The Five Greatest SITCOMS of 1990
From Five Alive! Netsite, posted November 17th, 2017
As the ‘80s ended and the ‘90s began, the world was changing quickly. The year 1990 saw the rise of such watershed shows as
Jerry and
Salem Falls, but it also saw the rise of some more traditional ‘80s-style SITCOMS, like
Wings and
Family Matters. And yet even many of the sillier SITCOMS of the year had the seeds of what was to come. Take for example what we at
Five Alive feel are The Five Greatest SITCOMS of 1990:
#5 – Cadets
(Image source “forums.lostmediawiki.com”)
Cadets follows 13-year-old Tyler McKay, an orphan whose troublemaking ways cause her foster parents to send her to the strict Appomattox Military Academy, where she becomes the first female cadet, much to the chagrin of the more conservative members. In 1988 Soleil Moon Fry, just finishing her run as the eponymous star of the popular
Punky Brewster, was cast as Tyler in a TV pilot for
Cadets alongside Richard Roundtree (the disciplinarian Sergeant Matt Gideon) and Jaleel White (the friendly rival Cadet Nicholls). The
September ’88 pilot did well enough[1] that a tweaked second pilot was launched in the spring of 1989 to high regard. It eventually launched in the Spring of 1990. Lifted by Fry’s natural charm and the scene-stealing eccentricities of her sassy and awkward friend/rival Cadet Nichols, the show managed to ride a wave of pro-military fervor surrounding the Gulf War and the straight-from-the-headlines drama surrounding the attempted gender-integration of private military academies at the time to reach the Top 5. Lasting for six popular seasons,
Cadets became iconic of the 1990s and spawned other “first girl in X” SITCOMS, none of which lived up to their inspiration. Today
Cadets is a well-regarded SITCOM that addressed serious issues of gender equality in an entertaining way.
#4 – Molloy
(Image source “filmafinity.com”)
It was 1990 and Mayim Bialik was the most highly sought young actor in Hollywood following a star-making appearance as Bette Midler’s younger self in the Hollywood Pictures drama
Beaches[2]. Several studios approached her, but it was veteran producer Lee Rich[3] who got her for
Molloy. The story involves 11-year-old Molloy Martin (Bialik) who lives with her mother in New York while her father (divorced) lives in LA and visits on the weekend. When her mother suddenly dies, Molloy moves in with her father Paul (Kevin Scannell), his “hip and savvy” second wife of three years, Lynn Walker (Pamela Brull), and Molloy’s step siblings, the self-absorbed teenage Courtney (Jennifer Aniston) and precocious Jason (Luke Edwards). Molloy aired on PFN and, buoyed by great writing and a stellar cast, excelled, making a good five seasons. While Bialik largely retired from acting to pursue a Neuroscience degree with some voice acting on the side, Aniston would go on to achieve great things. Molloy is fondly remembered today as a smart, hip show lifted by Bialik’s wise-beyond-her-years screen presence and Aniston’s relatable neurosis.
#3 – Richie
Not this at all (Image source “imdb.com”)
In 1989 Don Reo, who was partnered with Witt/Thomas Productions on the failed
Heartland, had an idea. Influenced by witnessing his “improbably hip” friend Dion DiMucci, the lead singer of Dion and the Belmonts, being the “coolest dad ever”, he devised an idea for a SITCOM based on such an idea. He then merged it with another idea he had for a wise-beyond-his-years, introspective teenage boy based on Holden Caulfield from J. D. Salinger's
The Catcher in the Rye. Thus,
Richie was born. Witt/Thomas, who by this point had an established relationship with MGM TV, pitched the idea to Diana Birkenfield. Birkenfield, noting the superficial resemblance to the Marvel-owned property
Richie Rich, consulted with Marvel President Jim Shooter. The idea soon evolved into a decidedly non-canonical
Richie Rich TV series in all but name, but with the deconstructive concept being that main character Richard “Richie” Richmond (David Lascher) was a sarcastic, Gen-X Holden Caulfield who resented his privilege and made sure that the Fourth Wall was well aware of this (reportedly they were influenced by
Ferris Bueller). He similarly resented his “too cool” hip jazz musician father Donn “Diamond” Richmond (Shadoe Stevens) and his precocious little sister Blossom (Jenna von Oÿ). They are impossibly wealthy thanks to Richie’s grandfather Richard A. Richmond, who created the
Richie Rich comic along with Alfred Harvey and Warren Kremer (at least in this world). They took the idea to NBC, but Brandon Tartikoff was pushing for a female-centered series starring the highly-sought Mayim Bialik[4]. However, by this point Bialik had signed up for PFN’s
Molloy, so
Richie was greenlit, launching in the fall of ‘90. Richie was, like the competing
Molloy, a series notably smarter than the average SITCOM of the time. It served as a subtle satire of the idle rich and a not-so-subtle stab at the privileged SITCOM family tropes of the ‘80s.
