Reds fanfic

So... Guess who's gonna go see the musical Hamilton today....

God, I've been trying avoiding that historical travesty for a while now...

Ugh. I'll see it because the lady likes music, but the mere thought of Alexander Hamilton makes me sick.
 
Guys, I don't like being a back seat mod or anything like that, but can we please keep the thread on track? There are social threads if you want to talk with each other more or even by PM. I like seeing you guys contribute here but this is a thread dedicated to providing fan material for the Reds! universe.

I'm not trying to single anyone out but it's a trend I've noticed.
 
Guys, I don't like being a back seat mod or anything like that, but can we please keep the thread on track? There are social threads if you want to talk with each other more or even by PM. I like seeing you guys contribute here but this is a thread dedicated to providing fan material for the Reds! universe.

I'm not trying to single anyone out but it's a trend I've noticed.

RRRRRREEEEEEEEEEEEEEEEEEEEE


Nah, I'm kidding: Ive seen that trend occur as well (and I would be lying if I wasn't responsible for some of it) so yeah, I'd agree that we should keep the personal discussions to a minimum.
 
Anyways, speaking of Hamilton, would there be a TTL equivalent that focused on a leader of the Red May Revolution? Earl Browder, perhaps?
@Ravenclaw had a pretty good alt-Hamilton:

Emma: The Musical

Cast[1]
Emma Goldman—Lenina Miranda
Alexander Berkman—Aaron Tveit
Crystal Eastman—Tracy Nicole
Johann Most/Modest Aronstam/Daniel DeLeon— Joshua Henry
Eugene Debs/Leon Trotsky—Joseph Lane
Upton Sinclair— Anthony Rapp
William Z. Foster—Matthew Broderick
Norman Thomas/Charles Hughes—Brian Darcy
Harry Haywood—Leo Diggs
Henry Clay Frick/Douglas MacArthur—Jonathan Groff
Herbert Hoover/J. Edgar Hoover—Adam Kantor
George Patton/John Reed—Leslie Odom, Jr.
Earl Browder—Jesse Martin
Robert Taft/Franklin Roosevelt—Christopher Jackson

Musical Numbers
Act I
“Emma Goldman (Overture)”—Full company (except MacArthur)
“What Is to Be Done?”—Goldman
“Haymarket”—Debs, Goldman
“Sachs’ Café”—Goldman, Berkman, Most
“No Lords, No Masters”—Goldman, Berkman, Debs, Haywood
“Homestead Strike”—Goldman, Berkman, Aronstam
“Berkman the Assassin”—Berkman, Frick, Aronstam
“One Big Union”—Debs, De Leon
“Tomorrow There’ll Be More Of Us”—Debs
“Roaring Twenties/Biennio Rosso”—Goldman, Foster, Browder, Sinclair, Thomas, Reed
“The Election of 1932”—Thomas, Sinclair, Foster, H. Hoover
“MacArthur’s Coup”—MacArthur, H. Hoover
“The Revolution Marches On”—Thomas
“Mourn Not The Martyrs”—Goldman, Sinclair, Foster, Browder
“The Battle of Pittsburgh”—Patton
“May Day”—Goldman, Foster, Sinclair, Berkman
“Washington (The World Turned Upside Down)”—Full company
“What Comes Next?”—MacArthur

Act II
“Non-Stop”—Goldman, Eastman, Sinclair, Browder
“What’d I Miss”—Reed, Foster, Browder
“Take What You’ve Got”—Goldman
“The Basic Law”—Foster, Browder, Sinclair, Goldman, Eastman, Reed, Trotsky
“The Central Committee”—Foster, Browder, Sinclair, Goldman, Eastman, J. Hoover
“History is Being Made”—Goldman, Sinclair, Eastman, Foster, Trotsky
“End the Patriarchy”—Goldman & Eastman
“Thin Red Line/Hoover’s Maneuver—J. Hoover, Goldman, Eastman
“Taft v. UASR”—Taft, Foster, Brandeis
“Not For Me”—Goldman
“The Election of 1936”—Foster, Goldman, Sinclair, Roosevelt
“A Good Long Life”—Goldman, Eastman, Berkman
“Internationale/Requiem”—Full Company
“Who Lives, Who Dies, Who Tells Your Story”—Full Company

