WI: Star Wars Prequels in late 1980s

As some may know, but most won't, it's a dream of mine to eventually draw and write a comic doing my version of the prequel trilogy. And I decided long ago to do this acting as if this was filmed in the late 80s and early 90s for a few reasons, the overall being I think it was possible (if Lucas had not given up due to marital problems getting to him) and would have been better.

Why do I think it would have been better? For the simple reason that George Lucas was younger and (related to being younger) closer to a creativity and artfulness he would lose (at least in my opinion) when he got old. Lucas would also be forced to avoid CGI and rely on old fashioned special effects, and thus would avoid a saturation that has been criticized in the actual prequels. And make no mistake, a prequel trilogy done at any different time than when they were in the OTL would have been completely different stories. The only key elements there would be Anakin as Luke's and Leia's father, as a former Jedi turned to the Dark side of the Force, with his Master being Obi Wan and Obi Wan's Master being Yoda, and there being a Galactic Republic and a Clone Wars. Those elements could be put into any number of stories and situations to link up with the Original Trilogy.

So what if the Prequels were done in the late 80's and early 1990's?
 
Does this mean there won't be a Willow ITTL?

Anyways, I can confidently say that the prequel trilogy would be completely, utterly different. George Lucas didn't come up with OTL's prequel trilogy story until the early-to-mid-1990s.

Also, this is before Heir to the Empire as well so you've probably just butterflied the Star Wars EU completely out of existence... or at least radically altered it. The only effect I can imagine this having on the movies themselves though is that Coruscant isn't called Coruscant, as Zahn made that name up.
 
Erm...fuck if anyone knows, I think Lucas wanted to move onto Indy after Jedi. As for being better...again, that's also up in the air. Special effects don't really make a difference whether they're physical or CG--the Phantom Menace actually had more physical props and models than the original films combined. There's too many variables here--Lucas could turn to Spielberg at this time, or he might try to do it himself as he did...essentially, you can pretty much make up anything you want here.
 
I like this idea. A few thoughts:

-Coruscant will probably have a name that IOTL is used for another planet. In early drafts, Alderaan was the ecumenopolis capitols and Utapau was the desert planet the droids crash on. Chandrila might be a good candidate, but I don't know the origin of the name (it's the planet Mon Mothma comes from, and is similar to Alderaan IOTL).
-The Clone Wars could be anything. IIRC the original expanded universe backstory was that there were mad clones the Republic struggled against.
-The technology would be more retro, as it is in the original trilogy.
-If trilogy characters and family members appear, be sure not to do the everyone-knows-everyone thing. One of the weakest aspects of the OTL prequels is that there are too many crossovers. It makes the universe smaller. Artoo and Threepio know Obi-Wan and Luke's parents. Yoda knows Chewie. The stormtroopers are all Boba Fett. Anakin and Luke are from a few towns over. By all means there should be cameos and crossovers, but they should be coincidental. Star Wars is big.

I remember imagining the prequel stuff and the clone wars when I was a kid, and something that is more favorable in my imagination (highly subjective I know) is that in my mind the Clone Wars were a much longer time ago--if you do the math, Obi-Wan is only about in his late 40s or early 50s in ANH, and he should be at least 10 years older. What I had thought they would be was, Episode I: Clone Wars (more like 30-40 years ago than 10-20), Episode II: Fall of Anakin (About the time of OTL's prequels), Episode III: Early rebellion (somewhere between OTL EpIII and IV).

Ep III is where the crossovers might happen. Han and Chewie could have a place here, though it's important to take care how. Red Leader and Pops could even be characters, young rebel fighter jocks. My imagination included vivid scenes of Y-wing raids, perhaps involving the theft of the X-wing plans. Corellia and the underworld should be present as well, that was a major missing piece of the new trilogy. The Antilles family might make a cameo.

Dump Naboo and Padme Amidala as we know them. Use a few elements and names from OTL's prequels to do something that is your own, that it makes sense Lucas might have done. Reading early drafts of the original trilogy could give you some ideas of how much this stuff changed.

I hope some of this is of use. I don't mean to be overbearing, but I doubt either of us is the first to imagine something like this, so I couldn't resist. I look forward to seeing what you come up with.
 

elkarlo

Banned
In regards to MRig, yeah the Clone Wars is something that can go any which way. To me, I thought it war org supposed to be a Clone army that went nuts. So the Emporer raised an army to fight it. That is how he took control.

