Photos from Featherston's Confederacy/ TL-191

Their empire was very weak to begin with. Did Austria-Hungary every break up in TL-191 After the End or does it stay united. I know Germany remains powerful.

Austria Hungary remains united and reforms into a Federation, with the Emperor being a figurehead only. It is still colloquially known as Austro-Hungarian Empire.
The Ottoman Empire is a much more complicated story; it is held up by American, German aid and oil revenue. But as time progresses the relationship with its allies corrodes and an economic slump a war against Russia and a second war agaist India & Persia brings it to near collapse by the 1990s and provokes a nationalistic backlash against minorities. After the End ends in a cliffhanger where it seems the OE is about to implode in 2009. With Russia (now a US ally) greedily awaiting its rivals collapse.
 
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Early 2000s promotional photo for the recruitment of new reservists into the Reserve Forces of the Army of the Republic of Quebec. To rejuvenate falling interest in voluntary reservist service, the ARQ deliberately went for a more "saucier and sexier" approach to its recruitment campaign. The effort proved fairly succesful...



(OOC: Actually, this ! :eek: :D)
 
Austria Hungary remains united and reforms into a Federation, with the Emperor being a figurehead only. It is still colloquially known as Austro-Hungarian Empire.
The Ottoman Empire is a much more complicated story; it is held up by American, German aid and oil revenue. But as time progresses the relationship with its allies corrodes and an economic slump a war against Russia and a second war agaist India & Persia brings it to near collapse by the 1990s and provokes a nationalistic backlash against minorities. After the End ends in a cliffhanger where it seems the OE is about to implode in 2009. With Russia (now a US ally) greedily awaiting its rivals collapse.

Ah thank you
 
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Tayabas Bay Rocketry Base, aka "Big Liberty", in the Philippines in 2012. Formerly a Japanese military installation, it was meant to be the launching point of the first Japanese satellites but the project was scrapped due to the Fourth Pacific War. After the war the United States secured a 99-year lease on the base for the Liberty Space Agency. Today it is used as a launch site by the LSA for exploration missions to the Outer Solar System and satellites, along with LaFollette Space Center in the state of Cuba.
 
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Mutinying Russian barrels battling Tsarist loyalists in the streets of Tsaritsyn during the Second Russian Civil War, 1965.
 
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Future U.S. President Joseph P. Kennedy Jr. (left), with his father, Boston businessman and politician Joe Kennedy Sr. (middle), and his younger brother John (right) in 1938. Practically raised from birth to be president, Kennedy earned a distinguished military record during the Second Great War, serving with distinction as a major in the U.S. Army Air Corps on the Confederate front. Tragically, his brother John was less fortunate; he himself would enter the U.S. Navy, himself serving with honor and courage as a lieutenant before he was killed in action while battling the British Royal Navy in the Battle of the North Atlantic.

Those closest to the Kennedy family report that both Joe Sr. and Joe Jr. took John's death very hard; the two brothers had been competing for their father's approval for practically their entire lives, and Jack had always been made to feel like second best, creating the perception that he had died while trying to prove himself to his family. The loss also inflamed Joe Jr.'s hawkish tendencies; when the future Democrat Massachusetts Senator was elected President of the United States in 1960, he almost immediately began a harsh crackdown on rebels and dissidents within the occupied U.S. territories in Canada and the former Confederacy.

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American and German astronauts pose together before embarking on the launch of the Spacelab extraterrestrial laboratory in 1981. The United States of America and the Empire of Germany emerged from the Second Great War not only as the two strongest military superpowers on Earth, but the powers best equipped to launch mankind's bid toward the exploration of outer space. After competing with each other for decades in order to launch satellites and send humans into space, the two countries would at last pool their resources toward the end of the 1970's, bringing forth a new era of discovery, exploration, and cooperation.
 
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On April 15th, 2007, thousands of patriotic Quebecois come out to celebrate the 90th anniversary of the Republic of Quebec's independence from Canada at the annual Independence Day parade in Montreal.

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Korean-Hawaiian film director Kim Jong-Il, on the set of his critically-acclaimed film "Nation in Exile" in 1984. Born in Honolulu in 1941, Kim was the son of anti-Japanese Korean nationalists who, following Japan's consolidation of power and spread into Manchuria following the First Great War, were forced to flee from East Asia in 1920. They would settle in the Sandwich Islands, a newly-won colony of the United States. Kim's father, Kim Song-ju, would volunteer to join the U.S. Navy following the beginning of the Pacific War in 1932, becoming a naval officer fighting for the United States against Japan. He would eventually be killed in action against the Japanese early in the Second Great War, as his ship was sunk during the Battle of Midway, when Kim Jong-Il was only an infant.

Kim's films are known for both their directing skill and their controversy. His movies largely revolve around the question of Korean ethnic identity and the experiences of living under Japanese imperial oppression. As part of the Japanese Empire, Koreans endured both military persecution and efforts to extinguish Korean national identity and replace it entirely with Japanese culture. Kim's exploration of this history offers insight into a unique Asian culture, but also presents inflammatory and polarizing political themes colored heavily by his own Socialist and anti-imperialist beliefs. The latter has made the governments of otherwise supportive nations, namely the United States and Germany, wary about public viewership of his films, as they themselves have foreign nationalities kept under imperial control. Nonetheless, Kim Jong Il's films won numerous cinematic awards at film festivals the world over.
 
