Chapter LVII: Divine Rule? The Development of the Cult of Horus
In the 19th Century, a famous author described the 36th Dynasty of Egypt as:
'The first true empire, the first of a longstanding interest and power anyway, since the Seleucids.'
The idea, simply enough, was that in a scheme of history built around empires and the succession from one to the next, much of the period from the end of the 3rd Century BCE to the middle of the 1st Century CE had seen nothing more than transience. The Barcid Empire had lasted less than 100 years, many of the hegemonies of the Western Mediterranean had come and gone just as quickly, Macedon had risen and fallen again and so on. In contrast, if we take the Seleucids from the death of Alexander in 323 and work on the basis of their official continuation into the 1st Century BCE, we an almost 3 centuries of imperial rule with varying degrees of power. In this context, the longer-lasting Egyptian empire of the 36th, 37th and 38th Dynasties could be seen as the first 'true' empire since that time, an empire that not only managed to achieve a prodigious size but also a relatively long-standing power.
Of course, all of this is a rather poor way of characterising history; the Barcids were remarkably influential and had seen various permutations over the course of almost two centuries, for instance. Rome's influence went beyond just its direct imperial power, Massalia's beyond just its rule over Southern Gaul and so on. These are states worth our time regardless of whether they lasted 50 years or 500. Nor should we entirely fall into the trap of characterising everything in Egypt from Thutmose V at the latter side of the 34th Dynasty until the end of the 38th Dynasty some 400 years later as being somehow identical or fixed in any way. Even within that time, Egypt saw division and weakness, triumph and golden ages. Egypt changed culturally, economically, politically and its empire was never a fixed entity. In recent years, for instance, one view has turned this interpretation on its head, choosing to view Egyptian empires, dividing it not only into different periods but into different aspects of empire. One such empire might be seen in its cultural reach, its religious patronage, its economic ties and so on. Different parts of the empire might have been prominent at different times but should never be dismissed.
It seems unlikely that Sasobek and his successors could have truly known how their actions were set to affect the rise of Egypt in the coming decades, nor the bloody retribution that they would bring. Still, the period from the civil war of 9 CE to the end of their regency under Ahmose VII was actually a rather successful and prosperous time for Egypt as a whole. Interestingly enough, this period of regency was not predicated on the inherent weakness of every one of the kings. Some were less effective than others for certain, but Thutmose VI was an active king in his own right, unable to do much politically but a major proponent of building works and rather interested in picking up on Sasobek's irrigation works in the Faiyum.
While the Sasobekian leaders effectively took over the process of political and economic policy, the kings fell back on the cultural and symbolic aspects of their rule. Thutmose VII and Amenhotep VII, in particular, cultivated their courts as centres of Greco-Egyptian culture. On his trip to Antioch in 28 CE, Thutmose VII effectively recruited dozens of Seleucid scholars to return with him to Memphis for discussions, debate and eventually to be folded into the Library of Alexandria. Possibly the most important was Amenhotep VII, however. The basic idea of Sasobek's 'Cult of Horus' had somewhat taken root in Memphis over the following years and were set to be further expounded upon in the future. Here, the reign of Amenhotep VII formed a key dividing line in the move from Horus as an Egyptian god to Horus as an internationalised god.
In effect, the rather internalised views of the Sasobekians began and ended with Sasobek II. As Addaya took over leadership, then passing it to Sasobek III, the political climate effectively forced them to look outwards to the rest of the world. The success of the Isiac cult abroad and even the Sarapis cult in Egypt, bearing in mind that the latter had started specifically as a government project by the Ptolemies, seemed to be something of possible inspiration for the development of the Horus cult in the future. What the work under Sasobek II had done was reconstruct Horus to take the place of Isis and Sarapis, pushing the god as the most important god of Egypt, stressing his role as a protective deity and adopting concepts of salvation and a better world into the cult. Nothing there was strictly revolutionary save for, perhaps, the decision to formalise that in the guise of an actual central text.
However, the biggest stage in its development seems to have been oddly premeditated and came in the mid-30s under Amenhotep VII and Sasobek III. Traditionally, there have been a few theories as to what began the process of change regarding the Horus cult. One theory is that Amenhotep VII sought to formalise the cult and centralise it in a way that hadn't really existed before, trying to unify and centralise worship. This wouldn't be unprecedented in Egyptian history; remember that Sarapis had begun as something of a constructed god and even earlier pharaohs such as Akenhaten had (unsuccessfully) tried the same thing. Another possibility is that the ideas that became folded into the Horus cult were already emerging in some places, possibly through theological discussion in Memphis. A third is that the goal was to politicise and control the cult as a means to try and create it as a specifically international religion that could be utilised by Egypt for political ends.