It seems as though it was hinted that after so many years of peace, that it was basically the Jedi, and basically security forces were maintaining the peace. So if pirates or whatnot got too outa control, there wasn't much stopping them. That is why Darth Sidious was able to get a clone army built via some puppet. They go rouge, and Sidious raises an army that ends up being his own.

Honestly, prequels with an actual story would be amazing. but with Lucas that is ASB.
 
I'd like to bump. And I found a source on an idea of what the prequel era could be before the prequels came out. It's very interesting. It takes the Clone Wars and, rather than having them in film two and ending in three, has them in film one, and dealt with and overcome in that film. It'd actually have worked out well as it's similar to the first Star Wars film, in that you have a self-contained film plot where victory over a great enemy is achieved, and a plot resolved, while being apart of the larger story, and continuing on towards the larger story arc come film two.

http://starwarz.com/starkiller/2010/05/looking-back-to-the-future-of-star-wars/

THE CLONE WARS
Episode One: “The Clone Wars.”
“For over a thousand generations the Jedi Knights were the guardians of peace and justice in the Old Republic . . .” Having completed his training as a Jedi Knight, under the tutelage of Jedi Master Yoda, young Obi-wan Kenobi faces his first test as a warrior in the Clone Wars. Audiences know this for a fact because Ben has told Luke that he once “fought in the Clone Wars,” and that he (like Luke) was a “reckless” pupil under Yoda. Leia, in her holographic message, confirms Obi-wan’s story: “General Kenobi, years ago you served my father in the Clone Wars.” Ben evidentally rises quickly in the service of her father Bail Organa, Viceroy and 1st Chairman of the Alderaan system, and is awarded the rank of general before he is thirty-five or forty. His rank also includes the command of young warriors anxious to become Jedi Knights. In one of the earliest drafts of the screenplay for “Star Wars,” Lucas introduced a general who commanded a group of young boys (aged fifteen to eighteen). Although first reluctant to accept the task, the general instructs the boys to fly one-man “devil-fighters” against superior enemy forces. Kenobi admits to Luke that Darth Vader was “one of my brightest disciples . . . one of my greatest failures,” so it is possible that Obi-wan first meets Anakin Skywalker while he is training the others. Perhaps Anakin is, as Luke has been told by Owen Lars, merely “a navigator on a spice freighter,” and only later becomes “the best star-pilot in the galaxy, and a cunnin warrior.” Ben’s decision to train the edler Skywalker would haunt him many years later; but in his younger, more reckless days, the prospect of instructing a young Jedi must have seemed very tempting. Anakin heeds the call to adventure, and follows “Obi-wan on some damned-fool idealistic crusade.” That crusade undoubtably concerns eliminating the threat to peace in the Republic caused by the Clone Wars.
Meanwhile, in “the bright center of the galaxy,” on the capitol city-planet Aguilae, the young, ambitious Senator Palpatine promises “to reunite the disaffected among the people and to restore the remembered glory of the Republic.” He plans to use the current crisis, notably the Clone Wars, to be elected President of the Republic. But some members of the High Council, which governs the Republic, are dubious of Palpatine’s claims, and seek to block his election. These senators include Bail Organa, Mon Mothma, and others (who will eventually form the Rebel Alliance). Numbered among these professional diplomats is likely to be the future wife of Anakin Skywalker and the mother of Luke and Leia, call her Lady Arkady (or Arcadia, since Lucas has a tendency to pair couples or siblings with the same vowel or consonant). While this notion is purely speculative, it is founded on one or two facts. Luke and Leia are noble-born, and Leia is taken “to live as the daughter of Senator Organa, on Alderaan” by her mother. Clearly, a relationship, professional or otherwise, exists between her and Bail. Both See-Threepio, who was programmed as a protocol ‘droid, and Artoo-Detoo probably make their first appearance in the series as two robotic, bumbling bureaucrats because George originally envisioned them that way. Their adventures just begin as they leave Aguilae in the company of Bail Organa, Lady Arkady, and the others.
When Palpatine is narrowly defeated for the Presidency (as was an ambitious young Richard Nixon, upon whom the senator is modeled), he abandons all conventional means, and seizes power “through subterfuge, bribery an terror.” His first threacherous act is to order to destruction of Organa’s party as they return to Alderaan, with specific instructions to make their deaths appear the result of an enemy raid. “Aided and abetted by restless, power-hungry individuals within the government, and the massive organs of commerce,” he later succeeds in his goal to be elected President of the Republic. So, it is clear that Palpatine controls (or influences through his powers as an evil sorcerer) many Council representatives and numerous guilds (possibly the spacing and mining guilds) within the Republic. His inevitable emergence as Emperor and the dissolution of the High Council are well- documented in the novelization, Star Wars.
