Sounds like a good idea actually. Go for it.
Good enough for me. I will edit the profiles to expand on the heroes, and their adventures, as well as fix some mistakes:
Comics in the Golden Age:
Comic books became a popular industry after the revolution. Starting off as reprints of newspaper comic strips, they were cheap to produce, and purchase, so children could easily bought them using spare change at stores or restaurants. Comics, however, soon grew beyond reprints of Annie and Popeye. Original material was produced for comic strips, starting with New Fun by National Comics. Soon, more serious content was produced. Science fiction, crime, horror, sex comics were created. A growing genre was the Superhero. Having its origins in pulp literature characters (one could argue pre-revolution creation "The Shadow" was a superhero), superheroes were seen as the pinnacle of mankind, using science and technology to help mankind. And it all began with one man fighting for "Truth, Justice, and Socialism."
Superman
The first appearance of Superman was pre-revolution, in a small self-published science fiction fanzine, called, appropriate enough,
Science Fiction, in March, 1933. The issue prominently featured "Reign of the Superman". The story revolved around a bald telepath who uses his power for evil. The story was written by the fanzine's creator, Jerry Siegel. Joe Shuster drew the art for the story. Both were Cleveland high schoolers at time (though Shuster had initially come from Toronto). Shortly after the story's publication, however, they were briefly forced into hiding, due to the recent attacks on Jewish citizens by the White Army. Whilst in a Red Army camp with their families, they created a different Superman. Here, he was an alien child sent from a dying planet to the planet Earth. Here, he was adopted by a Kansas family, and became known as Clark Kent. Clark Kent decided to become a "hero for the unfortunate," but decided to adopt an alternate identity to a bumbling reporter. Inspired by legendary heroes Hercules and Sampson, Superman would be faster and stronger than his enemies, and impervious to bullets, a particularly personal touch by Siegel, whose father was killed by the robbers in 1933, and also a reaction to the violence around them. Siegel was inspired by Detective Dan (an early comic strip), and decided to make Superman a comic strip hero. They wrote s brief comic featuring Superman, but it was lost in the chaos of the early years of the UASR. A few years later, Siegel and Shuster created new comic strips with Superman, and tried to market their new creation in the newfound country. Most of the distributors and newspapers rejected them. They eventually found Syndicated Features Publications, who published the comic anthology Detective Comics, upon recommendation of Sheldon Mayer and Max Gaines. SF felt that Superman needed to be updated for the times. Hence, Siegel and Shuster were forced to change the concept to fit the new social mores. They decided to shoe-horn in a reference to the planet of Superman being run by a "glorious government and society run by the people," which had fallen into decadence, which was the cause of its eventual destruction. The parents Sam and Molly Kent became administrators of a Kansas collective farm, and Clark was raised as much by the farmers, as he was by the Kents, giving him a socialist education . They also decided to take inspiration from the New Soviet Man concept emerging in the USSR. Superman was the perfect socialist, a man who had full self mastery, and would have all the traits of the perfect American worker. Whilst Clark remained a reporter, (However, his work place was changed from the Daily Star to the Metropolis Star), he was a dedicated socialist, using his powers to rally the people, and complete the revolution. Siegel, not particularly devoted to the socialist cause, disliked having to change the concept this much, but ultimately, his vision shone through. Shuster decided to make Superman's costume (originally blue) Black, with a red "S" insignia in a yellow triangle. Finally, they created a new series of stories that featured Superman, with the help of several innocents, destroy a counter-revolutionary base, as well as bust a corrupt public official, defeat a wife beater, and exonorate a wrongfully convicted murderer, using some of the original comic strips, but changing the dialogue. In 1938, SF accepted the new strips to headline their now book Action Comics, and in June, the first issue of Action Comics, featuring Superman proudly standing with the many workers of America in background, was released, and became an instant hit. Soon, a Newspaper syndicated version was created, and after that, a popular radio series, making Superman a national icon.
In his early stories, Superman was a super-socialist, who defeated reactionaries and criminals, (destroying the factories of fascist sympathizers and, during World War II, helping destroy Nazis and other fascists) with the help of his fellow citizens, and helped with public works, building bridges and roads, helping save children, and other altruistic works. His powers included super-strength, x-ray and heat vision, super speed and super jumping. In his civilian identity, he deals with colorful characters like Lois Lane, Jimmy Olson, and his Star editor George Taylor. Only two prominent Supervillains emerged from this period: Lex Luthor, a rabid eugencist, whose obsession with the practice causes him to lose his hair, and the Ultra-Humanite, who resembled the original incarnation of Superman.
Batman
Soon after Superman's publication, other heroes emerged. Syndicated wanted another superhero, this time to highlight Detective Comics. Bob Kane, a young cartoonist associated with Syndicated Features, created a new character, The Bat-Man, as a Superman clone with Bat wings. However, Bill Finger, another cartoonist of the collective, decided to change the concept, substitute the wings for a cape, the domino mask for a cowl, and red for black. Finger and Kane had initially intended the character to be a very wealthy playboy who secretly takes up the mantle to fight crime, a homage to pre-revolution pulp heroes like The Shadow or Zorro, who had similar backstories. However, they quickly learned that this was not feasible in the first Cultural Revolution. They took a different approach, inspired by recent arrests from SecPubSafe, and films like 1934 "The Bat Whispers," where a man dressed as a Bat terrorizes several townspeople, and "This Side of Midnight," where a group of men and women adopt the guise of a single thief to steal money from the wealthy capitalists. The new Batman was now the guise adopted by several government agents dedicated to public safety. The first story in Detective Comics #27, September of 1939, saw one Batman operative infiltrate and destroy a Ku Klux Klan cell in Alabama. Sales for Detective Comics skyrocketed.