Whatever the case, the cult of Horus began a process of three major changes. The first came in 36 when a priest of Horus tied to the court in Memphis published
The Book of the God Horus. In effect, this book served really just to compile earlier writings on the cult of Horus including the
Oracles of the Osirian God and the
Words of the Osirian God, folding them into a single text. However, the book concluded with what amounts to a lengthy commentary on the nature and history of the Cult of Horus, arguing that the ultimate concern of the entire cult is that of succession. In effect, the idea is that Horus, as a protective god, represents the transition in the world, the continuation and maintenance of order as the world moves constantly forward. For simplicity's sake, the idea is that Osiris, murdered by Seth in some ancient time of gods, is the eternal 'former king' and that Harsomtus, Horus' son, is the eternal 'future king'. Horus is thus the eternal pharaoh whose job, as a god, is the protection of that transition across all of Egypt.
Thus, Horus knows the future and can relate the future to mortals for the purposes of protecting order and ensuring that the transition from past to present to future always maintains Maat (order) and expels Isfet (chaos). Every transition, then, is part of Horus' remit from birth to death. Other gods can exist in this framework but as subsidiaries to the will of the divine Pharaoh. It's a bit unclear at this stage whether or not the idea was that these gods are extensions of Horus' will or if they were seen as distinct entities. In some works, for instance, Anubis is presented as the form of Horus as he protects the spirit on its way to the afterlife. In others, Anubis is an individual god but his role and power are guided by Horus who controls and dictates all that happens.
At the same time, the text also made itself very clear on two points: Horus was also an oracular god who knew and could relate the future, and Horus was Amun. The latter point actually begins as something of a throwaway line when the author describes the Oracle at Siwa as:
"the will and voice the Pharaoh, otherwise known as Amun"
What is important about these two points is that they built on existing ideas to construct and justify the nature of the Cult of Horus in its new form. Amun was not degraded or relegated, he was syncretised as had already happened. It's no coincidence that texts for decades after this deal with Horus as 'Horus-Amun', 'Horusamun' or, in one case, 'Horusrasamun', combining three gods into a single name. Thus, Horus was raised to a point of near omnipotence as a god; ruler of the future, present and past, an oracular deity, a god of sky and protection and war and sun. Everything else all came under Horus' remit anyway as he was either Pharaoh of the Gods or, in some cases, an omnipotent deity who controlled all these aspects anyway.
The important development upon this came with the work of Siamun, the Priest of Horus at Edfu after the reunification of Egypt in 42. Siamun effectively formalised aspects of the cult of Horus further, under his guidance the centre of the cult moved finally from Memphis back to the Ptolemaic-era site at Edfu. It was from here that the new Cult of Horus would change and spread across Egypt and then even further beyond. Sometime between 46 and 48, Siamun expounded on the ideas developed earlier in his own set of literary works. Well versed in Greek literature, and almost certainly from a Greco-Egyptian background, Siamun first agreed on the point that Horus and Zeus were the same god. Historically, Horus had been syncretised with Apollo and now that both could be seen as sun gods and oracular gods, it would have made sense.
However, in his list of the most important Horusian oracular sites, Siamun placed Siwa at the top, followed by Delphi and then Dodona. Basically, this appropriated the Greek sites; Delphi was associated with Apollo but he could be seen as just part of Horus' will or another god that serves Horus as divine Pharaoh. Dodona was already an oracular site for Zeus who was just another name for the same king of the gods, one who could also rule over the skies through his own elevation and syncretism with Amun. Siamun thus very carefully Hellenised the cult just enough. On one hand, the cult could now use either Egyptian or Greek temple precedents, drawing particularly on certain shared customs such as votives, sacred ground, temenos walls and so on, as well as existing names and identities but surrounding new ideas of salvation, personal growth, the protection of a universalised order and so on.
Finally, in 96, Archibius of Tanis published a new history of the world since its creation, building his upon the new ideas of the Cult of Horus and included within a 'sacred map', effectively marking what he thought to be the most important religious locations within the cult. Included were the tomb of Sarapis at Abydos (building on an idea floating around at the time that sought to reintegrate Isis and Sarapis into the cult, substituting Osiris and Apis for Sarapis but keeping the same ideas), the Temple of Horus at Edfu, the oracles at Dodona, Siwa and Delphi. Seeking to further integrate the Hellenistic world with the Egyptian, Archibius built upon the idea of sacred geography, effectively trying to develop the map of the world as it was and equate it to a shared heritage that could allow the cult to integrate other groups. In his view, the ancient kingdom of Horus had once covered the world, eventually descending to the Greek age of heroes of which the Homeric and earlier heroes were descendants.
At no point, however, did these ideas just freeze in place. Discussion and development continued long after these initial pushes and there was never really a unanimous or entirely accepted idea of the cult. While the cult of Horus and its sometimes rival cults of Isis and Sarapis would be integral to the Egyptian empire going forward, it could never really be centrally controlled in the way some might have hoped.