On the other hand, the central conflict of the Clone Wars remains a mystery. Few details surface in the books, and even fewer details are revealed in the three films or the earlier drafts of the screenplay. Since Owen Lars deems the wars as “some damned-fool idealistic crusade” (as paraphrased by Ben Kenobi), the struggle must be one of conscience rather than clearly defined lines of a political or military objective. Thus, when Kenobi and his young apprentice Anakin leave (on instructions from Bail Organa), they are undertaking a holy quest. Their crusade is defined only in terms of good and evil. And since a clone is a genetic duplicate grown from human cells, the Jedi Knights are either struggling to preserve that technology or prevent it from being perverted by others (possibly Senator Palpatine) into some terrible weapon.
Obi-wan (O.B.-one) might even be some sort of clone designation, identifying the first clone of a man with the initials O.B.14–a designation that Kenobi has long since replaced with the name “Ben.” Perhaps, as the Jedi Knights grew fewer in number (through sickness, disease or other natural causes), scientists in the Old Republic were forced to clone their warriors. When news and valuable information about that technology first surfaced, other groups (with sinister motives) may have sought out those scientists to increase their own numbers. The Clone Wars may be nothing more than a struggle to control that powerful secret. And in the end, fearing that the technology might once again be used for evil, the secret of cloning is forever destroyed by the Jedi.
The first film is climaxed with the rescue of Viceroy Bail Organa and his party by Obi-wan Kenobi and Anakin Skywalker, and the destruction of those evil forces which have threatened the peace of the Republic. One clue to the identity of those evil forces lies in the novelization of The Empire Strikes Back by Donald Glut. When Boba Fett is first introduced in the novel, he is described as wearing “a weapon-covered, armored spacesuit, the kind worn by a group of evil warriors defeated by the Jedi Knights during the Clone Wars.” Perhaps, like “Star Wars,” this prequel ends with a dramatic space battle and the triumphant return of its victors. President-elect Palpatine reluctantly rewards Kenobi and his young apprentice with medals, and Anakin Skywalker finds favor with both Lady Arkady and the former senator. “The Clone Wars,” like the first act of a much longer work, provides exposition for the major characters (Anakin Skywalker, Obi-wan Kenobi, Lady Arkady, Bail Organa and Senator Palpatine), introduces two important conflicts (one, dealing with the Clone Wars, which finds resolution, and the other, concerning the future of the Republic, which awaits resolution) and ends triumphantly. Issues such as Palpatine’s political machinations, Kenobi’s fallibility as a teacher, and the budding romance between Anakin and Arkady remain purposely unresolved until the next film. Central to the unfolding drama is the reckless, young protagonist whose noble soul and innocent nature will be tested by extraordinary circumstances. Separated from his friends and family, Anakin faces Initiation, his first real test as a hero.
THE SEDUCTION OF DARTH VADER
Episode Two: “The Seduction of Darth Vader.”
“Once, under the wise rule of the Senate and the protection of the Jedi Knights, the Republic throve and grew. But as often happens when wealth and power pass beyond the admirable and attain the awesome, then appear those evil ones who had greed to match . . .” Some time has passed since victory brought an end to the Clone Wars, but in that time boredom and complacency have exacted a terrible toll on the Old Republic. Corruption, bribery and terror have reduced the High Council to all but a devoted few, including Bail Organa and Mon Mothma, while a massive bureaucracy, too large and not very effective, maintains control over the various star systems. Even the one-great Jedi Knights have been supplanted by Palpatine’s own Sith Lords and their elite guard. “Like the greatest of trees, the Republic rotted from within though the danger was not visible from outside,” Lucas reveals. The portrait that George Lucas paints of the Republic under Palpatine is not a favorable one, and its dark decline casts an even darker shadow on the lives of Anakin Skywalker and Obi-wan Kenobi. Typically, the second act in a Greek drama begins “en medias res” (in the middle of the action) and provides a somewhat darker vision of the central conflict with many issues left unresolved at the close. This middle story also represents the climax, or turning point, in Anakin Skywalker’s life. Like all great mythological and literary heroes, he faces his first real test under fire as a warrior. Joseph Campbell refers to this stage