Musical Review: “Emma”
Alexandra Smirnova, Metropolis Arts Review, October 2015

Where can one hear the story of one of the Revolution’s most pivotal figures, told entirely through rap, hip-hop, and blues songs? In Emma, the new musical taking Broadway by storm this year, chronicling Goldman’s life from her birth in Rossiya through her immigration to America and subsequent radicalization, and her journey to become People’s Secretary for Labor in the nascent UASR government.
The Manhattan division of the Metropolis Theater Collective, known for its award-winning plays Newsies and Washington Place, have been working on this play for the past year, starting when current chairwoman and lead actor Lenina Miranda bought a copy of historian Nadezhda Meyer’s biography Emma: The Untold Story at an airport. Meyer, who acted as historical consultant for the play, has praised the production for both its historical accuracy and accessibility to the masses. “History too often has a tendency to be seen as a dry, boring field of study. I hope that this musical will renew interest in the history of our nation.”
Emma Goldman and hip-hop music are two things I would never expect to see together, but Miranda pulls it off perfectly. We see Goldman address her inner conflict of anarchist ideology and joining the revolutionary state to serve as the first People’s Secretary for Labor in “Take What You’ve Got,” and ultimately renounce anarchism in “Not For Me”.
Neither Miranda’s script nor Meyer’s original source material shy away from depicting Goldman’s bisexuality, or confirming her covert relationship with Eastman (Tracy Nicole). The two wax lyrical about both their love and devotion to feminism in “End the Patriarchy,” though they are not without their disagreements—most notably in the next song, “Thin Red Line,” where the issue of SecPubSafe’s growing power is raised.
The musical does not shy away from this or other uncomfortable truths of Foster’s authoritarian tendencies, though this gives us a fantastic rap battle between Taft and Foster, with Hughes mediating. Joseph Lane’s Leon Trotsky shoots off rapid-fire verses in Russian and English, alternately critical and hopeful towards the American socialist experiment. Hoover and MacArthur appear as almost cartoonish villains, though Kantor’s performance lends Hoover a certain quiet dignity. Groff’s portrayal of MacArthur rightly displays the fascist as an object of ridicule, hopelessly out of touch with the people; but also as an embodiment of bourgeois patriarchal entitlement.
Notably, a large proportion of the cast is made up of people of color, including the title character and director. Miranda stated that this was intended to represent “Revolutionary America then, played by Revolutionary America now”
The production ends with Goldman’s funeral, as each character comes forward and recounts the impact she made on their lives, and the lives of workers everywhere (Who Lives, Who Dies Who Tells Your Story). Before she passes, Goldman recognizes that she has no control over how she will be remembered, but she hopes to have lived a life worth remembering—something we should all aspire to.

Emma will be performing on Broadway for the foreseeable future, though tickets are sold out through December.
--------------------------------------------------------------------------------------------------------------------------------
[1] All of these are real Broadway actors, except Lenina Miranda, who is, of course, a genderbent version of Lin-Manuel Miranda (the creator of Hamilton)
 
Guys, I don't like being a back seat mod or anything like that, but can we please keep the thread on track? There are social threads if you want to talk with each other more or even by PM. I like seeing you guys contribute here but this is a thread dedicated to providing fan material for the Reds! universe.

I'm not trying to single anyone out but it's a trend I've noticed.

Social Thread(Reds! Posters Only)
 
Is there a chance that the I.R.A has more of a Republican Marxist flavor than a Nationalist one?

My great-grandpa fought witht the original RA (then he got shot down by Nationalists in the Civil War) and he was one of Connolly's Republicans. I'd hate to see Ireland turn into the shitstorm it became today because of those Nationalist arseholes.
 
