Sorry it took so long to get this meager update out. Also sorry it’s not as big and delicious as some of my others, but hopefully it satisfies you, and I can answer more questions below and beyond that I forgot to answer here. Happy New Year, by the way!
Regardless, here's:
CHAPTER 10: Laughter and Tears
The 1950s, while a grim time for most peoples, still saw the continued development of popular culture, especially for those whose homelands were untouched by warfare. But for those who were, military music became popular once again, as well as new songs telling of heroic feats by various soldiers of every rank from every army in Central and Eastern Europe. War music saw a natural resurgence in the Soviet Union until the war itself ended in 1956. This phenomenon did not stop in Japan, however, and even after the war many songs and ballads were penned about the Imperial Japanese Army’s exploits in China and Siberia, the former more heroically and the latter with more dark and somber themes. Even with the themes of the glory of war, the portrayal of it as hellish was explored in an infamous Italian film released in early 1959 known as
La Fabbrica Degli Incubi, or in English as
The Factory of Nightmares. Set in the Carpathian Mountains of the former Romania, the movie takes place after the collapse of the Iron Guard, and where Bulgarian soldiers learn more about the atrocities committed by the Romanian government and various people alike. The movie was released and subtitled across the rest of Europe, even beyond the metaphorical “Alpine Wall”
[1].
Meanwhile, Japan’s biggest hits from the 1950s included two major movies. The first one is called "
Chikyū kara tsuki e" (
地球から月へ; known in English as
From Earth to Moon), a 1955 adaptation of Jules Verne’s 1865 book of a similar name reimagined and set in Meiji-era Japan. The film focuses upon a group of wealthy friends in Nagasaki, as well as a Dutch trader who has taken residence in the nation after the end of the Sakoku period. The movie is, aside from obvious major cultural alterations and a minor timeshift to the 1880s, surprisingly faithful to the book with deep analysis, and is an instant hit in the later years of the Second World War. The second big hit of the decade was the 1951 classic "
Shanhai de shi-kakan" (上海で四日間; eng.
Four Days in Shanghai), a film inspired by Hollywood’s big-budget crime movies, centering around the death of detective Satoru Yoshida from mysterious causes. His daughter, Hana, tasks herself with taking up the case and trying to find out who was responsible for her father's death while trying to shut down an illegal opium smuggling ring. Other major characters in the movie include Taro, a rogue man with the lineage of a samurai who Hana falls in love with and employs to help crack the case; and Echigoya, crime boss and smuggler looking to set up shop in one of the richest cities on the coast of China. The movie ends on a bittersweet note, with Echigoya and his hired mercenaries dead, but with the sacrifice of Hana’s childhood friend Kame in dispatching her father's killer, a noted figure in the yakuza and with links to Echigoya. The movie has many themes that were considered “questionable” by the Japanese authorities, including numerous suggestions of corruption of the bureaucracy and the army, as well as suggesting that China was a crime-filled cesspool (which, at the time, was not an unfair claim) but ultimately nothing was cut in the end, as the Japanese protagonists were shown with a moral high ground compared to the Chinese who were either viewed neutrally or negatively, depending on the scene and the context
[2].
The Soviet Union after the war was in dire straits, and so too were the ministries that regulated and promoted the arts. Funding was drying up, but there was one film that managed to become the talk of the nation, as well as a cult classic once smuggled into the West a decade and a half later:
Medvurok[3]. The 1958 film without any big-name actors (but with a small cameo made by one Nikolai Bulganin) is not a “success” per se, but it distracted people from the dreariness of daily life long enough for Nikolai Yezhov to realize how terribly screwed he was as General Secretary, enough so that right before the fighting broke out, he was relieved of his position and succeeded by someone arguably just as ruthless: Former NKVD Director Lavrentiy Beria.
In the world’s… well, world of literature, many great books were written during this decade: J. D. Salinger’s
The Catcher in the Rye[4], Harper Lee’s
My Least Favorite Life[5], George Orwell’s
Nineteen-Ninety Five[6], and Edward Murrow’s memoirs in journalism compiled in
Red Warsaw[7]. One of the greatest films from the United States was, after months spent rewriting over four-fifths of the movie’s script,
Rebels Without Causes[8]. Released in 1956 and starring young actors John Cash and Norma Jeane, as well as a “mentor figure” played by Ronald Reagan, the film was an instant hit and propelled the former two figures to stardom. Other notable films included the 1950 release of
King Solomon’s Mines[9], Disney’s animated film
Cinderella[10],
The Conqueror of Asia[11] starring John Wayne, and
The Captain's Wife[12] starring Nancy Gable.
In the world of music, a new turbulent form of it was developing in the mostly peaceful United States of America. Coined "rock and roll", or more commonly known as "rock music", this exciting fusion of rhythm and blues, country, jazz, and other popular genres of the time took off in the American South and even some cities in the north, but it wasn't until figures such as John Cash, Elvis Presley, and Chuck Berry, among quite a few others
[13], would be propelled to stardom and everlasting fame. When these men die over the course of the next five to six decades, their music never will.