metaphorically as “the belly of the whale,” and suggests that, like Jonah, the test of a true hero is one of courage. He further concludes that only by shrugging off fear, anger and aggression (what Yoda deems “the dark side of the Force are they”) does a hero survive to the next level. Not adequately prepared (by Obi-wan) to face this trial (no doubt orchestrated by Palpatine), Anakin apparently succumbs to his fears, and calls upon the quick and easy allies of anger and aggression to see him through. On Dagobah, Yoda warns Luke not to embrace these emotions: “If once you start down the dark path, forever will it dominate your destiny, consume you it will, as it did Obi-wan’s apprentice.” Ben Kenobi later reveals Luke’s “father was seduced by the dark side of the Force. He ceased to be Anakin Skywalker and became Darth Vader. When that happened, the good man who was your father was destroyed.” While little is actually known about Anakin’s courtship and marriage to Lady Arcady, their eventual union produces Luke and Leia. Impatient, reckless and disappointed in his own failures, Anakin leaves his wife and friends to pursue a new course of study under Palpatine–long before his wife’s pregnancy is revealed. Twenty years later, Kenobi explains to Luke that “when your father left, he didn’t know your mother was pregnant. Your mother and I knew he would find out eventually, but we wanted to keep you both as safe as possible.” Obi-wan, a trusted friend and confidant, agrees to kept her secret safe, and much later helps her hide the children. “To protect you both from the Emperor, you were hidden from your father when you were born,” Ben continues his tragic tale to Luke. “I took you to live with my brother Owen on Tatooine . . . and your mother took Leia to live as the daughter of Senator Organa, on Alderaan.” The actual events (of the birth and relocation of Luke and Leia) will probably occur in the third film, but the plan itself (like a page torn from Mallory’s L’morte de Arthur) takes seed here in the sacred trust between the knight-errant protector (Obi-wan) and his good friend’s wife.
Since Skywalker is such a “powerful Jedi” (according to Yoda), his youth and inexperience are not so easily exploited by Palpatine. But promises of wealth, position and power from the evil sorcerer help gradually turn Anakin to the dark side. A rift eventually forms between Kenobi and his former apprentice, and Obi-wan is forced to take action. “When I saw what had become of him, I tried to dissuade him, to draw him back from the dark side. We fought . . . your father fell into a molten pit,” Ben tells Luke in Jedi. Their climatic struggle over the “molten pit” probably ends the second film, leaving (in typical cliffhanger form) the final disposition of Anakin in question. “When your father clawed his way out of that fiery pool, the change had been burned into him forever–he was Darth Vader. . .Irredeemably dark. Scarred. Kept alive only by machinery and his own black will.” Audiences already know his fate, that he survived the pit, but to Kenobi and the others, his death appears certain. When Obi-wan retrieves Anakin’s light sabre (which he will one day give to Luke) from their private battlefield, he bids farewell to a good friend. Unbeknownst to Kenobi, below him in the fiery pool of death, a scarred hand reaches up for life. Anakin Skywalker may well be dead, but Darth Vader lives . . .
This deadly struggle between Obi-wan Kenobi and Anakin Skywalker may well form the central conflict in the middle film, but its background story must be equally compelling. Like Indiana Jones’s search for the “Lost Ark” or his last crusade to find the “Holy Grail,” much of the action in this character-driven story could be centered around a quest for some great energy source. In George Lucas’s second screenplay for “Star Wars,” completed in January 1975, the primary focus of General Skywalker, Luke Starkiller and Darth Vader was the possession of a Kiber Crystal. [The Kaiburr Crystal was a powerful energy source which gave the owner "such powers over the Force that he would be all but invincible."] Since Lucas rarely discards ideas, the inclusion of a “maguffin” which drives the story seems logical. Obsessed with possessing the powerful red crystal, Palpatine has dispatched his Sith Lords (including Anakin Skywalker) throughout the galaxy in an effort to find the mythical gem. Anakin’s discovery of the gem might also fuel the growing tension between he and Obi-wan Kenobi. But like Skywalker’s final disposition, resolution about the back story could also wait until the third film.
FALL OF THE REPUBLIC
Episode Three: “Fall of the Republic.”
“Once secure in office he declared himself Emperor, shutting himself away from the populace. Soon he was controlled by the very assistants and boot-lickers he had appointed to high office . . .” The implication of George Lucas’s words from the novelization of Star Wars suggests that Palpatine himself faces a struggle with his own forces to maintain control of the galaxy. By this third film, the fall of the Republic is imminent, and chaos and anarchy are at hand unless the Emperor can demonstrate the awesome power of the Dark side. Possession of some great power source, like the Kiber Crystal, is one way; the other is to commit some outrageous abomination that will strike fear and terror into the hearts of those who seek to control him. He chooses to do both.
