walk into the tinny audio room that the band was being charged fifty bucks an hour to record in.
“Ah, Steve.”
“How’s the… writing going?”
“It’s shit. I’ve been sitting at this desk for two hours and all I’ve come down with is garbage.” He motioned towards a bin, overflowing with screwed up balls of paper. “I want to actually want for this not to be utter
shite, but that is what it is. I know you want it to be perfect. I want it to be perfect. But the album isn't nearly finished, and if we continue like this, we’re gonna look like utter goddamn stooks.” He stared back down at the napkin he was busily writing in thick black ink, smearing on the sides of his sore hands. He could feel the pain in his arched back as the stress in his body flared up again. "It's shaping up to be one of those fucking nights," he thought to himself.
It was Steve who broke the overly-long silence that followed. “Well, I think I got something that can help with that.”
With that, he pulled out a book from his white jacket, the colour of the fabric, probably coincidentally, matching his surname.
“I was in the States for a bit earlier this week, and someone gave this to me.
"Or, for a better term, gave it
back to me.”
Paul glanced at the book, and began laughing maniacally.
The notebook he’d lost nearly a year ago in Oakland, the book he'd written all of the original lyrics in, was in Steve Lillywhite’s hands.
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Bush and Thatcher meet in Brighton
-The Guardian, 11 September, 1981
“President Bush arrived in Brighton today for a conference with Prime Minister Thatcher and dignitaries of the government The meeting was reportedly rather casual – and very British, if the words of White House Press Secretary Larry Speakes are to be believed. Others in the conference room apparently included Secretary of State for Defense John Nott, Sir Arthur Franks, the head of MI6 and United States Ambassador John J. Lewis.
The talks, although an official transcript has not been released to the presses as of yet, were apparently on the topic of Libya and the United States’ occupation of the Gulf of Sidra, British peacekeeping efforts in Belfast and Northern Ireland and “topics related to the Soviet Union.” A spokeswoman for the prime minister confirmed that she wanted to see a fresh resolution on the future of security efforts in Northern Ireland passed "in the near future" following the talks yesterday, and was “confident in the reaffirmation of British and United States unity and friendship.”
Following Mrs Thatcher's meeting with the president - which Downing Street is denying is a "summit" - the two leaders are expected to give a joint press conference at around 5pm BST.”
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13 September 1981
33rd Primetime Emmy Awards
Pasadena Civic Center, Pasadena, California
Outstanding Comedy Series: Taxi (ABC)
Outstanding Drama Series: Dallas (NBC)
Outstanding Variety, Music or Comedy Program: The Muppet Show (Syndicated)
Outstanding Drama Special: Playing With Time (CBS)
Outstanding Limited Series: Shōgun (NBC)
Outstanding Lead Actor in a Comedy Series: Judd Hirsch - Alex Reiger on
Taxi (Episode: "Elaine's Strange Triangle"), (ABC)
Outstanding Lead Actress in a Comedy Series: Eileen Brennan - Mrs. McKenzie on
Taxi, (Episode: "Thy Boss's Wife"), (ABC)
Outstanding Lead Actor in a Drama Series: Larry Hagman - J.R. Ewing on
Dallas, (CBS)
Outstanding Lead Actress in a Drama Series: Barbara Babcock - Grace Gardner on
Hill Street Blues, (Episode: "Fecund Hand Rose"), (NBC)
Outstanding Lead Actor in a Limited Series or a Special: Anthony Hopkins - Adolf Hitler on
The Bunker, (CBS)
Outstanding Lead Actress in a Limited Series or a Special: Vanessa Redgrave - Fania Fenelon on
Playing for Time, (CBS)
Outstanding Supporting Actor in a Comedy or Variety or Music Series: Danny DeVito - Louie De Palma on
Taxi, (ABC)
Outstanding Supporting Actress in a Comedy or Variety or Music Series: Loni Anderson - Jennifer Marlowe on
WKRP in Cincinnati, (CBS)
Outstanding Supporting Actor in a Drama Series: Daniel J. Travanti - Captain Frank Furillo on
Hill Street Blues, (NBC)
Outstanding Lead Actress in a Drama Series: Barbara Bosson - Fay Furillo on
Hill Street Blues, (NBC)
Outstanding Supporting Actor in a Limited Series or a Special: David Warner - Falco on
Masada, (ABC)
Outstanding Supporting Actress in a Limited Series or a Special: Jane Alexander - Alma Rose on
Playing for Time, (CBS)
Outstanding Directing in a Comedy Series: James Burrows -
Taxi, (Episode: "Elaine's Strange Triangle"), (ABC)
Outstanding Directing in a Drama Series: Robert Butler -
Hill Street Blues, (Episode: "Hill Street Station"), (NBC)
Outstanding Directing in a Variety, Music or Comedy Program: Marty Pasetta -
The 53rd Annual Academy Awards, (ABC)
Outstanding Directing in a Limited Series or a Special: Boris Sagal -
Masada, (Episode: "Part IV"), (ABC)
Outstanding Writing in a Comedy Series: Michael Leeson -
Taxi, (Episode: "Tony's Sister and Jim"), (ABC)
Outstanding Writing in a Drama Series: April Smith -
Lou Grant, (Episode: "Strike"), (CBS)
Outstanding Writing in a Variety, Music or Comedy Program: The Muppet Show, (Syndicated)
Outstanding Writing in a Limited Series or a Special: Arthur Miller -
Playing For Time, (CBS)
The 33rd Primetime Emmys were a big win for ABC, netting nine Emmy awards, six of them for their comedy series Taxi. Such a big win, specifically for the comedy show, was the cause of some controversy, as many decried the Academy of Television Arts and Sciences (ATAS) of snubbing the more raunchy and violent Hill Street Blues as a result of public outrage against perceived “violent” material on both television and the silver screen after the assassination of President Reagan. However, it must be noted that it marked the first time in Emmy history that a posthumous award was presented to a male, that being Boris Sagal, who died in a tragic helicopter incident earlier that year.
Another notable victor was actor Danny DeVito, who won his second Emmy ever for his role as Louie De Palma on
Taxi, who would go on to become a much-loved and well-regarded actor in the fields of television and film, especially after his success as a cast member on seasons 9 (1983-4) through 14 (1987-8) of the seminal comedy series
Saturday Night Live.