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#1941
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#1942
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So what else is there? He was, IMO, appropriately over-the-top in the remake of Oceans Eleven; he was excellent in Syriana, good in O Brother, Where Art Thou and obviously good-enough-to-be-in-movies while on ER. (I can't really comment on the show, since I never watched it.) I haven't seen Burn After Reading or The Men Who Stare At Goats, but they looked okay from the trailers. Didn't see The Perfect Storm and don't intend to, but I find it hard to believe someone would form any strong opinions about that film one way or the other. Oh, and the Oceans sequels suck, obviously, but that doesn't strike me as Clooney's fault. So what gives??
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People love it when you lose... they love Dirty Laundry! Read the latest entry here, or find out more on TV Tropes! |
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#1943
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#1944
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#1945
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I will never cease to be floored and amazed by the incredible response to this timeline. Exactly eleven months ago today, I posted a quirky little plot-bunny of an idea I had about a fun alternate pop-culture scenario, and today it has achieved popularity on par with some of my very wildest dreams (for like That Wacky Redhead, I dream big dreams - and you should, too). This thread now has over 250,000 views, and all of you are entirely responsible for it. Thank you all so very much. Your continuing support has encouraged me and lifted my spirits throughout this almost-year, and I hope that you'll all remain aboard as we roll on ahead - and all on account of That Wacky Redhead!
![]() In celebration of this milestone, I've also changed my user subtitle - thanks to Thande for the inspiration, and to e of pi for the encouragement. --- And now, to follow up with some celebratory responses! Quote:
As Janice (the character analogous to "Chrissy" IOTL, and "Jo" in Man About the House), I have cast Susan Anton, one of the many late-1970s beauty queens who was famous for nothing in particular (beyond her looks). This is where the prestige of Desilu's involvement in the series proved fruitful, as it was able to attract a "star" of her "calibre", so to speak (Somers was a complete unknown at the time IOTL, and Silverman has often claimed that her casting was a big risk). As Chrissy (analogous to "Janet" IOTL, and, of course, "Chrissy" in Man About the House), I chose Pam Dawber. A couple of years down the line IOTL, she was cast as one of the ultimate straight-men in sitcom history: Mindy in Mork & Mindy, opposite Robin Williams, in the greatest sitcom-as-career-breakthrough until Bruce Willis in Moonlighting. And as Mrs. Roper, I've cast Betty Garrett, known at about this time IOTL as Irene Lorenzo, the blue-collar, bread-winning, liberated Catholic woman who lived next-door to the Bunkers (with her docile, homemaker husband Frank) in All in the Family from 1973 to 1975 (she would not play such a role in Those Were the Days ITTL). And Mr. Roper? Well... And as you can see, I agreed with you! I decided to flip-flop and cast Fell in his iconic OTL role, and not usurp him in favour of Don Knotts ITTL. Quote:
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The crux of it is Hype Backlash. He is not nearly as talented, handsome, or charismatic as the hive mind is insisting, and each time I witness such profuse overpraise being heaped upon him, it makes him go down further in my estimation. Perhaps I might see the appeal if I weren't constantly being told how amazing he is (see also: a certain cult writer of genre shows, starting in the late 1990s, who is supposedly The Greatest Writer In The History Of Creation And All His Works Are Sacred And Beyond Reproach. Seriously, you guys - no, he isn't). Sexiest Man Alive really doesn't bother me, actually (have you seen some of the other winners?), but "the last movie star"? Are you kidding me? The man who can't even open a movie unless he's surrounded by one of the most star-studded ensemble casts in Hollywood history? Dream on, Hype Machine. (Now, Will Smith - there's "the last movie star". Even if you don't like him, you can't argue with his grosses.) I've seen him in some of the things he'd rather Hollywood forget - The Facts of Life, Roseanne, The Golden Girls... you know, all those years he was toiling away, somehow being given chance after chance? Mediocre or worse in every last one of them. And whether or not he deserved an Oscar for Syriana (I can't say - I haven't seen it) - he didn't win for that reason. He won because he is Clooney and he was too popular not to (seriously, that was the argument I saw time and time again that year). And - okay, I'm being petty here, but still - that cocksure smirk of his. So off-putting. Also: why are his defenders so eager to absolve him of his failures? He was terrible in Batman & Robin - no ifs, ands, or buts! He should own that! But no, he gets to joke about it - "Oh, I played him gay", he says to Baba Wawa. No, Clooney, you played him poorly. Don't try to save your performance with any of that cynical, post-modern tripe now. And yes, he was worse than Schwarzenegger, who knew exactly what kind of movie he was in and acted accordingly. And the icing on the cake... Quote:
But, as with that cult TV writer, and that modern OTL spinoff of Star Trek, I realize that I'm in the minority on the matter. No hard feelings to you fans of his ![]()
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That Wacky Redhead: Big Dreams Have Big Consequences! Find out more on the Alternate History Wiki or TV Tropes |
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#1946
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You are welcome Brainbin!