List of World Series Winning Teams, 1951-1960:
1951: Boston Red Sox
1952: Cincinnati Reds
1953: Boston Red Sox
1954: Cleveland Indians
1955: Cleveland Indians
[14]
1956: Brooklyn Dodgers
1957: Detroit Tigers
1958: Chicago Cubs
[15]
1959: Pittsburgh Pirates
1960: Brooklyn Dodgers
[16]
List of FIFA World Cup Winning Countries, 1954-1962:
1954: Brazil
1958: Italy
1962: Germany
List of Olympic Games, 1960-1972:
1960 (Winter): Sapporo, Japan
1960 (Summer): Dublin, Ireland
1964 (Winter): Turin, Italy
1964 (Summer): Sydney, Australia
1968 (Winter): Toronto, Ontario, Canada
1968 (Summer): Paris, France
1972 (Winter): Bern, Switzerland
1972 (Summer): Tokyo, Japan
[1] This name is most analogous to the Iron Curtain as proclaimed by Churchill in our timeline. Like how there actually isn’t a hotline between Washington and Moscow, the only thing dividing France from Italy and Czechoslovakia from Hungary (besides geopolitics and a variance on authoritarianism) is a moderately-guarded chain-link fence that goes up over the years of 1958 and 1959, rather than a wall. Switzerland is, curiously enough, not fenced off by either side.
[2] The movie is essentially a loose “cross-timeline adaptation” and a slightly darker variant of the storyline of the Edo World in the video game Final Fantasy Legend II, one of the first video games I played growing up that wasn’t Tetris. FFL2 unfortunately does not exist ITTL, from a combination of decades of butterflies, not to mention the unfortunate situation Japan finds herself in down the road...
[3] A portmanteau of the Russian words for “marmot” and “bear”, this fictitious animal is this timeline’s Godzilla stand-in, wreaking havoc across Siberia and any poor soul that finds itself within the path of the large radioactive creature. A cheap set filled with toys, models, and toy models was used to represent the cities of Irkutsk (which was not bombed in World War II) and Vladivostok (which was heavily bombed with non-nuclear weapons and no longer owned by Russia). Medvurok is killed in an barrage of Katyusha rockets filled with biochemical weaponry, rather than an “oxygen destroyer”, but its own environmental impact begins mutating more creatures, and the war on the new “enemy of the people” begins.
[4] The contents of this book are similar to OTL, and while it only sells about four-fifths of the copies it sold IOTL between 1951 and 1971, it’s still considered a success and an important book in America.
[5] An ungodly yet actually darn good amalgamation of To Kill a Mockingbird and Go Set a Watchman, here published in early 1958. No details other than that it’s a lot closer to the former book, i.e. Atticus Finch is not a racist, and yes, there is a courtroom scene that is ingrained into the minds of millions of Americans alike. But it’s set in the 1950s and it’s the closest thing we get to a Red Scare allegory since said scare is somewhat smaller ITTL and Arthur Miller never writes The Crucible. I cannot confirm nor deny a movie adaptation starring Gregory Peck in the 1960s.
[6] This book is written in 1958, published in 1959, and shows the world polarized into three super-nations that are cosmetically different, each with the worst aspects of Soviet-style communism, Legionary repression, and Western complacency all rolled into one. The bulk of the book is fairly similar to its OTL incarnation, but the ending, while not a good or a bad one, leaves much room for interpretation and guessing as to the fate of its protagonist, Hugh Mason.
[7] He and his correspondents spend much of the war in Czechoslovakia, as an interesting misnomer. The Murrow Boys, are they are still called ITTL, covered many of the discoveries in Romania as they happened, the Siege of Berlin (where all made it out safely), the front lines in Czechoslovakia until 1954, Poland after 1954, and a distant shot of the destruction of Smolensk in the fall of 1956.
[8] Unlike a number of examples above, this media differs heavily from its OTL incarnation. Think some of the more notable scenes from this movie mixed with American Graffiti and the scenes of 1955 in Back To The Future, rather than the masterpiece from OTL starring James Dean, who never goes into acting here. Both of these movies are butterflied, in case you wanted to ask.
[9] As OTL.
[10] As OTL.
[11] Actually (sort of) about Alexander The Great, rather than Genghis Khan. Nobody ever sees the silly image of John Wayne in a fu manchu (though he does get to wear some ancient-looking armor replicas and instead looks silly in those), and the lack of radioactive fallout in the southwestern United States helps in not killing off most of its actors and producers. The film is a box office success and the highest-grossing movie of the decade, and saves CinemaScope from bankruptcy, something it was teetering on for the previous five years in TTL.
[12] A movie original to TTL set in the fictional town of Gruenburg, Germany, during World War II. Her husband is on the front lines, and when the Soviets invade and capture her hometown, she becomes a partisan fighter, instrumental to the resistance until her capture and imprisonment in a makeshift labor camp. She's liberated in 1954, coincidentally by the same regiment her husband is in. This story is loosely based on a true story ITTL about an army captain's wife who becomes an almost-fearless anti-Soviet partisan.
[13] Some more rock artists in the next update! The development of it in the 1950s, aside from small butterflies and minor changes to aesthetic, is essentially unchanged from our world.
[14] The Cleveland Indians are clearly a team that has benefited quite nicely from the changes to the world.
[15] This “curse” is broken sixty years ahead of schedule. On the other hand, actions that might or might not have superstitious origins prevent the Detroit Tigers from winning another baseball game for quite a long while.
[16] The Dodgers don’t get traded to Los Angeles ITTL. My knowledge on baseball is somewhat limited, and on other sports even more so, so I probably won’t detail too much on this. It’s something to keep in mind going forward, though, if you're into it. Other trades will occur ITTL, so I'll put those in footnotes where applicable.
End of Part I