The two decades between the end of World War Two in early 1946 and the Rosh Hashanah War of 1966 and the ensuing oil embargo are generally reckoned to have been among the most prosperous in our nation's history. America saw unprecedented rates of growth, and more and more people were able to move into homes of their own and lead increasingly comfortable lives. But this also meant that more and more people were able to afford automobiles. The Crosley, the Cadet and the Commander replaced the PCC, the Peter Witt and the Perley Thomas as America's prefered choice of transportation. And where the car was associated with all the values of modern America – freedom, independence, vitality – transit came to take on the opposite qualities in the popular imagination. Streetcars were associated with the old life, before the war, and conjured an image of the old-fashioned inner-city life that no one wanted to go back to.
Still, in LA the passage of the 1946 rapid transit measure meant that when the streetcars eventually went, they would at least not be without a replacement. The first piece of the new network, the Glendale Boulevard elevated, opened in early 1949, providing an unbroken line of rapid transit from downtown LA all the way to North Hollywood, and the South Broadway elevated soon followed to provide the equivalent for the southbound subway services. Next on the agenda was the Hollywood line, whose construction would go on to prove something of a political controversy. The initial plan was for an elevated line to run along Sunset Boulevard from the Glendale el to the crossing of Sunset and Hollywood Boulevards, from where it would go in a subway along the latter to its intersection with La Brea Avenue. This provoked vociferous protests from storeowners along Sunset, who understandably were not enamored with the idea of an elevated railroad running right outside their windows, and the general population soon agreed.
The obvious solution was to build the entire line as a subway; however, this would not be possible within the LATC's budgetary constraints. The solution soon came in the form of the proposed Hollywood Parkway, which would run significantly to the south of the initially proposed route, but which offered the ability to build a ground-level alignment that could be fully grade-separated and wouldn't add significant noise over that provided by freeway traffic. Ultimately the plan formulated for the Hollywood line was to build it in the median of the parkway – which helpfully passed right by the north opening of the PE Hollywood Subway tunnel – up to Sunset Boulevard, then in a subway along Sunset Boulevard until its intersection with the Pacific Electric alignment (roughly at Gardner Street), from where it would proceed in the PE alignment until finally ending at Santa Monica Boulevard and Fairfax Avenue. The end station would provide a siding loop for LATC service as well as a connection to the PE tracks in Santa Monica Boulevard, providing subway transit to Beverly Hills and Santa Monica in reciprocal operation.
Ground was broken on the Hollywood Parkway in 1951, at which point works were also started on the Sunset Boulevard subway. Two and a half years later, the line opened, and by that point construction had started on the Seventh Street subway, providing downtown LA with a second trunk route to relieve the congested streets. Unlike the Broadway and Hollywood lines, this was to be a pure LATC operation, with no reciprocal transit being offered either to the east or to the west. The line would run from Third Street and Larchmont Boulevard in the west, along Third, Vermont and then Seventh nearly up to the river. From there, it'd link up with the PE's elevated line, running on a four-track joint line up to the Los Angeles River. It would then run on an elevated structure along Whittier Boulevard, up to Indiana Street, from where it could eventually be extended as far east as Montebello. LA would have its first “real” subway line, like the ones that had served New York and Chicago for decades.
Meanwhile, the Los Angeles Railway was running deeper and deeper into financial trouble. Several of its routes had been ceded to the LATC when the Broadway subway opened, and another few had been shut down when the old intercity rail stations in the Warehouse District went out of operation. Several further routes had been replaced by bus service, and even the relatively low running expenses of bus operation struggled to make local transit a profitable venture in this age of the automobile. The situation grew desperate as the company frantically attempted to avoid cutting services[1], and by 1955 it faced bankruptcy. Mayor McGee [2], a fellow liberal Republican who had replaced Fletcher Bowron on the latter's retirement, endorsed a city council proposal to buy out the company, and this was passed by an 11 to 4 vote of the council. On January 1st, 1956, the Los Angeles Railway ceased operations as a private company, and the Surface Division of the Los Angeles Transit Commission arose in its place. Not much else changed though – all the LARy routes were kept in operation, the staff were kept in place, and the cars and buses kept their yellow livery out of tradition – indeed, the LATC's buses remain yellow and white to this day.
The Pacific Electric on the other hand was not about to give up the ghost. The LATC had taken over much of the Western District by this point, which left the company able to focus its efforts toward suburban development in the San Gabriel Valley and Orange County, as well as providing freight service to LA's industries. In the face of the growing monopoly of the car, the PE provided old-style streetcar suburb housing to the people of Covina, Pomona, Fullerton, Santa Ana and a dozen or so other towns. The proceeds from this development were largely used to improve service standard on the various lines, with the Pasadena Short Line being upgraded to full rapid transit standard by 1953, the Watts line following two years later, and a significant upgrade following in 1958 as the new San Bernardino Parkway opened, with an alignment modeled on that of the Hollywood Parkway. Six lanes of car traffic shared space with a four-track rail alignment, cutting travel times between downtown LA and downtown San Bernardino nearly in half by either mode of transportation. Plans were underway to construct a similar parkway route to Santa Ana, and the generous federal grants provided for such construction made its successful completion virtually assured.
Overall, LA stands out as an exception to the pattern of slow decline in transit during the twenty-year boom, at least as far as rapid transit goes. Sadly however, the streetcar lines could not be saved even by bringing them into public ownership, as the planning ethos of the age was just too pro-car to let streets be used for public transit on a significant scale. So it was that the final yellow streetcar, a PCC car running on the P route, rolled into the terminus on September 15th, 1964 [3], and an era came to an end in Los Angeles. It seemed that the destiny of every American city was that of the automobile, and that transit could only survive for regular trips in big cities. Soon enough, all of this would change.
[1] IOTL, the LARy system was bought out by National City Lines, and all but the most profitable routes were axed. By the time the city did take over in 1958, only five routes were left, all of which were converted to bus operation to make way for rapidly growing downtown car traffic.
[2] IOTL,
Patrick McGee was a state assemblyman and later Los Angeles city councilman who made a name for supporting transit and public housing, very much against the beliefs of the OTL mayor for much of the 50s,
C. Norris Poulson.
[3] So, in grand total we managed to give the Yellow Cars eighteen months compared with OTL. Hooray for us.