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"You might very well think that; I couldn't possibly comment." |
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#1947
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I've liked some of his films (nothing exceptionally), & really liked "Michael Clayton". I hated the 2d "ER"...or rather, after watching the pilot, wouldn't have cared if they'd bombed the hospital & killed them all. (Naturally, after I liked Mandy Patinkin's Geiger from 3 minutes into the pilot of "Chicago Hope", they wrote him out...![]() )Quote:
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Ritter just bugged me. I never could get past that. Was he talented? IDK, & couldn't care. If Ritter's career fell in a hole, I wouldn't miss him. If he becomes bigger than Arnold, I still wouldn't go see his movies or watch his show. He'll still bug me.![]() Quote:
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__________________
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#1948
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He's gone down in my opinion as time and again he does something jerkworthy and relies on his "suavity" to excuse him. He's kind of the reverse Brad Pitt. When BP started he was a bit of a jerk and couldn't act. Yet over the years he has painfully learned his craft (admittedly he's not brilliant), refused to rely on his looks, and behavoured admirably in public (excluding his marriage breakup of course). |
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#1949
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My guess is that "Janice or Chrissy?" will be TTL's equivalent of "Ginger or Mary Ann?" And speaking of "sex bomb"/"girl next door" pairings -- don't forget "Jennifer or Bailey?" (WKRP in Cincinnati), due up in early 1978.... Also: I'm not sure I would count myself as a Clooney "defender" -- I just think there are better targets for "most overrated actor." The aforementioned Hugh Grant, for instance. Oh, and don't get me started on Julia Roberts....
__________________
People love it when you lose... they love Dirty Laundry! Read the latest entry here, or find out more on TV Tropes! |
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#1950
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That's a bit of hyperbole, don't you think? As nice as Dawber was in a girl-next-door, Mary Ann sort of way, she could be easily replaced. Hollywood has dozens of Dawbers floating around at any given moment, she had about as many lines in a typical M&M episode as an average piece of set furniture, and her post-M&M career illustrates her pedestrian talents rather neatly. Dawber could be replaced and we'd never know it. All you need for M&M is Robin Williams, a guy who was already Clooney-level douchebag back when Clooney was still sleeping on his aunt's couch. |
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#1951
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Cheers, Nigel. |
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#1952
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Very good point. Casting Dawber ITTL's Three's Company doesn't butterfly away Mork and Mindy, a different Happy Days which doesn't has Williams one-off guest appearance as the "wacky alien" does the job instead. |
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#1953
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More comments? Well, here are some more responses!
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![]() In all seriousness: Somers will not achieve celebrity ITTL. Just as Fell gets what he deserves, so too does Somers. Quote:
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You're not the only one to ask me about that, actually. We'll just have to see! ![]() Quote:
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Ironic, isn't it, that a studio headed by That Wacky Redhead herself could ground an OTL sitcom. But Miller-Milkis-Boyett were definitely prone to flights of fancy...