Richie ran for six seasons and got some Emmy attention, but no statues. It would influence some of the similar fourth wall breaking SITCOMS of the late 1990s and early 2000s.
#2 – Yo Homes to Bel-Air
This, but with Jamie Foxx (Image source “imdb.com”)
In 1990 music manager Benny Medina and his business partner Jeff Pollack pitched an idea to Quincy Jones for a SITCOM based loosely upon Medina’s life as kid from East LA befriended by a wealthy family from Beverly Hills. Jones liked the idea and they took it to Brandon Tartikoff at NBC, who also liked the idea. The only question was who should play the lead role. After a brief search, they noticed the talented comedian Jamie Foxx, who was working the comedy clubs of LA at the time[5]. His combination of great comedic timing and amicable approachability made him the obvious choice for all involved. With a fresh Hip-Hop soundtrack and hip, street-smart vibe, the fish out of water story saw Jamie’s Ferdinand “Fox” Jameson as an inner-city young man from East LA who is sent by his aunt to live with his wealthy cousins in Bel-Air. With memorable supporting roles by James Avery as Philip Banks, Janet Hubert[6] as Vivian Banks, Karyn Parsons as Hilary Banks, and Alphonso Ribero as the nerdy breakout character Carlton Banks, along with Joseph Marcell as the butler Geoffrey, the show was an immediate hit, launching Foxx’s career in TV and film. It lasted a full 6 season before Foxx’s growing career eclipsed the show. Today it’s remembered as one of the first massively popular Black-led shows of the 1990s and a fresh change in Black representation from the Cosby-dominated 1980s.
#1 – Internal Combustion
Not this (Image source “commonsencemedia.com”)
In 1990 comedian Tim Allen came to the attention of MGM producer Bernie Brillstein. Impressed by both his stand-up act and his interesting life’s story as an ex-con trying to readapt to life after prison, Allen was recruited by Brillstein’s Hyperion TV. The ultimate result was
Internal Combustion starring Tim Allen as ex-con Tim Stone, who is starting a garage and trying to turn his life around while on parole. Soon enough, he gets word that his ex-wife Helen has died in a traffic accident and he soon inherits guardianship of his estranged kids, who come to live with him. These include 15-year-old tomboy daughter Alex (Staci Keanan just finishing up
My Two Dads), who loved him as a young girl and feels resentful, betrayed, and abandoned at his imprisonment, and sensitive and nerdy 10-year-old son Junior (Jonathan Taylor Thomas) who was born while Tim was in jail and hardly knows or thinks of him. To the conservative, traditional Allen, his grease-monkey daughter and sensitive, Broadway-loving son present as much of a challenge for him to adjust to as the usual trials and tribulations of raising kids as a single parent. Complicating things further is his ex-con status, as represented by his parole officer Marsha Dimes (recurring appearances by Marsha Warfield), and his struggles to run a small auto repair business in the face of nationwide chains, as represented by the wealthy Jimmy Swift, founder and CEO of the Swift Automotive chain (recurring appearances by John Goodman). With a combination of clever writing and a willingness to explore real world social issues,
Internal Combustion was both a crowd and Emmy darling and launched Tim Allen’s and Jonathan Taylor Thomas’ careers.
So, what do you think? Are there any good 1990 SITCOMS that we missed? Let us know in the comments below and be sure to Like and Track! P-Sout!
[1] Never got picked up in our timeline. Different writers at NBC mean a slightly better showing. Note that with Jaleel White in a supporting role here, he’ll never make a guest appearance as Steve Urkel in
Family Matters, which will never become “The Urkel Show” in all but name, and will thus be mostly remembered in this timeline as a good but unremarkable four-season
Perfect Strangers spinoff.
[2] Based on a popular 1985 book, so its appearance around 1988 seems likely in this timeline, just as it seems likely that Eisner and Katzenberg will be the ones to greenlight it with their usual actors, including Bette Midler, so naturally Bialik is hired as “Midler as a kid” since there’s such a resemblance.
[3] In our timeline Bialik was simultaneously slated for two Pilots in 1990:
Molloy and
Blossom.
Molloy took the initial lead, but died quickly at Fox where the studio producers dropped the ball (Here PFN is smarter thanks to Paramount’s extensive TV experience) so
Blossom won out. But in this timeline
Blossom is instead, well, see #3!
[4] He got his way in our timeline, leading to
Blossom.
[5] In our timeline Medina ran into “Fresh Prince” Will Smith on the Arsenio Hall show, which Smith had been randomly urged to visit by his then girlfriend. Such a random event is hard to keep alive in the face of this many butterflies. We’ll hear from Smith later.
[6] No feud with Will Smith means no her getting fired and replaced by Daphne Maxwell Reid in Season 4.