The Emperor’s first action is the resurrection of Anakin Skywalker as Darth Vader. Through a montage of scenes, the scarred and corpse-like features of the one-great Jedi are covered by a “bizarre black metal breath screen,” black robes, a flowing black cape, and “black armor–armor which, though black it was, was not nearly as dark as the thoughts drifting through the mind within.” Perhaps, his fellow Sith lords assist him by calling upon the power of the Crystal, or perhaps, Palpatine is alone responsible for his rebirth. In either event, Darth Vader emerges as the ultimate weapon of the Emperor, “more machine now than man. Twisted and evil.” One he is fully restored and operational, the Dark Lord helps the Emperor “hunt down and destroy the Jedi Knights.” “Having exterminated through treachery and deception the guardians of justice in the galaxy, the Imperial governors and bureaucrats prepared to institute a reign of terror among the disheartened worlds of the galaxy.” Palpatine’s plan to terrorize the numerous star systems has only just begun.
Meanwhile, Obi-wan has managed to escape the slaughter by returning to Dagobah to confess his failure to adequately train Anakin Skywalker with Yoda. Audiences already know how well-informed and knowledgeable the Jedi Master is, and while he may possess an amptitude for mind-reading and clairvoyance, it is somewhat logical to assume that Kenobi would seek out his council. “Most important lesson have you learned! Now a great burden you carry,” Yoda responds to the Jedi’s self pity. When news of the Emperor’s outrageous abomination reaches them on Dagobah, they have but one goal in mind: the rescue of Lady Arcady and her two children. Revenge is simply not a proper emotion for Jedi Knights, and no matter how tempting the destruction of Vader and Palpatine may be, Yoda and Obi-wan must transcend their anger to look at the whole picture. Luke and Leia represent the future of the galaxy, and their safety must be paramount. “The Emperor knew, as I did, if Anakin were to have any offspring, they would be a threat to him,” Ben explains to Luke.
Slipping through the Emperor’s hostile defenses, Kenobi manages to rescue Skywalker’s family. Leia and her mother then go to live on Alderaan, in the safety of Bail Organa’s family, while Obi-wan delivers Luke to his brother Owen Lars, possibly stopping first on Dagobah to bid Yoda farewell. (When he arrives on Dagobah, Luke tells Artoo- Detoo “there’s something familiar about this place,” suggesting that he has some childhood memory buried deep in his subconscious.) Kenobi then settles on Tatooine, not far from his brother’s moisture farm, changes his name (to Ben) and awaits the day when the young Luke will heed his own call to adventure. The film ends on a hopeful note. Even though the Republic has fallen to a greedy and corrupt politician and his sinister forces, a new Republic will someday emerge from the ashes of the old.
The story of Anakin Skywalker comes full circle by the close of the third film. In fact, when Darth Vader first encounters Obi-wan Kenobi in “Star Wars,” he says: “The circle is now complete. When I left you, I was but the learner; now I am the master.” But though his journey as a hero, from separation (as an innocent) to initiation (as a warrior), is seemingly complete, Anakin’s character still awaits redemption and return. His wounding and dismemberment (in the molten pit) at the hands of Obi-wan Kenobi provide only a temporary resolution. When Anakin emerges as the Dark Lord of the Sith, he taken the wrong treasure. He has embraced the power of evil, as possibly amplified by the Kiber Crystal. And as often befalls a tragic hero, who has taken the wrong treasure, he is punished for his actions. Only much later does Vader learn the real treasure (to be won) is the inner courage that his son demonstrates before the Emperor. For it is that singular act of courage which redeems him, and gives him the strength to destroy Palpatine.
Not too long from now . . . in a neighborhood theatre not that far away, most of the questions that have been raised by the first three films, their novelizations and this article will find resolution in George Lucas’s next epic trilogy. The same space saga, which once mesmerized audiences with the exploits of Han Solo, Luke Skywalker, Princess Leia, Darth Vader, See-Threepio and Artoo-Detoo will again delight a whole new generation of fans with the future adventures of Anakin Skywalker and Obi-wan Kenobi. Few film series in the history of motion pictures have enjoyed such success, or generated such devoted enthusiasm. And now, as preparations get under way on a brand new trilogy, hundreds of millions of fans will begin that final countdown to opening day in 1998 or 2001. May the Force be with us all until then.
 
