Even with Hollywood accounting being technically legal, will the trial fallout get the IRS to start investigating movie studios for tax evasion?
Thank you, Daibhid - and of course, you're absolutely right. But when every studio is part of various conglomerations that control all the means of disseminating this information - which run the gamut across the entire political spectrum, from hard-left to hard-right - it's not surprising that you can only find useful information about Hollywood accounting practices in sources outside the mainstream media. Back in the late-1970s, conglomeration was not nearly as complete as it is today - all three networks were still unaffiliated with any of the movie studios, for instance, and the independently-owned newspapers of the era all had much larger circulations - which allows for the "Trial of the Century" to be an actual story which is thoroughly covered (and dissected, and repudiated, etc., etc.) Today? The story wouldn't stand a chance of getting proper coverage.
Even Pryor was forced to acknowledge this through the series of “Who Shot Robin” sketches that featured in the season opener. All of these “starred” the show’s breakout performer, Robin Williams, as his own corpse, slumped over in a chair and – for the one and only time in the history of the series – totally silent. Pryor played the police detective who was investigating his murder, making inquiries of the long-suffering supporting players so as to determine their motives. And sure enough, in each sketch, one-by-one, every member of the Pryor repertory delivered impassioned, lengthy monologues about the many times that Williams had upstaged them, or stepped on one of their punchlines with one (more often several) of his own, or completely ruined the flow of a scene by interjecting with his stream-of-consciousness ramblings… the complaints were myriad, and seemingly endless. This episode quickly became the most infamous in the show’s history; it was plainly obvious that the rantings of the various “suspects” were firmly grounded in truth. Naturally, it was eventually revealed that everyone in the supporting cast was the culprit, each using a different murder weapon (in a reference to the popular board game, Clue). This “shocking revelation”, with Pryor playing detective and exposing each of the culprits in turn, stood in for his usual closing monologue; as he bid his audience good night, Williams attempted to rouse from his “death” and launch into his usual manic persona, but the rest of the cast physically restrained him from doing so.
Keep in mind that Tartikoff had a bit of input into OTL Deep Space Nine, so the similarities needn't come from Roddenberry's input (and some of it is probably just coincidental on the part of the timeline, if not on the part of the author - Quirk/Quark, for instance).Interesting that Deep Space uses so many ideas from OTL Deep Space Nine...I didn't think Roddenberry had that much input into that.
Robin Williams' death was a shock but makes sense. Be interesting to see how pop culture views of him in TTL by today are different from ours.