The scenes are matched to the verses of the WWI-era Russian song "March of the Siberean Riflemen", reflecting the Heirs of Harbin's origins in the Russian White movement's remnants, but also contemplating each successor's relationship to the legacy they claim. Verse one represents a somewhat collective/generalized depiction of the heirs as they departed Japanese-occupied Manchuria. Imperial Japanese sponsorship features heavily to emphasize just how divorced from Russia the heirs have become and how they started as just collaborators of another stripe. In some ways, they're a lot like Samara, dependent on the sponsorship of a superpower occupying their own land and expecting them to be grateful for it. For those heirs that maintain these ties, the scene emphasizes that they didn't just leave Manchuria, but in fact invaded the USSR with the blessing and backing of the empire. The presence of the Kwantung army is partly geographical, their historical jurisdiction being occupied Manchuria, of course, and partly referential, harkening to the notable brutality of the Kwantung Army (War crimes, Unit 731, etc.) and therefore calling into question just what their association with the heirs entails. The lyrics of verse one focus on the fearsomeness of Siberia and the bravery of those who march through it, but the question remains for what cause these men march. What use is their bravery if they are but "foreign lapdogs" and what hope do desperate men have against the vastness of Siberia?
Verse two's lyrics emphasize the brutality of Siberian storms, and how they strengthened soldiers into the ideals the song lauds. I decided to depict this mostly literally, depicting the Heirs' forces as shaped by their conditions and highlighting their dedication to their movement. And yet, that dedication alone may not be enough. The youth, an volunteer who has never seen his parent's homeland until now, can rise from his fall and continue his march. But the old veteran who longs to return from his long exile simply cannot survive the strains, unable to see any fulfillment of the original vision of the movement and leaving its destiny in the hands of the descendants, the successors, the ideological innovators, and the opportunists. Amidst the "silent taiga" and "ruthless storms," the youth also sees the movement fracture, as much as it was ever semi-unified in exile to begin with. The Heirs' visions are too different, their methods abhorrent to one another, and their goals mutually exclusive. The farce of exile unity is cast away as the survivors, strengthened by their experiences, bring altogether divergent lessons learned to an awaiting Russia.
Verse three speaks of the emergent soldier, ready to fight in any conditions and bearing the iconic Papakha hat. In line with this somewhat dated garb, the youth is revealed to belong to the monarchist faction, carrying the very legacy of the Baikal Cossacks and their papakhas, lead by Ataman Grigory Mikhaylovich Semyonov himself (mysteriously living 16+ extra years). They have braved the snowstorms, their beliefs intact, and now prepare for battle as they reach their destination in Chita. Mikhail II is purposefully absent, as I don't see him as belonging to the movement (at least arguably not yet) and want to keep him distinct from the likes of Semyonov and Shepunov.
Just as they prepare for battle, the next Heir is depicted in its midst. Verse four focuses on the idea of Siberia as the home of its soldiers. It is supposed to be defended and implores its sons to carry its greetings to distant lands. It is (deliberately ironically) juxtaposed with the behavior of Rodsaevsky's RFP as he brings untold pain and suffering to his own homeland and perverts its very nature. The only greetings Rodsaevsky's Siberia will bring "From the Danube to the Rhine" will be those of sycophancy and destruction. True, Rodsaevsky has innovated on the foundation of the movement to match what he perceives as the underlying truths of the world he inhabits, but it is a terrible invention and stands to invoke the lyrics only in their worst possible form.
Verse five acknowledges that Siberia's soldiers march because of difficult times and then poses their twin purposes: (1) to restore Russia's lost glory and (2) to defend the land's righteous citizens. Magadan's conquerors have also innovated beyond their origins to interpret the song's message, but have done so very differently from Amur and not only in one form. Matakovsky very much belongs to the "old glories", his nationalist vision serving as the means to bring Russia to the ideal the past has painted for Matakovsky. The army and people accept his vision, for it is not the worst of their options, but how much weight does it carry? Perhaps he is right and people recognize that their may be wisdom in both reform and rememberence? Or maybe he is wrong and ignorant of where Russia needs the most help. In TNO, Russia future, its children, and its needy cannot subsist on old stories, force of arms, and grand promises. Perhaps the true reformer hears Russia call even when it is silent and knows how to call forth its potential to better seek the greater good? Is it so, does Petlin have the answer, or is his promise too lost before it can be heard. The ship that enters the harbor can represent either of two worlds. What is it carrying? Is it arms that will make the Russian nation strong? Is it trade goods to ease the people's burdens and show them a better way? Or is it the herald of an unseen danger. Is a new breed of soldier coming? One who carries not the Arisaka but the M-16, and escorts not the watchful eye of the Kempetai but the long reach of the CIA? If the Heirs cannot earn their place, then another will brave Siberia's storms with his vision and bring his own flawed vision of Russia's future. /SPOILER]
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