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Promotional poster for the critically acclaimed 1994 American epic historical drama film Forrest Gump, starring Tom Hanks. Hailed as arguably the greatest exploration of post-Second Great War American national identity, the film tells the life story of the title character, Forrest Gump, a mentally handicapped native of Alabama, raised singlehandedly by his loving, devoted, and wise mother (his father having died in the Battle of Chattanooga). As he grows up during the U.S. occupation of the former Confederate States, at a time when the re-unified United States of America is struggling to overcome the horrors of its past, rebuild the nation, and define its identity, he witnesses, interprets, and sometimes influences the events of 20th Century American history in the 1950's, 60's, and 70's.

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One of the most memorable and emotionally resonant scenes is depicted in these screenshots, where Forrest, for the first time, sees African-Americans, who are enrolling in the University of Alabama while under the protection of armed U.S. federal troops in 1961. Not understanding the implications of the situation, Forrest narrates this famous monologue:

"I remember one day, I was going to school, and there was a bunch of people outside the door. And in the middle of them were Yankee soldiers, and they were holdin' guns. And they were with two people. Only I had never seen people like this before. They had dark brown skin! And eyes that were black and white! I was surprised, but on account of the fact that I had grown up having people stare at me for bein' different, my mama had always told me that I shouldn't do the same. So when one of the dark-skinned people dropped her book, I picked it up for her. For some reason, she didn't look back at me.

I asked my mama about this. I asked "why are the Yankees protecting these people? Are they special?"

She said that a long time ago, before I was a baby, there used to be a lot of dark-skinned people like that in Alabama. And then one day, for no particular reason at all, some angry little man in Richmond decided, well, that he didn't like these dark-skinned people, and he wanted them to go away. And even though it didn't really make much sense, the people, well, for some reason, they agreed with him! And so he made them go away.

And that's all she had to say about that."
 
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Sad and touching. Gives me the feeling that TL-191 Forrest Gump would be a lot more tearjerker-y and a lot less bitterly comedic.
 
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Korean-Hawaiian film director Kim Jong-Il, on the set of his critically-acclaimed film "Nation in Exile" in 1984. Born in Honolulu in 1941, Kim was the son of anti-Japanese Korean nationalists who, following Japan's consolidation of power and spread into Manchuria following the First Great War, were forced to flee from East Asia in 1920. They would settle in the Sandwich Islands, a newly-won colony of the United States. Kim's father, Kim Song-ju, would volunteer to join the U.S. Navy following the beginning of the Pacific War in 1932, becoming a naval officer fighting for the United States against Japan. He would eventually be killed in action against the Japanese early in the Second Great War, as his ship was sunk during the Battle of Midway, when Kim Jong-Il was only an infant.

Kim's films are known for both their directing skill and their controversy. His movies largely revolve around the question of Korean ethnic identity and the experiences of living under Japanese imperial oppression. As part of the Japanese Empire, Koreans endured both military persecution and efforts to extinguish Korean national identity and replace it entirely with Japanese culture. Kim's exploration of this history offers insight into a unique Asian culture, but also presents inflammatory and polarizing political themes colored heavily by his own Socialist and anti-imperialist beliefs. The latter has made the governments of otherwise supportive nations, namely the United States and Germany, wary about public viewership of his films, as they themselves have foreign nationalities kept under imperial control. Nonetheless, Kim Jong Il's films won numerous cinematic awards at film festivals the world over.

Brilliant. If you tie it to David's After The End, Kim Il Sung is likely a Fourth Pacific War veteran and hero as well.

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"I remember one day, I was going to school, and there was a bunch of people outside the door. And in the middle of them were Yankee soldiers, and they were holdin' guns. And they were with two people. Only I had never seen people like this before. They had dark brown skin! And eyes that were black and white! I was surprised, but on account of the fact that I had grown up having people stare at me for bein' different, my mama had always told me that I shouldn't do the same. So when one of the dark-skinned people dropped her book, I picked it up for her. For some reason, she didn't look back at me.

I asked my mama about this. I asked "why are the Yankees protecting these people? Are they special?"

She said that a long time ago, before I was a baby, there used to be a lot of dark-skinned people like that in Alabama. And then one day, for no particular reason at all, some angry little man in Richmond decided, well, that he didn't like these dark-skinned people, and he wanted them to go away. And even though it didn't really make much sense, the people, well, for some reason, they agreed with him! And so he made them go away.

And that's all she had to say about that."

Damn....
 
Really makes you realize the impact of the Population Reduction and the subsequent further demographic shifts as blacks leave the former Confederacy for greener pastures.
 
Thanks for the praise, everyone. :D Forrest Gump is one of my all-time favorite movies, and I got to thinking about how the character would interpret the world in the America of TL-191. It took off from there.








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Texas President Lyndon B. Johnson meets the aging former Socialist U.S. President Upton Sinclair during his official diplomatic visit to Philadelphia in 1965.

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Later in that visit, Texan President Lyndon Johnson holds a tense meeting at Powel House with U.S. Secretary of State Robert F. Kennedy. From the beginning, the two men clashed and their personalities and cultures had difficulty meshing. Kennedy was firmly rooted in New England Yankee culture, looking down on white Southerners as racist barbarians, and viewing the Republic of Texas with suspicion, believing that its secession from the Confederacy at the end of the Second Great War was its way of escaping the punishment meted out to the rest of the former C.S.A.

Johnson, meanwhile, had been spending his entire presidency genuinely pushing forward reform, liberalization, and de-Freedomization in Texas. He thus greatly resented being tarred with the same brush as unrepentantly racist former Confederates, and was put off by what he perceived as Kennedy's condescension and self-righteousness. Even two decades after the end of the Second Great War, North and South had a lot of healing left to do.
 
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