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#1
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Inspired by this thread, which we had not so long ago.
Simply put : Try to create the most original, hilarious or insane premise for a "-punk" setting. On your marks, get set, go ! Here are a few examples : Quote:
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Have fun. ![]()
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#2
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A world where the protagonist is entranced by a social trend that has taken all the other -punk genres and he has to escape the horrible gang warfare that goes on between these factions. He's a fairly normal guy, for the place in which he lives (goggles, high boots, big coat, funky devices) and he thinks that living elsewhere would be better; you know, a place where trends like what age your jacket is from, aren't something to kill over.
I call it Doublepunk. ![]() |
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#3
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Louispunk-technology adapted so as to be in the style of Versailles (imagine, a hall of adjustable mirrors/one way mirrors 370ft. below sea level in a submarine.
Gothicpunk-A bit like Clockpunk, but with a more medieval feel. Sovietpunk-Everything that the Stalinists's wanted Russia to be like (including that massive statue of Lenin with laser eyes. |
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#4
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Renaisancepunk: the designs of Leonardo da Vinci, Juanelo Turriano, Blasco de Garay and Federigo Giambelli come true... flying machines, tanks, machine-guns, robots, steam boats and explosive devices with the flavour of the Renaisance.
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Por el Honor, la Vida. Por el Alma, las dos. |
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#5
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Lintpunk - Bellybuttons have become the source of a powerful new energy source. Battles for the Bellies ensue.
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The Long, Cold Winter. |
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#6
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Stirlingpunk- A world where technology is based off of the Stirling Engine, and other external combustion models rather than steam or internal combustion.
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#7
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What about Celtpunk? Everything is a very Celtic-inspired world in contrast to Romepunk or Greekpunk.
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#8
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Love it... ![]() Quote:
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Last edited by Petike; December 22nd, 2009 at 04:05 PM.. |
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#9
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Dr. DoolittlePunk:
DOCTOR DOOLITTLE AND THE END OF THE WORLD The story is set 100 years or so into the future of the early stories, circa 1940 or so. The knowledge of how to talk to animals has spread beyond the Doctor’s small circle (a young naturalist who has seen the doctor in action begs Tom Stubbins to teach him: Darwin or Huxley get involved?), and an aging Doctor, sick of the now-enormous fame that leaves him no time for his work, and no longer as closely involved with Stubbins (who has found wuv and is raising a family), ends up returning to the moon (with the aid of his animal friends in arranging a signal visible across space), to spend a peaceful retirement studying all the wonders of the Moon’s biology. It is a story of multiple intertwined threads: the grandson and great-granddaughter of Tommy Stubbins and the great-grandaughter's boyfriend, investigating a 2012 - DaVinci Code - type mystery, involving ancient archeology, geology, and the secret history of the Earth; a race to the Moon by three great nations, involving dirigible Aether-fliers (technology is steampunk/diesel-punk); and a world-ending menace of almost unimaginable proportions. The world is very different from our own, as a result of the discovery of animal sentience. World-wide spread of vegetarianism, a huge expansion of Buddhism, and an explosion of new sects and religions: animal cities and ghettoes: such ill-conceived effort as the Society to Promote Vegetarianism in Felines: such contrarians as the New Darwinian meat-eaters and knife-and-spear hunters, and the logical culmination of such thinking in Nazi cannibals. The multi-billion dollar industry in prosthetics and tools for fingerless animals, animal citizenship rights, and the ongoing struggle for an Independent Nation of the Serengeti. Submarines and zeppelins and mechanical moles, and the rodent Zero Population Growth movement. A number of characters make an appearance, from the villainous Dr. Buzzby and his army of insect friends, to Sir Lester Bland, England’s first pig PM, and his gorilla valet. There are also the numerous descendants of the original White Mouse, a now very decrepit (and very snappish) Polynesia, the Puddelby Friends of Dr. Doolittle Society, the Crown Prince of Mars, Charles Lindberg, Otho the lunar giant, and, of course, Dr. Doolittle himself. After the threads of the story join, Dr. Doolittle and his companions must embark on a desperate trip across the solar system to save the world from an implacable judgment and, incidentally, figure out how to talk to a rock… (Oh, and also the return of Long Arrow). Bruce |
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#10
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#11
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#12
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Discopunk; it don't get more insane then that... unless it's monkeypunk.