Batman uses various gadgets and impeccable detective skills to fight an array of villains. The identity is held by the best and brightest recruited by the government to fight villains primarily in Gotham city. The leader of the Batmen is Bruce Wayne, a borgouise born worker sympathizer, who recruited several of the brightest men. Batman had a larger array of villain, including the Joker, Catwoman, Two-Face, and the Penguin.
Captain America
Syndicated Features, originally founded by Will Eisner and Jerry Iger, was the largest comics based publishing collective, primarily by absorbing much of the Pre-war comics industry. However, it wasn't the only one. Max Gaines, a salesmen who helped create one of the first comic books, created Red and Black publishing, with some help from Will Eisner and Harry Donnenfield. One of the largest was Timely Publishing collective, founded by Martin Goodman. As a magazine publisher, he had allowed several publications to openly support the military junta during the Civil War, though this information would not arise until 50's. After the revolution, he promptly recreated his old business as a collective. Jumping on the Superhero bandwagon, he created Namor the Sub-Mariner and the Human Torch. However, his biggest success was Captain America. He was created in 1939, right as the UASR was entering into the European Theater. Creator Joe Simon recalled that he was inspired by the revolutionary fevour against fascism. He drew a sketch of the "Super American," but decided that there were too many Supers, and made him "Captain America." Helping him was Jacob Kurtzberg, or Jack Kirby, who worked with Simon regularly. Kirby and Simon got Goodman's approval, and they worked on a first issue. The issue, featuring the Captain punching Hitler in the face, sold millions of issue upon its release in December, 1939.
The lead Captain America was a scrawny Brooklyn kid named Steve Rogers, who volunteered for a secret project, where he was given a special formula to enhance his human ability, making him the pinnacle of human perfection. After the success of the project, the formula's inventor, Dr. Josef Reinstein, was killed by Nazi agents. An imperfect formula is recovered, and is used on other soldiers. Rogers, and the other soldiers fight fascists under the shared identity of Captain America. Whilst they switch out, in the end, Steve Rogers, with his complete formula, leads the team. His main villain is Nazi colonel the Red Skull.
Wonder Woman
Despite the popularity of the superhero genre during the Second World War, the genre was overwhelmingly male. Whilst there were exceptions (including SF's Phantom Lady), there were largely only male heroes gracing the pages. Change would come in the most unexpected forms. William Moulton Marston was a psychologist, who had created the systolic blood pressure test, which would form an important part of the lie detector. In 1940, he extolled the educational virtues of comic books in an article. This caught the attention of Red and Black Publications head, Max Gaines, who invited him to join the Red and Black approval committee. Marston also had become popular, due to his work in sexuality. In particular, he saw that the revolution gave birth to a new form of woman. One who had strong values, and who refused to go into submission. She would go out and fight for the worker. He wanted a superhero that would symbolize this new socialist woman. Helping him were his two lovers: Elizabeth Holloway Marston, his wife, and their second lover, Olive Byrne. Their living arrangement had caught much attention, symbolizing the opening of sexuality in the 30's. Together, the three created "Suprema," the perfect socialist woman. They had used the Amazons as an inspiration for the character. The Amazons were made into a egalitarian society, with connections to Atlantis. (Plato's land had become very popular in the years after the revolution, and many works had connections to Atlantis.) They became a woman only society, which split off from Atlantis during its destruction. However, thousands of years later, the princess of the Amazons, Diana finds a young revolutionary pilot with designs for a Nazi plan to destroy America, crash landing on their island. Despite their isolation, the severity of the plan forces the Amazons to act. They send Diana out as their liason to the UASR, and fight on behalf of socialism. They also intend to become integrated into the UASR. Diana had superhuman strength and agility, and wielded a "Lasso of Truth," which was so painful, it would push the truth out of men. The story had heavy S&M themes, and explicit lesbianism in the Amazonian society. After changing the name from "Suprema" to "Wonder Woman," the character and story were approved, and debuted in All Star Comics #8, credited to William, Elizabeth and Olive. The character was a smash hit. Her massive popularity and influence was especially noticeable in the Amazon Brigades in Europe. The Wonder Woman comics were massively popular in these groups. She would team up with the Brigades against Nazi enemies. In fact, special divisions in the Woman's branch of the army would become known as the "Themiycira Squads" after Wonder Woman's homeland, and even the name "Diana," was used for an exemplary member of the Brigade. Meanwhile, Marston would entrench himself into R&B, and use the story to continue to spread his message about socialist feminism. He became a major figure for R&B's history. After Marston's death in 1947, Elizabeth Marston and Olive would continue to work at R&B. The Wonder Woman comics would come to symbolize the feminism of the era.
Diana had superhuman strength and agility, and wielded a "Lasso of Truth," which was so painful, it would push the truth out of men. Her abilities are often used on the battlefield, where she uses them on fascists.
Should I add anyone else?