Does this mean there won't be a Willow ITTL?

Willow was from 1988, and The Last Crusade was 1989. Between the Last Crusade and 1999's Phantom Menace George Lucas only made one film, Radioland Murders. The only thing that kept him professionally busy in the 90's was The Young Indiana Jones TV series.

So yes if he had the motivation, Lucas could have made more Star Wars movies after Last Crusade wrapped in 1989.
 
You do realize that Howard the Duck was 1986. George Lucas, executive producer. I think we can officially write him off as a creative force.
 
Here's the thing. Lucas comes off like a great idea man. But when he gets into the making of, like being the director and writer, things seem to fall apart. At least by the millenia when everyone kissed his ass and no one criticized him or double checked his work so he could make rewrites and modifications. So even if Lucas could write and direct a long time ago in a galaxy far, far away, he still seems like a great idea man foremost.

Also, as he was a great idea man, he could do what he did for the other Star Wars films after "Star Wars" in 1977, and hand off responsibilities to other people. He'd remain Executive Producer and oversee the story, but other people would direct and possibly write the screenplay. If he was especially tired, he could back off even further and just make sure the story kept in line with something he could accept and would follow any ideas he already had.

A heavy problem with the prequels, at least in my view, is that Lucas was alone. He was director, writer, producer, etc, and everyone was kissing his ass and no one was there to check him. To get a bit meta, it's like the empire compared to the republic. In the republic, there was diversity and things were better. Under the empire, diversity was stamped out and things became unbearable. And we nerds are the rebellion. Ironically, it was the films that covered the Republic era which were bad and which lacked diversity in production and it was the films which covered the Empire which were the classic space operas and which had the diversity in production. So I think a prequel series which kept diversity, and had people to say "what about this" and "that won't work" would be superior and would have character.
 

JoeMulk

Banned
Michael J Fox as Obi-Wan
Christopher Lloyd as Qui Gan Jin
Maculey Culkin as Anakin Skywalker
Winona Ryder as Padame
 
Michael J Fox as Obi-Wan
Christopher Lloyd as Qui Gan Jin

Great Scott

Maculey Culkin as Anakin Skywalker

From the film "The Good Son" his evil ability is no more developed than Jake Lloyd.

Winona Ryder as Padame

She'll steal the show.
http://www.youtube.com/watch?v=YAxTTt7BDq4

****
But, here's the thing. Lucas has a penchant for saying "This was all pre-planned" when nothing ever was. He just made it up as he went along. Qui Gon wasn't thought of until he started writing Phantom Menace. Nor was Padame. And Anakin being that young was probably not thought up until the writing process in the 90's. And from what was explained in the original trilogy, the ideas were originally very different. Yoda trained Obi Wan, and Anakin came off as older (already being a good pilot, and no BS Space-NASCAR either), among other things.
 
In reference to the OP, I think that the biggest issue with the prequels is not when they were written, but who made them. The best Star Wars film, Empire, was directed by Irvin Kershner. He brought his own vision of what the film should be, and was able to shape within the creative image of Lucas. A similar thing happened with A New Hope, where Lucas had to fight with the studio the whole way, forcing him to cut a great deal from his initial story. These two movies were the brainchild of Lucas, but were largely guided outside of his direct control. Once he was given direct control over the process, the movies began to suffer. Even Jedi features many of the problems that would plague the prequels (an excellent example is the frightening dichotomy between violence and cuteness, personified by Jar Jar Binks in the prequel, but also the scene where the adorable Ewok plays the drums with the helmets of dead Imperial soldiers.)

So to have good prequels, you need a director or producer who will be a foil to Lucas. Perhaps a Steven Speilberg or James Cameron, who would bring his own artistic vision to the films. Because there really isn’t much needed for the prequels. The plot arch needs to be the story of Anakin Skywalker going from being a great Jedi to becoming the most powerful villain in the galaxy. Everything else falls into place with good directing, writing, and producing. You could very conceivably have great prequels made when they were in OTL, as long as you have someone to say “You know what, George; Midiclorians ruin the entire idea of the Force.”
 
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