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Check here for my works: An Alternate History of the Netherlands Wing Commander rebooted |
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#13
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Quote:
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#14
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Horsepunk. Actually that would be reality up until the invention of cars.
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#15
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ElectroBronze-punk. Its a universe where primitive batteries were invented much much earlier, and the people of the world have adapted to it quite well. Its most important function is as a telegraph like device, along with electric rail cars.
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My brain is open. - Paul Erdős |
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#16
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Toiletpunk. Specially aimed at five-year olds or immature people.
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Fear the mutated Tiger tanks. Fear them. |
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#17
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Vodunpunk or voodoopunk: Think 17th to early 19th century tech with the inclusion of mindless voodoo zombies, slaves who've been administered poison which destroys their minds to the point they can only do what is commanded by their master. Zombies have made their way into every facet of this TL's world, as they are cheap slaves that can perform the same task over and over again without boring and can't rebel or ask questions.
Amazonpunk: Nothing to do with matriarchy. The existence of pre-Columbian Amazonian societies has been proven. They were divided into medium sized villages that supported themselves by creating mixtures of ultra-fertile soil and thus were able to grow crops in conjunction with allowing the rainforest around them to continue to exist. Amazonpunk would therefore be a TL where, rather than large urban centers, the world was mostly still wilderness pebbled with medium-sized self-sufficient communities, which perserved natural resources around them. Aeromunicipalismpunk: This one's a little harder to explain. The basic idea stems from Municipal Darwinism from the Mortal Engines series of novels, in which mobile cities chase and consume each other. The novels posit that such a system was inherently flawed as the existence of such cities means that the land they roam on can be used for little else, and that it slowly becomes harder and harder to build more cities and in turn, there is less and less "food" (resources and people) for the largest cities to support themselves with. So instead, Aeromunicipal Darwinism replaces the tracked mobile cities with large zeppelins that each can carry up to 1000 people. Each zeppelin is an "animal" that depends on either "plants" or other "animals" for sustenance. "Plants" are farming, mining, or manufacturing stations or small towns that exchange the goods they produce with zeppelins. "Herbivores" trade the cargo they carry or can produce with other "herbivores" and with the "plants". "Herbivores" are the most numerous type of zeppelin and tend to be the largest, as they often rely on the ability to carry cargo, not speed. "Carnivores" are pirate airships that sneak up on "herbivores" and board them, holding the crew hostage for a ransom of cargo. "Carnivores" are almost always very small and very fast. Firearms are never used, nor are any weapon that could cause damage to the zeppelins themselves. Instead, the crews of "carnivores" or the defending crews of "herbivores" use increasingly advanced hand-to-hand weapons and light but powerful armor.
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We're better than you and we know it. |
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#18
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Very nice ideas.
I liked the whole voodoopunk thing less, zombies are way too overused, IMHO.Quote:
You can't go wrong with things as awesome as that... ![]() Quote:
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Last edited by Petike; December 23rd, 2009 at 05:05 AM.. |
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#19
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Digitalpunk. Almost everything imaginable uses digital technology - even doors, which use something similar in appearance to a USB drive instead of a metal key. It's a utopia until a hacker comes around and decides to download a virus into a traffic light, or something.
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#20
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"A world where the protagonist is entranced by a social trend that has taken all the other -punk genres and he has to escape the horrible gang warfare that goes on between these factions. He's a fairly normal guy, for the place in which he lives (goggles, high boots, big coat, funky devices) and he thinks that living elsewhere would be better; you know, a place where trends like what age your jacket is from, aren't something to kill over.
I call it Doublepunk." This describes my life. I am very into punk music. So are alot of other people I know, who divided into warring factions (crusty punks, skinheads, emo kids, 2 tone ska revivalists, third wave ska kids, goths, nu metal kids, old metal kids, pop punks, hardcore kids, indie kids). I am a fairly normal guy for the circumstances I lived in, even had goggles and living elsewhere was better, because I moved to California, and they do not attack one another based on lack of mohawk or insufficient knowledge of NOFX songs. |
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