Deleted member 82792
I was just wondering what different plots for movies like Snow White, Aladdin or Frozen would be like. Any ideas?
Do you mean films that could have been made in an alternate timeline that still had a Disney, or films that could have been made in our own timeline but weren't?
For the former, you could only really consider settings in the 20th Century, as an earlier PoD might wipe away Disney the man and hence the Studio. In a world where America goes communist, or Germany gets really, really lucky in World War II, then you could easily see very different films being made, though I don't think we'd like to see them In fact, given that a Disney film can be set in any world, at any point in history, there's not much the real world could do to direct the path Disney takes.
As it is, OTL gives Disney quite a bit of leeway. I could see the scare of the Cold War producing a movie set in the aftermath of nuclear war, like if Disney did Fallout I do know that at least Frozen could've been a very different film, with Elsa as a sort-of 'neutral antagonist'. Her famous (or infamous, depending on how many times you've heard it ) alludes to the original premise, "I am one with the wind and sky", "No right, no wrong, no rules for me", where Elsa rejects the idea of good and evil 'ascends', in her mind, above morality. Frozen IOTL did play with the standard 'formula' (the magical queen is good-but-misunderstood, and the 'Prince Charming' is a murdering sociopath), so it might just have worked (I don't know how, I'm not a scriptwriter).
High School Musical IV - Troy comes home from work and finds Gabriella in bed with Chad...
Or she comes home and... well
Let's See:
1: Originally, the original main villain of The Rescuers was to be Cruella de Ville from 101 Dalmatians, but the original authors of both works threatened to sue Disney if that happened.
2: While Don Bluth was working on Fox and Hound, it was much closer to the original book. It was only after he left that the plot was changed to make it a parable of race relations.
3: The Black Cauldron's original script had an extra 25 minutes of screen time, which included more characterization time for Taran, Eilowny, and Flewddur Flaam, and a better explanation of Arawn the Death Lord's motives and plans.
4: Little Nemo In Slumberland was originally a joint venture between Disney and Tokyo Movie Shinsha. However, during the regime change that brought Michael Eisner to power, Disney withdrew from its part of production, forcing them to scramble to find a new partner. It took five more years to complete the film, with the help of Warner Brothers (through the Orion Pictures label), and one of the American animators on the project was none other than Bruce Timm of the DCAU (Starting with Batman: The Animated Series.)
5: Oliver and Company was originally planned to use human characters and be a more straightforward adaption of Oliver Twist.
6: Aladdin was only greenlighted after Duck Tales: Treasure of the Lost Lamp turned into a box office bomb, and was stricken from the Disney Animated Canon. Had the latter movie been a hit, it would have probably meant that A Goofy Movie, Another Goofy Movie, Tigger's First Movie, and The Heffalump Movie could have been counted among the Canon, too. (This alongside OTL's Winnie the Pooh 2{2010}).
7: There were repeated attempts to turn Swan Lake into an animated feature during the 1990s and early '00s.
8: Before the success of The Incredibles, the plot of Bolt was radically different, closer to that of live action film G-Force!
9: Tangled was originally meant for either hand-drawn animation, or a more stylized cell-shading animation style, and would go for a more tongue-in-cheek, fractured fairytale style of Shrek. Then the director successfully rewrote the physics engine, and a new script after the relative success of The Princess and the Frog.
10: Wreck-It Ralph's original name was Joe Jump, and it was originally a Pixar Script. Allegedly, it was supposed to be a more faithful big screen adaptation of either Donkey Kong or Super Mario Bros. than the 1992 film with Bob Hoskins.
11: There were several earlier drafts of Frozen. In one, the love triangle with Hans and Kristoff would have been more overt, and featured Elsa at the center, and she would have been the villain of the piece. Then the recording of "Let it Go" came back, and everybody realized that Idina Menzel's delivery simply wouldn't work for a Disney Villainess without some major Unfortunate Implications. A last-minute rewrite with only eight months left until release caused a lit of nail-biting among Disney High Ups, and the $120,000,000 write-off constituted roughly 2/3 of the budget.
Seriously though there was supposed to be HSM IV and they were even talking about it becoming a franchise where they would make successive movies with new cast members as old cast members "graduated" from East High. That talk was after HSM II when the franchise was really on the rise.
After HSM III they quickly came to realize that it had run its course. HSM IV became Sharpay's Fabulous Adventure and then it all quietly went away.
Robin Hood with 'human' characters rather than anthropomorphic animals?
You know, Originally, Disney was developing a sequel to Atlantis: The Lost Empire. It was to be entitled Shards of Chaos, but it was abandoned once The Lost Empire was less successful than anticipated.
Thoughts?
Maybe have the original do better at the box office?
Let's See:
3: The Black Cauldron's original script had an extra 25 minutes of screen time, which included more characterization time for Taran, Eilowny, and Flewddur Flaam, and a better explanation of Arawn the Death Lord's motives and plans.