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That Wacky Redhead: Big Dreams Have Big Consequences! Find out more on the Alternate History Wiki or TV Tropes |
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#1954
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I do wonder, in the Somers instance, how this is more, or less, consistent. As for why I am? No idea. It's not an effort to be contrary... (No, it's effortless. )Quote:
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As said, never a fan, so no... I skimmed it, but didn't give it careful attention.Quote:
![]() "I swear, I thought they could fly". "Play the playlist. Play part of the playlist. Play a song on the playlist. Play part of a song on the playlist."![]() ![]() BTW, have you ever seen "Equinox"? Featuring a young Frank Bonner...& it's as bad as you'd expect. ![]() Quote:
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#1955
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I particularly Liked the episode In Concert. They handled the serious subject very well. Quote:
Cheers, Nigel |
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#1956
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I kept seeing the link to "FM"...
__________________
Sometimes a butterfly is just a butterfly. ![]() Economic Left/Right: -7.50 Libertarian/Authoritarian: -8.00 Join GPRO |
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#1957
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Although I am aware of the existence of Man About the House, I've never seen it, in part due to it not being part of UK Gold's primary lineup back when I was educating myself about British comedy in the seventies and eighties, so I wasn't aware that it was a farce--though considering the premise this is probably inevitable. One tends to assume that farce is such a characteristically 'English' form of comedy that you get surprised when you see it elsewhere, but this is probably giving ourselves too much exceptionalist credit. I mean I even found out recently that America used to have pantomimes back in the day...
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#1958
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That's quite an understatement. ![]() I had the "pleasure" of watching Williams perform at The Punch Line" in San Francisco either in late '83 or '84. (I was stationed at Alameda for a big chunk of the 80s and can only place the incident in reference to deployments.) It was a "pleasure", you see, because Williams wasn't scheduled to perform... "The Punch Line" was part of a skyscraper complex. A multi-story parking garage takes up the entire block there with the skyscraper further rising from just a portion of the block's footprint. The rest of the garage's roof is taken up by a small park and "The Punchline". The club is long and narrow with the bar and stage set opposite each other along the long sides of the building. We were on an otherwise normal weekday night watching an otherwise normal weekday line-up. A female comedian, whose name I never remembered and whose face I never saw again, was at the mic working her way through a formulaic routine about her boyfriend when a voice from the bar shouted "BULLSHIT!" The stage hand quickly swung a spot onto the heckler because that's exactly what a heckled comedian needs; you must quickly, savagely, and humorously strike the heckler down to keep the crowd on your side. The spot swings around, all eyes follow it, and the heckler is revealed as... ... Robin Williams. (Which you'd already guessed.) We all stare in shock as Williams leaves bar, walks through the shallow seating area, gets up on stage, takes the mic from the woman who had been working there, and proceeds to do 10 minutes of stream-of-consciousness stuff that left us gasping. We were all still goggling when Williams simply stopped in the middle of some riff, handed the mic back to the female comedian, and left the club. She stood there for a brief period, hung the mic up, and walked off. At first we all talked about how amazing the whole incident had been but within minutes we all also began to realize what an world record example of titanic egotistical douchebaggery we'd witnessed. Before this, I'd been content to enjoy Williams in small doses. After this, if Williams was on fire I wouldn't cross the street to piss on him. I read many years later that Williams had been going through a bad period during this time. The story was that the cruel hangover that always follows immediate overwhelming fame was hammering him, that his personal life was in a shambles, that he was using a lot of cocaine, plus a lot of other usual excuses. I also read that what we'd witnessed at "The Punch Line" occurred in other clubs in other cities across the US; Williams would finish his headliner set at some big venue, then sneak off to some small comedy club, hide at the bar for a while, and then take over someone's set. What a swell guy. I'm sure we've all heard of or received this advice concerning women: If you want to judge a woman's character watch how all other women treat her. The same holds true across the board. You can judge someone's character by watching how their peers treat them. Williams, like Leno, is despised by other comedians and that treatment has been earned. |
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#1959
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Ah, well - a little understatment goes a long way
![]() I haven't seen him perform live, but your description certainly sounds in character. Seeing how he behaves on talk shows was enough for me. Cheers, Nigel. |
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#1960
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TB-EI |
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