Is there a chance that the I.R.A has more of a Republican Marxist flavor than a Nationalist one?

My great-grandpa fought witht the original RA (then he got shot down by Nationalists in the Civil War) and he was one of Connolly's Republicans. I'd hate to see Ireland turn into the shitstorm it became today because of those Nationalist arseholes.

Yeah, would Radical Irish Republicans ITTL be syndicalist? I can imagine them adopting the ideology, and the UASR arming them under the table, if only to stick it to the FBU.
 
Is there a chance that the I.R.A has more of a Republican Marxist flavor than a Nationalist one?

My great-grandpa fought witht the original RA (then he got shot down by Nationalists in the Civil War) and he was one of Connolly's Republicans. I'd hate to see Ireland turn into the shitstorm it became today because of those Nationalist arseholes.


Frederick Forsyth's The Devil's Alternative,with IRA backed by Irish-Americans instead of Ukrainians?

Loved the book,'tho considering Forsyth is in the FBU their portrayal would be unsympathetic...
 
Goodbye-Capitalism (1992)

Goodbye Capitalism (Adieu le capitalisme in Quebec) is Canadian film directed by Norman Jewison

It is set in Windsor during the Canadian crisis, and Canada's entry into Comintern.

Harold McFeeney grew up with his mother Ann and his sister Sarah in Windsor, Ontario in the 1960s. Like many Windsorians, he remembers the heavily fortified border between his city and Detroit. His mother became a patriotic, conservative, pro-UK Canadian after their father defected to the US. During the Canadian crisis, Harold ends up in an anti-nuclear demonstration and is arrested by Canadian authorities. Ann who witnesses this, is so shocked she suffers a heart attack and goes into a coma.

While Ann is in her coma, the Canadian crisis ends with Canada's entry into the Comintern. Over the year, a lot changes: the border between Detroit and Winsdor in torn down, Coca-Cola pushes Arctic Cola off the shelf, and the flag of the FBU is replaced with the flag of Comintern. The Catholic church the McFeeney family went to is replaced with a Trinitarian church.

The lives of Harold and Ann are quickly changed too: Harold's job in communications is collectivized, and is surprised by the more open, democratic employment style. He also starts going out with Miranda, a Cuban exile nurse. Her sister, meanwhile, starts spending a lot of time exploring the city of Detroit, and lands a job at a bowling alley on 8 Mile Road..

By the time his mother starts awakening, the city of Windsor has thoroughly embraced communist ideology, and is dressed for the part. Fearing the news of Canada's red turn could give his mother another heart attack, Harold conspires with his equally nostalgic neighbors and some of his coworkers to hide Canada's Red Turn from his mother.

Among this many half-assed attempts at recreating capitalist Canada is his hours long drive throughout Windsor, trying to find the last bottles of Arctic Cola.

The story is mostly a satire of Canadian nostalgia, and Canada's struggle to adapt to a new reality.
 
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QueerSpear

Banned
Goodbye-Capitalism (1992)

Goodbye Capitalism (Adieu le capitalisme in Quebec) is Canadian film directed by Norman Jewison

I did love Goodbye Lenin, it was pretty awesome movie. My favorite part is when the main character goes to West Germany and finds a TV with porn on, along with the Coca-cola banner scene.
 
I did love Goodbye Lenin, it was pretty awesome movie. My favorite part is when the main character goes to West Germany and finds a TV with porn on, along with the Coca-cola banner scene.

My favorite scene in Goodbye Lenin was when the Lenin statue was carried away by helicopter. Talk about an impressive end for a failed ideology.

I think the scene you described would occur in Goodbye Capitalism when the Canadian character strolls into Detroit.

I think the OTL movie was mostly a satire of what they call "Ostalgie", nostalgia for the old East Germany.

ITTL, I bet there would be people who are still nostalgic for FBU-aligned Canada.
 
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